Written by
Oliver Wendell Holmes |
I WROTE some lines once on a time
In wondrous merry mood,
And thought, as usual, men would say
They were exceeding good.
They were so *****, so very *****,
I laughed as I would die;
Albeit, in the general way,
A sober man am I.
I called my servant, and he came;
How kind it was of him
To mind a slender man like me,
He of the mighty limb.
"These to the printer," I exclaimed,
And, in my humorous way,
I added, (as a trifling jest,)
"There'll be the devil to pay."
He took the paper, and I watched,
And saw him peep within;
At the first line he read, his face
Was all upon the grin.
He read the next; the grin grew broad,
And shot from ear to ear;
He read the third; a chuckling noise
I now began to hear.
The fourth; he broke into a roar;
The fifth; his waistband split;
The sixth; he burst five buttons off,
And tumbled in a fit.
Ten days and nights, with sleepless eye,
I watched that wretched man,
And since, I never dare to write
As funny as I can.
|
Written by
Lewis Carroll |
As one who strives a hill to climb,
Who never climbed before:
Who finds it, in a little time,
Grow every moment less sublime,
And votes the thing a bore:
Yet, having once begun to try,
Dares not desert his quest,
But, climbing, ever keeps his eye
On one small hut against the sky
Wherein he hopes to rest:
Who climbs till nerve and force are spent,
With many a puff and pant:
Who still, as rises the ascent,
In language grows more violent,
Although in breath more scant:
Who, climbing, gains at length the place
That crowns the upward track.
And, entering with unsteady pace,
Receives a buffet in the face
That lands him on his back:
And feels himself, like one in sleep,
Glide swiftly down again,
A helpless weight, from steep to steep,
Till, with a headlong giddy sweep,
He drops upon the plain -
So I, that had resolved to bring
Conviction to a ghost,
And found it quite a different thing
From any human arguing,
Yet dared not quit my post
But, keeping still the end in view
To which I hoped to come,
I strove to prove the matter true
By putting everything I knew
Into an axiom:
Commencing every single phrase
With 'therefore' or 'because,'
I blindly reeled, a hundred ways,
About the syllogistic maze,
Unconscious where I was.
Quoth he "That's regular clap-trap:
Don't bluster any more.
Now DO be cool and take a nap!
Such a ridiculous old chap
Was never seen before!
"You're like a man I used to meet,
Who got one day so furious
In arguing, the simple heat
Scorched both his slippers off his feet!"
I said "THAT'S VERY CURIOUS!"
"Well, it IS curious, I agree,
And sounds perhaps like fibs:
But still it's true as true can be -
As sure as your name's Tibbs," said he.
I said "My name's NOT Tibbs."
"NOT Tibbs!" he cried - his tone became
A shade or two less hearty -
"Why, no," said I. "My proper name
Is Tibbets - " "Tibbets?" "Aye, the same."
"Why, then YOU'RE NOT THE PARTY!"
With that he struck the board a blow
That shivered half the glasses.
"Why couldn't you have told me so
Three quarters of an hour ago,
You prince of all the asses?
"To walk four miles through mud and rain,
To spend the night in smoking,
And then to find that it's in vain -
And I've to do it all again -
It's really TOO provoking!
"Don't talk!" he cried, as I began
To mutter some excuse.
"Who can have patience with a man
That's got no more discretion than
An idiotic goose?
"To keep me waiting here, instead
Of telling me at once
That this was not the house!" he said.
"There, that'll do - be off to bed!
Don't gape like that, you dunce!"
"It's very fine to throw the blame
On ME in such a fashion!
Why didn't you enquire my name
The very minute that you came?"
I answered in a passion.
"Of course it worries you a bit
To come so far on foot -
But how was I to blame for it?"
"Well, well!" said he. "I must admit
That isn't badly put.
"And certainly you've given me
The best of wine and victual -
Excuse my violence," said he,
"But accidents like this, you see,
They put one out a little.
"'Twas MY fault after all, I find -
Shake hands, old Turnip-top!"
The name was hardly to my mind,
But, as no doubt he meant it kind,
I let the matter drop.
"Good-night, old Turnip-top, good-night!
When I am gone, perhaps
They'll send you some inferior Sprite,
Who'll keep you in a constant fright
And spoil your soundest naps.
"Tell him you'll stand no sort of trick;
Then, if he leers and chuckles,
You just be handy with a stick
(Mind that it's pretty hard and thick)
And rap him on the knuckles!
"Then carelessly remark 'Old coon!
Perhaps you're not aware
That, if you don't behave, you'll soon
Be chuckling to another tune -
And so you'd best take care!'
"That's the right way to cure a Sprite
Of such like goings-on -
But gracious me! It's getting light!
Good-night, old Turnip-top, good-night!"
A nod, and he was gone.
|
Written by
Cesar Vallejo |
Brother, today I sit on the brick bench of the house,
where you make a bottomless emptiness.
I remember we used to play at this hour, and mama
caressed us: "But, sons..."
Now I go hide
as before, from all evening
lectures, and I trust you not to give me away.
Through the parlor, the vestibule, the corridors.
Later, you hide, and I do not give you away.
I remember we made ourselves cry,
brother, from so much laughing.
Miguel, you went into hiding
one night in August, toward dawn,
but, instead of chuckling, you were sad.
And the twin heart of those dead evenings
grew annoyed at not finding you. And now
a shadow falls on my soul.
Listen, brother, don't be late
coming out. All right? Mama might worry.
|
Written by
Amy Lowell |
I
Over the yawning chimney hangs the fog. Drip
-- hiss -- drip -- hiss --
fall the raindrops on the oaken log which burns, and steams,
and smokes the ceiling beams. Drip -- hiss -- the rain
never stops.
The wide, state bed shivers beneath its velvet coverlet. Above,
dim,
in the smoke, a tarnished coronet gleams dully. Overhead
hammers and chinks
the rain. Fearfully wails the wind down distant corridors,
and there comes
the swish and sigh of rushes lifted off the floors. The
arras blows sidewise
out from the wall, and then falls back again.
It is my lady's key, confided with much nice cunning, whisperingly.
He enters on a sob of wind, which gutters the candles almost to
swaling.
The fire flutters and drops. Drip -- hiss -- the rain
never stops.
He shuts the door. The rushes fall again to stillness
along the floor.
Outside, the wind goes wailing.
The velvet coverlet of the wide bed is smooth and cold. Above,
in the firelight, winks the coronet of tarnished gold. The
knight shivers
in his coat of fur, and holds out his hands to the withering flame.
She is always the same, a sweet coquette. He will wait
for her.
How the log hisses and drips! How warm
and satisfying will be her lips!
It is wide and cold, the state bed; but when her head lies under
the coronet,
and her eyes are full and wet with love, and when she holds out
her arms,
and the velvet counterpane half slips from her, and alarms
her trembling modesty, how eagerly he will leap to cover her, and
blot himself
beneath the quilt, making her laugh and tremble.
Is it guilt to free a lady from her palsied lord,
absent and fighting,
terribly abhorred?
He stirs a booted heel and kicks a rolling coal. His
spur clinks
on the hearth. Overhead, the rain hammers and chinks. She
is so pure
and whole. Only because he has her soul will she resign
herself to him,
for where the soul has gone, the body must be given as a sign. He
takes her
by the divine right of the only lover. He has sworn to
fight her lord,
and wed her after. Should he be overborne, she will die
adoring him, forlorn,
shriven by her great love.
Above, the coronet winks in the darkness. Drip
-- hiss -- fall the raindrops.
The arras blows out from the wall, and a door bangs in a far-off
hall.
The candles swale. In the gale the moat below plunges
and spatters.
Will the lady lose courage and not come?
The rain claps on a loosened rafter.
Is that laughter?
The room is filled with lisps and whispers. Something
mutters.
One candle drowns and the other gutters. Is that the
rain
which pads and patters, is it the wind through the winding entries
which chatters?
The state bed is very cold and he is alone. How
far from the wall
the arras is blown!
Christ's Death! It is no storm which makes these little
chuckling sounds.
By the Great Wounds of Holy Jesus, it is his dear lady, kissing
and
clasping someone! Through the sobbing storm he hears
her love take form
and flutter out in words. They prick into his ears and
stun his desire,
which lies within him, hard and dead, like frozen fire. And
the little noise
never stops.
Drip -- hiss -- the rain drops.
He tears down the arras from before an inner chamber's bolted door.
II
The state bed shivers in the watery dawn. Drip
-- hiss -- fall the raindrops.
For the storm never stops.
On the velvet coverlet lie two bodies, stripped
and fair in the cold,
grey air. Drip -- hiss -- fall the blood-drops, for the
bleeding never stops.
The bodies lie quietly. At each side of the bed, on the
floor, is a head.
A man's on this side, a woman's on that, and the red blood oozes
along
the rush mat.
A wisp of paper is twisted carefully into the strands
of the dead man's hair.
It says, "My Lord: Your wife's paramour has paid with
his life
for the high favour."
Through the lady's silver fillet is wound another
paper. It reads,
"Most noble Lord: Your wife's misdeeds are as a double-stranded
necklace of beads. But I have engaged that, on your return,
she shall welcome you here. She will not spurn your love
as before,
you have still the best part of her. Her blood was red,
her body white,
they will both be here for your delight. The soul inside
was a lump of dirt,
I have rid you of that with a spurt of my sword point. Good
luck
to your pleasure. She will be quite complaisant, my friend,
I wager."
The end was a splashed flourish of ink.
Hark! In the passage is heard the clink
of armour, the tread of a heavy man.
The door bursts open and standing there, his thin hair wavering
in the glare of steely daylight, is my Lord of Clair.
Over the yawning chimney hangs the fog. Drip -- hiss
-- drip -- hiss --
fall the raindrops. Overhead hammers and chinks the rain
which never stops.
The velvet coverlet is sodden and wet, yet the
roof beams are tight.
Overhead, the coronet gleams with its blackened gold, winking and
blinking.
Among the rushes three corpses are growing cold.
III
In the castle church you may see them stand,
Two sumptuous tombs on either hand
Of the choir, my Lord's and my Lady's, grand
In sculptured filigrees. And where the transepts of the
church expand,
A crusader, come from the Holy Land,
Lies with crossed legs and embroidered band.
The page's name became a brand
For shame. He was buried in crawling sand,
After having been burnt by royal command.
|
Written by
Edward Thomas |
IT was a perfect day
For sowing; just
As sweet and dry was the ground
As tobacco-dust.
I tasted deep the hour
Between the far
Owl's chuckling first soft cry
And the first star.
A long stretched hour it was;
Nothing undone
Remained; the early seeds
All safely sown.
And now, hark at the rain,
Windless and light,
Half a kiss, half a tear,
Saying good-night.
|
Written by
Rg Gregory |
(i) introduction
his home in ruins
his parents gone
frederick seeks
to reclaim his throne
to the golden mountain
he sets his path
the enchantress listening
schemes with wrath
four desperate trials
which she takes from store
to silence frederick
for ever more
(ii) the mist
softly mist suppress all sight
swirling stealthily as night
slur the sureness of his steps
suffocate his sweetest hopes
swirling curling slip and slide
persuasively seduce his stride
from following its essential course
seal his senses at its source
bemuse the soil he stands upon
till power of choice has wholly gone
seething surreptitious veil
across the face of light prevail
against this taciturn and proud
insurgent - o smother him swift cloud
yet if you cannot steal his breath
thus snuffing him to hasty death
at least in your umbrageous mask
stifle his ambitious task
mystify his restless brain
sweep him swirl him home again
(iii) the bog
once more the muffling mists enclose
frederick in their vaporous throes
forcing him with unseeing sway
to veer from his intended way
back they push and back
make him fall
stumble catch
his foot become
emmired snatch
hopelessly at fog
no grip slip further back
into the sucking fingers of the bog
into the slush
squelching and splotch-
ing the marsh
gushes and gurgles
engulfing foot leg
chuckling suckles
the heaving thigh
the plush slugged waist
sucking still and still flushing
with suggestive slurp
plop slap
sluggishly upwards
unctuous lugubrious
soaking and enjoying
with spongy gestures
the swallowed wallowing
body - the succulence
of soft shoulder
squirming
elbow
wrist
then
all.......
but no
his desperate palm
struggling to forsake
the clutches of the swamp
finds one stark branch overhanging
to fix glad fingers to and out of the maw
of the murderous mud safely delivers him
(iv) the magic forest
safely - distorted joke
from bog to twisted forest
gnarled trees writhe and fork
asphixiated trunks - angular branches
hook claw throttle frederick in their creaking
joints
jagged weird
knotted and misshapen
petrified maniacal
figures frantically contorted
grotesque eccentric in the moon-toothed
half-light
tug clutch struggle
with the haggard form
zigzag he staggers
awe-plagued giddy
near-garrotted mind-deranged
forcing his sagging limbs through the mangled danger
till almost beyond redemption beyond self-care
he once again survives to breathe free air
(v) the barrier of thorns
immediately a barrier of thorns
springs up to choke his track
thick brier evil bramble twitch
stick sharp needles in his skin
hag's spite inflicts its bitter sting
frederick (provoked to attack
stung stabbed by jabbing spines
wincing with agony and grief) seeks to hack
a clear way through
picking swinging at
the spiky barricade inch by prickly inch
smarting with anger bristling with a thin
itch and tingling of success - acute
with aching glory the afflicted victim
of a witch's pique frederick
frederick the king snips hews chops
rips slashes cracks cleaves rends pierces
pierces and shatters into pointless pieces
this mighty barrier of barbs - comes through at last
(belzivetta's malignant magic smashed)
to freedom peace of mind and dreamless sleep
|
Written by
Eugene Field |
I
Once a fowler, young and artless,
To the quiet greenwood came;
Full of skill was he and heartless
In pursuit of feathered game.
And betimes he chanced to see
Eros perching in a tree.
"What strange bird is that, I wonder?"
Thought the youth, and spread his snare;
Eros, chuckling at the blunder,
Gayly scampered here and there.
Do his best, the simple clod
Could not snare the agile god!
Blubbering, to his aged master
Went the fowler in dismay,
And confided his disaster
With that curious bird that day;
"Master, hast thou ever heard
Of so ill-disposed a bird?"
"Heard of him? Aha, most truly!"
Quoth the master with a smile;
"And thou too, shall know him duly--
Thou art young, but bide awhile,
And old Eros will not fly
From thy presence by and by!
"For when thou art somewhat older
That same Eros thou didst see,
More familiar grown and bolder,
Shall become acquaint with thee;
And when Eros comes thy way
Mark my word, he comes to stay!"
II
Once came Venus to me, bringing
Eros where my cattle fed--
"Teach this little boy your singing,
Gentle herdsman," Venus said.
I was young--I did not know
Whom it was that Venus led--
That was many years ago!
In a lusty voice but mellow--
Callow pedant! I began
To instruct the little fellow
In the mysteries known to man;
Sung the noble cithern's praise,
And the flute of dear old Pan,
And the lyre that Hermes plays.
But he paid no heed unto me--
Nay, that graceless little boy
Coolly plotted to undo me--
With his songs of tender joy;
And my pedantry o'erthrown,
Eager was I to employ
His sweet ritual for mine own!
Ah, these years of ours are fleeting!
Yet I have not vainly wrought,
Since to-day I am repeating
What dear lessons Eros taught;
Love, and always love, and then--
Counting all things else for naught--
Love and always love again!
|
Written by
Robert William Service |
Some poets sing of scenery;
Some to fair maids make sonnets sweet.
A fig for love and greenery,
Be mine a song of things to eat.
Let brother bards divinely dream,
I'm just plain human, as you see;
And choose to carol such a theme
As ham and eggs and tea.
Just two fried eggs or maybe three,
With lacy rims and sunside up,
Pink coral ham and amber tea
Poured in a big, fat china cup.
I have no crave for finer fare;
That's just the chuck for chaps like me.
Aye, if I were a millionaire--
Just ham and eggs and tea.
When of life's fussiness I tire,
And on my skull I wear a cap,
As tartan-shawled beside the fire
I stroke the kitten on my lap:
Give me no broth and chicken breast;
My last repast shall hearty be . . .
Oh how I'll sup with chuckling zest
On ham and eggs and tea!
|
Written by
Siegfried Sassoon |
I
In barns we crouch, and under stacks of straw,
Harking the storm that rides a hurtling legion
Up the arched sky, and speeds quick heels of panic
With growling thunder loosed in fork and clap
That echoes crashing thro’ the slumbrous vault.
The whispering woodlands darken: vulture Gloom
Stoops, menacing the skeltering flocks of Light,
Where the gaunt shepherd shakes his gleaming staff
And foots with angry tidings down the slope.
Drip, drip; the rain steals in through soaking thatch
By cob-webbed rafters to the dusty floor.
Drums shatter in the tumult; wrathful Chaos
Points pealing din to the zenith, then resolves
Terror in wonderment with rich collapse.
II
Now from drenched eaves a swallow darts to skim
The crystal stillness of an air unveiled
To tremulous blue. Raise your bowed heads, and let
Your horns adore the sky, ye patient kine!
Haste, flashing brooks! Small, chuckling rills, rejoice!
Be open-eyed for Heaven, ye pools of peace!
Shine, rain-bow hills! Dream on, fair glimps?d vale
In haze of drifting gold! And all sweet birds,
Sing out your raptures to the radiant leaves!
And ye, close huddling Men, come forth to stand
A moment simple in the gaze of God
That sweeps along your pastures! Breathe his might!
Lift your blind faces to be filled with day,
And share his benediction with the flowers.
|