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Best Famous Clambers Poems

Here is a collection of the all-time best famous Clambers poems. This is a select list of the best famous Clambers poetry. Reading, writing, and enjoying famous Clambers poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of clambers poems.

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Written by Charles Bukowski | Create an image from this poem

His Wife The Painter

 There are sketches on the walls of men and women and ducks,
and outside a large green bus swerves through traffic like
insanity sprung from a waving line; Turgenev, Turgenev,
says the radio, and Jane Austin, Jane Austin, too.
"I am going to do her portrait on the 28th, while you are
at work."
He is just this edge of fat and he walks constantly, he
fritters; they have him; they are eating him hollow like 
a webbed fly, and his eyes are red-suckled with anger-fear.
He feels hatred and discard of the world, sharper than
his razor, and his gut-feel hangs like a wet polyp; and he 
self-decisions himself defeated trying to shake his
hung beard from razor in water (like life), not warm enough.
Daumier. Rue Transonian, le 15 Avril, 1843. (lithograph.)
Paris, Bibliotheque Nationale.
"She has a face unlike that of any woman I have ever known."
"What is it? A love affair?"
"Silly. I can't love a woman. Besides, she's pregnant."
I can paint- a flower eaten by a snake; that sunlight is a 
lie; and that markets smell of shoes and naked boys clothed,
and that under everything some river, some beat, some twist that
clambers along the edge of my temple and bites nip-dizzy. . .
men drive cars and paint their houses,
but they are mad; men sit in barber chairs; buy hats.
Corot. Recollection of Mortefontaine.
Paris, Louvre.
"I must write Kaiser, though I think he's a homosexual."
"Are you still reading Freud?"
"Page 299."
She made a little hat and he fastened two snaps under one
arm, reaching up from the bed like a long feeler from the
snail, and she went to church, and he thought now I h've
time and the dog.
About church: the trouble with a mask is it 
never changes.
So rude the flowers that grow and do not grow beautiful.
So magic the chair on the patio that does not hold legs
and belly and arm and neck and mouth that bites into the 
wind like the ned of a tunnel.
He turned in bed and thought: I am searching for some 
segment in the air. It floats about the peoples heads.
When it rains on the trees it sits between the branches
warmer and more blood-real than the dove.
Orozco. Christ Destroying the Cross.
Hanover, Dartmouth College, Baker Library.
He burned away in his sleep.


Written by Robert Louis Stevenson | Create an image from this poem

From a Railway Carriage

 Faster than fairies, faster than witches,
Bridges and houses, hedges and ditches;
And charging along like troops in a battle
All through the meadows the horses and cattle:
All of the sights of the hill and the plain
Fly as thick as driving rain;
And ever again, in the wink of an eye,
Painted stations whistle by.
Here is a child who clambers and scrambles,
All by himself and gathering brambles;
Here is a tramp who stands and gazes;
And here is the green for stringing the daisies!
Here is a cart runaway in the road
Lumping along with man and load;
And here is a mill, and there is a river:
Each a glimpse and gone forever!
Written by Sidney Lanier | Create an image from this poem

The Revenge Of Hamish

 It was three slim does and a ten-tined buck in the bracken lay;
And all of a sudden the sinister smell of a man,
Awaft on a wind-shift, wavered and ran
Down the hill-side and sifted along through the bracken and passed that way.

Then Nan got a-tremble at nostril; she was the daintiest doe;
In the print of her velvet flank on the velvet fern
She reared, and rounded her ears in turn.
Then the buck leapt up, and his head as a king's to a crown did go

Full high in the breeze, and he stood as if Death had the form of a deer;
And the two slim does long lazily stretching arose,
For their day-dream slowlier came to a close,
Till they woke and were still, breath-bound with waiting and wonder and fear.

Then Alan the huntsman sprang over the hillock, the hounds shot by,
The does and the ten-tined buck made a marvellous bound,
The hounds swept after with never a sound,
But Alan loud winded his horn in sign that the quarry was nigh.

For at dawn of that day proud Maclean of Lochbuy to the hunt had waxed wild,
And he cursed at old Alan till Alan fared off with the hounds
For to drive him the deer to the lower glen-grounds:
"I will kill a red deer," quoth Maclean, "in the sight of the wife
and the child."

So gayly he paced with the wife and the child to his chosen stand;
But he hurried tall Hamish the henchman ahead: "Go turn," --
Cried Maclean -- "if the deer seek to cross to the burn,
Do thou turn them to me: nor fail, lest thy back be red as thy hand."

Now hard-fortuned Hamish, half blown of his breath with the height
of the hill,
Was white in the face when the ten-tined buck and the does
Drew leaping to burn-ward; huskily rose
His shouts, and his nether lip twitched, and his legs were o'er-weak
for his will.

So the deer darted lightly by Hamish and bounded away to the burn.
But Maclean never bating his watch tarried waiting below
Still Hamish hung heavy with fear for to go
All the space of an hour; then he went, and his face was greenish and stern,

And his eye sat back in the socket, and shrunken the eyeballs shone,
As withdrawn from a vision of deeds it were shame to see.
"Now, now, grim henchman, what is't with thee?"
Brake Maclean, and his wrath rose red as a beacon the wind hath upblown.

"Three does and a ten-tined buck made out," spoke Hamish, full mild,
"And I ran for to turn, but my breath it was blown, and they passed;
I was weak, for ye called ere I broke me my fast."
Cried Maclean: "Now a ten-tined buck in the sight of the wife and the child

I had killed if the gluttonous kern had not wrought me a snail's own wrong!"
Then he sounded, and down came kinsmen and clansmen all:
"Ten blows, for ten tine, on his back let fall,
And reckon no stroke if the blood follow not at the bite of thong!"

So Hamish made bare, and took him his strokes; at the last he smiled.
"Now I'll to the burn," quoth Maclean, "for it still may be,
If a slimmer-paunched henchman will hurry with me,
I shall kill me the ten-tined buck for a gift to the wife and the child!"

Then the clansmen departed, by this path and that; and over the hill
Sped Maclean with an outward wrath for an inward shame;
And that place of the lashing full quiet became;
And the wife and the child stood sad; and bloody-backed Hamish sat still.

But look! red Hamish has risen; quick about and about turns he.
"There is none betwixt me and the crag-top!" he screams under breath.
Then, livid as Lazarus lately from death,
He snatches the child from the mother, and clambers the crag toward the sea.

Now the mother drops breath; she is dumb, and her heart goes dead for a space,
Till the motherhood, mistress of death, shrieks, shrieks through the glen,
And that place of the lashing is live with men,
And Maclean, and the gillie that told him, dash up in a desperate race.

Not a breath's time for asking; an eye-glance reveals all the tale untold.
They follow mad Hamish afar up the crag toward the sea,
And the lady cries: "Clansmen, run for a fee! --
Yon castle and lands to the two first hands that shall hook him and hold

Fast Hamish back from the brink!" -- and ever she flies up the steep,
And the clansmen pant, and they sweat, and they jostle and strain.
But, mother, 'tis vain; but, father, 'tis vain;
Stern Hamish stands bold on the brink, and dangles the child o'er the deep.

Now a faintness falls on the men that run, and they all stand still.
And the wife prays Hamish as if he were God, on her knees,
Crying: "Hamish! O Hamish! but please, but please
For to spare him!" and Hamish still dangles the child, with a wavering will.

On a sudden he turns; with a sea-hawk scream, and a gibe, and a song,
Cries: "So; I will spare ye the child if, in sight of ye all,
Ten blows on Maclean's bare back shall fall,
And ye reckon no stroke if the blood follow not at the bite of the thong!"

Then Maclean he set hardly his tooth to his lip that his tooth was red,
Breathed short for a space, said: "Nay, but it never shall be!
Let me hurl off the damnable hound in the sea!"
But the wife: "Can Hamish go fish us the child from the sea, if dead?

Say yea! -- Let them lash ME, Hamish?" -- "Nay!" -- "Husband,
the lashing will heal;
But, oh, who will heal me the bonny sweet bairn in his grave?
Could ye cure me my heart with the death of a knave?
Quick! Love! I will bare thee -- so -- kneel!" Then Maclean 'gan slowly
to kneel

With never a word, till presently downward he jerked to the earth.
Then the henchman -- he that smote Hamish -- would tremble and lag;
"Strike, hard!" quoth Hamish, full stern, from the crag;
Then he struck him, and "One!" sang Hamish, and danced with the child
in his mirth.

And no man spake beside Hamish; he counted each stroke with a song.
When the last stroke fell, then he moved him a pace down the height,
And he held forth the child in the heartaching sight
Of the mother, and looked all pitiful grave, as repenting a wrong.

And there as the motherly arms stretched out with the thanksgiving prayer --
And there as the mother crept up with a fearful swift pace,
Till her finger nigh felt of the bairnie's face --
In a flash fierce Hamish turned round and lifted the child in the air,

And sprang with the child in his arms from the horrible height in the sea,
Shrill screeching, "Revenge!" in the wind-rush; and pallid Maclean,
Age-feeble with anger and impotent pain,
Crawled up on the crag, and lay flat, and locked hold of dead roots
of a tree --

And gazed hungrily o'er, and the blood from his back drip-dripped
in the brine,
And a sea-hawk flung down a skeleton fish as he flew,
And the mother stared white on the waste of blue,
And the wind drove a cloud to seaward, and the sun began to shine.
Written by Oscar Wilde | Create an image from this poem

Les Silhouettes

 The sea is flecked with bars of grey,
The dull dead wind is out of tune,
And like a withered leaf the moon
Is blown across the stormy bay.

Etched clear upon the pallid sand
Lies the black boat: a sailor boy
Clambers aboard in careless joy
With laughing face and gleaming hand.

And overhead the curlews cry,
Where through the dusky upland grass
The young brown-throated reapers pass,
Like silhouettes against the sky.
Written by Elizabeth Bishop | Create an image from this poem

Cape Breton

 Out on the high "bird islands," Ciboux and Hertford, 
the razorbill auks and the silly-looking puffins all stand 
with their backs to the mainland 
in solemn, uneven lines along the cliff's brown grass-frayed edge, 
while the few sheep pastured there go "Baaa, baaa." 
(Sometimes, frightened by aeroplanes, they stampede 
and fall over into the sea or onto the rocks.) 
The silken water is weaving and weaving, 
disappearing under the mist equally in all directions, 
lifted and penetrated now and then 
by one shag's dripping serpent-neck, 
and somewhere the mist incorporates the pulse, 
rapid but unurgent, of a motor boat. 

The same mist hangs in thin layers 
among the valleys and gorges of the mainland 
like rotting snow-ice sucked away 
almost to spirit; the ghosts of glaciers drift 
among those folds and folds of fir: spruce and hackmatack-- 
dull, dead, deep pea-cock colors, 
each riser distinguished from the next 
by an irregular nervous saw-tooth edge, 
alike, but certain as a stereoscopic view. 

The wild road clambers along the brink of the coast. 
On it stand occasional small yellow bulldozers, 
but without their drivers, because today is Sunday. 
The little white churches have been dropped into the matted hills 
like lost quartz arrowheads. 
The road appears to have been abandoned. 
Whatever the landscape had of meaning appears to have been abandoned, 
unless the road is holding it back, in the interior, 
where we cannot see, 
where deep lakes are reputed to be, 
and disused trails and mountains of rock 
and miles of burnt forests, standing in gray scratches 
like the admirable scriptures made on stones by stones-- 
and these regions now have little to say for themselves 
except in thousands of light song-sparrow songs floating upward 
freely, dispassionately, through the mist, and meshing 
in brown-wet, fine torn fish-nets. 

A small bus comes along, in up-and-down rushes, 
packed with people, even to its step. 
(On weekdays with groceries, spare automobile parts, and pump parts, 
but today only two preachers extra, one carrying his frock coat on a
 hanger.) 
It passes the closed roadside stand, the closed schoolhouse, 
where today no flag is flying 
from the rough-adzed pole topped with a white china doorknob. 
It stops, and a man carrying a bay gets off, 
climbs over a stile, and goes down through a small steep meadow, 
which establishes its poverty in a snowfall of daisies, 
to his invisible house beside the water. 

The birds keep on singing, a calf bawls, the bus starts. 
The thin mist follows 
the white mutations of its dream; 
an ancient chill is rippling the dark brooks.


Written by Friedrich von Schiller | Create an image from this poem

The Alpine Hunter

 Wilt thou not the lambkins guard?
Oh, how soft and meek they look,
Feeding on the grassy sward,
Sporting round the silvery brook!
"Mother, mother, let me go
On yon heights to chase the roe!"

Wilt thou not the flock compel
With the horn's inspiring notes?
Sweet the echo of yon bell,
As across the wood it floats!
"Mother, mother, let me go
On yon heights to hunt the roe!"

Wilt thou not the flow'rets bind,
Smiling gently in their bed?
For no garden thou wilt find
On yon heights so wild and dread.
"Leave the flow'rets,--let them blow!
Mother, mother, let me go!"

And the youth then sought the chase,
Onward pressed with headlong speed
To the mountain's gloomiest place,--
Naught his progress could impede;
And before him, like the wind,
Swiftly flies the trembling hind!

Up the naked precipice
Clambers she, with footsteps light,
O'er the chasm's dark abyss
Leaps with spring of daring might;
But behind, unweariedly,
With his death-bow follows he.

Now upon the rugged top
Stands she,--on the loftiest height,
Where the cliffs abruptly stop,
And the path is lost to sight.
There she views the steeps below,--
Close behind, her mortal foe.

She, with silent, woeful gaze,
Seeks the cruel boy to move;
But, alas! in vain she prays--
To the string he fits the groove.
When from out the clefts, behold!
Steps the Mountain Genius old.

With his hand the Deity
Shields the beast that trembling sighs;
"Must thou, even up to me,
Death and anguish send?" he cries,--
Earth has room for all to dwell,--
"Why pursue my loved gazelle?"

Book: Radiant Verses: A Journey Through Inspiring Poetry