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Best Famous Clangs Poems

Here is a collection of the all-time best famous Clangs poems. This is a select list of the best famous Clangs poetry. Reading, writing, and enjoying famous Clangs poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of clangs poems.

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Written by Stanley Kunitz | Create an image from this poem

End of Summer

 An agitation of the air,
A perturbation of the light
Admonished me the unloved year
Would turn on its hinge that night.
I stood in the disenchanted field Amid the stubble and the stones Amaded, while a small worm lisped to me The song of my marrow-bones.
Blue poured into summer blue, A hawk broke from his cloudless tower, The roof of the silo blazed, and I knew That part of my life was forever over.
Already the iron door of the North Clangs open: birds,leaves,snows Order their populations forth, And a cruel wind blows.


Written by Elizabeth Bishop | Create an image from this poem

Squatters Children

 On the unbreathing sides of hills
they play, a specklike girl and boy,
alone, but near a specklike house.
The Sun's suspended eye blinks casually, and then they wade gigantic waves of light and shade.
A dancing yellow spot, a pup, attends them.
Clouds are piling up; a storm piles up behind the house.
The children play at digging holes.
The ground is hard; they try to use one of their father's tools, a mattock with a broken haft the two of them can scarcely lift.
It drops and clangs.
Their laughter spreads effulgence in the thunderheads, Weak flashes of inquiry direct as is the puppy's bark.
But to their little, soluble, unwarrantable ark, apparently the rain's reply consists of echolalia, and Mother's voice, ugly as sin, keeps calling to them to come in.
Children, the threshold of the storm has slid beneath your muddy shoes; wet and beguiled, you stand among the mansions you may choose out of a bigger house than yours, whose lawfulness endures.
It's soggy documents retain your rights in rooms of falling rain.
Written by Alfred Noyes | Create an image from this poem

The Highwayman

 PART ONE

The wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight over the purple moor,
 And the highwayman came riding--
 Riding--riding--
The highwayman came riding, up to the old inndoor.
He'd a French cocked-hat on his forehead, a bunch of lace at his chin, A coat of claret velvet, and breeches of brown doeskin; They fitted with never a wrinkle: his boots were up to the thigh! And he rode with a jewelled twinkle, His pistol butts a-twinkle His rapier hilt a-twinkle, under the jewelled sky.
Over the cobbles he clattered and clashed in the dard inn-yard, And he tapped with his whip on the shutters, but all was locked and barred; He whistled a tune to the window, and who should be waiting there But the landlord's black-eyed daughter, Bess, the landlord's daughter, Plaiting a dark red love-knot into her long black hair.
And dark in the dark old inn-yard a stable-wicket creaked Where Tim the ostler listened; his face was white and peaked; His eyes were hollows of madness, his hair like moldy hay, But he loved the landlord's daughter, The landlord's red-lipped daughter, Dumb as a dog he listened, and heard the robber say-- "One kiss, my bonny sweetheart, I'm after a prize tonight, But I shall be back with the yellow gold before morning light; Yet, if they press me sharply, and harry me through the day, Then look for me by moonlight, Watch for me by moonlight, I'll come to thee by moonlight, though hell should bar the way.
" He rose upright in the stirrups; he scarce could reach her hand, But she loosened her hair i' the casement! His face burnt like a brand As the black cascade of perfume came tumbling over his breast; And he kissed its waves in the moonlight, (Oh, sweet black waves in the moonlight!) Then he tugged at his rein in the moonlight, and galloped away to the West.
PART TWO He did not come in the dawning; he did not come at noon; And out o' the tawny sunset, before the rise o' the moon, When the road was a gypsy's ribbon, looping the purple moor, A red coat troop came marching-- marching--marching-- King George's men came marching, up to the old inn-door.
They said no word to the landlord, they drank his ale instead, But they gagged his daughter and bound her to the foot of her narrow bed; Two fo them knelt at her casement, with muskets at their side! There was death at every window; And hell at one dark window; For Bess could see, through her casement, the road that he would ride.
They had tied her up to attention, with many a sniggering jest; They had bound a musket beside her, with the barrel beneath her breast! "Now keep good watch!" and they kissed her.
She heard the dead man say-- Look for me by moonlight; Watch for me by moonlight; I'll come to thee by moonlight, though hell should bar the way! She twisted her hands behind her; but all the knots held good! She writhed her hands till her fingers were wet with sweat or blood! They stretched and strained in the darkness, and the hours crawled by like years, Till, now, on the stroke of midnight, Cold, on the stroke of midnight, The tip of one finger touched it! The trigger at least was hers! The tip of one finger touched it; she strove no more for rest! Up, she stood to attention, with the barrel beneath her breast, She would not risk their hearing; she would not strive again; For the road lay bare in the moonlight; Blank and bare in the moonlight; And the blood of her veins in the moonlight throbbed to her love's refrain Tlot-tlot; tlot-tlot! Had they heard it? This horse-hoofs ringing clear; Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear? Down the ribbon of moonlight, over the brow of the hill, The highwayman came riding, Riding, riding! The red-coats looked to their priming! She stood up, straight and still! Tlot-tlot, in the frosty silence! Tlot-tlot in the echoing night! Nearer he came and nearer! Her face was like a light! Her eyes grew wide for a moment; she drew one last deep breath, Then her finger moved in the moonlight, Her musket shattered the moonlight, Shattered her breast in the moonlight and warned him - with her death.
He turned; he spurred to the West; he did not know who stood Bowed, with her head o'er the musket, drenched with her own red blood! Not till the dawn he heard it, his face grew gray to hear How Bess, the landlord's daughter, The landlords black-eyed daughter, Had watched her love in the moonlight, and died in the darkness there.
Back, he spurred like a madman, shreiking a curse to the sky, with the white road smoking behind him, and his rapier brain dished high! Blood-red were his spurs i' the golden noon; wine-red was his velvet coat.
When they shot him down in the highway, Down like a dog on the highway, And he lay his blood on the highway, with a bunch of lace at his throat.
And still of a winter's night, they say, when the wind is in the trees, When the moon is a ghostly galleon tossed upon cluody seas, When the road is a ribbon of moonlight over the purple moor, A highwayman comes riding-- Riding--riding-- A highwayman comes riding, up to the old inn-door.
Over the cobbles he clatters and clangs in the dark inn-yard; He taps with his whip on the shutters, but all is locked and barred; He whistles a tune to the window, and who should be waiting there But the landlord's daughter, Bess, the landlord's daughter, Plaiting a dark red love-knot into her long black hair.
Written by Thomas Chatterton | Create an image from this poem

An Excelente Balade of Charitie: As Wroten bie the Gode Pri

 In Virgynë the sweltrie sun gan sheene, 
And hotte upon the mees did caste his raie; 
The apple rodded from its palie greene, 
And the mole peare did bende the leafy spraie; 
The peede chelandri sunge the livelong daie; 
'Twas nowe the pride, the manhode of the yeare, 
And eke the grounde was dighte in its moste defte aumere.
The sun was glemeing in the midde of daie, Deadde still the aire, and eke the welken blue, When from the sea arist in drear arraie A hepe of cloudes of sable sullen hue, The which full fast unto the woodlande drewe, Hiltring attenes the sunnis fetive face, And the blacke tempeste swolne and gatherd up apace.
Beneathe an holme, faste by a pathwaie side, Which dide unto Seyncte Godwine's covent lede, A hapless pilgrim moneynge did abide.
Pore in his newe, ungentle in his weede, Longe bretful of the miseries of neede, Where from the hail-stone coulde the almer flie? He had no housen theere, ne anie covent nie.
Look in his glommed face, his sprighte there scanne; Howe woe-be-gone, how withered, forwynd, deade! Haste to thie church-glebe-house, asshrewed manne! Haste to thie kiste, thie onlie dortoure bedde.
Cale, as the claie whiche will gre on thie hedde, Is Charitie and Love aminge highe elves; Knightis and Barons live for pleasure and themselves.
The gatherd storme is rype; the bigge drops falle; The forswat meadowes smethe, and drenche the raine; The comyng ghastness do the cattle pall, And the full flockes are drivynge ore the plaine; Dashde from the cloudes the waters flott againe; The welkin opes; the yellow levynne flies; And the hot fierie smothe in the wide lowings dies.
Liste! now the thunder's rattling clymmynge sound Cheves slowlie on, and then embollen clangs, Shakes the hie spyre, and losst, dispended, drown'd, Still on the gallard eare of terroure hanges; The windes are up; the lofty elmen swanges; Again the levynne and the thunder poures, And the full cloudes are braste attenes in stonen showers.
Spurreynge his palfrie oere the watrie plaine, The Abbote of Seyncte Godwynes convente came; His chapournette was drented with the reine, And his pencte gyrdle met with mickle shame; He aynewarde tolde his bederoll at the same; The storme encreasen, and he drew aside, With the mist almes craver neere to the holme to bide.
His cope was all of Lyncolne clothe so fyne, With a gold button fasten'd neere his chynne; His autremete was edged with golden twynne, And his shoone pyke a loverds mighte have binne; Full well it shewn he thoughten coste no sinne: The trammels of the palfrye pleasde his sighte, For the horse-millanare his head with roses dighte.
"An almes, sir prieste!" the droppynge pilgrim saide, "O! let me waite within your covente dore, Till the sunne sheneth hie above our heade, And the loude tempeste of the aire is oer; Helpless and ould am I alas! and poor; No house, ne friend, ne moneie in my pouche; All yatte I call my owne is this my silver crouche.
" "Varlet," replyd the Abbatte, "cease your dinne; This is no season almes and prayers to give; Mie porter never lets a faitour in; None touch mie rynge who not in honour live.
" And now the sonne with the blacke cloudes did stryve, And shettynge on the grounde his glairie raie, The Abbatte spurrde his steede, and eftsoones roadde awaie.
Once moe the skie was blacke, the thunder rolde; Faste reyneynge oer the plaine a prieste was seen; Ne dighte full proude, ne buttoned up in golde; His cope and jape were graie, and eke were clene; A Limitoure he was of order seene; And from the pathwaie side then turned hee, Where the pore almer laie binethe the holmen tree.
"An almes, sir priest!" the droppynge pilgrim sayde, "For sweete Seyncte Marie and your order sake.
" The Limitoure then loosen'd his pouche threade, And did thereoute a groate of silver take; The mister pilgrim dyd for halline shake.
"Here take this silver, it maie eathe thie care; We are Goddes stewards all, nete of oure owne we bare.
"But ah! unhailie pilgrim, lerne of me, Scathe anie give a rentrolle to their Lorde.
Here take my semecope, thou arte bare I see; Tis thyne; the Seynctes will give me mie rewarde.
" He left the pilgrim, and his waie aborde.
Virgynne and hallie Seyncte, who sitte yn gloure, Or give the mittee will, or give the gode man power.
Written by William Carlos (WCW) Williams | Create an image from this poem

The Great Figure

 Among the rain
and lights
I saw the figure 5
in gold
on a red
firetruck
moving
tense
unheeded
to gong clangs
siren howls
and wheels rumbling
through the dark city.


Written by Yehuda Amichai | Create an image from this poem

Yad Mordechai

 Yad Mordechai.
Those who fell here still look out the windows like sick children who are not allowed outside to play.
And on the hillside, the battle is reenacted for the benefit of hikers and tourists.
Soldiers of thin sheet iron rise and fall and rise again.
Sheet iron dead and a sheet iron life and the voices all—sheet iron.
And the resurrection of the dead, sheet iron that clangs and clangs.
And I said to myself: Everyone is attached to his own lament as to a parachute.
Slowly he descends and slowly hovers until he touches the hard place.
Written by Amy Lowell | Create an image from this poem

After Hearing a Waltz by Bartok

 But why did I kill him? Why? Why?
In the small, gilded room, near the stair?
My ears rack and throb with his cry,
And his eyes goggle under his hair,
As my fingers sink into the fair
White skin of his throat.
It was I! I killed him! My God! Don't you hear? I shook him until his red tongue Hung flapping out through the black, *****, Swollen lines of his lips.
And I clung With my nails drawing blood, while I flung The loose, heavy body in fear.
Fear lest he should still not be dead.
I was drunk with the lust of his life.
The blood-drops oozed slow from his head And dabbled a chair.
And our strife Lasted one reeling second, his knife Lay and winked in the lights overhead.
And the waltz from the ballroom I heard, When I called him a low, sneaking cur.
And the wail of the violins stirred My brute anger with visions of her.
As I throttled his windpipe, the purr Of his breath with the waltz became blurred.
I have ridden ten miles through the dark, With that music, an infernal din, Pounding rhythmic inside me.
Just Hark! One! Two! Three! And my fingers sink in To his flesh when the violins, thin And straining with passion, grow stark.
One! Two! Three! Oh, the horror of sound! While she danced I was crushing his throat.
He had tasted the joy of her, wound Round her body, and I heard him gloat On the favour.
That instant I smote.
One! Two! Three! How the dancers swirl round! He is here in the room, in my arm, His limp body hangs on the spin Of the waltz we are dancing, a swarm Of blood-drops is hemming us in! Round and round! One! Two! Three! And his sin Is red like his tongue lolling warm.
One! Two! Three! And the drums are his knell.
He is heavy, his feet beat the floor As I drag him about in the swell Of the waltz.
With a menacing roar, The trumpets crash in through the door.
One! Two! Three! clangs his funeral bell.
One! Two! Three! In the chaos of space Rolls the earth to the hideous glee Of death! And so cramped is this place, I stifle and pant.
One! Two! Three! Round and round! God! 'Tis he throttles me! He has covered my mouth with his face! And his blood has dripped into my heart! And my heart beats and labours.
One! Two! Three! His dead limbs have coiled every part Of my body in tentacles.
Through My ears the waltz jangles.
Like glue His dead body holds me athwart.
One! Two! Three! Give me air! Oh! My God! One! Two! Three! I am drowning in slime! One! Two! Three! And his corpse, like a clod, Beats me into a jelly! The chime, One! Two! Three! And his dead legs keep time.
Air! Give me air! Air! My God!
Written by Amy Levy | Create an image from this poem

A Greek Girl

 I may not weep, not weep, and he is dead.
A weary, weary weight of tears unshed Through the long day in my sad heart I bear; The horrid sun with all unpitying glare Shines down into the dreary weaving-room, Where clangs the ceaseless clatter of the loom, And ceaselessly deft maiden-fingers weave The fine-wrought web; and I from morn till eve Work with the rest, and when folk speak to me I smile hard smiles; while still continually The silly stream of maiden speech flows on:-- And now at length they talk of him that's gone, Lightly lamenting that he died so soon-- Ah me! ere yet his life's sun stood at noon.
Some praise his eyes, some deem his body fair, And some mislike the colour of his hair! Sweet life, sweet shape, sweet eyes, and sweetest hair, What form, what hue, save Love's own, did ye wear? I may not weep, not weep, for very shame.
He loved me not.
One summer's eve he came To these our halls, my father's honoured guest, And seeing me, saw not.
If his lips had prest My lips, but once, in love; his eyes had sent One love-glance into mine, I had been content, And deemed it great joy for one little life; Nor envied other maids the crown of wife: The long sure years, the merry children-band-- Alas, alas, I never touched his hand! And now my love is dead that loved not me.
Thrice-blest, thrice-crowned, of gods thrice-lovèd she-- That other, fairer maid, who tombward brings Her gold, shorn locks and piled-up offerings Of fragrant fruits, rich wines, and spices rare, And cakes with honey sweet, with saffron fair; And who, unchecked by any thought of shame, May weep her tears, and call upon his name, With burning bosom prest to the cold ground, Knowing, indeed, that all her life is crown'd, Thrice-crowned, thrice honoured, with that love of his;-- No dearer crown on earth is there, I wis.
While yet the sweet life lived, more light to bear Was my heart's hunger; when the morn was fair, And I with other maidens in a line Passed singing through the city to the shrine, Oft in the streets or crowded market-place I caught swift glimpses of the dear-known face; Or marked a stalwart shoulder in the throng; Or heard stray speeches as we passed along, In tones more dear to me than any song.
These, hoarded up with care, and kept apart, Did serve as meat and drink my hungry heart.
And now for ever has my sweet love gone; And weary, empty days I must drag on, Till all the days of all my life be sped, By no thought cheered, by no hope comforted.
For if indeed we meet among the shades, How shall he know me from the other maids?-- Me, that had died to save his body pain! Alas, alas, such idle thoughts are vain! O cruel, cruel sunlight, get thee gone! O dear, dim shades of eve, come swiftly on! That when quick lips, keen eyes, are closed in sleep, Through the long night till dawn I then may weep.

Book: Reflection on the Important Things