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Best Famous Circumference Poems

Here is a collection of the all-time best famous Circumference poems. This is a select list of the best famous Circumference poetry. Reading, writing, and enjoying famous Circumference poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of circumference poems.

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Written by Edgar Allan Poe | Create an image from this poem

Fairy-Land

 Dim vales- and shadowy floods-
And cloudy-looking woods,
Whose forms we can't discover
For the tears that drip all over!
Huge moons there wax and wane-
Again- again- again-
Every moment of the night-
Forever changing places-
And they put out the star-light
With the breath from their pale faces.
About twelve by the moon-dial, One more filmy than the rest (A kind which, upon trial, They have found to be the best) Comes down- still down- and down, With its centre on the crown Of a mountain's eminence, While its wide circumference In easy drapery falls Over hamlets, over halls, Wherever they may be- O'er the strange woods- o'er the sea- Over spirits on the wing- Over every drowsy thing- And buries them up quite In a labyrinth of light- And then, how deep!- O, deep! Is the passion of their sleep.
In the morning they arise, And their moony covering Is soaring in the skies, With the tempests as they toss, Like- almost anything- Or a yellow Albatross.
They use that moon no more For the same end as before- Videlicet, a tent- Which I think extravagant: Its atomies, however, Into a shower dissever, Of which those butterflies Of Earth, who seek the skies, And so come down again, (Never-contented things!) Have brought a specimen Upon their quivering wings.


Written by Percy Bysshe Shelley | Create an image from this poem

Epipsychidion (excerpt)

 Emily, 
A ship is floating in the harbour now,
A wind is hovering o'er the mountain's brow;
There is a path on the sea's azure floor,
No keel has ever plough'd that path before;
The halcyons brood around the foamless isles;
The treacherous Ocean has forsworn its wiles;
The merry mariners are bold and free:
Say, my heart's sister, wilt thou sail with me?
Our bark is as an albatross, whose nest
Is a far Eden of the purple East;
And we between her wings will sit, while Night,
And Day, and Storm, and Calm, pursue their flight,
Our ministers, along the boundless Sea,
Treading each other's heels, unheededly.
It is an isle under Ionian skies, Beautiful as a wreck of Paradise, And, for the harbours are not safe and good, This land would have remain'd a solitude But for some pastoral people native there, Who from the Elysian, clear, and golden air Draw the last spirit of the age of gold, Simple and spirited; innocent and bold.
The blue Aegean girds this chosen home, With ever-changing sound and light and foam, Kissing the sifted sands, and caverns hoar; And all the winds wandering along the shore Undulate with the undulating tide: There are thick woods where sylvan forms abide; And many a fountain, rivulet and pond, As clear as elemental diamond, Or serene morning air; and far beyond, The mossy tracks made by the goats and deer (Which the rough shepherd treads but once a year) Pierce into glades, caverns and bowers, and halls Built round with ivy, which the waterfalls Illumining, with sound that never fails Accompany the noonday nightingales; And all the place is peopled with sweet airs; The light clear element which the isle wears Is heavy with the scent of lemon-flowers, Which floats like mist laden with unseen showers, And falls upon the eyelids like faint sleep; And from the moss violets and jonquils peep And dart their arrowy odour through the brain Till you might faint with that delicious pain.
And every motion, odour, beam and tone, With that deep music is in unison: Which is a soul within the soul--they seem Like echoes of an antenatal dream.
It is an isle 'twixt Heaven, Air, Earth and Sea, Cradled and hung in clear tranquillity; Bright as that wandering Eden Lucifer, Wash'd by the soft blue Oceans of young air.
It is a favour'd place.
Famine or Blight, Pestilence, War and Earthquake, never light Upon its mountain-peaks; blind vultures, they Sail onward far upon their fatal way: The wingèd storms, chanting their thunder-psalm To other lands, leave azure chasms of calm Over this isle, or weep themselves in dew, From which its fields and woods ever renew Their green and golden immortality.
And from the sea there rise, and from the sky There fall, clear exhalations, soft and bright, Veil after veil, each hiding some delight, Which Sun or Moon or zephyr draw aside, Till the isle's beauty, like a naked bride Glowing at once with love and loveliness, Blushes and trembles at its own excess: Yet, like a buried lamp, a Soul no less Burns in the heart of this delicious isle, An atom of th' Eternal, whose own smile Unfolds itself, and may be felt not seen O'er the gray rocks, blue waves and forests green, Filling their bare and void interstices.
But the chief marvel of the wilderness Is a lone dwelling, built by whom or how None of the rustic island-people know: 'Tis not a tower of strength, though with its height It overtops the woods; but, for delight, Some wise and tender Ocean-King, ere crime Had been invented, in the world's young prime, Rear'd it, a wonder of that simple time, An envy of the isles, a pleasure-house Made sacred to his sister and his spouse.
It scarce seems now a wreck of human art, But, as it were, Titanic; in the heart Of Earth having assum'd its form, then grown Out of the mountains, from the living stone, Lifting itself in caverns light and high: For all the antique and learned imagery Has been eras'd, and in the place of it The ivy and the wild-vine interknit The volumes of their many-twining stems; Parasite flowers illume with dewy gems The lampless halls, and when they fade, the sky Peeps through their winter-woof of tracery With moonlight patches, or star atoms keen, Or fragments of the day's intense serene; Working mosaic on their Parian floors.
And, day and night, aloof, from the high towers And terraces, the Earth and Ocean seem To sleep in one another's arms, and dream Of waves, flowers, clouds, woods, rocks, and all that we Read in their smiles, and call reality.
This isle and house are mine, and I have vow'd Thee to be lady of the solitude.
And I have fitted up some chambers there Looking towards the golden Eastern air, And level with the living winds, which flow Like waves above the living waves below.
I have sent books and music there, and all Those instruments with which high Spirits call The future from its cradle, and the past Out of its grave, and make the present last In thoughts and joys which sleep, but cannot die, Folded within their own eternity.
Our simple life wants little, and true taste Hires not the pale drudge Luxury to waste The scene it would adorn, and therefore still, Nature with all her children haunts the hill.
The ring-dove, in the embowering ivy, yet Keeps up her love-lament, and the owls flit Round the evening tower, and the young stars glance Between the quick bats in their twilight dance; The spotted deer bask in the fresh moonlight Before our gate, and the slow, silent night Is measur'd by the pants of their calm sleep.
Be this our home in life, and when years heap Their wither'd hours, like leaves, on our decay, Let us become the overhanging day, The living soul of this Elysian isle, Conscious, inseparable, one.
Meanwhile We two will rise, and sit, and walk together, Under the roof of blue Ionian weather, And wander in the meadows, or ascend The mossy mountains, where the blue heavens bend With lightest winds, to touch their paramour; Or linger, where the pebble-paven shore, Under the quick, faint kisses of the sea, Trembles and sparkles as with ecstasy-- Possessing and possess'd by all that is Within that calm circumference of bliss, And by each other, till to love and live Be one: or, at the noontide hour, arrive Where some old cavern hoar seems yet to keep The moonlight of the expir'd night asleep, Through which the awaken'd day can never peep; A veil for our seclusion, close as night's, Where secure sleep may kill thine innocent lights; Sleep, the fresh dew of languid love, the rain Whose drops quench kisses till they burn again.
And we will talk, until thought's melody Become too sweet for utterance, and it die In words, to live again in looks, which dart With thrilling tone into the voiceless heart, Harmonizing silence without a sound.
Our breath shall intermix, our bosoms bound, And our veins beat together; and our lips With other eloquence than words, eclipse The soul that burns between them, and the wells Which boil under our being's inmost cells, The fountains of our deepest life, shall be Confus'd in Passion's golden purity, As mountain-springs under the morning sun.
We shall become the same, we shall be one Spirit within two frames, oh! wherefore two? One passion in twin-hearts, which grows and grew, Till like two meteors of expanding flame, Those spheres instinct with it become the same, Touch, mingle, are transfigur'd; ever still Burning, yet ever inconsumable: In one another's substance finding food, Like flames too pure and light and unimbu'd To nourish their bright lives with baser prey, Which point to Heaven and cannot pass away: One hope within two wills, one will beneath Two overshadowing minds, one life, one death, One Heaven, one Hell, one immortality, And one annihilation.
Woe is me! The winged words on which my soul would pierce Into the height of Love's rare Universe, Are chains of lead around its flight of fire-- I pant, I sink, I tremble, I expire!
Written by Emily Dickinson | Create an image from this poem

A Coffin -- is a small Domain

 A Coffin -- is a small Domain,
Yet able to contain
A Citizen of Paradise
In it diminished Plane.
A Grave -- is a restricted Breadth -- Yet ampler than the Sun -- And all the Seas He populates And Lands He looks upon To Him who on its small Repose Bestows a single Friend -- Circumference without Relief -- Or Estimate -- or End --
Written by David St John | Create an image from this poem

Los Angeles 1954

 It was in the old days,
When she used to hang out at a place
Called Club Zombie,
A black cabaret that the police liked
To raid now and then.
As she Stepped through the door, the light Would hit her platinum hair, And believe me, heads would turn.
Maestro Loved it; he'd have her by The arm as he led us through the packed crowd To a private corner Where her secluded oak table always waited.
She'd say, Jordan.
.
.
And I'd order her usual, A champagne cocktail with a tall shot of bourbon On the side.
She'd let her eyes Trail the length of the sleek neck Of the old stand-up bass, as The bass player knocked out the bottom line, His forehead glowing, glossy With sweat in the blue lights; Her own face, smooth and shining, as The liquor slowly blanketed the pills She'd slipped beneath her tongue.
Maestro'd kick the **** out of anybody Who tried to sneak up for an autograph; He'd say, Jordan, just let me know if Somebody gets too close.
.
.
.
Then he'd turn to her and whisper, Here's Where you get to be Miss Nobody.
.
.
And she'd smile as she let him Kiss her hand.
For a while, there was a singer At the club, a guy named Louis-- But Maestro'd change his name to "Michael Champion"; Well, when this guy leaned forward, Cradling the microphone in his huge hands, All the legs went weak Underneath the ladies.
He'd look over at her, letting his eyelids Droop real low, singing, Oh Baby I.
.
.
Oh Baby I Love.
.
.
I Love You.
.
.
And she'd be gone, those little mermaid tears Running down her cheeks.
Maestro Was always cool.
He'd let them use his room upstairs, Sometimes, because they couldn't go out-- Black and white couldn't mix like that then.
I mean, think about it-- This kid star and a cool beauty who made King Cole Sound raw? No, they had to keep it To the club; though sometimes, Near the end, he'd come out to her place At the beach, always taking the iced whisky I brought to him with a sly, sweet smile.
Once, sweeping his arm out in a slow Half-circle, the way at the club he'd Show the audience how far his endless love Had grown, he marked The circumference of the glare whitening the patio Where her friends all sat, sunglasses Masking their eyes.
.
.
And he said to me, Jordan, why do White people love the sun so?-- God's spotlight, my man? Leaning back, he looked over to where she Stood at one end of the patio, watching The breakers flatten along the beach below, Her body reflected and mirrored Perfectly in the bedroom's sliding black glass Door.
He stared at her Reflection for a while, then looked up at me And said, Jordan, I think that I must be Like a pool of water in a cave that sometimes She steps into.
.
.
Later, as I drove him back into the city, He hummed a Bessie Smith tune he'd sing For her, but he didn't say a word until We stopped at last back at the club.
He stepped slowly out of the back Of the Cadillac, and reaching to shake my hand Through the open driver's window, said, My man, Jordan.
.
.
Goodbye.
Written by Emily Dickinson | Create an image from this poem

An ignorance a Sunset

 An ignorance a Sunset
Confer upon the Eye --
Of Territory -- Color --
Circumference -- Decay --

Its Amber Revelation
Exhilirate -- Debase --
Omnipotence' inspection
Of Our inferior face --

And when the solemn features
Confirm -- in Victory --
We start -- as if detected
In Immortality --


Written by Vachel Lindsay | Create an image from this poem

Euclid

 OLD Euclid drew a circle 
On a sand-beach long ago.
He bounded and enclosed it With angles thus and so.
His set of solemn greybeards Nodded and argued much Of arc and circumference, Diameter and such.
A silent child stood by them From morning until noon Because they drew such charming Round pictures of the moon.
Written by Emily Dickinson | Create an image from this poem

From Cocoon forth a Butterfly

 From Cocoon forth a Butterfly
As Lady from her Door
Emerged -- a Summer Afternoon --
Repairing Everywhere --

Without Design -- that I could trace
Except to stray abroad
On Miscellaneous Enterprise
The Clovers -- understood --

Her pretty Parasol be seen
Contracting in a Field
Where Men made Hay --
Then struggling hard
With an opposing Cloud --

Where Parties -- Phantom as Herself --
To Nowhere -- seemed to go
In purposeless Circumference --
As 'twere a Tropic Show --

And notwithstanding Bee -- that worked --
And Flower -- that zealous blew --
This Audience of Idleness
Disdained them, from the Sky --

Till Sundown crept -- a steady Tide --
And Men that made the Hay --
And Afternoon -- and Butterfly --
Extinguished -- in the Sea --
Written by Alexander Pope | Create an image from this poem

The Rape of the Lock: Canto 2

 Not with more glories, in th' etherial plain, 
The sun first rises o'er the purpled main,
Than, issuing forth, the rival of his beams
Launch'd on the bosom of the silver Thames.
Fair nymphs, and well-dress'd youths around her shone, But ev'ry eye was fix'd on her alone.
On her white breast a sparkling cross she wore, Which Jews might kiss, and infidels adore.
Her lively looks a sprightly mind disclose, Quick as her eyes, and as unfix'd as those: Favours to none, to all she smiles extends; Oft she rejects, but never once offends.
Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike.
Yet graceful ease, and sweetness void of pride, Might hide her faults, if belles had faults to hide: If to her share some female errors fall, Look on her face, and you'll forget 'em all.
This nymph, to the destruction of mankind, Nourish'd two locks, which graceful hung behind In equal curls, and well conspir'd to deck With shining ringlets the smooth iv'ry neck.
Love in these labyrinths his slaves detains, And mighty hearts are held in slender chains.
With hairy springes we the birds betray, Slight lines of hair surprise the finney prey, Fair tresses man's imperial race ensnare, And beauty draws us with a single hair.
Th' advent'rous baron the bright locks admir'd; He saw, he wish'd, and to the prize aspir'd.
Resolv'd to win, he meditates the way, By force to ravish, or by fraud betray; For when success a lover's toil attends, Few ask, if fraud or force attain'd his ends.
For this, ere Phœbus rose, he had implor'd Propitious Heav'n, and ev'ry pow'r ador'd, But chiefly love--to love an altar built, Of twelve vast French romances, neatly gilt.
There lay three garters, half a pair of gloves; And all the trophies of his former loves; With tender billet-doux he lights the pyre, And breathes three am'rous sighs to raise the fire.
Then prostrate falls, and begs with ardent eyes Soon to obtain, and long possess the prize: The pow'rs gave ear, and granted half his pray'r, The rest, the winds dispers'd in empty air.
But now secure the painted vessel glides, The sun-beams trembling on the floating tides, While melting music steals upon the sky, And soften'd sounds along the waters die.
Smooth flow the waves, the zephyrs gently play, Belinda smil'd, and all the world was gay.
All but the Sylph--with careful thoughts opprest, Th' impending woe sat heavy on his breast.
He summons strait his denizens of air; The lucid squadrons round the sails repair: Soft o'er the shrouds aerial whispers breathe, That seem'd but zephyrs to the train beneath.
Some to the sun their insect-wings unfold, Waft on the breeze, or sink in clouds of gold.
Transparent forms, too fine for mortal sight, Their fluid bodies half dissolv'd in light, Loose to the wind their airy garments flew, Thin glitt'ring textures of the filmy dew; Dipp'd in the richest tincture of the skies, Where light disports in ever-mingling dyes, While ev'ry beam new transient colours flings, Colours that change whene'er they wave their wings.
Amid the circle, on the gilded mast, Superior by the head, was Ariel plac'd; His purple pinions op'ning to the sun, He rais'd his azure wand, and thus begun.
"Ye Sylphs and Sylphids, to your chief give ear! Fays, Fairies, Genii, Elves, and Dæmons, hear! Ye know the spheres and various tasks assign'd By laws eternal to th' aerial kind.
Some in the fields of purest æther play, And bask and whiten in the blaze of day.
Some guide the course of wand'ring orbs on high, Or roll the planets through the boundless sky.
Some less refin'd, beneath the moon's pale light Pursue the stars that shoot athwart the night, Or suck the mists in grosser air below, Or dip their pinions in the painted bow, Or brew fierce tempests on the wintry main, Or o'er the glebe distil the kindly rain.
Others on earth o'er human race preside, Watch all their ways, and all their actions guide: Of these the chief the care of nations own, And guard with arms divine the British throne.
"Our humbler province is to tend the fair, Not a less pleasing, though less glorious care.
To save the powder from too rude a gale, Nor let th' imprison'd essences exhale, To draw fresh colours from the vernal flow'rs, To steal from rainbows e'er they drop in show'rs A brighter wash; to curl their waving hairs, Assist their blushes, and inspire their airs; Nay oft, in dreams, invention we bestow, To change a flounce, or add a furbelow.
"This day, black omens threat the brightest fair That e'er deserv'd a watchful spirit's care; Some dire disaster, or by force, or slight, But what, or where, the fates have wrapt in night.
Whether the nymph shall break Diana's law, Or some frail china jar receive a flaw; Or stain her honour, or her new brocade, Forget her pray'rs, or miss a masquerade; Or lose her heart, or necklace, at a ball; Or whether Heav'n has doom'd that Shock must fall.
Haste, then, ye spirits! to your charge repair: The flutt'ring fan be Zephyretta's care; The drops to thee, Brillante, we consign; And, Momentilla, let the watch be thine; Do thou, Crispissa, tend her fav'rite lock; Ariel himself shall be the guard of Shock.
"To fifty chosen Sylphs, of special note, We trust th' important charge, the petticoat: Oft have we known that sev'n-fold fence to fail, Though stiff with hoops, and arm'd with ribs of whale.
Form a strong line about the silver bound, And guard the wide circumference around.
"Whatever spirit, careless of his charge, His post neglects, or leaves the fair at large, Shall feel sharp vengeance soon o'ertake his sins, Be stopp'd in vials, or transfix'd with pins; Or plung'd in lakes of bitter washes lie, Or wedg'd whole ages in a bodkin's eye: Gums and pomatums shall his flight restrain, While clogg'd he beats his silken wings in vain; Or alum styptics with contracting pow'r Shrink his thin essence like a rivell'd flow'r.
Or, as Ixion fix'd, the wretch shall feel The giddy motion of the whirling mill, In fumes of burning chocolate shall glow, And tremble at the sea that froths below!" He spoke; the spirits from the sails descend; Some, orb in orb, around the nymph extend, Some thrid the mazy ringlets of her hair, Some hang upon the pendants of her ear; With beating hearts the dire event they wait, Anxious, and trembling for the birth of fate.
Written by Emily Dickinson | Create an image from this poem

No Crowd that has occurred

 No Crowd that has occurred
Exhibit -- I suppose
That General Attendance
That Resurrection -- does --

Circumference be full --
The long restricted Grave
Assert her Vital Privilege --
The Dust -- connect -- and live --

On Atoms -- features place --
All Multitudes that were
Efface in the Comparison --
As Suns -- dissolve a star --

Solemnity -- prevail --
Its Individual Doom
Possess each separate Consciousness --
August -- Absorbed -- Numb --

What Duplicate -- exist --
What Parallel can be --
Of the Significance of This --
To Universe -- and Me?
Written by Emily Dickinson | Create an image from this poem

At Half past Three a single Bird

 At Half past Three, a single Bird
Unto a silent Sky
Propounded but a single term
Of cautious melody.
At Half past Four, Experiment Had subjugated test And lo, Her silver Principle Supplanted all the rest.
At Half past Seven, Element Nor Implement, be seen -- And Place was where the Presence was Circumference between.

Book: Reflection on the Important Things