Written by
Sylvia Plath |
Lady, your room is lousy with flowers.
When you kick me out, that's what I'll remember,
Me, sitting here bored as a loepard
In your jungle of wine-bottle lamps,
Velvet pillows the color of blood pudding
And the white china flying fish from Italy.
I forget you, hearing the cut flowers
Sipping their liquids from assorted pots,
Pitchers and Coronation goblets
Like Monday drunkards. The milky berries
Bow down, a local constellation,
Toward their admirers in the tabletop:
Mobs of eyeballs looking up.
Are those petals of leaves you've paried with them ---
Those green-striped ovals of silver tissue?
The red geraniums I know.
Friends, friends. They stink of armpits
And the invovled maladies of autumn,
Musky as a lovebed the morning after.
My nostrils prickle with nostalgia.
Henna hags:cloth of your cloth.
They tow old water thick as fog.
The roses in the Toby jug
Gave up the ghost last night. High time.
Their yellow corsets were ready to split.
You snored, and I heard the petals unlatch,
Tapping and ticking like nervous fingers.
You should have junked them before they died.
Daybreak discovered the bureau lid
Littered with Chinese hands. Now I'm stared at
By chrysanthemums the size
Of Holofernes' head, dipped in the same
Magenta as this fubsy sofa.
In the mirror their doubles back them up.
Listen: your tenant mice
Are rattling the cracker packets. Fine flour
Muffles their bird feet: they whistle for joy.
And you doze on, nose to the wall.
This mizzle fits me like a sad jacket.
How did we make it up to your attic?
You handed me gin in a glass bud vase.
We slept like stones. Lady, what am I doing
With a lung full of dust and a tongue of wood,
Knee-deep in the cold swamped by flowers?
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Written by
Barry Tebb |
There was a hope for poetry in the sixties
And for education and society, teachers free
To do as they wanted: I could and did teach
Poetry and art all day and little else -
That was my way.
I threw rainbows against the classroom walls,
Gold and silver dragons in the corridors and
Halls; the children’s eyes were full of stars;
I taught the alphabet in Greek and spoke of
Peace and war in Vietnam, of birth and sex and
Death and immortality - the essences of lyric poetry;
Richards and Ogden on ‘The Meaning of Meaning’,
Schopenhauer on sadness, Nietzsche and Lawrence on
Civilisation and Plato on the Theory of Forms;
I read aloud ‘The Rainbow’ and the children drew
The waterfall with Gudrun bathing, I showed
Them Gauguin and Fra Angelico in gold and a film
On painting from life, and the nude girls
Bothered no-one.
It was the Sixties -
Art was life and life was art and in the
Staff-room we talked of poetry and politics
And passionately I argued with John. a clinical
Psychologist, on Freud and Jung; Anne, at forty
One, wanted to be sterilised and amazingly asked
My advice but that was how it was then: Dianne
Went off to join weekly rep at Brighton, Dave
Clark had given up law to teach a ‘D’ stream in the
Inner city. I was more lucky and had the brightest
Children - Sheila Pritchard my genius child-poet with
Her roguish eye and high bright voice, drawing skulls
In Avernus and burning white chrysanthemums, teasing me
With her long legs and gold salmon-flecked eyes.
It was a surprise when I made it into Penguin Books;
Michael Horovitz busy then as now and madly idealistic
As me; getting ready for the Albert Hall jamboree,
The rainbow bomb of peace and poetry.
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Written by
Matsuo Basho |
When the winter chrysanthemums go,
there's nothing to write about
but radishes.
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Written by
William Carlos (WCW) Williams |
You know there is not much
that I desire, a few chrysanthemums
half lying on the grass, yellow
and brown and white, the
talk of a few people, the trees,
an expanse of dried leaves perhaps
with ditches among them.
But there comes
between me and these things
a letter
or even a look—well placed,
you understand,
so that I am confused, twisted
four ways and—left flat,
unable to lift the food to
my own mouth:
Here is what they say: Come!
and come! and come! And if
I do not go I remain stale to
myself and if I go—
I have watched
the city from a distance at night
and wondered why I wrote no poem.
Come! yes,
the city is ablaze for you
and you stand and look at it.
And they are right. There is
no good in the world except out of
a woman and certain women alone
for certain. But what if
I arrive like a turtle,
with my house on my back or
a fish ogling from under water?
It will not do. I must be
steaming with love, colored
like a flamingo. For what?
To have legs and a silly head
and to smell, pah! like a flamingo
that soils its own feathers behind.
Must I go home filled
with a bad poem?
And they say:
Who can answer these things
till he has tried? Your eyes
are half closed, you are a child,
oh, a sweet one, ready to play
but I will make a man of you and
with love on his shoulder—!
And in the marshes
the crickets run
on the sunny dike's top and
make burrows there, the water
reflects the reeds and the reeds
move on their stalks and rattle drily.
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Written by
Mark Van Doren |
After long drought, commotion in the sky;
After dead silence, thunder. Then it comes,
The rain. It slashes leaves, and doubly drums
On tin and shingle; beats and bends awry
The flower heads; puddles dust, and with a sigh
Like love sinks into grasses, where it hums
As bees did once, among chrysanthemums
And asters when the summer thought to die.
The whole world dreamed of this, and has it now.
Nor was the waking easy. The dull root
Is jealous of its death; the sleepy brow
Smiles in its slumber; and a heart can fear
The very flood it longed for, roaring near.
The spirit best remembers being mute.
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Written by
Du Fu |
Cane tin how come here Autumn wind already sough Rain waste large court chrysanthemum Frost topple half pool lotus Banish rather against nature Void not leave Chan Mutual meet all night stay Gansu moon toward man round How did your tin-edged cane get here? The autumn wind's already sighing. The rain's laid waste the great court's chrysanthemums, And frost has felled half the pond's lotuses. Banished, you don't renounce your nature, In limbo, you don't depart from Chan. Now we've met, we can spend all night together, The Gansu moon shines round upon us.
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Written by
Rudyard Kipling |
As I was spittin' into the Ditch aboard o' the Crocodile,
I seed a man on a man-o'-war got up in the Reg'lars' style.
'E was scrapin' the paint from off of 'er plates, an' I sez to 'im, "'Oo are you?"
Sez 'e, "I'm a Jolly -- 'Er Majesty's Jolly -- soldier an' sailor too!"
Now 'is work begins by Gawd knows when, and 'is work is never through;
'E isn't one o' the reg'lar Line, nor 'e isn't one of the crew.
'E's a kind of a giddy harumfrodite -- soldier an' sailor too!
An' after I met 'im all over the world, a-doin' all kinds of things,
Like landin' 'isself with a Gatlin' gun to talk to them 'eathen kings;
'E sleeps in an 'ammick instead of a cot, an' 'e drills with the deck on a slew,
An' 'e sweats like a Jolly -- 'Er Majesty's Jolly -- soldier an' sailor too!
For there isn't a job on the top o' the earth the beggar don't know, nor do --
You can leave 'im at night on a bald man's 'ead, to paddle 'is own canoe --
'E's a sort of a bloomin' cosmopolouse -- soldier an' sailor too.
We've fought 'em in trooper, we've fought 'em in dock, and drunk with 'em in betweens,
When they called us the seasick scull'ry-maids, an' we called 'em the Ass Marines;
But, when we was down for a double fatigue, from Woolwich to Bernardmyo,
We sent for the Jollies -- 'Er Majesty's Jollies -- soldier an' sailor too!
They think for 'emselves, an' they steal for 'emselves, and they never ask what's to do,
But they're camped an' fed an' they're up an' fed before our bugle's blew.
Ho! they ain't no limpin' procrastitutes -- soldier an' sailor too.
You may say we are fond of an 'arness-cut, or 'ootin' in barrick-yards,
Or startin' a Board School mutiny along o' the Onion Guards;
But once in a while we can finish in style for the ends of the earth to view,
The same as the Jollies -- 'Er Majesty's Jollies -- soldier an' sailor too!
They come of our lot, they was brothers to us; they was beggars we'd met an' knew;
Yes, barrin' an inch in the chest an' the arm, they was doubles o' me an' you;
For they weren't no special chrysanthemums -- soldier an' sailor too!
To take your chance in the thick of a rush, with firing all about,
Is nothing so bad when you've cover to 'and, an' leave an' likin' to shout;
But to stand an' be still to the Birken'ead drill is a damn tough bullet to chew,
An' they done it, the Jollies -- 'Er Majesty's Jollies -- soldier an' sailor too!
Their work was done when it 'adn't begun; they was younger nor me an' you;
Their choice it was plain between drownin' in 'eaps an' bein' mopped by the screw,
So they stood an' was still to the Birken'ead drill, soldier an' sailor too!
We're most of us liars, we're 'arf of us thieves, an' the rest are as rank as can be,
But once in a while we can finish in style (which I 'ope it won't 'appen to me).
But it makes you think better o' you an' your friends, an' the work you may 'ave to do,
When you think o' the sinkin' Victorier's Jollies -- soldier an' sailor too!
Now there isn't no room for to say ye don't know -- they 'ave proved it plain and true --
That whether it's Widow, or whether it's ship, Victorier's work is to do,
An' they done it, the Jollies -- 'Er Majesty's Jollies -- soldier an' sailor too!
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Written by
John Berryman |
Sixteen below. Our care like stranded hulls
litter all day our little Avenues.
It was 28 below.
No one goes anywhere. Fabulous calls
to duty clank. Icy dungeons, though,
have much to mention to you.
At Harvard & Yale must Pussy-cat be heard
in the dead of winter when we must be sad
and feel by the weather had.
Chrysanthemums crest, far way, in the Emperor's garden
and, whenever we are, we must beg always pardon
Pardon was the word.
Pardon was the only word, in ferocious cold
like Asiatic prisons, where we live
and strive and strive to forgive.
Melted my honey, summers ago. I told
her true & summer things. She leaned an ear
in my direction, here.
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