Written by
Robert Burns |
WHEN biting Boreas, fell and dour,
Sharp shivers thro’ the leafless bow’r;
When Phoebus gies a short-liv’d glow’r,
Far south the lift,
Dim-dark’ning thro’ the flaky show’r,
Or whirling drift:
Ae night the storm the steeples rocked,
Poor Labour sweet in sleep was locked,
While burns, wi’ snawy wreaths up-choked,
Wild-eddying swirl;
Or, thro’ the mining outlet bocked,
Down headlong hurl:
List’ning the doors an’ winnocks rattle,
I thought me on the ourie cattle,
Or silly sheep, wha bide this brattle
O’ winter war,
And thro’ the drift, deep-lairing, sprattle
Beneath a scar.
Ilk happing bird,—wee, helpless thing!
That, in the merry months o’ spring,
Delighted me to hear thee sing,
What comes o’ thee?
Whare wilt thou cow’r thy chittering wing,
An’ close thy e’e?
Ev’n you, on murdering errands toil’d,
Lone from your savage homes exil’d,
The blood-stain’d roost, and sheep-cote spoil’d
My heart forgets,
While pityless the tempest wild
Sore on you beats!
Now Phoebe in her midnight reign,
Dark-****’d, view’d the dreary plain;
Still crowding thoughts, a pensive train,
Rose in my soul,
When on my ear this plantive strain,
Slow, solemn, stole:—
“Blow, blow, ye winds, with heavier gust!
And freeze, thou bitter-biting frost!
Descend, ye chilly, smothering snows!
Not all your rage, as now united, shows
More hard unkindness unrelenting,
Vengeful malice unrepenting.
Than heaven-illumin’d Man on brother Man bestows!
“See stern Oppression’s iron grip,
Or mad Ambition’s gory hand,
Sending, like blood-hounds from the slip,
Woe, Want, and Murder o’er a land!
Ev’n in the peaceful rural vale,
Truth, weeping, tells the mournful tale,
How pamper’d Luxury, Flatt’ry by her side,
The parasite empoisoning her ear,
With all the servile wretches in the rear,
Looks o’er proud Property, extended wide;
And eyes the simple, rustic hind,
Whose toil upholds the glitt’ring show—
A creature of another kind,
Some coarser substance, unrefin’d—
Plac’d for her lordly use thus far, thus vile, below!
“Where, where is Love’s fond, tender throe,
With lordly Honour’s lofty brow,
The pow’rs you proudly own?
Is there, beneath Love’s noble name,
Can harbour, dark, the selfish aim,
To bless himself alone?
Mark maiden-innocence a prey
To love-pretending snares:
This boasted Honour turns away,
Shunning soft Pity’s rising sway,
Regardless of the tears and unavailing pray’rs!
Perhaps this hour, in Misery’s squalid nest,
She strains your infant to her joyless breast,
And with a mother’s fears shrinks at the rocking blast!
“Oh ye! who, sunk in beds of down,
Feel not a want but what yourselves create,
Think, for a moment, on his wretched fate,
Whom friends and fortune quite disown!
Ill-satisfy’d keen nature’s clamorous call,
Stretch’d on his straw, he lays himself to sleep;
While through the ragged roof and chinky wall,
Chill, o’er his slumbers, piles the drifty heap!
Think on the dungeon’s grim confine,
Where Guilt and poor Misfortune pine!
Guilt, erring man, relenting view,
But shall thy legal rage pursue
The wretch, already crushed low
By cruel Fortune’s undeserved blow?
Affliction’s sons are brothers in distress;
A brother to relieve, how exquisite the bliss!”
I heard nae mair, for Chanticleer
Shook off the pouthery snaw,
And hail’d the morning with a cheer,
A cottage-rousing craw.
But deep this truth impress’d my mind—
Thro’ all His works abroad,
The heart benevolent and kind
The most resembles God.
|
Written by
Galway Kinnell |
Talking with my beloved in New York
I stood at the outdoor public telephone
in Mexican sunlight, in my purple shirt.
Someone had called it a man/woman
shirt. The phrase irked me. But then
I remembered that Rainer Maria
Rilke, who until he was seven wore
dresses and had long yellow hair,
wrote that the girl he almost was
"made her bed in his ear" and "slept him the world."
I thought, OK this shirt will clothe the other in me.
As we fell into long-distance love talk
a squeaky chittering started up all around,
and every few seconds came a sudden loud
buzzing. I half expected to find
the insulation on the telephone line
laid open under the pressure of our talk
leaking low-frequency noises.
But a few yards away a dozen hummingbirds,
gorgets going drab or blazing
according as the sun struck them,
stood on their tail rudders in a circle
around my head, transfixed
by the flower-likeness of the shirt.
And perhaps also by a flush rising into my face,
for a word -- one with a thick sound,
as if a porous vowel had sat soaking up
saliva while waiting to get spoken,
possibly the name of some flower
that hummingbirds love, perhaps
"honeysuckle" or "hollyhock"
or "phlox" -- just then shocked me
with its suddenness, and this time
apparently did burst the insulation,
letting the word sound in the open
where all could hear, for these tiny, irascible,
nectar-addicted puritans jumped back
all at once, as if the air gasped.
|
Written by
Carl Sandburg |
I LOVE him, I love him, ran the patter of her lips
And she formed his name on her tongue and sang
And she sent him word she loved him so much,
So much, and death was nothing; work, art, home,
All was nothing if her love for him was not first
Of all; the patter of her lips ran, I love him,
I love him; and he knew the doors that opened
Into doors and more doors, no end of doors,
And full length mirrors doubling and tripling
The apparitions of doors: circling corridors of
Looking glasses and doors, some with knobs, some
With no knobs, some opening slow to a heavy push,
And some jumping open at a touch and a hello.
And he knew if he so wished he could follow her
Swift running through circles of doors, hearing
Sometimes her whisper, I love him, I love him,
And sometimes only a high chaser of laughter
Somewhere five or ten doors ahead or five or ten
Doors behind, or chittering h-st, h-st, among corners
Of the tall full-length dusty looking glasses.
I love, I love, I love, she sang short and quick in
High thin beaten soprano and he knew the meanings,
The high chaser of laughter, the doors on doors
And the looking glasses, the room to room hunt,
The ends opening into new ends always.
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