Written by
Robert William Service |
No man can be a failure if he thinks he's a success;
he may not own his roof-tree overhead,
He may be on his uppers and have hocked his evening dress -
(Financially speaking - in the red)
He may have chronic shortage to repay the old home mortgage,
And almost be a bankrupt in his biz.,
But though he skips his dinner,
And each day he's growing thinner,
If he thinks he is a winner,
Then he is.
But when I say Success I mean the sublimated kind;
A man may gain it yet be on the dole.
To me it's music of the heart and sunshine of the mind,
Serenity and sweetness of the soul.
You may not have a brace of bucks to jingle in your jeans,
Far less the dough to buy a motor car;
But though the row you're hoeing
May be grim, ungodly going,
If you think the skies are glowing -
Then they are.
For a poor man may be wealthy and a millionaire may fail,
It all depends upon the point of view.
It's the sterling of your spirit tips the balance of the scale,
It's optimism, and it's up to you.
For what I figure as success is simple Happiness,
The consummate contentment of your mood:
You may toil with brain and sinew,
And though little wealth is win you,
If there's health and hope within you -
You've made good.
|
Written by
Lewis Carroll |
There are certain things--as, a spider, a ghost,
The income-tax, gout, an umbrella for three--
That I hate, but the thing that I hate the most
Is a thing they call the Sea.
Pour some salt water over the floor--
Ugly I'm sure you'll allow it to be:
Suppose it extended a mile or more,
That's very like the Sea.
Beat a dog till it howls outright--
Cruel, but all very well for a spree:
Suppose that he did so day and night,
That would be like the Sea.
I had a vision of nursery-maids;
Tens of thousands passed by me--
All leading children with wooden spades,
And this was by the Sea.
Who invented those spades of wood?
Who was it cut them out of the tree?
None, I think, but an idiot could--
Or one that loved the Sea.
It is pleasant and dreamy, no doubt, to float
With "thoughts as boundless, and souls as free":
But, suppose you are very unwell in the boat,
How do you like the Sea?
There is an insect that people avoid
(Whence is derived the verb "to flee").
Where have you been by it most annoyed?
In lodgings by the Sea.
If you like your coffee with sand for dregs,
A decided hint of salt in your tea,
And a fishy taste in the very eggs--
By all means choose the Sea.
And if, with these dainties to drink and eat,
You prefer not a vestige of grass or tree,
And a chronic state of wet in your feet,
Then--I recommend the Sea.
For I have friends who dwell by the coast--
Pleasant friends they are to me!
It is when I am with them I wonder most
That anyone likes the Sea.
They take me a walk: though tired and stiff,
To climb the heights I madly agree;
And, after a tumble or so from the cliff,
They kindly suggest the Sea.
I try the rocks, and I think it cool
That they laugh with such an excess of glee,
As I heavily slip into every pool
That skirts the cold cold Sea.
|
Written by
Rudyard Kipling |
We're foot--slog--slog--slog--sloggin' over Africa --
Foot--foot--foot--foot--sloggin' over Africa --
(Boots--boots--boots--boots--movin' up an' down again!)
There's no discharge in the war!
Seven--six--eleven--five--nine-an'-twenty mile to-day --
Four--eleven--seventeen--thirty-two the day before --
(Boots--boots--boots--boots--movin' up an' down again!)
There's no discharge in the war!
Don't--don't--don't--don't--look at what's in front of you.
(Boots--boots--boots--boots--movin' up an' down again);
Men--men--men--men--men go mad with watchin' em,
An' there's no discharge in the war!
Try--try--try--try--to think o' something different --
Oh--my--God--keep--me from goin' lunatic!
(Boots--boots--boots--boots--movin' up an' down again!)
There's no discharge in the war!
Count--count--count--count--the bullets in the bandoliers.
If--your--eyes--drop--they will get atop o' you!
(Boots--boots--boots--boots--movin' up an' down again) --
There's no discharge in the war!
We--can--stick--out--'unger, thirst, an' weariness,
But--not--not--not--not the chronic sight of 'em --
Boot--boots--boots--boots--movin' up an' down again,
An' there's no discharge in the war!
'Taint--so--bad--by--day because o' company,
But night--brings--long--strings--o' forty thousand million
Boots--boots--boots--boots--movin' up an' down again.
There's no discharge in the war!
I--'ave--marched--six--weeks in 'Ell an' certify
It--is--not--fire--devils, dark, or anything,
But boots--boots--boots--boots--movin' up an' down again,
An' there's no discharge in the war!
|
Written by
Adrienne Rich |
1
You, once a belle in Shreveport,
with henna-colored hair, skin like a peachbud,
still have your dresses copied from that time,
and play a Chopin prelude
called by Cortot: "Delicious recollections
float like perfume through the memory."
Your mind now, moldering like wedding-cake,
heavy with useless experience, rich
with suspicion, rumor, fantasy,
crumbling to pieces under the knife-edge
of mere fact. In the prime of your life.
Nervy, glowering, your daughter
wipes the teaspoons, grows another way.
2
Banging the coffee-pot into the sink
she hears the angels chiding, and looks out
past the raked gardens to the sloppy sky.
Only a week since They said: Have no patience.
The next time it was: Be insatiable.
Then: Save yourself; others you cannot save.
Sometimes she's let the tapstream scald her arm,
a match burn to her thumbnail,
or held her hand above the kettle's snout
right inthe woolly steam. They are probably angels,
since nothing hurts her anymore, except
each morning's grit blowing into her eyes.
3
A thinking woman sleeps with monsters.
The beak that grips her, she becomes. And Nature,
that sprung-lidded, still commodious
steamer-trunk of tempora and mores
gets stuffed with it all: the mildewed orange-flowers,
the female pills, the terrible breasts
of Boadicea beneath flat foxes' heads and orchids.
Two handsome women, gripped in argument,
each proud, acute, subtle, I hear scream
across the cut glass and majolica
like Furies cornered from their prey:
The argument ad feminam, all the old knives
that have rusted in my back, I drive in yours,
ma semblable, ma soeur!
4
Knowing themselves too well in one another:
their gifts no pure fruition, but a thorn,
the prick filed sharp against a hint of scorn...
Reading while waiting
for the iron to heat,
writing, My Life had stood--a Loaded Gun--
in that Amherst pantry while the jellies boil and scum,
or, more often,
iron-eyed and beaked and purposed as a bird,
dusting everything on the whatnot every day of life.
5
Dulce ridens, dulce loquens,
she shaves her legs until they gleam
like petrified mammoth-tusk.
6
When to her lute Corinna sings
neither words nor music are her own;
only the long hair dipping
over her cheek, only the song
of silk against her knees
and these
adjusted in reflections of an eye.
Poised, trembling and unsatisfied, before
an unlocked door, that cage of cages,
tell us, you bird, you tragical machine--
is this fertillisante douleur? Pinned down
by love, for you the only natural action,
are you edged more keen
to prise the secrets of the vault? has Nature shown
her household books to you, daughter-in-law,
that her sons never saw?
7
"To have in this uncertain world some stay
which cannot be undermined, is
of the utmost consequence."
Thus wrote
a woman, partly brave and partly good,
who fought with what she partly understood.
Few men about her would or could do more,
hence she was labeled harpy, shrew and whore.
8
"You all die at fifteen," said Diderot,
and turn part legend, part convention.
Still, eyes inaccurately dream
behind closed windows blankening with steam.
Deliciously, all that we might have been,
all that we were--fire, tears,
wit, taste, martyred ambition--
stirs like the memory of refused adultery
the drained and flagging bosom of our middle years.
9
Not that it is done well, but
that it is done at all? Yes, think
of the odds! or shrug them off forever.
This luxury of the precocious child,
Time's precious chronic invalid,--
would we, darlings, resign it if we could?
Our blight has been our sinecure:
mere talent was enough for us--
glitter in fragments and rough drafts.
Sigh no more, ladies.
Time is male
and in his cups drinks to the fair.
Bemused by gallantry, we hear
our mediocrities over-praised,
indolence read as abnegation,
slattern thought styled intuition,
every lapse forgiven, our crime
only to cast too bold a shadow
or smash the mold straight off.
For that, solitary confinement,
tear gas, attrition shelling.
Few applicants for that honor.
10
Well,
she's long about her coming, who must be
more merciless to herself than history.
Her mind full to the wind, I see her plunge
breasted and glancing through the currents,
taking the light upon her
at least as beautiful as any boy
or helicopter,
poised, still coming,
her fine blades making the air wince
but her cargo
no promise then:
delivered
palpable
ours.
|
Written by
Robert Lowell |
1
Only today and just for this minute,
when the sunslant finds its true angle,
you can see yellow and pinkish leaves spangle
our gentle, fluffy tree—
suddenly the green summer is momentary...
Autumn is my favorite season—
why does it change clothes and withdraw?
This week the house went on the market—
suddenly I woke up among strangers;
when I go into a room, it moves
with embarrassment, and joins another room.
I don't need conversation, but you to laugh with—
you and a room and a fire,
cold starlight blowing through an open window—
whither?
2
After sunfall, heaven is melodramatic,
a temporary, puckering, burning green.
The patched-up oak
and blacker, indelible pines
have the indigestible meagerness of spines.
One wishes heaven had less solemnity:
a sensual table
with five half-filled bottles of red wine
set round the hectic carved roast—
Bohemia for ourselves
and the familiars of a lifetime
charmed to communion by resurrection—
running together in the rain to mail a single letter,
not the chafe and cling
of this despondent chaff.
3
Yet for a moment, the children
could play truant from their tuition.
4
When I look back, I see a collapsing
accordion of my receding houses,
and myself receding
to a boy of twenty-five or thirty,
too shopworn for less, too impressionable for more—
blackmaned, illmade
in a washed blue workshirt and coalblack trousers,
moving from house to house,
still seeking a boy's license
to see the countryside without arrival.
Hell?
Darling,
terror in happiness may not cure the hungry future,
the time when any illness is chronic,
and the years of discretion are spent on complaint—
until the wristwatch is taken from the wrist.
|
Written by
Lewis Carroll |
There are certain things -a spider, a ghost,
The income-tax, gout, an umbrella for three -
That I hate, but the thing that I hate the most
Is a thing they call the SEA.
Pour some salt water over the floor -
Ugly I'm sure you'll allow it to be:
Suppose it extended a mile or more,
That's very like the SEA.
Beat a dog till it howls outright -
Cruel, but all very well for a spree;
Suppose that one did so day and night,
That would be like the SEA.
I had a vision of nursery-maids;
Tens of thousands passed by me -
All leading children with wooden spades,
And this was by the SEA.
Who invented those spades of wood?
Who was it cut them out of the tree?
None, I think, but an idiot could -
Or one that loved the SEA.
It is pleasant and dreamy, no doubt, to float
With `thoughts as boundless, and souls as free';
But suppose you are very unwell in a boat,
How do you like the SEA.
There is an insect that people avoid
(Whence is derived the verb `to flee')
Where have you been by it most annoyed?
In lodgings by the SEA.
If you like coffee with sand for dregs,
A decided hint of salt in your tea,
And a fishy taste in the very eggs -
By all means choose the SEA.
And if, with these dainties to drink and eat,
You prefer not a vestige of grass or tree,
And a chronic state of wet in your feet,
Then -I recommend the SEA.
For I have friends who dwell by the coast,
Pleasant friends they are to me!
It is when I'm with them I wonder most
That anyone likes the SEA.
They take me a walk: though tired and stiff,
To climb the heights I madly agree:
And, after a tumble or so from the cliff,
They kindly suggest the SEA.
I try the rocks, and I think it cool
That they laugh with such an excess of glee,
As I heavily slip into every pool,
That skirts the cold, cold SEA.
|
Written by
Eugene Field |
Speakin' of dorgs, my bench-legged fyce
Hed most o' the virtues, an' nary a vice.
Some folks called him Sooner, a name that arose
From his predisposition to chronic repose;
But, rouse his ambition, he couldn't be beat -
Yer bet yer he got thar on all his four feet!
Mos' dorgs hez some forte - like huntin' an' such,
But the sports o' the field didn't bother him much;
Wuz just a plain dorg, an' contented to be
On peaceable terms with the neighbors an' me;
Used to fiddle an' squirm, and grunt "Oh, how nice!"
When I tickled the back of that bench-legged fyce!
He wuz long in the bar'l, like a fyce oughter be;
His color wuz yaller as ever you see;
His tail, curlin' upward, wuz long, loose, an' slim -
When he didn't wag it, why, the tail it wagged him!
His legs wuz so crooked, my bench-legged pup
Wuz as tall settin' down as he wuz standin' up!
He'd lie by the stove of a night an' regret
The various vittles an' things he had et;
When a stranger, most likely a tramp, come along,
He'd lift up his voice in significant song -
You wondered, by gum! how there ever wuz space
In that bosom o' his'n to hold so much bass!
Of daytimes he'd sneak to the road an' lie down,
An' tackle the country dorgs comin' to town;
By common consent he wuz boss in St. Joe,
For what he took hold of he never let go!
An' a dude that come courtin' our girl left a slice
Of his white flannel suit with our bench-legged fyce!
He wuz good to us kids - when we pulled at his fur
Or twisted his tail he would never demur;
He seemed to enjoy all our play an' our chaff,
For his tongue 'u'd hang out an' he'd laff an' he'd laff;
An' once, when the Hobart boy fell through the ice,
He wuz drug clean ashore by that bench-legged fyce!
We all hev our choice, an' you, like the rest,
Allow that the dorg which you've got is the best;
I wouldn't give much for the boy 'at grows up
With no friendship subsistin' 'tween him an' a pup!
When a fellow gits old - I tell you it's nice
To think of his youth and his bench-legged fyce!
To think of the springtime 'way back in St. Joe -
Of the peach-trees abloom an' the daisies ablow;
To think of the play in the medder an' grove,
When little legs wrassled an' little han's strove;
To think of the loyalty, valor, an' truth
Of the friendships that hallow the season of youth!
|
Written by
Barry Tebb |
Shell-shocked from Korea
A grenade that left him
The platoon’s only survivor,
Put him in Stanley Royd
For thirty years.
He tailored there
And out on weekend leaves
He made and mended
Everybody’s clothes,
Crying copiously
While he sewed.
When they cleared out
The chronic cases
Uncle Bob came home,
Shopping for Edna,
Doing the garden;
When the lodger left
Without a word, the police
Searched his room,
The garden shed,
Even the chest freezer.
Oesophageal cancer
Is very final.
John, his son, waiting
To take the house,
Departed for a month’s fishing
Until it was all over.
As a last rite
They put him in the LGI
But I spoke to the houseman privately,
Pulling together the bits of a life
Wholly given over to others,
Fallen comrades, Edna,
The grandchildren
His pension went on.
The houseman agreed to speak
To the surgeon privately.
Edna went first and
At her funeral John,
In frustrated fury,
Hit him over the head
With an empty fish tank.
When secondaries started
I was not told
And in the hospice
He barely lasted
His first weekend.
|
Written by
Robert Hayden |
Sundays too my father got up early
And put his clothes on in the blueback cold,
then with cracked hands that ached
from labor in the weekday weather made
banked fires blaze. No one ever thanked him.
I'd wake and hear the cold splintering, breaking.
When the rooms were warm, he'd call,
and slowly I would rise and dress,
fearing the chronic angers of that house,
Speaking indifferently to him,
who had driven out the cold
and polished my good shoes as well.
What did I know, what did I know
of love's austere and lonely offices?
|
Written by
Vernon Scannell |
The naked hunter's fist, bunched round his spear,
Was tight and wet inside with sweat of fear;
He heard behind him what the hunted hear.
The silence in the undergrowth crept near;
Its mischief tickled in his nervous ear
And he became the prey, the quivering deer.
The naked hunter feared the threat he knew:
Being hunted, caught, then slaughtered like a ewe
By beasts who padded on four legs or two.
The naked hunter in the bus or queue
Under his decent wool is frightened too
But not of what his hairy forebear knew.
The terrible abstractions prowl about
The compound of his fear and chronic doubt;
He keeps fires burning boldly all night through,
But cannot keep the murderous shadows out.
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