Written by
Robert Frost |
Old Davis owned a solid mica mountain
In Dalton that would someday make his fortune.
There'd been some Boston people out to see it:
And experts said that deep down in the mountain
The mica sheets were big as plate-glass windows.
He'd like to take me there and show it to me.
"I'll tell you what you show me.
You remember
You said you knew the place where once, on Kinsman,
The early Mormons made a settlement
And built a stone baptismal font outdoors—
But Smith, or someone, called them off the mountain
To go West to a worse fight with the desert.
You said you'd seen the stone baptismal font.
Well, take me there.
"
Someday I will.
"
"Today.
"
"Huh, that old bathtub, what is that to see?
Let's talk about it.
"
"Let's go see the place.
"
'To shut you up I'll tell you what I'll do:
I'll find that fountain if it takes all summer,
And both of our united strengths, to do it.
"
"You've lost it, then?"
"Not so but I can find it.
No doubt it's grown up some to woods around it.
The mountain may have shifted since I saw it
In eighty-five.
"
"As long ago as that?"
"If I remember rightly, it had sprung
A leak and emptied then.
And forty years
Can do a good deal to bad masonry.
You won't see any Mormon swimming in it.
But you have said it, and we're off to find it.
Old as I am, I'm going to let myself
Be dragged by you all over everywhere——"
"I thought you were a guide.
”
"I am a guide,
And that's why I can't decently refuse you.
"
We made a day of it out of the world,
Ascending to descend to reascend.
The old man seriously took his bearings,
And spoke his doubts in every open place.
We came out on a look-off where we faced
A cliff, and on the cliff a bottle painted,
Or stained by vegetation from above,
A likeness to surprise the thrilly tourist.
"Well, if I haven't brought you to the fountain,
At least I've brought you to the famous Bottle.
"
"I won't accept the substitute.
It's empty.
”
"So's everything.
"
"I want my fountain.
"
"I guess you'd find the fountain just as empty.
And anyway this tells me where I am.
”
"Hadn't you long suspected where you were?"
"You mean miles from that Mormon settlement?
Look here, you treat your guide with due respect
If you don't want to spend the night outdoors.
I vow we must be near the place from where
The two converging slides, the avalanches,
On Marshall, look like donkey's ears.
We may as well see that and save the day.
"
"Don't donkey's ears suggest we shake our own?"
"For God's sake, aren't you fond of viewing nature?
You don't like nature.
All you like is books.
What signify a donkey's cars and bottle,
However natural? Give you your books!
Well then, right here is where I show you books.
Come straight down off this mountain just as fast
As we can fall and keep a-bouncing on our feet.
It's hell for knees unless done hell-for-leather.
"
Be ready, I thought, for almost anything.
We struck a road I didn't recognize,
But welcomed for the chance to lave my shoes
In dust once more.
We followed this a mile,
Perhaps, to where it ended at a house
I didn't know was there.
It was the kind
To bring me to for broad-board paneling.
I never saw so good a house deserted.
"Excuse me if I ask you in a window
That happens to be broken, Davis said.
"The outside doors as yet have held against us.
I want to introduce you to the people
Who used to live here.
They were Robinsons.
You must have heard of Clara Robinson,
The poetess who wrote the book of verses
And had it published.
It was all about
The posies on her inner windowsill,
And the birds on her outer windowsill,
And how she tended both, or had them tended:
She never tended anything herself.
She was 'shut in' for life.
She lived her whole
Life long in bed, and wrote her things in bed.
I'll show You how she had her sills extended
To entertain the birds and hold the flowers.
Our business first's up attic with her books.
"
We trod uncomfortably on crunching glass
Through a house stripped of everything
Except, it seemed, the poetess's poems.
Books, I should say!—-if books are what is needed.
A whole edition in a packing case
That, overflowing like a horn of plenty,
Or like the poetess's heart of love,
Had spilled them near the window, toward the light
Where driven rain had wet and swollen them.
Enough to stock a village library—
Unfortunately all of one kind, though.
They bad been brought home from some publisher
And taken thus into the family.
Boys and bad hunters had known what to do
With stone and lead to unprotected glass:
Shatter it inward on the unswept floors.
How had the tender verse escaped their outrage?
By being invisible for what it was,
Or else by some remoteness that defied them
To find out what to do to hurt a poem.
Yet oh! the tempting flatness of a book,
To send it sailing out the attic window
Till it caught wind and, opening out its covers,
Tried to improve on sailing like a tile
By flying like a bird (silent in flight,
But all the burden of its body song),
Only to tumble like a stricken bird,
And lie in stones and bushes unretrieved.
Books were not thrown irreverently about.
They simply lay where someone now and then,
Having tried one, had dropped it at his feet
And left it lying where it fell rejected.
Here were all those the poetess's life
Had been too short to sell or give away.
"Take one," Old Davis bade me graciously.
"Why not take two or three?"
"Take all you want.
"
Good-looking books like that.
" He picked one fresh
In virgin wrapper from deep in the box,
And stroked it with a horny-handed kindness.
He read in one and I read in another,
Both either looking for or finding something.
The attic wasps went missing by like bullets.
I was soon satisfied for the time being.
All the way home I kept remembering
The small book in my pocket.
It was there.
The poetess had sighed, I knew, in heaven
At having eased her heart of one more copy—
Legitimately.
My demand upon her,
Though slight, was a demand.
She felt the tug.
In time she would be rid of all her books.
|
Written by
Lewis Carroll |
Lady Clara Vere de Vere
Was eight years old, she said:
Every ringlet, lightly shaken, ran itself in golden thread.
She took her little porringer:
Of me she shall not win renown:
For the baseness of its nature shall have strength to drag her
down.
"Sisters and brothers, little Maid?
There stands the Inspector at thy door:
Like a dog, he hunts for boys who know not two and two are four.
"
"Kind words are more than coronets,"
She said, and wondering looked at me:
"It is the dead unhappy night, and I must hurry home to tea.
"
|
Written by
Delmore Schwartz |
(after Spillane)
Let us be aware of the true dark gods
Acknowledgeing the cache of the crotch
The primitive pure and pwerful pink and grey
private sensitivites
Wincing, marvelous in their sweetness, whence rises
the future.
Therefore let us praise Miss Marilyn Monroe.
She has a noble attitude marked by pride and candor
She takes a noble pride in the female nature and torso
She articualtes her pride with directness and exuberance
She is honest in her delight in womanhood and manhood.
She is not a great lady, she is more than a lady,
She continues the tradition of Dolly Madison and Clara
Bow
When she says, "any woman who claims she does not like
to be grabbed is a liar!"
Whether true or false, this colossal remark
states a dazzling intention.
.
.
It might be the birth of a new Venus among us
It atones at the very least for such as Carrie Nation
For Miss Monroe will never be a blue nose,
and perhaps we may hope
That there will be fewer blue noses because
she has flourished --
Long may she flourish in self-delight and the joy
of womanhood.
A nation haunted by Puritanism owes her homage and
gratitude.
Let us praise, to say it again, her spiritual pride
And admire one who delights in what she has and is
(Who says also: "A woman is like a motor car:
She needs a good body.
"
And: "I sun bathe in the nude, because I want
to be blonde all over.
")
This is spiritual piety and physical ebullience
This is vivd glory, spiritual and physical,
Of Miss Marilyn Monroe.
|
Written by
Andrew Marvell |
Quid facis Arctoi charissime transfuga coeli,
Ingele, proh sero cognite, rapte cito?
Num satis Hybernum defendis pellibus Astrum,
Qui modo tam mollis nec bene firmus eras?
Quae Gentes Hominum, quae sit Natura Locorum,
Sint Homines, potius dic ibi sintre Loca?
Num gravis horrisono Polus obruit omnia lapsu,
Jungitur & praeceps Mundas utraque nive?
An melius canis horrescit Campus Aristis,
Amuius Agricolis & redit Orbe labor?
Incolit, ut fertur, saevam Gens mitior Oram,
Pace vigil, Bello strenua, justa Foro.
Quin ibi sunt Urbes, atque alta Palatia Regum,
Musarumque domus, & sua Templa Deo.
Nam regit Imperio populum Christina ferocem,
Et dare jura potest regia Virgo viris.
Utque trahit rigidum Magnes Aquilone Metallum,
Gandet eam Soboles ferrea sponte sequii.
Dic quantum liceat fallaci credere Famae,
Invida num taceat plura, sonet ve loquax.
At, si vera fides, Mundi melioris ab ortu,
Saecula Christinae nulla tulere parem.
Ipsa licet redeat (nostri decus orbis) Eliza,
Qualis nostra tamen quantaque Eliza fuit.
Vidimus Effigiem, mistasque Coloribus Umbras:
Sic quoque Sceptripotens, sic quoque visa Dea.
Augustam decorant (raro concordia) frontem
Majestas & Amor, Forma Pudorque simul.
Ingens Virgineo spirat Gustavus in ore:
Agnoscas animos, fulmineumque Patrem.
Nulla suo nituit tam lucida Stella sub Axe;
Non Ea quae meruit Crimine Nympha Polum.
Ah quoties pavidum demisit conscia Lumen,
Utque suae timuit Parrhasis Ora Deae!
Et, simulet falsa ni Pictor imagine Vultus,
Delia tam similis nec fuit ipsa sibi.
Ni quod inornati Triviae sint forte Capilli,
Sollicita sed buic distribuantur Acu.
Scilicet ut nemo est illa reverentior aequi;
Haud ipsas igitur fert sine Lege Comas.
Gloria sylvarum pariter communis utrique
Est, & perpetuae Virginitatis Honos.
Sic quoque Nympharum supereminet Agmina collo,
Fertque Choros Cynthi per Juga, per Nives.
Haud aliter pariles Ciliorum contrahit Arcus
Acribus ast Oculis tela subesse putes.
Luminibus dubites an straverit illa Sagittis
Quae foret exuviis ardua colla Feram.
Alcides humeros coopertus pelle Nemaea
Haud ita labentis sustulit Orbis Onus.
Heu quae Cervices subnectunt Pectora tales.
Frigidiora Gelu, candidiora Nive.
Caetera non licuit, sed vix ea tota, videre;
Nam chau fi rigido stant Adamante Sinus.
Seu chlamys Artifici nimium succurrerit auso,
Sicque imperfectum fugerit impar Opus:
Sive tribus spernat Victrix certare Deabus,
Et pretium formae nec spoliata ferat.
Junonis properans & clara Trophaea Minervae;
Mollia nam Veneris praemia nosse piget.
Hinc neque consuluit fugitivae prodiga Formae,
Nectimuit seris invigilasse Libris.
Insommem quoties Nymphae monuere sequaces
Decedet roseis heu color ille Genis.
Jamque vigil leni cessit Philomela sopori,
Omnibus & Sylvis conticuere Ferae.
Acrior illa tamen pergit, Curasque fatigat:
Tanti est doctorum volvere scripta Virum.
Et liciti quae sint moderamina discere Regni,
Quid fuerit, quid sit, noscere quicquid erit.
Sic quod in ingenuas Gothus peccaverit Artes
Vindicat, & studiis expiat Una suis.
Exemplum dociles imitantur nobile Gentes,
Et geminis Infans imbuit Ora sonis.
Transpositos Suecis credas migrasse Latinos,
Carmine Romuleo sic strepit omne Nemus.
Upsala nec priscis impar memoratur Athenis,
Aegidaque & Currus hic sua Pallas habet.
Illinc O quales liceat sperasse Liquores,
Quum Dea praesideat fontibus ipsa sacris!
Illic Lacte ruant illic & flumina Melle,
Fulvaque inauratam tingat Arena Salam.
Upsalides Musae nunc & majora conemus,
Quaeque mihi Famae non levis Aura tulit.
Creditur haud ulli Christus signasse suorum
Occultam gemina de meliore Notam.
Quemque tenet charo descriptum Nomine semper,
Non minus exculptum Pectore fida refert.
Sola haec virgineas depascit Flamma Medullas,
Et licito pergit solvere corda foco.
Tu quoque Sanctorum fastos Christina sacrabis,
Unica nec Virgo Volsiniensis erit.
Discite nunc Reges (Majestas proxima coelo)
Discite proh magnos hinc coluisse Deos.
Ah pudeat Tanitos puerilia fingere coepta,
Nugas nescio quas, & male quaerere Opes.
Acer Equo cunctos dum praeterit illa Britanno,
Et pecoris spolium nescit inerme sequi.
Ast Aquilam poscit Germano pellere Nido,
Deque Palatino Monte fugare Lupam.
Vos etiam latos in praedam jungite Campos,
Impiaque arctatis cingite Lustra Plagis.
Victor Oliverus nudum Caput exerit Armis,
Ducere sive sequi nobile laetus Iter.
Qualis jam Senior Solymae Godfredus ad Arces,
Spina cui canis floruit alba comis.
Et lappos Christina potest & solvere Finnos,
Ultima quos Boreae carcere Claustra premunt.
Aeoliis quales Venti fremuere sub antris,
Et tentant Montis corripuisse moras.
Hanc Dea si summa demiserit Arce procellam
Quam gravis Austriacis Hesperiisque cadat!
Omnia sed rediens olim narraveris Ipse;
Nec reditus spero tempora longa petit.
Non ibi lenta pigro stringuntur frigore Verba,
Solibus, & tandem Vere liquanda novo.
Sed radiis hyemem Regina potentior urit;
Haecque magis solvit, quam ligat illa Polum.
Dicitur & nostros moerens andisse Labores,
Fortis & ingenuam Gentis amasse Fidem.
Oblatae Batavam nec paci commodat Aurem;
Nec versat Danos insidiosa dolos.
Sed pia festinat mutatis Foedera rebus,
Et Libertatem quae dominatur amat.
Digna cui Salomon meritos retulisset honores,
Et Saba concretum Thure cremasset Iter.
Hanc tua, sed melius, celebraverit, Ingele, Musa;
Et labor est vestrae debitus ille Lyrae.
Nos sine te frustra Thamisis saliceta subimus,
Sparsaque per steriles Turba vagamur Agros.
Et male tentanti querulum respondet Avena:
Quin & Rogerio dissiluere fides.
Haec tamen absenti memores dictamus Amico,
Grataque speramus qualiacumque fore.
|
Written by
Ella Wheeler Wilcox |
Well, Mabel, 'tis over and ended---
The ball I wrote was to be;
And oh! it was perfectly splendid---
If you could have been here to see.
I've a thousand things to write you
That I know you are wanting to hear,
And one, that is sure to delight you---
I am wearing Joe's diamond, my dear!
Yes, mamma is quite ecstatic
That I am engaged to Joe;
She thinks I am rather erratic,
And feared that I might say "no.
"
But, Mabel, I'm twenty-seven
(Though nobody dreams it, dear),
And a fortune like Joe's isn't given
To lay at one's feet each year.
You know my old fancy for Harry---
Or, at least, I am certain you guessed
That it took all my sense not to marry
And go with that fellow out west.
But that was my very first season---
And Harry was poor as could be,
And mamma's good practical reason
Took all the romance out of me.
She whisked me off over the ocean,
And had me presented at court,
And got me all out of the notion
That ranch life out west was my forte.
Of course I have never repented---
I'm not such a goose of a thing;
But after I had consented
To Joe---and he gave me the ring---
I felt such a ***** sensation.
I seemed to go into a trance,
Away from the music's pulsation,
Away from the lights and the dance.
And the wind o'er the wild prairie
Seemed blowing strong and free,
And it seemed not Joe, but Harry
Who was standing there close to me.
And the funniest feverish feeling
Went up from my feet to my head,
With little chills after it stealing---
And my hands got as numb as the dead.
A moment, and then it was over:
The diamond blazed up in my eyes,
And I saw in the face of my lover
A questioning, strange surprise.
Maybe 'twas the scent of the flowers,
That heavy with fragrance bloomed near,
But I didn't feel natural for hours;
It was odd now, wasn't it, dear?
Write soon to your fortunate Clara
Who has carried the prize away,
And say you'll come on when I marry;
I think it will happen in May.
|
Written by
Adrienne Rich |
The autumn feels slowed down,
summer still holds on here, even the light
seems to last longer than it should
or maybe I'm using it to the thin edge.
The moon rolls in the air.
I didn't want this child.
You're the only one I've told.
I want a child maybe, someday, but not now.
Otto has a calm, complacent way
of following me with his eyes, as if to say
Soon you'll have your hands full!
And yes, I will; this child will be mine
not his, the failures, if I fail
will all be mine.
We're not good, Clara,
at learning to prevent these things,
and once we have a child it is ours.
But lately I feel beyond Otto or anyone.
I know now the kind of work I have to do.
It takes such energy! I have the feeling I'm
moving somewhere, patiently, impatiently,
in my loneliness.
I'm looking everywhere in nature
for new forms, old forms in new places,
the planes of an antique mouth, let's say, among the leaves.
I know and do not know
what I am searching for.
Remember those months in the studio together,
you up to your strong forearms in wet clay,
I trying to make something of the strange impressions
assailing me--the Japanese
flowers and birds on silk, the drunks
sheltering in the Louvre, that river-light,
those faces.
.
.
Did we know exactly
why we were there? Paris unnerved you,
you found it too much, yet you went on
with your work.
.
.
and later we met there again,
both married then, and I thought you and Rilke
both seemed unnerved.
I felt a kind of joylessness
between you.
Of course he and I
have had our difficulties.
Maybe I was jealous
of him, to begin with, taking you from me,
maybe I married Otto to fill up
my loneliness for you.
Rainer, of course, knows more than Otto knows,
he believes in women.
But he feeds on us,
like all of them.
His whole life, his art
is protected by women.
Which of us could say that?
Which of us, Clara, hasn't had to take that leap
out beyond our being women
to save our work? or is it to save ourselves?
Marriage is lonelier than solitude.
Do you know: I was dreaming I had died
giving birth to the child.
I couldn't paint or speak or even move.
My child--I think--survived me.
But what was funny
in the dream was, Rainer had written my requiem--
a long, beautiful poem, and calling me his friend.
I was your friend
but in the dream you didn't say a word.
In the dream his poem was like a letter
to someone who has no right
to be there but must be treated gently, like a guest
who comes on the wrong day.
Clara, why don't I dream of you?
That photo of the two of us--I have it still,
you and I looking hard into each other
and my painting behind us.
How we used to work
side by side! And how I've worked since then
trying to create according to our plan
that we'd bring, against all odds, our full power
to every subject.
Hold back nothing
because we were women.
Clara, our strength still lies
in the things we used to talk about:
how life and death take one another's hands,
the struggle for truth, our old pledge against guilt.
And now I feel dawn and the coming day.
I love waking in my studio, seeing my pictures
come alive in the light.
Sometimes I feel
it is myself that kicks inside me,
myself I must give suck to, love.
.
.
I wish we could have done this for each other
all our lives, but we can't.
.
.
They say a pregnant woman
dreams her own death.
But life and death
take one another's hands.
Clara, I feel so full
of work, the life I see ahead, and love
for you, who of all people
however badly I say this
will hear all I say and cannot say.
|
Written by
William Topaz McGonagall |
'Twas in the year of 1889, and in the month of June,
Ten thousand people met with a fearful doom,
By the bursting of a dam in Pennsylvania State,
And were burned, and drowned by the flood-- oh! pity their fate!
The embankment of the dam was considered rather weak,
And by the swelled body of water the embankment did break,
And burst o'er the valley like a leaping river,
Which caused the spectators with fear to shiver.
And on rushed the mighty flood, like a roaring big wave,
Whilst the drowning people tried hard their lives to save;
But eight thousand were drowned, and their houses swept away,
While the spectators looked on, stricken with dismay.
And when the torrent dashed against the houses they instantly toppled o'er,
Then many of the houses caught fire, which made a terrific roar;
And two thousand people, by the fire, lost their lives,
Consisting of darling girls and boys, also men and their wives.
And when the merciless flood reached Johnstown it was fifty feet high,
While, in pitiful accents, the drowning people for help did cry;
But hundreds of corpses, by the flood, were swept away,
And Johnstown was blotted out like a child's toy house of clay.
Alas! there were many pitiful scenes enacted,
And many parents, for the loss of their children, have gone distracted,
Especially those that were burned in the merciless flame,
Their dear little ones they will never see again.
And among the sad scenes to be witnessed there,
Was a man and his wife in great despair,
Who had drawn from the burning mass a cradle of their child,
But, oh, heaven! their little one was gone, which almost drove them wild.
Oh, heaven! it was a pitiful and a most agonising sight,
To see parents struggling hard with all their might,
To save their little ones from being drowned,
But 'twas vain, the mighty flood engulfed them, with a roaring sound.
There was also a beautiful girl, the belle of Johnstown,
Standing in bare feet, on the river bank, sad and forlorn,
And clad in a loose petticoat, with a shawl over her head,
Which was all that was left her, because her parents were dead.
Her parents were drowned, and their property swept away with the flood,
And she was watching for them on the bank where she stood,
To see if they would rise to the surface of the water again,
But the dear girl's watching was all in vain.
And as for Conemaugh river, there's nothing could it surpass;
It was dammed up by a wall of corpses in a confused mass;
And the charred bodies could be seen dotting the burning debris,
While the flames and sparks ascended with a terrific hiss.
The pillaging of the houses in Johnstown is fearful to describe,
By the Hungarians and ghouls, and woe betide
Any person or party that interfered with them,
Because they were mad with drink, and yelling like tigers in a den.
And many were to be seen engaged in a hand-to-hand fight,
And drinking whisky, and singing wild songs, oh! what a shameful sight!
But a number of the thieves were lynched and shot
For robbing the dead of their valuables, which will not be forgot.
Mrs Ogle, like a heroine, in the telegraph office stood at her post,
And wired words of warning, else more lives would have been lost;
Besides she was warned to flee, but from her work she wouldn't stir,
Until at last the merciless flood engulfed her.
And as for the robbery and outrage at the hands of the ghouls,
I must mention Clara Barton and her band of merciful souls,
Who made their way fearlessly to the wounded in every street,
And the wounded and half-crazed survivors they kindly did treat.
Oh, heaven! it was a horrible sight, which will not be forgot,
So many people drowned and burned--oh! hard has been their lot!
But heaven's will must be done, I'll venture to say,
And accidents will happen until doomsday!
|
Written by
William Topaz McGonagall |
Bonnie Clara, will you go to the bonnie Sidlaw hills
And pu' the blooming heather, and drink from their rills?
There the cranberries among the heather grow,
Believe me, dear Clara, as black as the crow.
Chorus --
Then, bonnie Clara, will you go
And wander with me to and fro?
And with joy our hearts will o'erflow
When we go to the bonnie Sidlaws O.
And the rabbits and hares sport in mirthful glee
In the beautiful woods of Glen Ogilvy,
And innocent trout do sport and play
In the little rivulet of Glen Ogilvy all the day.
Chorus
And in the bonnie woods of Sidlaw the blackbird doth sing,
Making the woodlands with his notes to ring,
Which ought to make a dull heart feel gay,
And help to oheer us on our way.
Chorus
And there the innocent sheep are to be seen
Browsing on the purple heather and pastures green;
And the shepherd can be heard shouting to his dog
As he chases the sheep from out of the bog.
Chorus
And from the tops of the Sidlaws can be seen
The beautiful Howe of Strathmore with its trees and shrubberies green;
Likewise Lochee and its spinning mills
Can be seen on a clear day from the Sidlaw hills.
Chorus
Therefore, bonnie Clara, let's away
To Sidlaw hills without delay,
And pu' the cranberries and bonnie blooming heather
While we wander to and fro on the Sidlaws together.
Chorus
There the lovers can enjoy themselves free from care
By viewing the hilly scenery and inhaling the fresh air,
And return home at night with their hearts full of glee
After viewing the beauties of the Sidlaw hills and Glen Ogilvy.
|