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Best Famous Clawed Poems

Here is a collection of the all-time best famous Clawed poems. This is a select list of the best famous Clawed poetry. Reading, writing, and enjoying famous Clawed poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of clawed poems.

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Written by Siegfried Sassoon | Create an image from this poem

Haunted

EVENING was in the wood, louring with storm.
A time of drought had sucked the weedy pool And baked the channels; birds had done with song.
Thirst was a dream of fountains in the moon, Or willow-music blown across the water 5 Leisurely sliding on by weir and mill.
Uneasy was the man who wandered, brooding, His face a little whiter than the dusk.
A drone of sultry wings flicker¡¯d in his head.
The end of sunset burning thro¡¯ the boughs 10 Died in a smear of red; exhausted hours Cumber¡¯d, and ugly sorrows hemmed him in.
He thought: ¡®Somewhere there¡¯s thunder,¡¯ as he strove To shake off dread; he dared not look behind him, But stood, the sweat of horror on his face.
15 He blunder¡¯d down a path, trampling on thistles, In sudden race to leave the ghostly trees.
And: ¡®Soon I¡¯ll be in open fields,¡¯ he thought, And half remembered starlight on the meadows, Scent of mown grass and voices of tired men, 20 Fading along the field-paths; home and sleep And cool-swept upland spaces, whispering leaves, And far off the long churring night-jar¡¯s note.
But something in the wood, trying to daunt him, Led him confused in circles through the thicket.
25 He was forgetting his old wretched folly, And freedom was his need; his throat was choking.
Barbed brambles gripped and clawed him round his legs, And he floundered over snags and hidden stumps.
Mumbling: ¡®I will get out! I must get out!¡¯ 30 Butting and thrusting up the baffling gloom, Pausing to listen in a space ¡¯twixt thorns, He peers around with peering, frantic eyes.
An evil creature in the twilight looping, Flapped blindly in his face.
Beating it off, 35 He screeched in terror, and straightway something clambered Heavily from an oak, and dropped, bent double, To shamble at him zigzag, squat and bestial.
Headlong he charges down the wood, and falls With roaring brain¡ªagony¡ªthe snap¡¯t spark¡ª 40 And blots of green and purple in his eyes.
Then the slow fingers groping on his neck, And at his heart the strangling clasp of death.


Written by Aleister Crowley | Create an image from this poem

The Twins

 [Dedicated to Austin Osman Spare]


Have pity ! show no pity !
Those eyes that send such shivers
Into my brain and spine : oh let them
Flame like the ancient city
Swallowed up by the sulphurous rivers
When men let angels fret them !

Yea ! let the south wind blow,
And the Turkish banner advance,
And the word go out : No quarter !
But I shall hod thee -so !
While the boys and maidens dance
About the shambles of slaughter !

I know thee who thou art,
The inmost fiend that curlest
Thy vampire tounge about
Earth's corybantic heart,
Hell's warrior that whirlest
The darts of horror and doubt !

Thou knowest me who I am
The inmost soul and saviour
Of man ; what hieroglyph
Of the dragon and the lamb
Shall thou and I engrave here
On Time's inscandescable cliff ?

Look ! in the plished granite,
Black as thy cartouche is with sins,
I read the searing sentence
That blasts the eyes that scan it :
"HOOR and SET be TWINS.
" A fico for repentance ! Ay ! O Son of my mother That snarled and clawed in her womb As now we rave in our rapture, I know thee, I love thee, brother ! Incestuous males that consumes The light and the life that we capture.
Starve thou the soul of the world, Brother, as I the body ! Shall we not glut our lust On these wretches whom Fate hath hurled To a hell of jesus and shoddy, Dung and ethics and dust ? Thou as I art Fate.
Coe then, conquer and kiss me ! Come ! what hinders? Believe me : This is the thought we await.
The mark is fair ; can you miss me ? See, how subtly I writhe ! Strange runes and unknown sigils I trace in the trance that thrills us.
Death ! how lithe, how blithe Are these male incestuous vigils ! Ah ! this is the spasm that kills us ! Wherefore I solemnly affirm This twofold Oneness at the term.
Asar on Asi did beget Horus twin brother unto Set.
Now Set and Horus kiss, to call The Soul of the Unnatural Forth from the dusk ; then nature slain Lets the Beyond be born again.
This weird is of the tongue of Khem, The Conjuration used of them.
Whoso shall speak it, let him die, His bowels rotting inwardly, Save he uncover and caress The God that lighteth his liesse.
Written by Dylan Thomas | Create an image from this poem

I In My Intricate Image

 I

I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.
Beginning with doom in the bulb, the spring unravels, Bright as her spinning-wheels, the colic season Worked on a world of petals; She threads off the sap and needles, blood and bubble Casts to the pine roots, raising man like a mountain Out of the naked entrail.
Beginning with doom in the ghost, and the springing marvels, Image of images, my metal phantom Forcing forth through the harebell, My man of leaves and the bronze root, mortal, unmortal, I, in my fusion of rose and male motion, Create this twin miracle.
This is the fortune of manhood: the natural peril, A steeplejack tower, bonerailed and masterless, No death more natural; Thus the shadowless man or ox, and the pictured devil, In seizure of silence commit the dead nuisance.
The natural parallel.
My images stalk the trees and the slant sap's tunnel, No tread more perilous, the green steps and spire Mount on man's footfall, I with the wooden insect in the tree of nettles, In the glass bed of grapes with snail and flower, Hearing the weather fall.
Intricate manhood of ending, the invalid rivals, Voyaging clockwise off the symboled harbour, Finding the water final, On the consumptives' terrace taking their two farewells, Sail on the level, the departing adventure, To the sea-blown arrival.
II They climb the country pinnacle, Twelve winds encounter by the white host at pasture, Corner the mounted meadows in the hill corral; They see the squirrel stumble, The haring snail go giddily round the flower, A quarrel of weathers and trees in the windy spiral.
As they dive, the dust settles, The cadaverous gravels, falls thick and steadily, The highroad of water where the seabear and mackerel Turn the long sea arterial Turning a petrol face blind to the enemy Turning the riderless dead by the channel wall.
(Death instrumental, Splitting the long eye open, and the spiral turnkey, Your corkscrew grave centred in navel and nipple, The neck of the nostril, Under the mask and the ether, they making bloody The tray of knives, the antiseptic funeral; Bring out the black patrol, Your monstrous officers and the decaying army, The sexton sentinel, garrisoned under thistles, A cock-on-a-dunghill Crowing to Lazarus the morning is vanity, Dust be your saviour under the conjured soil.
) As they drown, the chime travels, Sweetly the diver's bell in the steeple of spindrift Rings out the Dead Sea scale; And, clapped in water till the triton dangles, Strung by the flaxen whale-weed, from the hangman's raft, Hear they the salt glass breakers and the tongues of burial.
(Turn the sea-spindle lateral, The grooved land rotating, that the stylus of lightning Dazzle this face of voices on the moon-turned table, Let the wax disk babble Shames and the damp dishonours, the relic scraping.
These are your years' recorders.
The circular world stands still.
) III They suffer the undead water where the turtle nibbles, Come unto sea-stuck towers, at the fibre scaling, The flight of the carnal skull And the cell-stepped thimble; Suffer, my topsy-turvies, that a double angel Sprout from the stony lockers like a tree on Aran.
Be by your one ghost pierced, his pointed ferrule, Brass and the bodiless image, on a stick of folly Star-set at Jacob's angle, Smoke hill and hophead's valley, And the five-fathomed Hamlet on his father's coral Thrusting the tom-thumb vision up the iron mile.
Suffer the slash of vision by the fin-green stubble, Be by the ships' sea broken at the manstring anchored The stoved bones' voyage downward In the shipwreck of muscle; Give over, lovers, locking, and the seawax struggle, Love like a mist or fire through the bed of eels.
And in the pincers of the boiling circle, The sea and instrument, nicked in the locks of time, My great blood's iron single In the pouring town, I, in a wind on fire, from green Adam's cradle, No man more magical, clawed out the crocodile.
Man was the scales, the death birds on enamel, Tail, Nile, and snout, a saddler of the rushes, Time in the hourless houses Shaking the sea-hatched skull, And, as for oils and ointments on the flying grail, All-hollowed man wept for his white apparel.
Man was Cadaver's masker, the harnessing mantle, Windily master of man was the rotten fathom, My ghost in his metal neptune Forged in man's mineral.
This was the god of beginning in the intricate seawhirl, And my images roared and rose on heaven's hill.
Written by Countee Cullen | Create an image from this poem

The Shroud of Color

 "Lord, being dark," I said, "I cannot bear
The further touch of earth, the scented air;
Lord, being dark, forewilled to that despair
My color shrouds me in, I am as dirt
Beneath my brother's heel; there is a hurt
In all the simple joys which to a child
Are sweet; they are contaminate, defiled
By truths of wrongs the childish vision fails
To see; too great a cost this birth entails.
I strangle in this yoke drawn tighter than The worth of bearing it, just to be man.
I am not brave enough to pay the price In full; I lack the strength to sacrifice I who have burned my hands upon a star, And climbed high hills at dawn to view the far Illimitable wonderments of earth, For whom all cups have dripped the wine of mirth, For whom the sea has strained her honeyed throat Till all the world was sea, and I a boat Unmoored, on what strange quest I willed to float; Who wore a many-colored coat of dreams, Thy gift, O Lord--I whom sun-dabbled streams Have washed, whose bare brown thighs have held the sun Incarcerate until his course was run, I who considered man a high-perfected Glass where loveliness could lie reflected, Now that I sway athwart Truth's deep abyss, Denuding man for what he was and is, Shall breath and being so inveigle me That I can damn my dreams to hell, and be Content, each new-born day, anew to see The steaming crimson vintage of my youth Incarnadine the altar-slab of Truth? Or hast Thou, Lord, somewhere I cannot see, A lamb imprisoned in a bush for me? Not so?Then let me render one by one Thy gifts, while still they shine; some little sun Yet gilds these thighs; my coat, albeit worn, Still hold its colors fast; albeit torn.
My heart will laugh a little yet, if I May win of Thee this grace, Lord:on this high And sacrificial hill 'twixt earth and sky, To dream still pure all that I loved, and die.
There is no other way to keep secure My wild chimeras, grave-locked against the lure Of Truth, the small hard teeth of worms, yet less Envenomed than the mouth of Truth, will bless Them into dust and happy nothingness.
Lord, Thou art God; and I, Lord, what am I But dust?With dust my place.
Lord, let me die.
" Across earth's warm, palpitating crust I flung my body in embrace; I thrust My mouth into the grass and sucked the dew, Then gave it back in tears my anguish drew; So hard I pressed against the ground, I felt The smallest sandgrain like a knife, and smelt The next year's flowering; all this to speed My body's dissolution, fain to feed The worms.
And so I groaned, and spent my strength Until, all passion spent, I lay full length And quivered like a flayed and bleeding thing.
So lay till lifted on a great black wing That had no mate nor flesh-apparent trunk To hamper it; with me all time had sunk Into oblivion; when I awoke The wing hung poised above two cliffs that broke The bowels of the earth in twain, and cleft The seas apart.
Below, above, to left, To right, I saw what no man saw before: Earth, hell, and heaven; sinew, vein, and core.
All things that swim or walk or creep or fly, All things that live and hunger, faint and die, Were made majestic then and magnified By sight so clearly purged and deified.
The smallest bug that crawls was taller than A tree, the mustard seed loomed like a man.
The earth that writhes eternally with pain Of birth, and woe of taking back her slain, Laid bare her teeming bosom to my sight, And all was struggle, gasping breath, and fight.
A blind worm here dug tunnels to the light, And there a seed, racked with heroic pain, Thrust eager tentacles to sun and rain: It climbed; it died; the old love conquered me To weep the blossom it would never be.
But here a bud won light; it burst and flowered Into a rose whose beauty challenged, "Coward!" There was no thing alive save only I That held life in contempt and longed to die.
And still I writhed and moaned, "The curse, the curse, Than animated death, can death be worse?" "Dark child of sorrow, mine no less, what art Of mine can make thee see and play thy part? The key to all strange things is in thy heart.
" What voice was this that coursed like liquid fire Along my flesh, and turned my hair to wire? I raised my burning eyes, beheld a field All multitudinous with carnal yield, A grim ensanguined mead whereon I saw Evolve the ancient fundamental law Of tooth and talon, fist and nail and claw.
There with the force of living, hostile hills Whose clash the hemmed-in vale with clamor fills, With greater din contended fierce majestic wills Of beast with beast, of man with man, in strife For love of what my heart despised, for life That unto me at dawn was now a prayer For night, at night a bloody heart-wrung tear For day again; for this, these groans From tangled flesh and interlocked bones.
And no thing died that did not give A testimony that it longed to live.
Man, strange composite blend of brute and god, Pushed on, nor backward glanced where last he trod: He seemed to mount a misty ladder flung Pendant from a cloud, yet never gained a rung But at his feet another tugged and clung.
My heart was still a pool of bitterness, Would yield nought else, nought else confess.
I spoke (although no form was there To see, I knew an ear was there to hear), "Well, let them fight; they can whose flesh is fair.
" Crisp lightning flashed; a wave of thunder shook My wing; a pause, and then a speaking, "Look.
" I scarce dared trust my ears or eyes for awe Of what they heard, and dread of what they saw; For, privileged beyond degree, this flesh Beheld God and His heaven in the mesh Of Lucifer's revolt, saw Lucifer Glow like the sun, and like a dulcimer I heard his sin-sweet voice break on the yell Of God's great warriors:Gabriel, Saint Clair and Michael, Israfel and Raphael.
And strange it was to see God with His back Against a wall, to see Christ hew and hack Till Lucifer, pressed by the mighty pair, And losing inch by inch, clawed at the air With fevered wings; then, lost beyond repair, He tricked a mass of stars into his hair; He filled his hands with stars, crying as he fell, "A star's a star although it burns in hell.
" So God was left to His divinity, Omnipotent at that most costly fee.
There was a lesson here, but still the clod In me was sycophant unto the rod, And cried, "Why mock me thus?Am I a god?" "One trial more:this failing, then I give You leave to die; no further need to live.
" Now suddenly a strange wild music smote A chord long impotent in me; a note Of jungles, primitive and subtle, throbbed Against my echoing breast, and tom-toms sobbed In every pulse-beat of my frame.
The din A hollow log bound with a python's skin Can make wrought every nerve to ecstasy, And I was wind and sky again, and sea, And all sweet things that flourish, being free.
Till all at once the music changed its key.
And now it was of bitterness and death, The cry the lash extorts, the broken breath Of liberty enchained; and yet there ran Through all a harmony of faith in man, A knowledge all would end as it began.
All sights and sounds and aspects of my race Accompanied this melody, kept pace With it; with music all their hopes and hates Were charged, not to be downed by all the fates.
And somehow it was borne upon my brain How being dark, and living through the pain Of it, is courage more than angels have.
I knew What storms and tumults lashed the tree that grew This body that I was, this cringing I That feared to contemplate a changing sky, This that I grovelled, whining, "Let me die," While others struggled in Life's abattoir.
The cries of all dark people near or far Were billowed over me, a mighty surge Of suffering in which my puny grief must merge And lose itself; I had no further claim to urge For death; in shame I raised my dust-grimed head, And though my lips moved not, God knew I said, "Lord, not for what I saw in flesh or bone Of fairer men; not raised on faith alone; Lord, I will live persuaded by mine own.
I cannot play the recreant to these; My spirit has come home, that sailed the doubtful seas.
" With the whiz of a sword that severs space, The wing dropped down at a dizzy pace, And flung me on my hill flat on my face; Flat on my face I lay defying pain, Glad of the blood in my smallest vein, And in my hands I clutched a loyal dream, Still spitting fire, bright twist and coil and gleam, And chiseled like a hound's white tooth.
"Oh, I will match you yet," I cried, "to truth.
" Right glad I was to stoop to what I once had spurned.
Glad even unto tears; I laughed aloud; I turned Upon my back, and though the tears for joy would run, My sight was clear; I looked and saw the rising sun.
Written by Carl Sandburg | Create an image from this poem

Smoke and Steel

 SMOKE of the fields in spring is one,
Smoke of the leaves in autumn another.
Smoke of a steel-mill roof or a battleship funnel, They all go up in a line with a smokestack, Or they twist … in the slow twist … of the wind.
If the north wind comes they run to the south.
If the west wind comes they run to the east.
By this sign all smokes know each other.
Smoke of the fields in spring and leaves in autumn, Smoke of the finished steel, chilled and blue, By the oath of work they swear: “I know you.
” Hunted and hissed from the center Deep down long ago when God made us over, Deep down are the cinders we came from— You and I and our heads of smoke.
Some of the smokes God dropped on the job Cross on the sky and count our years And sing in the secrets of our numbers; Sing their dawns and sing their evenings, Sing an old log-fire song: You may put the damper up, You may put the damper down, The smoke goes up the chimney just the same.
Smoke of a city sunset skyline, Smoke of a country dusk horizon— They cross on the sky and count our years.
Smoke of a brick-red dust Winds on a spiral Out of the stacks For a hidden and glimpsing moon.
This, said the bar-iron shed to the blooming mill, This is the slang of coal and steel.
The day-gang hands it to the night-gang, The night-gang hands it back.
Stammer at the slang of this— Let us understand half of it.
In the rolling mills and sheet mills, In the harr and boom of the blast fires, The smoke changes its shadow And men change their shadow; A ******, a wop, a bohunk changes.
A bar of steel—it is only Smoke at the heart of it, smoke and the blood of a man.
A runner of fire ran in it, ran out, ran somewhere else, And left—smoke and the blood of a man And the finished steel, chilled and blue.
So fire runs in, runs out, runs somewhere else again, And the bar of steel is a gun, a wheel, a nail, a shovel, A rudder under the sea, a steering-gear in the sky; And always dark in the heart and through it, Smoke and the blood of a man.
Pittsburg, Youngstown, Gary—they make their steel with men.
In the blood of men and the ink of chimneys The smoke nights write their oaths: Smoke into steel and blood into steel; Homestead, Braddock, Birmingham, they make their steel with men.
Smoke and blood is the mix of steel.
The birdmen drone in the blue; it is steel a motor sings and zooms.
Steel barb-wire around The Works.
Steel guns in the holsters of the guards at the gates of The Works.
Steel ore-boats bring the loads clawed from the earth by steel, lifted and lugged by arms of steel, sung on its way by the clanking clam-shells.
The runners now, the handlers now, are steel; they dig and clutch and haul; they hoist their automatic knuckles from job to job; they are steel making steel.
Fire and dust and air fight in the furnaces; the pour is timed, the billets wriggle; the clinkers are dumped: Liners on the sea, skyscrapers on the land; diving steel in the sea, climbing steel in the sky.
Finders in the dark, you Steve with a dinner bucket, you Steve clumping in the dusk on the sidewalks with an evening paper for the woman and kids, you Steve with your head wondering where we all end up— Finders in the dark, Steve: I hook my arm in cinder sleeves; we go down the street together; it is all the same to us; you Steve and the rest of us end on the same stars; we all wear a hat in hell together, in hell or heaven.
Smoke nights now, Steve.
Smoke, smoke, lost in the sieves of yesterday; Dumped again to the scoops and hooks today.
Smoke like the clocks and whistles, always.
Smoke nights now.
To-morrow something else.
Luck moons come and go: Five men swim in a pot of red steel.
Their bones are kneaded into the bread of steel: Their bones are knocked into coils and anvils And the sucking plungers of sea-fighting turbines.
Look for them in the woven frame of a wireless station.
So ghosts hide in steel like heavy-armed men in mirrors.
Peepers, skulkers—they shadow-dance in laughing tombs.
They are always there and they never answer.
One of them said: “I like my job, the company is good to me, America is a wonderful country.
” One: “Jesus, my bones ache; the company is a liar; this is a free country, like hell.
” One: “I got a girl, a peach; we save up and go on a farm and raise pigs and be the boss ourselves.
” And the others were roughneck singers a long ways from home.
Look for them back of a steel vault door.
They laugh at the cost.
They lift the birdmen into the blue.
It is steel a motor sings and zooms.
In the subway plugs and drums, In the slow hydraulic drills, in gumbo or gravel, Under dynamo shafts in the webs of armature spiders, They shadow-dance and laugh at the cost.
The ovens light a red dome.
Spools of fire wind and wind.
Quadrangles of crimson sputter.
The lashes of dying maroon let down.
Fire and wind wash out the slag.
Forever the slag gets washed in fire and wind.
The anthem learned by the steel is: Do this or go hungry.
Look for our rust on a plow.
Listen to us in a threshing-engine razz.
Look at our job in the running wagon wheat.
Fire and wind wash at the slag.
Box-cars, clocks, steam-shovels, churns, pistons, boilers, scissors— Oh, the sleeping slag from the mountains, the slag-heavy pig-iron will go down many roads.
Men will stab and shoot with it, and make butter and tunnel rivers, and mow hay in swaths, and slit hogs and skin beeves, and steer airplanes across North America, Europe, Asia, round the world.
Hacked from a hard rock country, broken and baked in mills and smelters, the rusty dust waits Till the clean hard weave of its atoms cripples and blunts the drills chewing a hole in it.
The steel of its plinths and flanges is reckoned, O God, in one-millionth of an inch.
Once when I saw the curves of fire, the rough scarf women dancing, Dancing out of the flues and smoke-stacks—flying hair of fire, flying feet upside down; Buckets and baskets of fire exploding and chortling, fire running wild out of the steady and fastened ovens; Sparks cracking a harr-harr-huff from a solar-plexus of rock-ribs of the earth taking a laugh for themselves; Ears and noses of fire, gibbering gorilla arms of fire, gold mud-pies, gold bird-wings, red jackets riding purple mules, scarlet autocrats tumbling from the humps of camels, assassinated czars straddling vermillion balloons; I saw then the fires flash one by one: good-by: then smoke, smoke; And in the screens the great sisters of night and cool stars, sitting women arranging their hair, Waiting in the sky, waiting with slow easy eyes, waiting and half-murmuring: “Since you know all and I know nothing, tell me what I dreamed last night.
” Pearl cobwebs in the windy rain, in only a flicker of wind, are caught and lost and never known again.
A pool of moonshine comes and waits, but never waits long: the wind picks up loose gold like this and is gone.
A bar of steel sleeps and looks slant-eyed on the pearl cobwebs, the pools of moonshine; sleeps slant-eyed a million years, sleeps with a coat of rust, a vest of moths, a shirt of gathering sod and loam.
The wind never bothers … a bar of steel.
The wind picks only .
.
pearl cobwebs .
.
pools of moonshine.


Written by Dylan Thomas | Create an image from this poem

Ballad Of The Long-Legged Bait

 The bows glided down, and the coast
Blackened with birds took a last look
At his thrashing hair and whale-blue eye;
The trodden town rang its cobbles for luck.
Then good-bye to the fishermanned Boat with its anchor free and fast As a bird hooking over the sea, High and dry by the top of the mast, Whispered the affectionate sand And the bulwarks of the dazzled quay.
For my sake sail, and never look back, Said the looking land.
Sails drank the wind, and white as milk He sped into the drinking dark; The sun shipwrecked west on a pearl And the moon swam out of its hulk.
Funnels and masts went by in a whirl.
Good-bye to the man on the sea-legged deck To the gold gut that sings on his reel To the bait that stalked out of the sack, For we saw him throw to the swift flood A girl alive with his hooks through her lips; All the fishes were rayed in blood, Said the dwindling ships.
Good-bye to chimneys and funnels, Old wives that spin in the smoke, He was blind to the eyes of candles In the praying windows of waves But heard his bait buck in the wake And tussle in a shoal of loves.
Now cast down your rod, for the whole Of the sea is hilly with whales, She longs among horses and angels, The rainbow-fish bend in her joys, Floated the lost cathedral Chimes of the rocked buoys.
Where the anchor rode like a gull Miles over the moonstruck boat A squall of birds bellowed and fell, A cloud blew the rain from its throat; He saw the storm smoke out to kill With fuming bows and ram of ice, Fire on starlight, rake Jesu's stream; And nothing shone on the water's face But the oil and bubble of the moon, Plunging and piercing in his course The lured fish under the foam Witnessed with a kiss.
Whales in the wake like capes and Alps Quaked the sick sea and snouted deep, Deep the great bushed bait with raining lips Slipped the fins of those humpbacked tons And fled their love in a weaving dip.
Oh, Jericho was falling in their lungs! She nipped and dived in the nick of love, Spun on a spout like a long-legged ball Till every beast blared down in a swerve Till every turtle crushed from his shell Till every bone in the rushing grave Rose and crowed and fell! Good luck to the hand on the rod, There is thunder under its thumbs; Gold gut is a lightning thread, His fiery reel sings off its flames, The whirled boat in the burn of his blood Is crying from nets to knives, Oh the shearwater birds and their boatsized brood Oh the bulls of Biscay and their calves Are making under the green, laid veil The long-legged beautiful bait their wives.
Break the black news and paint on a sail Huge weddings in the waves, Over the wakeward-flashing spray Over the gardens of the floor Clash out the mounting dolphin's day, My mast is a bell-spire, Strike and smoothe, for my decks are drums, Sing through the water-spoken prow The octopus walking into her limbs The polar eagle with his tread of snow.
From salt-lipped beak to the kick of the stern Sing how the seal has kissed her dead! The long, laid minute's bride drifts on Old in her cruel bed.
Over the graveyard in the water Mountains and galleries beneath Nightingale and hyena Rejoicing for that drifting death Sing and howl through sand and anemone Valley and sahara in a shell, Oh all the wanting flesh his enemy Thrown to the sea in the shell of a girl Is old as water and plain as an eel; Always good-bye to the long-legged bread Scattered in the paths of his heels For the salty birds fluttered and fed And the tall grains foamed in their bills; Always good-bye to the fires of the face, For the crab-backed dead on the sea-bed rose And scuttled over her eyes, The blind, clawed stare is cold as sleet.
The tempter under the eyelid Who shows to the selves asleep Mast-high moon-white women naked Walking in wishes and lovely for shame Is dumb and gone with his flame of brides.
Susannah's drowned in the bearded stream And no-one stirs at Sheba's side But the hungry kings of the tides; Sin who had a woman's shape Sleeps till Silence blows on a cloud And all the lifted waters walk and leap.
Lucifer that bird's dropping Out of the sides of the north Has melted away and is lost Is always lost in her vaulted breath, Venus lies star-struck in her wound And the sensual ruins make Seasons over the liquid world, White springs in the dark.
Always good-bye, cried the voices through the shell, Good-bye always, for the flesh is cast And the fisherman winds his reel With no more desire than a ghost.
Always good luck, praised the finned in the feather Bird after dark and the laughing fish As the sails drank up the hail of thunder And the long-tailed lightning lit his catch.
The boat swims into the six-year weather, A wind throws a shadow and it freezes fast.
See what the gold gut drags from under Mountains and galleries to the crest! See what clings to hair and skull As the boat skims on with drinking wings! The statues of great rain stand still, And the flakes fall like hills.
Sing and strike his heavy haul Toppling up the boatside in a snow of light! His decks are drenched with miracles.
Oh miracle of fishes! The long dead bite! Out of the urn a size of a man Out of the room the weight of his trouble Out of the house that holds a town In the continent of a fossil One by one in dust and shawl, Dry as echoes and insect-faced, His fathers cling to the hand of the girl And the dead hand leads the past, Leads them as children and as air On to the blindly tossing tops; The centuries throw back their hair And the old men sing from newborn lips: Time is bearing another son.
Kill Time! She turns in her pain! The oak is felled in the acorn And the hawk in the egg kills the wren.
He who blew the great fire in And died on a hiss of flames Or walked the earth in the evening Counting the denials of the grains Clings to her drifting hair, and climbs; And he who taught their lips to sing Weeps like the risen sun among The liquid choirs of his tribes.
The rod bends low, divining land, And through the sundered water crawls A garden holding to her hand With birds and animals With men and women and waterfalls Trees cool and dry in the whirlpool of ships And stunned and still on the green, laid veil Sand with legends in its virgin laps And prophets loud on the burned dunes; Insects and valleys hold her thighs hard, Times and places grip her breast bone, She is breaking with seasons and clouds; Round her trailed wrist fresh water weaves, with moving fish and rounded stones Up and down the greater waves A separate river breathes and runs; Strike and sing his catch of fields For the surge is sown with barley, The cattle graze on the covered foam, The hills have footed the waves away, With wild sea fillies and soaking bridles With salty colts and gales in their limbs All the horses of his haul of miracles Gallop through the arched, green farms, Trot and gallop with gulls upon them And thunderbolts in their manes.
O Rome and Sodom To-morrow and London The country tide is cobbled with towns And steeples pierce the cloud on her shoulder And the streets that the fisherman combed When his long-legged flesh was a wind on fire And his loin was a hunting flame Coil from the thoroughfares of her hair And terribly lead him home alive Lead her prodigal home to his terror, The furious ox-killing house of love.
Down, down, down, under the ground, Under the floating villages, Turns the moon-chained and water-wound Metropolis of fishes, There is nothing left of the sea but its sound, Under the earth the loud sea walks, In deathbeds of orchards the boat dies down And the bait is drowned among hayricks, Land, land, land, nothing remains Of the pacing, famous sea but its speech, And into its talkative seven tombs The anchor dives through the floors of a church.
Good-bye, good luck, struck the sun and the moon, To the fisherman lost on the land.
He stands alone in the door of his home, With his long-legged heart in his hand.
Written by Carl Sandburg | Create an image from this poem

Wilderness

 THERE is a wolf in me … fangs pointed for tearing gashes … a red tongue for raw meat … and the hot lapping of blood—I keep this wolf because the wilderness gave it to me and the wilderness will not let it go.
There is a fox in me … a silver-gray fox … I sniff and guess … I pick things out of the wind and air … I nose in the dark night and take sleepers and eat them and hide the feathers … I circle and loop and double-cross.
There is a hog in me … a snout and a belly … a machinery for eating and grunting … a machinery for sleeping satisfied in the sun—I got this too from the wilderness and the wilderness will not let it go.
There is a fish in me … I know I came from saltblue water-gates … I scurried with shoals of herring … I blew waterspouts with porpoises … before land was … before the water went down … before Noah … before the first chapter of Genesis.
There is a baboon in me … clambering-clawed … dog-faced … yawping a galoot’s hunger … hairy under the armpits … here are the hawk-eyed hankering men … here are the blond and blue-eyed women … here they hide curled asleep waiting … ready to snarl and kill … ready to sing and give milk … waiting—I keep the baboon because the wilderness says so.
There is an eagle in me and a mockingbird … and the eagle flies among the Rocky Mountains of my dreams and fights among the Sierra crags of what I want … and the mockingbird warbles in the early forenoon before the dew is gone, warbles in the underbrush of my Chattanoogas of hope, gushes over the blue Ozark foothills of my wishes—And I got the eagle and the mockingbird from the wilderness.
O, I got a zoo, I got a menagerie, inside my ribs, under my bony head, under my red-valve heart—and I got something else: it is a man-child heart, a woman-child heart: it is a father and mother and lover: it came from God-Knows-Where: it is going to God-Knows-Where—For I am the keeper of the zoo: I say yes and no: I sing and kill and work: I am a pal of the world: I came from the wilderness.
Written by Isaac Rosenberg | Create an image from this poem

God

 In his malodorous brain what slugs and mire,
Lanthorned in his oblique eyes, guttering burned!
His body lodged a rat where men nursed souls.
The world flashed grape-green eyes of a foiled cat To him.
On fragments of an old shrunk power, On shy and maimed, on women wrung awry, He lay, a bullying hulk, to crush them more.
But when one, fearless, turned and clawed like bronze, Cringing was easy to blunt these stern paws, And he would weigh the heavier on those after.
Who rests in God's mean flattery now? Your wealth Is but his cunning to make death more hard.
Your iron sinews take more pain in breaking.
And he has made the market for your beauty Too poor to buy, although you die to sell.
Only that he has never heard of sleep; And when the cats come out the rats are sly.
Here we are safe till he slinks in at dawn But he has gnawed a fibre from strange roots, And in the morning some pale wonder ceases.
Things are not strange and strange things are forgetful.
Ah! if the day were arid, somehow lost Out of us, but it is as hair of us, And only in the hush no wind stirs it.
And in the light vague trouble lifts and breathes, And restlessness still shadows the lost ways.
The fingers shut on voices that pass through, Where blind farewells are taken easily .
.
.
.
Ah! this miasma of a rotting God!
Written by W. E. B. Du Bois | Create an image from this poem

Children of the Moon

I am dead;
Yet somehow, somewhere,
In Time's weird contradiction, I
May tell of that dread deed, wherewith
I brought to Children of the Moon
Freedom and vast salvation.
I was a woman born,
And trod the streaming street,
That ebbs and flows from Harlem's hills,
Through caves and cañons limned in light,
Down to the twisting sea.
That night of nights,
I stood alone and at the End,
Until the sudden highway to the moon,
Golden in splendor,
Became too real to doubt.
Dimly I set foot upon the air,
I fled, I flew, through the thrills of light,
With all about, above, below, the whirring
Of almighty wings.
I found a twilight land,
Where, hardly hid, the sun
Sent softly-saddened rays of
Red and brown to burn the iron soil
And bathe the snow-white peaks
In mighty splendor.
Black were the men,
Hard-haired and silent-slow,
Moving as shadows,
Bending with face of fear to earthward;
And women there were none.
"Woman, woman, woman!"
I cried in mounting terror.
"Woman and Child!"
And the cry sang back
Through heaven, with the
Whirring of almighty wings.
Wings, wings, endless wings,—
Heaven and earth are wings;
Wings that flutter, furl, and fold,
Always folding and unfolding,
Ever folding yet again;
Wings, veiling some vast
And veiléd face,
In blazing blackness,
Behind the folding and unfolding,
The rolling and unrolling of
Almighty wings!
I saw the black men huddle,
Fumed in fear, falling face downward;
Vainly I clutched and clawed,
Dumbly they cringed and cowered,
Moaning in mournful monotone:
O Freedom, O Freedom,
O Freedom over me;
Before I'll be a slave,
I'll be buried in my grave,
And go home to my God,
And be free.
It was angel-music
From the dead,
And ever, as they sang,
Some wingéd thing of wings, filling all heaven,
Folding and unfolding, and folding yet again,
Tore out their blood and entrails,
'Til I screamed in utter terror;
And a silence came—
A silence and the wailing of a babe.
Then, at last, I saw and shamed;
I knew how these dumb, dark, and dusky things
Had given blood and life,
To fend the caves of underground,
The great black caves of utter night,
Where earth lay full of mothers
And their babes.
Little children sobbing in darkness,
Little children crying in silent pain,
Little mothers rocking and groping and struggling,
Digging and delving and groveling,
Amid the dying-dead and dead-in-life
And drip and dripping of warm, wet blood,
Far, far beneath the wings,—
The folding and unfolding of almighty wings.
I bent with tears and pitying hands,
Above these dusky star-eyed children,—
Crinkly-haired, with sweet-sad baby voices,
Pleading low for light and love and living—
And I crooned:
"Little children weeping there,
God shall find your faces fair;
Guerdon for your deep distress,
He shall send His tenderness;
For the tripping of your feet
Make a mystic music sweet
In the darkness of your hair;
Light and laughter in the air—
Little children weeping there,
God shall find your faces fair!"
I strode above the stricken, bleeding men,
The rampart 'ranged against the skies,
And shouted:
"Up, I say, build and slay;
Fight face foremost, force a way,
Unloose, unfetter, and unbind;
Be men and free!"
Dumbly they shrank,
Muttering they pointed toward that peak,
Than vastness vaster,
Whereon a darkness brooded,
"Who shall look and live," they sighed;
And I sensed
The folding and unfolding of almighty wings.
Yet did we build of iron, bricks, and blood;
We built a day, a year, a thousand years,
Blood was the mortar,—blood and tears,
And, ah, the Thing, the Thing of wings,
The wingéd, folding Wing of Things
Did furnish much mad mortar
For that tower.
Slow and ever slower rose the towering task,
And with it rose the sun,
Until at last on one wild day,
Wind-whirled, cloud-swept and terrible
I stood beneath the burning shadow
Of the peak,
Beneath the whirring of almighty wings,
While downward from my feet
Streamed the long line of dusky faces
And the wail of little children sobbing under earth.
Alone, aloft,
I saw through firmaments on high
The drama of Almighty God,
With all its flaming suns and stars.
"Freedom!" I cried.
"Freedom!" cried heaven, earth, and stars;
And a Voice near-far,
Amid the folding and unfolding of almighty wings,
Answered, "I am Freedom—
Who sees my face is free—
He and his."
I dared not look;
Downward I glanced on deep-bowed heads and closed eyes,
Outward I gazed on flecked and flaming blue—
But ever onward, upward flew
The sobbing of small voices,—
Down, down, far down into the night.
Slowly I lifted livid limbs aloft;
Upward I strove: the face! the face!
Onward I reeled: the face! the face!
To beauty wonderful as sudden death,
Or horror horrible as endless life—
Up! Up! the blood-built way;
(Shadow grow vaster!
Terror come faster!)
Up! Up! to the blazing blackness
Of one veiléd face.
And endless folding and unfolding,
Rolling and unrolling of almighty wings.
The last step stood!
The last dim cry of pain
Fluttered across the stars,
And then—
Wings, wings, triumphant wings,
Lifting and lowering, waxing and waning,
Swinging and swaying, twirling and whirling,
Whispering and screaming, streaming and gleaming,
Spreading and sweeping and shading and flaming—
Wings, wings, eternal wings,
'Til the hot, red blood,
Flood fleeing flood,
Thundered through heaven and mine ears,
While all across a purple sky,
The last vast pinion.
Trembled to unfold.
I rose upon the Mountain of the Moon,—
I felt the blazing glory of the Sun;
I heard the Song of Children crying, "Free!"
I saw the face of Freedom—
And I died.
Written by Sylvia Plath | Create an image from this poem

Apprehensions

 There is this white wall, above which the sky creates itself --
Infinite, green, utterly untouchable.
Angels swim in it, and the stars, in indifference also.
They are my medium.
The sun dissolves on this wall, bleeding its lights.
A grey wall now, clawed and bloody.
Is there no way out of the mind? Steps at my back spiral into a well.
There are no trees or birds in this world, There is only sourness.
This red wall winces continually: A red fist, opening and closing, Two grey, papery bags -- This is what i am made of, this, and a terror Of being wheeled off under crosses and rain of pieties.
On a black wall, unidentifiable birds Swivel their heads and cry.
There is no talk of immorality amoun these! Cold blanks approach us: They move in a hurry.

Book: Shattered Sighs