Written by
Percy Bysshe Shelley |
Emily,
A ship is floating in the harbour now,
A wind is hovering o'er the mountain's brow;
There is a path on the sea's azure floor,
No keel has ever plough'd that path before;
The halcyons brood around the foamless isles;
The treacherous Ocean has forsworn its wiles;
The merry mariners are bold and free:
Say, my heart's sister, wilt thou sail with me?
Our bark is as an albatross, whose nest
Is a far Eden of the purple East;
And we between her wings will sit, while Night,
And Day, and Storm, and Calm, pursue their flight,
Our ministers, along the boundless Sea,
Treading each other's heels, unheededly.
It is an isle under Ionian skies,
Beautiful as a wreck of Paradise,
And, for the harbours are not safe and good,
This land would have remain'd a solitude
But for some pastoral people native there,
Who from the Elysian, clear, and golden air
Draw the last spirit of the age of gold,
Simple and spirited; innocent and bold.
The blue Aegean girds this chosen home,
With ever-changing sound and light and foam,
Kissing the sifted sands, and caverns hoar;
And all the winds wandering along the shore
Undulate with the undulating tide:
There are thick woods where sylvan forms abide;
And many a fountain, rivulet and pond,
As clear as elemental diamond,
Or serene morning air; and far beyond,
The mossy tracks made by the goats and deer
(Which the rough shepherd treads but once a year)
Pierce into glades, caverns and bowers, and halls
Built round with ivy, which the waterfalls
Illumining, with sound that never fails
Accompany the noonday nightingales;
And all the place is peopled with sweet airs;
The light clear element which the isle wears
Is heavy with the scent of lemon-flowers,
Which floats like mist laden with unseen showers,
And falls upon the eyelids like faint sleep;
And from the moss violets and jonquils peep
And dart their arrowy odour through the brain
Till you might faint with that delicious pain.
And every motion, odour, beam and tone,
With that deep music is in unison:
Which is a soul within the soul--they seem
Like echoes of an antenatal dream.
It is an isle 'twixt Heaven, Air, Earth and Sea,
Cradled and hung in clear tranquillity;
Bright as that wandering Eden Lucifer,
Wash'd by the soft blue Oceans of young air.
It is a favour'd place. Famine or Blight,
Pestilence, War and Earthquake, never light
Upon its mountain-peaks; blind vultures, they
Sail onward far upon their fatal way:
The wingèd storms, chanting their thunder-psalm
To other lands, leave azure chasms of calm
Over this isle, or weep themselves in dew,
From which its fields and woods ever renew
Their green and golden immortality.
And from the sea there rise, and from the sky
There fall, clear exhalations, soft and bright,
Veil after veil, each hiding some delight,
Which Sun or Moon or zephyr draw aside,
Till the isle's beauty, like a naked bride
Glowing at once with love and loveliness,
Blushes and trembles at its own excess:
Yet, like a buried lamp, a Soul no less
Burns in the heart of this delicious isle,
An atom of th' Eternal, whose own smile
Unfolds itself, and may be felt not seen
O'er the gray rocks, blue waves and forests green,
Filling their bare and void interstices.
But the chief marvel of the wilderness
Is a lone dwelling, built by whom or how
None of the rustic island-people know:
'Tis not a tower of strength, though with its height
It overtops the woods; but, for delight,
Some wise and tender Ocean-King, ere crime
Had been invented, in the world's young prime,
Rear'd it, a wonder of that simple time,
An envy of the isles, a pleasure-house
Made sacred to his sister and his spouse.
It scarce seems now a wreck of human art,
But, as it were, Titanic; in the heart
Of Earth having assum'd its form, then grown
Out of the mountains, from the living stone,
Lifting itself in caverns light and high:
For all the antique and learned imagery
Has been eras'd, and in the place of it
The ivy and the wild-vine interknit
The volumes of their many-twining stems;
Parasite flowers illume with dewy gems
The lampless halls, and when they fade, the sky
Peeps through their winter-woof of tracery
With moonlight patches, or star atoms keen,
Or fragments of the day's intense serene;
Working mosaic on their Parian floors.
And, day and night, aloof, from the high towers
And terraces, the Earth and Ocean seem
To sleep in one another's arms, and dream
Of waves, flowers, clouds, woods, rocks, and all that we
Read in their smiles, and call reality.
This isle and house are mine, and I have vow'd
Thee to be lady of the solitude.
And I have fitted up some chambers there
Looking towards the golden Eastern air,
And level with the living winds, which flow
Like waves above the living waves below.
I have sent books and music there, and all
Those instruments with which high Spirits call
The future from its cradle, and the past
Out of its grave, and make the present last
In thoughts and joys which sleep, but cannot die,
Folded within their own eternity.
Our simple life wants little, and true taste
Hires not the pale drudge Luxury to waste
The scene it would adorn, and therefore still,
Nature with all her children haunts the hill.
The ring-dove, in the embowering ivy, yet
Keeps up her love-lament, and the owls flit
Round the evening tower, and the young stars glance
Between the quick bats in their twilight dance;
The spotted deer bask in the fresh moonlight
Before our gate, and the slow, silent night
Is measur'd by the pants of their calm sleep.
Be this our home in life, and when years heap
Their wither'd hours, like leaves, on our decay,
Let us become the overhanging day,
The living soul of this Elysian isle,
Conscious, inseparable, one. Meanwhile
We two will rise, and sit, and walk together,
Under the roof of blue Ionian weather,
And wander in the meadows, or ascend
The mossy mountains, where the blue heavens bend
With lightest winds, to touch their paramour;
Or linger, where the pebble-paven shore,
Under the quick, faint kisses of the sea,
Trembles and sparkles as with ecstasy--
Possessing and possess'd by all that is
Within that calm circumference of bliss,
And by each other, till to love and live
Be one: or, at the noontide hour, arrive
Where some old cavern hoar seems yet to keep
The moonlight of the expir'd night asleep,
Through which the awaken'd day can never peep;
A veil for our seclusion, close as night's,
Where secure sleep may kill thine innocent lights;
Sleep, the fresh dew of languid love, the rain
Whose drops quench kisses till they burn again.
And we will talk, until thought's melody
Become too sweet for utterance, and it die
In words, to live again in looks, which dart
With thrilling tone into the voiceless heart,
Harmonizing silence without a sound.
Our breath shall intermix, our bosoms bound,
And our veins beat together; and our lips
With other eloquence than words, eclipse
The soul that burns between them, and the wells
Which boil under our being's inmost cells,
The fountains of our deepest life, shall be
Confus'd in Passion's golden purity,
As mountain-springs under the morning sun.
We shall become the same, we shall be one
Spirit within two frames, oh! wherefore two?
One passion in twin-hearts, which grows and grew,
Till like two meteors of expanding flame,
Those spheres instinct with it become the same,
Touch, mingle, are transfigur'd; ever still
Burning, yet ever inconsumable:
In one another's substance finding food,
Like flames too pure and light and unimbu'd
To nourish their bright lives with baser prey,
Which point to Heaven and cannot pass away:
One hope within two wills, one will beneath
Two overshadowing minds, one life, one death,
One Heaven, one Hell, one immortality,
And one annihilation. Woe is me!
The winged words on which my soul would pierce
Into the height of Love's rare Universe,
Are chains of lead around its flight of fire--
I pant, I sink, I tremble, I expire!
|
Written by
David St John |
It was in the old days,
When she used to hang out at a place
Called Club Zombie,
A black cabaret that the police liked
To raid now and then. As she
Stepped through the door, the light
Would hit her platinum hair,
And believe me, heads would turn. Maestro
Loved it; he'd have her by
The arm as he led us through the packed crowd
To a private corner
Where her secluded oak table always waited.
She'd say, Jordan...
And I'd order her usual,
A champagne cocktail with a tall shot of bourbon
On the side. She'd let her eyes
Trail the length of the sleek neck
Of the old stand-up bass, as
The bass player knocked out the bottom line,
His forehead glowing, glossy
With sweat in the blue lights;
Her own face, smooth and shining, as
The liquor slowly blanketed the pills
She'd slipped beneath her tongue.
Maestro'd kick the **** out of anybody
Who tried to sneak up for an autograph;
He'd say, Jordan, just let me know if
Somebody gets too close....
Then he'd turn to her and whisper, Here's
Where you get to be Miss Nobody...
And she'd smile as she let him
Kiss her hand. For a while, there was a singer
At the club, a guy named Louis--
But Maestro'd change his name to "Michael Champion";
Well, when this guy leaned forward,
Cradling the microphone in his huge hands,
All the legs went weak
Underneath the ladies.
He'd look over at her, letting his eyelids
Droop real low, singing, Oh Baby I...
Oh Baby I Love... I Love You...
And she'd be gone, those little mermaid tears
Running down her cheeks. Maestro
Was always cool. He'd let them use his room upstairs,
Sometimes, because they couldn't go out--
Black and white couldn't mix like that then.
I mean, think about it--
This kid star and a cool beauty who made King Cole
Sound raw? No, they had to keep it
To the club; though sometimes,
Near the end, he'd come out to her place
At the beach, always taking the iced whisky
I brought to him with a sly, sweet smile.
Once, sweeping his arm out in a slow
Half-circle, the way at the club he'd
Show the audience how far his endless love
Had grown, he marked
The circumference of the glare whitening the patio
Where her friends all sat, sunglasses
Masking their eyes...
And he said to me, Jordan, why do
White people love the sun so?--
God's spotlight, my man?
Leaning back, he looked over to where she
Stood at one end of the patio, watching
The breakers flatten along the beach below,
Her body reflected and mirrored
Perfectly in the bedroom's sliding black glass
Door. He stared at her
Reflection for a while, then looked up at me
And said, Jordan, I think that I must be
Like a pool of water in a cave that sometimes
She steps into...
Later, as I drove him back into the city,
He hummed a Bessie Smith tune he'd sing
For her, but he didn't say a word until
We stopped at last back at the club. He stepped
slowly out of the back
Of the Cadillac, and reaching to shake my hand
Through the open driver's window, said,
My man, Jordan... Goodbye.
|
Written by
Alexander Pope |
Not with more glories, in th' etherial plain,
The sun first rises o'er the purpled main,
Than, issuing forth, the rival of his beams
Launch'd on the bosom of the silver Thames.
Fair nymphs, and well-dress'd youths around her shone,
But ev'ry eye was fix'd on her alone.
On her white breast a sparkling cross she wore,
Which Jews might kiss, and infidels adore.
Her lively looks a sprightly mind disclose,
Quick as her eyes, and as unfix'd as those:
Favours to none, to all she smiles extends;
Oft she rejects, but never once offends.
Bright as the sun, her eyes the gazers strike,
And, like the sun, they shine on all alike.
Yet graceful ease, and sweetness void of pride,
Might hide her faults, if belles had faults to hide:
If to her share some female errors fall,
Look on her face, and you'll forget 'em all.
This nymph, to the destruction of mankind,
Nourish'd two locks, which graceful hung behind
In equal curls, and well conspir'd to deck
With shining ringlets the smooth iv'ry neck.
Love in these labyrinths his slaves detains,
And mighty hearts are held in slender chains.
With hairy springes we the birds betray,
Slight lines of hair surprise the finney prey,
Fair tresses man's imperial race ensnare,
And beauty draws us with a single hair.
Th' advent'rous baron the bright locks admir'd;
He saw, he wish'd, and to the prize aspir'd.
Resolv'd to win, he meditates the way,
By force to ravish, or by fraud betray;
For when success a lover's toil attends,
Few ask, if fraud or force attain'd his ends.
For this, ere Phœbus rose, he had implor'd
Propitious Heav'n, and ev'ry pow'r ador'd,
But chiefly love--to love an altar built,
Of twelve vast French romances, neatly gilt.
There lay three garters, half a pair of gloves;
And all the trophies of his former loves;
With tender billet-doux he lights the pyre,
And breathes three am'rous sighs to raise the fire.
Then prostrate falls, and begs with ardent eyes
Soon to obtain, and long possess the prize:
The pow'rs gave ear, and granted half his pray'r,
The rest, the winds dispers'd in empty air.
But now secure the painted vessel glides,
The sun-beams trembling on the floating tides,
While melting music steals upon the sky,
And soften'd sounds along the waters die.
Smooth flow the waves, the zephyrs gently play,
Belinda smil'd, and all the world was gay.
All but the Sylph--with careful thoughts opprest,
Th' impending woe sat heavy on his breast.
He summons strait his denizens of air;
The lucid squadrons round the sails repair:
Soft o'er the shrouds aerial whispers breathe,
That seem'd but zephyrs to the train beneath.
Some to the sun their insect-wings unfold,
Waft on the breeze, or sink in clouds of gold.
Transparent forms, too fine for mortal sight,
Their fluid bodies half dissolv'd in light,
Loose to the wind their airy garments flew,
Thin glitt'ring textures of the filmy dew;
Dipp'd in the richest tincture of the skies,
Where light disports in ever-mingling dyes,
While ev'ry beam new transient colours flings,
Colours that change whene'er they wave their wings.
Amid the circle, on the gilded mast,
Superior by the head, was Ariel plac'd;
His purple pinions op'ning to the sun,
He rais'd his azure wand, and thus begun.
"Ye Sylphs and Sylphids, to your chief give ear!
Fays, Fairies, Genii, Elves, and Dæmons, hear!
Ye know the spheres and various tasks assign'd
By laws eternal to th' aerial kind.
Some in the fields of purest æther play,
And bask and whiten in the blaze of day.
Some guide the course of wand'ring orbs on high,
Or roll the planets through the boundless sky.
Some less refin'd, beneath the moon's pale light
Pursue the stars that shoot athwart the night,
Or suck the mists in grosser air below,
Or dip their pinions in the painted bow,
Or brew fierce tempests on the wintry main,
Or o'er the glebe distil the kindly rain.
Others on earth o'er human race preside,
Watch all their ways, and all their actions guide:
Of these the chief the care of nations own,
And guard with arms divine the British throne.
"Our humbler province is to tend the fair,
Not a less pleasing, though less glorious care.
To save the powder from too rude a gale,
Nor let th' imprison'd essences exhale,
To draw fresh colours from the vernal flow'rs,
To steal from rainbows e'er they drop in show'rs
A brighter wash; to curl their waving hairs,
Assist their blushes, and inspire their airs;
Nay oft, in dreams, invention we bestow,
To change a flounce, or add a furbelow.
"This day, black omens threat the brightest fair
That e'er deserv'd a watchful spirit's care;
Some dire disaster, or by force, or slight,
But what, or where, the fates have wrapt in night.
Whether the nymph shall break Diana's law,
Or some frail china jar receive a flaw;
Or stain her honour, or her new brocade,
Forget her pray'rs, or miss a masquerade;
Or lose her heart, or necklace, at a ball;
Or whether Heav'n has doom'd that Shock must fall.
Haste, then, ye spirits! to your charge repair:
The flutt'ring fan be Zephyretta's care;
The drops to thee, Brillante, we consign;
And, Momentilla, let the watch be thine;
Do thou, Crispissa, tend her fav'rite lock;
Ariel himself shall be the guard of Shock.
"To fifty chosen Sylphs, of special note,
We trust th' important charge, the petticoat:
Oft have we known that sev'n-fold fence to fail,
Though stiff with hoops, and arm'd with ribs of whale.
Form a strong line about the silver bound,
And guard the wide circumference around.
"Whatever spirit, careless of his charge,
His post neglects, or leaves the fair at large,
Shall feel sharp vengeance soon o'ertake his sins,
Be stopp'd in vials, or transfix'd with pins;
Or plung'd in lakes of bitter washes lie,
Or wedg'd whole ages in a bodkin's eye:
Gums and pomatums shall his flight restrain,
While clogg'd he beats his silken wings in vain;
Or alum styptics with contracting pow'r
Shrink his thin essence like a rivell'd flow'r.
Or, as Ixion fix'd, the wretch shall feel
The giddy motion of the whirling mill,
In fumes of burning chocolate shall glow,
And tremble at the sea that froths below!"
He spoke; the spirits from the sails descend;
Some, orb in orb, around the nymph extend,
Some thrid the mazy ringlets of her hair,
Some hang upon the pendants of her ear;
With beating hearts the dire event they wait,
Anxious, and trembling for the birth of fate.
|
Written by
Omer Tarin |
I. You are not dead
Why do they call you
Mohen-jo-daro,
“ Mounds-of-the-Dead”?
You are not dead!
You have never been dead
Or buried
Or cremated
By the scorching banks of the Sindhu;
Historians have conspired against you
A thousand and one tales
Have besmirched your name
Misguided fools have imagined
Your obituary to be true;
Sentimental fools have sung elegies
By their own graves
Garlanded their own biers,
Cursed the stars and howled at the heavens
Self-piteous tears, in the hope
That some part of their practiced grief would be remembered
As poetry,
A fitting tribute to your eternal face;
Maybe, they would be able to, by their ululations,
Raise demons from the earth
Or bring forth spectres
From darkest shadows of the thinnest air, precipitating
Some prophecy, nameless and foreboding, a small
Tin medal on their pathetic breasts,
Stark in their hunger for inspired flights;
Other dust should fashion other jars, not having the consistency
Of ours.
It has been foretold that you will not die
That you will not die thus, at the behest of historians
Or for the research of archaeologists
Or even the yapping lap-dogs
Aping the tawny shades of our leonine skins;
It has been foretold,
And we are witnesses to you survival.
II. Priest-Kings and dancing girls
The sands have shifted,
As the river has---
You are only abandoned,
“Mound-abandoned-and-shifted”.
Take heart! Be not sad,
The sons of Sindhu are around you;
You cannot die while your sons live,
While the children of the river still ply their wide boats
On your consort’s undulating breast;
While your daughters carry their vessels
Fashioned from your clay;
In every face, you are alive.
In the mien of priest-kings who have renounced
Their crowns and pulpits for lives of love and freedom—
At Bhit Shah, they sing your songs;
At Sehwan, they celebrate your being;
In every prayer and call to prayer you are revealed
Rising gradually towards the heights of Kirthar
Rolling ceaselessly over the sands of Kutch
With every partridge crooning in the cotton,
With every mallard winging over Manchar,
You come forth—
The Breaker-of-the-Shackles-of-Tyranny
The-Keeper-of-the-Honour-of-Dancing –girls
Friend-of-the-Imprisoned-Hari
Last-Flower-amidst-the-Thorns-of-Despair!
You are the yellow turmeric staining the red ajrak
Of our wounds
Anointing your martyrs
Healing your casualties
Soothing us with your whispered lullaby
Such as our mothers used to sing us
In our cradles
From the earliest dawn of creation;
Even now, your humped oxen plod home in the evening
Of their tillage;
Every day I hear the rise and fall of your undeciphered script
In the cadences of children
In the chattering of women
In the murmur of lovers
In the gestures of old men
In the anger of the young.
III. A Dream Untold
It was said, long ago, that you will not die
That forever you will live in the eyes of every child,
That you will rise from your gargantuan sleep,
Arise, woken by the winds!
When the Eastern Gates of your citadel are opened wide
All wars will cease
Your sons will no longer flinch under the lash,
Your daughters will no longer be distraught,
The pillars of fire and smoke will settle down
And the silent waste-lands speak with voices of prophecy;
When precious stones will once again etch the bright circumference
Of your ruins
And the heavens shake themselves into fleeting shapes,
Vain and irresolute constellations plunge
Into narrow circles of despair—
It has been said that you will flourish again,
When the crashing shores
Of sea and river
Melt into each other
When waves shiver
Into the rock’s embrace.
Then I, too, shall awaken, I trust,
And behold you in your truth.
------------
* (c) Omer Tarin. Pub ''The Glasgow Seeker'', UK, 2005
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