Written by
William Butler Yeats |
Epilogue to "A Vision'
MIDNIGHT has come, and the great Christ Church Bell
And may a lesser bell sound through the room;
And it is All Souls' Night,
And two long glasses brimmed with muscatel
Bubble upon the table. A ghost may come;
For it is a ghost's right,
His element is so fine
Being sharpened by his death,
To drink from the wine-breath
While our gross palates drink from the whole wine.
I need some mind that, if the cannon sound
From every quarter of the world, can stay
Wound in mind's pondering
As mummies in the mummy-cloth are wound;
Because I have a marvellous thing to say,
A certain marvellous thing
None but the living mock,
Though not for sober ear;
It may be all that hear
Should laugh and weep an hour upon the clock.
Horton's the first I call. He loved strange thought
And knew that sweet extremity of pride
That's called platonic love,
And that to such a pitch of passion wrought
Nothing could bring him, when his lady died,
Anodyne for his love.
Words were but wasted breath;
One dear hope had he:
The inclemency
Of that or the next winter would be death.
Two thoughts were so mixed up I could not tell
Whether of her or God he thought the most,
But think that his mind's eye,
When upward turned, on one sole image fell;
And that a slight companionable ghost,
Wild with divinity,
Had so lit up the whole
Immense miraculous house
The Bible promised us,
It seemed a gold-fish swimming in a bowl.
On Florence Emery I call the next,
Who finding the first wrinkles on a face
Admired and beautiful,
And knowing that the future would be vexed
With 'minished beauty, multiplied commonplace,
preferred to teach a school
Away from neighbour or friend,
Among dark skins, and there
permit foul years to wear
Hidden from eyesight to the unnoticed end.
Before that end much had she ravelled out
From a discourse in figurative speech
By some learned Indian
On the soul's journey. How it is whirled about,
Wherever the orbit of the moon can reach,
Until it plunge into the sun;
And there, free and yet fast,
Being both Chance and Choice,
Forget its broken toys
And sink into its own delight at last.
And I call up MacGregor from the grave,
For in my first hard springtime we were friends.
Although of late estranged.
I thought him half a lunatic, half knave,
And told him so, but friendship never ends;
And what if mind seem changed,
And it seem changed with the mind,
When thoughts rise up unbid
On generous things that he did
And I grow half contented to be blind!
He had much industry at setting out,
Much boisterous courage, before loneliness
Had driven him crazed;
For meditations upon unknown thought
Make human intercourse grow less and less;
They are neither paid nor praised.
but he d object to the host,
The glass because my glass;
A ghost-lover he was
And may have grown more arrogant being a ghost.
But names are nothing. What matter who it be,
So that his elements have grown so fine
The fume of muscatel
Can give his sharpened palate ecstasy
No living man can drink from the whole wine.
I have mummy truths to tell
Whereat the living mock,
Though not for sober ear,
For maybe all that hear
Should laugh and weep an hour upon the clock.
Such thought -- such thought have I that hold it tight
Till meditation master all its parts,
Nothing can stay my glance
Until that glance run in the world's despite
To where the damned have howled away their hearts,
And where the blessed dance;
Such thought, that in it bound
I need no other thing,
Wound in mind's wandering
As mummies in the mummy-cloth are wound.
Oxford, Autumn 1920
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Written by
Jackie Kay |
How they strut about, people in love,
How tall they grow, pleased with themselves,
Their hair, glossy, their skin shining.
They don't remember who they have been.
How filmic they are just for this time.
How important they've become - secret, above
The order of things, the dreary mundane.
Every church bell ringing, a fresh sign.
How dull the lot that are not in love.
Their clothes shabby, their skin lustreless;
How clueless they are, hair a mess; how they trudge
Up and down the streets in the rain,
remembering one kiss in a dark alley,
A touch in a changing room, if lucky, a lovely wait
For the phone to ring, maybe, baby.
The past with its rush of velvet, its secret hush
Already miles away, dimming now, in the late day.
|
Written by
Amy Lowell |
Bath
The day is fresh-washed and fair, and there is
a smell of tulips and narcissus
in the air.
The sunshine pours in at the bath-room window and
bores through the water
in the bath-tub in lathes and planes of greenish-white. It
cleaves the water
into flaws like a jewel, and cracks it to bright light.
Little spots of sunshine lie on the surface of
the water and dance, dance,
and their reflections wobble deliciously over the ceiling; a stir
of my finger
sets them whirring, reeling. I move a foot, and the planes
of light
in the water jar. I lie back and laugh, and let the green-white
water,
the sun-flawed beryl water, flow over me. The day is
almost
too bright to bear, the green water covers me from the too bright
day.
I will lie here awhile and play with the water and the sun spots.
The sky is blue and high. A crow flaps
by the window, and there is
a whiff of tulips and narcissus in the air.
Breakfast Table
In the fresh-washed sunlight, the breakfast table
is decked and white.
It offers itself in flat surrender, tendering tastes, and smells,
and colours, and metals, and grains, and the white cloth falls over
its side,
draped and wide. Wheels of white glitter in the silver
coffee-pot,
hot and spinning like catherine-wheels, they whirl, and twirl --
and my eyes
begin to smart, the little white, dazzling wheels prick them like
darts.
Placid and peaceful, the rolls of bread spread themselves in the
sun to bask.
A stack of butter-pats, pyramidal, shout orange through the white,
scream,
flutter, call: "Yellow! Yellow! Yellow!" Coffee
steam rises in a stream,
clouds the silver tea-service with mist, and twists up into the
sunlight,
revolved, involuted, suspiring higher and higher, fluting in a thin
spiral
up the high blue sky. A crow flies by and croaks at the
coffee steam.
The day is new and fair with good smells in the air.
Walk
Over the street the white clouds meet, and sheer
away without touching.
On the sidewalks, boys are playing marbles. Glass
marbles,
with amber and blue hearts, roll together and part with a sweet
clashing noise. The boys strike them with black and red
striped agates.
The glass marbles spit crimson when they are hit, and slip into
the gutters
under rushing brown water. I smell tulips and narcissus
in the air,
but there are no flowers anywhere, only white dust whipping up the
street,
and a girl with a gay Spring hat and blowing skirts. The
dust and the wind
flirt at her ankles and her neat, high-heeled patent leather shoes. Tap,
tap,
the little heels pat the pavement, and the wind rustles among the
flowers
on her hat.
A water-cart crawls slowly on the other side of
the way. It is green and gay
with new paint, and rumbles contentedly, sprinkling clear water
over
the white dust. Clear zigzagging water, which smells
of tulips and narcissus.
The thickening branches make a pink `grisaille'
against the blue sky.
Whoop! The clouds go dashing at each
other and sheer away just in time.
Whoop! And a man's hat careers down the street in front
of the white dust,
leaps into the branches of a tree, veers away and trundles ahead
of the wind,
jarring the sunlight into spokes of rose-colour and green.
A motor-car cuts a swathe through the bright air,
sharp-beaked, irresistible,
shouting to the wind to make way. A glare of dust and
sunshine
tosses together behind it, and settles down. The sky
is quiet and high,
and the morning is fair with fresh-washed air.
Midday and Afternoon
Swirl of crowded streets. Shock and
recoil of traffic. The stock-still
brick facade of an old church, against which the waves of people
lurch and withdraw. Flare of sunshine down side-streets. Eddies
of light
in the windows of chemists' shops, with their blue, gold, purple
jars,
darting colours far into the crowd. Loud bangs and tremors,
murmurings out of high windows, whirring of machine belts,
blurring of horses and motors. A quick spin and shudder
of brakes
on an electric car, and the jar of a church-bell knocking against
the metal blue of the sky. I am a piece of the town,
a bit of blown dust,
thrust along with the crowd. Proud to feel the pavement
under me,
reeling with feet. Feet tripping, skipping, lagging,
dragging,
plodding doggedly, or springing up and advancing on firm elastic
insteps.
A boy is selling papers, I smell them clean and new from the press.
They are fresh like the air, and pungent as tulips and narcissus.
The blue sky pales to lemon, and great tongues
of gold blind the shop-windows,
putting out their contents in a flood of flame.
Night and Sleep
The day takes her ease in slippered yellow. Electric
signs gleam out
along the shop fronts, following each other. They grow,
and grow,
and blow into patterns of fire-flowers as the sky fades. Trades
scream
in spots of light at the unruffled night. Twinkle, jab,
snap, that means
a new play; and over the way: plop, drop, quiver, is
the sidelong
sliver of a watchmaker's sign with its length on another street.
A gigantic mug of beer effervesces to the atmosphere over a tall
building,
but the sky is high and has her own stars, why should she heed ours?
I leave the city with speed. Wheels
whirl to take me back to my trees
and my quietness. The breeze which blows with me is fresh-washed
and clean,
it has come but recently from the high sky. There are
no flowers
in bloom yet, but the earth of my garden smells of tulips and narcissus.
My room is tranquil and friendly. Out
of the window I can see
the distant city, a band of twinkling gems, little flower-heads
with no stems.
I cannot see the beer-glass, nor the letters of the restaurants
and shops
I passed, now the signs blur and all together make the city,
glowing on a night of fine weather, like a garden stirring and blowing
for the Spring.
The night is fresh-washed and fair and there is
a whiff of flowers in the air.
Wrap me close, sheets of lavender. Pour
your blue and purple dreams
into my ears. The breeze whispers at the shutters and
mutters
***** tales of old days, and cobbled streets, and youths leaping
their horses
down marble stairways. Pale blue lavender, you are the
colour of the sky
when it is fresh-washed and fair . . . I smell the stars . . . they
are like
tulips and narcissus . . . I smell them in the air.
|
Written by
Richard Hugo |
You might come here Sunday on a whim.
Say your life broke down. The last good kiss
you had was years ago. You walk these streets
laid out by the insane, past hotels
that didn't last, bars that did, the tortured try
of local drivers to accelerate their lives.
Only churches are kept up. The jail
turned 70 this year. The only prisoner
is always in, not knowing what he's done.
The principal supporting business now
is rage. Hatred of the various grays
the mountain sends, hatred of the mill,
The Silver Bill repeal, the best liked girls
who leave each year for Butte. One good
restaurant and bars can't wipe the boredom out.
The 1907 boom, eight going silver mines,
a dance floor built on springs--
all memory resolves itself in gaze,
in panoramic green you know the cattle eat
or two stacks high above the town,
two dead kilns, the huge mill in collapse
for fifty years that won't fall finally down.
Isn't this your life? That ancient kiss
still burning out your eyes? Isn't this defeat
so accurate, the church bell simply seems
a pure announcement: ring and no one comes?
Don't empty houses ring? Are magnesium
and scorn sufficient to support a town,
not just Philipsburg, but towns
of towering blondes, good jazz and booze
the world will never let you have
until the town you came from dies inside?
Say no to yourself. The old man, twenty
when the jail was built, still laughs
although his lips collapse. Someday soon,
he says, I'll go to sleep and not wake up.
You tell him no. You're talking to yourself.
The car that brought you here still runs.
The money you buy lunch with,
no matter where it's mined, is silver
and the girl who serves your food
is slender and her red hair lights the wall.
|
Written by
Henry Lawson |
No church-bell rings them from the Track,
No pulpit lights theirblindness--
'Tis hardship, drought, and homelessness
That teach those Bushmen kindness:
The mateship born, in barren lands,
Of toil and thirst and danger,
The camp-fare for the wanderer set,
The first place to the stranger.
They do the best they can to-day--
Take no thought of the morrow;
Their way is not the old-world way--
They live to lend and borrow.
When shearing's done and cheques gone wrong,
They call it "time to slither"--
They saddle up and say "So-long!"
And ride the Lord knows whither.
And though he may be brown or black,
Or wrong man there, or right man,
The mate that's steadfast to his mates
They call that man a "white man!"
They tramp in mateship side by side--
The Protestant and Roman--
They call no biped lord or sir,
And touch their hat to no man!
They carry in their swags perhaps,
A portrait and a letter--
And, maybe, deep down in their hearts,
The hope of "something better."
Where lonely miles are long to ride,
And long, hot days recurrent,
There's lots of time to think of men
They might have been--but weren't.
They turn their faces to the west
And leave the world behind them
(Their drought-dry graves are seldom set
Where even mates can find them).
They know too little of the world
To rise to wealth or greatness;
But in these lines I gladly pay
My tribute to their greatness.
|
Written by
Victor Hugo |
("Moune, écureuil.")
{xx.}
Squirrel, mount yon oak so high,
To its twig that next the sky
Bends and trembles as a flower!
Strain, O stork, thy pinion well,—
From thy nest 'neath old church-bell,
Mount to yon tall citadel,
And its tallest donjon tower!
To your mountain, eagle old,
Mount, whose brow so white and cold,
Kisses the last ray of even!
And, O thou that lov'st to mark
Morn's first sunbeam pierce the dark,
Mount, O mount, thou joyous lark—
Joyous lark, O mount to heaven!
And now say, from topmost bough,
Towering shaft, and peak of snow,
And heaven's arch—O, can you see
One white plume that like a star,
Streams along the plain afar,
And a steed that from the war
Bears my lover back to me?
JOHN L. O'SULLIVAN.
|
Written by
William Topaz McGonagall |
Bonnie Kilmany, in the County of Fife,
Is a healthy spot to reside in to lengthen one's life.
The scenery there in the summer time is truly grand,
Especially the beautiful hills and the woodland.
Chorus --
Then, bonnie Annie, will you go with me
And leave the crowded city of Dundee,
And breathe the pure, fragrant air
In the Howe of Kilmany, so lovely and fair?
And the little village in the Howe is lovely to see,
In the midst of green trees and shrubbery;
And the little rivulet, as it wimples along,
Can be heard singing aloud an aquatic song.
Chorus
And the old church there is built on a knoll,
And on the Sabbath mornings the church bell does toll,
Inviting the people to join in prayer,
While the echoes of the bell is heard in mid-air.
Chorus
Then there's a little schoolroom, surrounded by trees,
A favourite haunt for butterflies and busy bees,
And an old red-tiled smithy near by,
And the clink of the hammers can be heard sounding high.
Chorus
And thew's a wood sawmill by the roadway,
And the noise can be heard by night and day,
As the circular saw wheels round and round,
Making the village with its echoes resound.
Chorus
And in the harvest time on a fine summer morn
The Howe looks most beautiful when the corn is shorn;
And to hear the beautiful lark singing on high
Will make you exclaim, "Dull care, good-bye."
|
Written by
Robert William Service |
Though elegance I ill afford,
My living-room is green and gold;
The former tenant was a lord
Who died of drinking, I am told.
I fancy he was rather bored;
I don't think he was over old.
And where on books I dully browse,
And gaze in rapture at the sea,
My predecessor world carouse
In lavish infidelity
With ladies amoral as cows;
But interesting, you'll agree.
I'm dull as water in a ditch,
Making these silly bits of rhyme;
My Lord, I'm told, was passing rich
And must have has a lovely time;
With champagne and a pretty *****
No need to heed the church-bell chime.
My living-room is marble floored,
And on its ceiling cherubs play;
But like my lord I'm often bored
And put my sullen books away;
And though my people say I snored,
I dream of indiscretions gay.
And often in the niggard night,
When sweet sleep I fail to drown,
I seem to see that noble sprite
In monocle and dressing-gown:
A glass of brandy to the light
He holds and winks and drinks it down.
When life's so beautifully planned,
Dear reader, can you understand
Why men should die be their own hand?
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Written by
Vachel Lindsay |
(Being a Chant of the American Soap-Box and the Russian Revolution.)
O market square, O slattern place,
Is glory in your slack disgrace?
Plump quack doctors sell their pills,
Gentle grafters sell brass watches,
Silly anarchists yell their ills.
Shall we be as weird as these?
In the breezes nod and wheeze?
Heaven's mass is sung,
Tomorrow's mass is sung
In a spirit tongue
By wind and dust and birds,
The high mass of liberty,
While wave the banners red:
Sung round the soap-box,
A mass for soldiers dead.
When you leave your faction in the once-loved hall,
Like a true American tongue-lash them all,
Stand then on the corner under starry skies
And get you a gang of the worn and the wise.
The soldiers of the Lord may be squeaky when they rally,
The soldiers of the Lord are a ***** little army,
But the soldiers of the Lord, before the year is through,
Will gather the whole nation, recruit all creation,
To smite the hosts abhorred, and all the heavens renew —
Enforcing with the bayonet the thing the ages teach —
Free speech!
Free speech!
Down with the Prussians, and all their works.
Down with the Turks.
Down with every army that fights against the soap-box,
The Pericles, Socrates, Diogenes soap-box,
The old Elijah, Jeremiah, John-the-Baptist soap-box,
The Rousseau, Mirabeau, Danton soap-box,
The Karl Marx, Henry George, Woodrow Wilson soap-box.
We will make the wide earth safe for the soap-box,
The everlasting foe of beastliness and tyranny,
Platform of liberty: — Magna Charta liberty,
Andrew Jackson liberty, bleeding Kansas liberty,
New-born Russian liberty: —
Battleship of thought,
The round world over,
Loved by the red-hearted,
Loved by the broken-hearted,
Fair young Amazon or proud tough rover,
Loved by the lion,
Loved by the lion,
Loved by the lion,
Feared by the fox.
The Russian Revolution is the world revolution.
Death at the bedstead of every Kaiser knocks.
The Hohenzollern army shall be felled like the ox.
The fatal hour is striking in all the doomsday clocks.
The while, by freedom's alchemy
Beauty is born.
Ring every sleigh-bell, ring every church bell,
Blow the clear trumpet, and listen for the answer: —
The blast from the sky of the Gabriel horn.
Hail the Russian picture around the little box: —
Exiles,
Troops in files,
Generals in uniform,
Mujiks in their smocks,
And holy maiden soldiers who have cut away their locks.
All the peoples and the nations in processions mad and great,
Are rolling through the Russian Soul as through a city gate: —
As though it were a street of stars that paves the shadowy deep.
And mighty Tolstoi leads the van along the stairway steep.
But now the people shout:
"Hail to Kerensky,
He hurled the tyrants out."
And this my song is made for Kerensky,
Prophet of the world-wide intolerable hope,
There on the soap-box, seasoned, dauntless,
There amid the Russian celestial kaleidoscope,
Flags of liberty, rags and battlesmoke.
Moscow and Chicago!
Come let us praise battling Kerensky,
Bravo! Bravo!
Comrade Kerensky the thunderstorm and rainbow!
Comrade Kerensky, Bravo, Bravo!
|
Written by
Mihai Eminescu |
'Tis eve on the hillside, the bagpipes are distantly wailing,
Flocks going homewards, and stars o'er the firmament sailing,
Sound of the bubbling spring sorrow's legend narrating,
And beneath a tall willow for me, dear one, you are waiting.
The wandering moon up the heavens her journey is wending,
Big-eyed you watch through the boughs her gold lantern ascending,
Now over the dome of the sky all the planets are gleaming,
And heavy your breast with its longing, your brow with its dreaming.
Cornfields bright flooded with beams by the clouds steeply drifted,
Old cottage gables of thatch to the moonlight uplifted,
The tall wooden arm of the well in the wind softly grating,
And the shepherd-boy's pipe from the sheep-pen sad "doina" relating.
The peasants, their scythes on their backs, from their labour are coming,
The sound of the "toaca" its summons more loudly is drumming,
While the clang of the village church bell fills the evening entire,
And with longing for you like a ****** my soul is on fire.
O, soon will the village be silent and scarce a light burning,
O, soon eager steps to the hillside again I'll be turning,
And all the night long I will clasp you in love's hungry fashion,
And in secret we'll tell to each other the tale of our passion.
Till at last we will fall fast asleep neath the shade of that willow,
Your lips drawn aside in a smile and your breast for my pillow,
O, to live one such beautiful night all these wonders fulfilling
And barter the rest of existence, who would not be willing?
English version by Corneliu M. Popescu
Transcribed by Catalina Stoica
School No. 10, Focsani, Romania
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