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Best Famous Chit Poems

Here is a collection of the all-time best famous Chit poems. This is a select list of the best famous Chit poetry. Reading, writing, and enjoying famous Chit poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of chit poems.

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Written by Rg Gregory | Create an image from this poem

from the Ansty Experience

 (a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there

poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light

people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)

and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside

a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers

it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction

there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench 
the rites of words in orthodox 
belief - difference is essential
and delightful (integrity's all)

quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay

(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)

can surface in a side-attempt 
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works

the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and 
impolitic to confront - ball
to be bounced from high art to low

when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down

and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's 
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since

plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one 
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all

fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time

and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace

they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres

all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests

inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment

these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich

poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause

everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice 
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog

to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all 
the praisiest worms but in the nest 
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads

winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams 
prometheus gnawed by eagles 
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references

and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend 
agents breathing fire up their pants

those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens

universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing 
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me

above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up 
waving their thin bright books

for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)

a poem from one of them is like 
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that

but what i can't accept is (all 
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of 
shoved in wilderness by those 
who've gone the gilded route (mapped out 
by ego and a driving need to claim
best prick with a capital pee)

it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there

it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)


Written by Henry Lawson | Create an image from this poem

Queen Hilda of Virland

 PART I 
Queen Hilda rode along the lines, 
And she was young and fair; 
And forward on her shoulders fell 
The heavy braids of hair: 
No gold was ever dug from earth 
Like that burnished there – 
No sky so blue as were her eyes 
Had man seen anywhere. 

'Twas so her gay court poets sang, 
And we believed it true. 
But men must fight for golden hair 
And die for eyes of blue! 
Cheer after cheer, the long half mile 
(It has been ever thus), 
And evermore her winsome smile 
She turned and turned on us. 

The Spring-burst over wood and sea, 
The day was warm and bright – 
Young Clarence stood on my left hand, 
Old Withen on the right. 
With fifteen thousand men, or more, 
With plumes and banners gay, 
To sail that day to foreign war, 
And our ships swarmed on the bay. 

Old Withen muttered in his beard I listened with a sigh – 
"Good Faith! for such a chit as that 
Strong men must kill and die. 
She'll back to her embroideree, 
And fools that bow and smirk, 
And we must sail across the sea 
And go to other work. 

"And wherefore? Wherefore," Withen said, 
"Is this red quarrel sought? 
Because of clacking painted hags 
And foreign fops at Court! 
Because 'tis said a drunken king, 
In lands we've never seen, 
Said something foolish in his cups 
Of our young silly queen! 

"Good faith! in her old great-aunt's time 
'Twere different, I vow: 
If old Dame Ruth were here, she'd get 
Some sharp advising now!" 
(At this a grim smile went about 
For men could say in sooth 
That none who'd seen her face could doubt 
The fair fame of Dame Ruth.) 

If Clarence heard, he said no word; 
His soul was fresh and clean; 
The glory in his boyish eyes 
Was shining for his Queen! 
And as she passed, he gazed as one 
An angel might regard. 
(Old Withen looked as if he'd like 
To take and smack her hard.) 

We only smiled at anything 
That good old Withen said, 
For he, half blind, through smoke and flame 
Had borne her grandsire dead; 
And he, in Virland's danger time, 
Where both her brothers died, 
Had ridden to red victory 
By her brave father's side. 

Queen Hilda rode along the lines 
'Mid thundering cheers the while, 
And each man sought – and seemed to get – 
Her proud and happy smile. 
Queen Hilda little dreamed – Ah, me! – 
On what dark miry plain, 
And what blood-blinded eyes would see 
Her girlish smile again! 

Queen Hilda rode on through the crowd, 
We heard the distant roar; 
We heard the clack of gear and plank, 
The sailors on the shore. 
Queen Hilda sought her "bower" to rest, 
(For her day's work was done), 
We kissed our wives – or others' wives – 
And sailed ere set of sun. 

(Some sail because they're married men, 
And some because they're free – 
To come or not come back agen, 
And such of old were we. 
Some sail for fame and some for loot 
And some for love – or lust – 
And some to fish and some to shoot 
And some because they must. 

(Some sail who know not why they roam 
When they are come aboard, 
And some for wives and loves at home, 
And some for those abroad. 
Some sail because the path is plain, 
And some because they choose, 
And some with nothing left to gain 
And nothing left to lose. 

(And we have sailed from Virland, we, 
For a woman's right or wrong, 
And we are One, and One, and Three, 
And Fifteen Thousand strong. 
For Right or Wrong and Virland's fame – 
You dared us and we come 
To write in blood a woman's name 
And take a letter home.) 

PART II 
King Death came riding down the lines 
And broken lines were they, 
With scarce a soldier who could tell 
Where friend or foeman lay: 
The storm cloud looming over all, 
Save where the west was red, 
And on the field, of friend and foe, 
Ten thousand men lay dead. 

Boy Clarence lay in slush and blood 
With his face deathly white; 
Old Withen lay by his left side 
And I knelt at his right. 
And Clarence ever whispered, 
Though with dying eyes serene: 
"I loved her for her girlhood,. 
Will someone tell the Queen?" 

And this old Withen's message, 
When his time shortly came: 
"I loved her for her father's sake 
But I fought for Virland's fame: 
Go, take you this, a message 
From me," Old Withen said, 
"Who knelt beside her father, 
And his when they were dead: 

"I who in sport or council, 
I who as boy and man, 
Would aye speak plainly to them 
Were it Court, or battle's van – 
(Nay! fear not, she will listen 
And my words be understood, 
And she will heed my message, 
For I know her father's blood.) 

"If shame there was – (I judge not 
As I'd not be judged above: 
The Royal blood of Virland 
Was ever hot to love, 
Or fight.) – the slander's wiped out, 
As witness here the slain: 
But, if shame there was, then tell her 
Let it not be again." 

At home once more in Virland 
The glorious Spring-burst shines: 
Queen Hilda rides right proudly 
Down our victorious lines. 
The gaps were filled with striplings, 
And Hilda wears a rose: 
And what the wrong or right of it 
Queen Hilda only knows. 

But, be it state or nation 
Or castle, town, or shed, 
Or be she wife or monarch 
Or widowed or unwed – 
Now this is for your comfort, 
And it has ever been: 
That, wrong or right, a man must fight 
For his country and his queen.
Written by Charles Sorley | Create an image from this poem

A Letter From the Trenches to a School Friend

 I have not brought my Odyssey
With me here across the sea;
But you'll remember, when I say
How, when they went down Sparta way,
To sandy Sparta, long ere dawn
Horses were harnessed, rations drawn,
Equipment polished sparkling bright,
And breakfasts swallowed (as the white
Of eastern heavens turned to gold) -
The dogs barked, swift farewells were told.
The sun springs up, the horses neigh,
Crackles the whip thrice-then away!
From sun-go-up to sun-go-down
All day across the sandy down
The gallant horses galloped, till
The wind across the downs more chill
Blew, the sun sank and all the road
Was darkened, that it only showed
Right at the end the town's red light
And twilight glimmering into night.

The horses never slackened till
They reached the doorway and stood still.
Then came the knock, the unlading; then
The honey-sweet converse of men,
The splendid bath, the change of dress,
Then - oh the grandeur of their Mess,
The henchmen, the prim stewardess!
And oh the breaking of old ground,
The tales, after the port went round!
(The wondrous wiles of old Odysseus,
Old Agamemnon and his misuse
Of his command, and that young chit
Paris - who didn't care a bit
For Helen - only to annoy her
He did it really, K.T.A.)
But soon they led amidst the din
The honey-sweet -- in,
Whose eyes were blind, whose soul had sight,
Who knew the fame of men in fight -
Bard of white hair and trembling foot,
Who sang whatever God might put
Into his heart.
And there he sung,
Those war-worn veterans among,
Tales of great war and strong hearts wrung,
Of clash of arms, of council's brawl,
Of beauty that must early fall,
Of battle hate and battle joy
By the old windy walls of Troy.
They felt that they were unreal then,
Visions and shadow-forms, not men.
But those the Bard did sing and say
(Some were their comrades, some were they)
Took shape and loomed and strengthened more
Greatly than they had guessed of yore.
And now the fight begins again,
The old war-joy, the old war-pain.
Sons of one school across the sea
We have no fear to fight -

And soon, oh soon, I do not doubt it,
With the body or without it,
We shall all come tumbling down
To our old wrinkled red-capped town.
Perhaps the road up llsley way,
The old ridge-track, will be my way.
High up among the sheep and sky,
Look down on Wantage, passing by,
And see the smoke from Swindon town;
And then full left at Liddington,
Where the four winds of heaven meet
The earth-blest traveller to greet.
And then my face is toward the south,
There is a singing on my mouth
Away to rightward I descry
My Barbury ensconced in sky,
Far underneath the Ogbourne twins,
And at my feet the thyme and whins,
The grasses with their little crowns
Of gold, the lovely Aldbourne downs,
And that old signpost (well I knew
That crazy signpost, arms askew,
Old mother of the four grass ways).
And then my mouth is dumb with praise,
For, past the wood and chalkpit tiny,
A glimpse of Marlborough --!
So I descend beneath the rail
To warmth and welcome and wassail.

This from the battered trenches - rough,
Jingling and tedious enough.
And so I sign myself to you:
One, who some crooked pathways knew
Round Bedwyn: who could scarcely leave
The Downs on a December eve:
Was at his happiest in shorts,
And got - not many good reports!
Small skill of rhyming in his hand -
But you'll forgive - you'll understand.
Written by Robert Herrick | Create an image from this poem

The Beggar To Mab The Fairy Queen

 Please your Grace, from out your store
Give an alms to one that's poor,
That your mickle may have more.
Black I'm grown for want of meat,
Give me then an ant to eat,
Or the cleft ear of a mouse
Over-sour'd in drink of souce;
Or, sweet lady, reach to me
The abdomen of a bee;
Or commend a cricket's hip,
Or his huckson, to my scrip;
Give for bread, a little bit
Of a pease that 'gins to chit,
And my full thanks take for it.
Flour of fuz-balls, that's too good
For a man in needy-hood;
But the meal of mill-dust can
Well content a craving man;
Any orts the elves refuse
Well will serve the beggar's use.
But if this may seem too much
For an alms, then give me such
Little bits that nestle there
In the pris'ner's pannier.
So a blessing light upon
You, and mighty Oberon;
That your plenty last till when
I return your alms again.

Book: Reflection on the Important Things