Written by
Barry Tebb |
At ten she came to me, three years ago,
There was ‘something between us’ even then;
Watching her write like Eliot every day,
Turn prose into haiku in ten minutes flat,
Write a poem in Greek three weeks from learning the alphabet;
Then translate it as ‘Sun on a tomb, gold place, small sacred horse’.
I never got over having her in the room, though
Every day she was impossible in a new way,
Stamping her foot like a naughty Enid Blyton child,
Shouting "Poets don’t do arithmetic!"
Or drawing caricatures of me in her book.
Then there were the ‘moments of vision’, her eyes
Dissolving the blank walls and made-up faces,
Genius painfully going through her paces,
The skull she drew, the withered chrysanthemum
And scarlet rose, ‘Descensus averno’, like Virgil,
I supposed.
Now three years later, in nylons and tight skirt,
She returns from grammar school to make a chaos of my room;
Plaiting a rose in her hair, I remember the words of her poem -
‘For love is wrong/in word, in deed/But you will be mine’
And now her promise to come the last two days of term,
"But not tell them", the diamond bomb exploding
In her eyes, the key left ‘Accidentally’ on my desk
And the faint surprise.
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Written by
Du Fu |
Jade dew wither wound maple forest Wu mountain wu gorge air desolate and dreary River on wave meet sky surge Pass on wind cloud join earth dark Shrub chrysanthemum two open it day tear Single boat one link hometown heart Cold clothes place place urge knife measure Baidicheng high urgent evening flat stone Jade dew withers and wounds the groves of maple trees, On Wu mountain, in Wu gorge, the air is dull and drear. On the river surging waves rise to meet the sky, Above the pass wind and cloud join the earth with darkness. Chrysanthemum bushes open twice, weeping for their days, A lonely boat, a single line, my heart is full of home. Winter clothes everywhere are urgently cut and measured, Baidicheng above, the evening's driven by beating on stones.
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Written by
James Schuyler |
beside me in this garden
are huge and daisy-like
(why not? are not
oxeye daisies a chrysanthemum?),
shrubby and thick-stalked,
the leaves pointing up
the stems from which
the flowers burst in
sunbursts. I love
this garden in all its moods,
even under its winter coat
of salt hay, or now,
in October, more than
half gone over: here
a rose, there a clump
of aconite. This morning
one of the dogs killed
a barn owl. Bob saw
it happen, tried to
intervene. The airedale
snapped its neck and left
it lying. Now the bird
lies buried by an apple
tree. Last evening
from the table we saw
the owl, huge in the dusk,
circling the field
on owl-silent wings.
The first one ever seen
here: now it's gone,
a dream you just remember.
The dogs are barking. In
the studio music plays
and Bob and Darragh paint.
I sit scribbling in a little
notebook at a garden table,
too hot in a heavy shirt
in the mid-October sun
into which the Korean mums
all face. There is a
dull book with me,
an apple core, cigarettes,
an ashtray. Behind me
the rue I gave Bob
flourishes. Light on leaves,
so much to see, and
all I really see is that
owl, its bulk troubling
the twilight. I'll
soon forget it: what
is there I have not forgot?
Or one day will forget:
this garden, the breeze
in stillness, even
the words, Korean mums.
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Written by
Yosa Buson |
Before the white chrysanthemum
the scissors hesitate
a moment.
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Written by
Sharon Olds |
When I eat crab, slide the rosy
rubbery claw across my tongue
I think of my mother. She'd drive down
to the edge of the Bay, tiny woman in a
huge car, she'd ask the crab-man to
crack it for her. She'd stand and wait as the
pliers broke those chalky homes, wild-
red and knobby, those cartilage wrists, the
thin orange roof of the back.
I'd come home, and find her at the table
crisply unhousing the parts, laying the
fierce shell on one side, the
soft body on the other. She gave us
lots, because we loved it so much,
so there was always enough, a mound of crab like a
cross between breast-milk and meat. The back
even had the shape of a perfect
ruined breast, upright flakes
white as the flesh of a chrysanthemum, but the
best part was the claw, she'd slide it
out so slowly the tip was unbroken,
scarlet bulb of the feeler—it was such a
kick to easily eat that weapon,
wreck its delicate hooked pulp between
palate and tongue. She loved to feed us
and all she gave us was fresh, she was willing to
grasp shell, membrane, stem, to go
close to dirt and salt to feed us,
the way she had gone near our father himself
to give us life. I look back and
see us dripping at the table, feeding, her
row of pink eaters, the platter of flawless
limp claws, I look back further and
see her in the kitchen, shelling flesh, her
small hands curled—she is like a
fish-hawk, wild, tearing the meat
deftly, living out her life of fear and desire.
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Written by
Du Fu |
Cane tin how come here Autumn wind already sough Rain waste large court chrysanthemum Frost topple half pool lotus Banish rather against nature Void not leave Chan Mutual meet all night stay Gansu moon toward man round How did your tin-edged cane get here? The autumn wind's already sighing. The rain's laid waste the great court's chrysanthemums, And frost has felled half the pond's lotuses. Banished, you don't renounce your nature, In limbo, you don't depart from Chan. Now we've met, we can spend all night together, The Gansu moon shines round upon us.
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Written by
Thomas Hardy |
Why should this flower delay so long
To show its tremulous plumes?
Now is the time of plaintive robin-song,
When flowers are in their tombs.
Through the slow summer, when the sun
Called to each frond and whorl
That all he could for flowers was being done,
Why did it not uncurl?
It must have felt that fervid call
Although it took no heed,
Waking but now, when leaves like corpses fall,
And saps all retrocede.
Too late its beauty, lonely thing,
The season's shine is spent,
Nothing remains for it but shivering
In tempests turbulent.
Had it a reason for delay,
Dreaming in witlessness
That for a bloom so delicately gay
Winter would stay its stress?
- I talk as if the thing were born
With sense to work its mind;
Yet it is but one mask of many worn
By the Great Face behind.
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Written by
Carl Sandburg |
1THE DOWN drop of the blackbird,
The wing catch of arrested flight,
The stop midway and then off: off for triangles, circles, loops of new hieroglyphs—
This is April’s way: a woman:
“O yes, I’m here again and your heart
knows I was coming.”
2White pigeons rush at the sun,
A marathon of wing feats is on:
“Who most loves danger? Who most loves wings? Who somersaults for God’s sake in the name of wing power in the sun and blue on an April Thursday.”
So ten winged heads, ten winged feet, race their white forms over Elmhurst.
They go fast: once the ten together were a feather of foam bubble, a chrysanthemum whirl speaking to silver and azure.
3The child is on my shoulders.
In the prairie moonlight the child’s legs hang over my shoulders.
She sits on my neck and I hear her calling me a good horse.
She slides down—and into the moon silver of a prairie stream
She throws a stone and laughs at the clug-clug.
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