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Best Famous Chutes Poems

Here is a collection of the all-time best famous Chutes poems. This is a select list of the best famous Chutes poetry. Reading, writing, and enjoying famous Chutes poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of chutes poems.

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Written by Derek Walcott | Create an image from this poem

In The Virgins

 You can't put in the ground swell of the organ
from the Christiansted, St.Croix, Anglican Church
behind the paratrooper's voice: "Turned cop
after Vietnam. I made thirty jumps."
Bells punish the dead street and pigeons lurch
from the stone belfry, opening their chutes,
circling until the rings of ringing stop.
"Salud!" The paratrooper's glass is raised.
The congregation rises to its feet
like a patrol, with scuffling shoes and boots,
repeating orders as the organ thumps:
"Praise Ye the Lord. The Lord's name be praised."

You cannot hear, beyond the quiet harbor,
the breakers cannonading on the bruised
horizon, or the charter engines gunning for
Buck Island. The only war here is a war
of silence between blue sky and sea,
and just one voice, the marching choir's, is raised
to draft new conscripts with the ancient cry
of "Onward, Christian Soldiers," into pews
half-empty still, or like a glass, half-full.
Pinning itself to a cornice, a gull
hangs like a medal from the serge-blue sky.

Are these boats all? Is the blue water all?
The rocks surpliced with lace where they are moored,
dinghy, catamaran, and racing yawl,
nodding to the ground swell of "Praise the Lord"?
Wesley and Watts, their evangelical light
lanced down the mine shafts to our chapel pew,
its beam gritted with motes of anthracite
that drifted on us in our chapel benches:
from God's slow-grinding mills in Lancashire,
ash on the dead mired in Flanders' trenches,
as a gray drizzle now defiles the view

of this blue harbor, framed in windows where
two yellow palm fronds, jerked by the wind's rain,
agree like horses' necks, and nodding bear,
slow as a hearse, a haze of tasseled rain,
and, as the weather changes in a child,
the paradisal day outside grows dark,
the yachts flutter like moths in a gray jar,
the martial voices fade in thunder, while
across the harbor, like a timid lure,
a rainbow casts its seven-colored arc.

Tonight, now Sunday has been put to rest.
Altar lights ride the black glass where the yachts
stiffly repeat themselves and phosphoresce
with every ripple - the wide parking-lots
of tidal affluence - and every mast
sways the night's dial as its needle veers
to find the station which is truly peace.
Like neon lasers shot across the bars
discos blast out the music of the spheres,
and, one by one, science infects the stars.


Written by Carl Sandburg | Create an image from this poem

Localities

 WAGON WHEEL GAP is a place I never saw
And Red Horse Gulch and the chutes of Cripple Creek.

Red-shirted miners picking in the sluices,
Gamblers with red neckties in the night streets,
The fly-by-night towns of Bull Frog and Skiddoo,
The night-cool limestone white of Death Valley,
The straight drop of eight hundred feet
From a shelf road in the Hasiampa Valley:
Men and places they are I never saw.

I have seen three White Horse taverns,
One in Illinois, one in Pennsylvania,
One in a timber-hid road of Wisconsin.

I bought cheese and crackers
Between sun showers in a place called White Pigeon
Nestling with a blacksmith shop, a post-office,
And a berry-crate factory, where four roads cross.

On the Pecatonica River near Freeport
I have seen boys run barefoot in the leaves
Throwing clubs at the walnut trees
In the yellow-and-gold of autumn,
And there was a brown mash dry on the inside of their hands.
On the Cedar Fork Creek of Knox County
I know how the fingers of late October
Loosen the hazel nuts.
I know the brown eyes of half-open hulls.
I know boys named Lindquist, Swanson, Hildebrand.
I remember their cries when the nuts were ripe.
And some are in machine shops; some are in the navy;
And some are not on payrolls anywhere.
Their mothers are through waiting for them to come home.
Written by Andrew Barton Paterson | Create an image from this poem

Shearing With a Hoe

 The track that led to Carmody's is choked and overgrown, 
The suckers of the stringybark have made the place their own; 
The mountain rains have cut the track that once we used to know 
When first we rode to Carmody's, a score of years ago. 

The shearing shed at Carmody's was slab and stringybark, 
The press was just a lever beam, invented in the Ark; 
But Mrs Carmody was cook -- and shearers' hearts would glow 
With praise of grub at Carmody's, a score of years ago. 

At shearing time no penners-up would curse their fate and weep, 
For Fragrant Fred -- the billy-goat -- was trained to lead the sheep; 
And racing down the rattling chutes the bleating mob would go 
Behind their horned man from Cook's, a score of years ago. 

An owner of the olden time, his patriarchal shed 
Was innocent of all machines or gadgets overhead: 
And pieces, locks and super-fleece together used to go 
To fill the bales at Carmody's, a score of years ago. 

A ringer from the western sheds, whose fame was wide and deep, 
Was asked to take a vacant pen and shear a thousand sheep. 
"Of course, we've only got the blades!" "Well, what I want to know: 
Why don't you get a bloke to take it off 'em with a hoe?"

Book: Reflection on the Important Things