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Best Famous Chilled Poems

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Written by Ralph Waldo Emerson | Create an image from this poem

Blight

Give me truths;
For I am weary of the surfaces,
And die of inanition.
If I knew Only the herbs and simples of the wood, Rue, cinquefoil, gill, vervain and agrimony, Blue-vetch and trillium, hawkweed, sassafras, Milkweeds and murky brakes, quaint pipes and sun-dew, And rare and virtuous roots, which in these woods Draw untold juices from the common earth, Untold, unknown, and I could surely spell Their fragrance, and their chemistry apply By sweet affinities to human flesh, Driving the foe and stablishing the friend,-- O, that were much, and I could be a part Of the round day, related to the sun And planted world, and full executor Of their imperfect functions.
But these young scholars, who invade our hills, Bold as the engineer who fells the wood, And traveling often in the cut he makes, Love not the flower they pluck, and know it not, And all their botany is Latin names.
The old men studied magic in the flowers, And human fortunes in astronomy, And an omnipotence in chemistry, Preferring things to names, for these were men, Were unitarians of the united world, And, wheresoever their clear eye-beams fell, They caught the footsteps of the SAME.
Our eyes And strangers to the mystic beast and bird, And strangers to the plant and to the mine.
The injured elements say, 'Not in us;' And haughtily return us stare for stare.
For we invade them impiously for gain; We devastate them unreligiously, And coldly ask their pottage, not their love.
Therefore they shove us from them, yield to us Only what to our griping toil is due; But the sweet affluence of love and song, The rich results of the divine consents Of man and earth, of world beloved and lover, The nectar and ambrosia, are withheld; And in the midst of spoils and slaves, we thieves And pirates of the universe, shut out Daily to a more thin and outward rind, Turn pale and starve.
Therefore, to our sick eyes, The stunted trees look sick, the summer short, Clouds shade the sun, which will not tan our hay, And nothing thrives to reach its natural term; And life, shorn of its venerable length, Even at its greatest space is a defeat, And dies in anger that it was a dupe; And, in its highest noon and wantonness, Is early frugal, like a beggar's child; Even in the hot pursuit of the best aims And prizes of ambition, checks its hand, Like Alpine cataracts frozen as they leaped, Chilled with a miserly comparison Of the toy's purchase with the length of life.


Written by William Cullen Bryant | Create an image from this poem

Hymn To Death

 Oh! could I hope the wise and pure in heart
Might hear my song without a frown, nor deem
My voice unworthy of the theme it tries,--
I would take up the hymn to Death, and say
To the grim power, The world hath slandered thee
And mocked thee.
On thy dim and shadowy brow They place an iron crown, and call thee king Of terrors, and the spoiler of the world, Deadly assassin, that strik'st down the fair, The loved, the good--that breath'st upon the lights Of virtue set along the vale of life, And they go out in darkness.
I am come, Not with reproaches, not with cries and prayers, Such as have stormed thy stern insensible ear From the beginning.
I am come to speak Thy praises.
True it is, that I have wept Thy conquests, and may weep them yet again: And thou from some I love wilt take a life Dear to me as my own.
Yet while the spell Is on my spirit, and I talk with thee In sight of all thy trophies, face to face, Meet is it that my voice should utter forth Thy nobler triumphs: I will teach the world To thank thee.
--Who are thine accusers?--Who? The living!--they who never felt thy power, And know thee not.
The curses of the wretch Whose crimes are ripe, his sufferings when thy hand Is on him, and the hour he dreads is come, Are writ among thy praises.
But the good-- Does he whom thy kind hand dismissed to peace, Upbraid the gentle violence that took off His fetters, and unbarred his prison cell? Raise then the Hymn to Death.
Deliverer! God hath anointed thee to free the oppressed And crush the oppressor.
When the armed chief, The conqueror of nations, walks the world, And it is changed beneath his feet, and all Its kingdoms melt into one mighty realm-- Thou, while his head is loftiest, and his heart Blasphemes, imagining his own right hand Almighty, sett'st upon him thy stern grasp, And the strong links of that tremendous chain That bound mankind are crumbled; thou dost break Sceptre and crown, and beat his throne to dust.
Then the earth shouts with gladness, and her tribes Gather within their ancient bounds again.
Else had the mighty of the olden time, Nimrod, Sesostris, or the youth who feigned His birth from Lybian Ammon, smote even now The nations with a rod of iron, and driven Their chariot o'er our necks.
Thou dost avenge, In thy good time, the wrongs of those who know No other friend.
Nor dost thou interpose Only to lay the sufferer asleep, Where he who made him wretched troubles not His rest--thou dost strike down his tyrant too.
Oh, there is joy when hands that held the scourge Drop lifeless, and the pitiless heart is cold.
Thou too dost purge from earth its horrible And old idolatries; from the proud fanes Each to his grave their priests go out, till none Is left to teach their worship; then the fires Of sacrifice are chilled, and the green moss O'ercreeps their altars; the fallen images Cumber the weedy courts, and for loud hymns, Chanted by kneeling crowds, the chiding winds Shriek in the solitary aisles.
When he Who gives his life to guilt, and laughs at all The laws that God or man has made, and round Hedges his seat with power, and shines in wealth,-- Lifts up his atheist front to scoff at Heaven, And celebrates his shame in open day, Thou, in the pride of all his crimes, cutt'st off The horrible example.
Touched by thine, The extortioner's hard hand foregoes the gold Wrong from the o'er-worn poor.
The perjurer, Whose tongue was lithe, e'en now, and voluble Against his neighbour's life, and he who laughed And leaped for joy to see a spotless fame Blasted before his own foul calumnies, Are smit with deadly silence.
He, who sold His conscience to preserve a worthless life, Even while he hugs himself on his escape, Trembles, as, doubly terrible, at length, Thy steps o'ertake him, and there is no time For parley--nor will bribes unclench thy grasp.
Oft, too, dost thou reform thy victim, long Ere his last hour.
And when the reveller, Mad in the chase of pleasure, stretches on, And strains each nerve, and clears the path of life Like wind, thou point'st him to the dreadful goal, And shak'st thy hour-glass in his reeling eye, And check'st him in mid course.
Thy skeleton hand Shows to the faint of spirit the right path, And he is warned, and fears to step aside.
Thou sett'st between the ruffian and his crime Thy ghastly countenance, and his slack hand Drops the drawn knife.
But, oh, most fearfully Dost thou show forth Heaven's justice, when thy shafts Drink up the ebbing spirit--then the hard Of heart and violent of hand restores The treasure to the friendless wretch he wronged.
Then from the writhing bosom thou dost pluck The guilty secret; lips, for ages sealed, Are faithless to the dreadful trust at length, And give it up; the felon's latest breath Absolves the innocent man who bears his crime; The slanderer, horror smitten, and in tears, Recalls the deadly obloquy he forged To work his brother's ruin.
Thou dost make Thy penitent victim utter to the air The dark conspiracy that strikes at life, And aims to whelm the laws; ere yet the hour Is come, and the dread sign of murder given.
Thus, from the first of time, hast thou been found On virtue's side; the wicked, but for thee, Had been too strong for the good; the great of earth Had crushed the weak for ever.
Schooled in guile For ages, while each passing year had brought Its baneful lesson, they had filled the world With their abominations; while its tribes, Trodden to earth, imbruted, and despoiled, Had knelt to them in worship; sacrifice Had smoked on many an altar, temple roofs Had echoed with the blasphemous prayer and hymn: But thou, the great reformer of the world, Tak'st off the sons of violence and fraud In their green pupilage, their lore half learned-- Ere guilt has quite o'errun the simple heart God gave them at their birth, and blotted out His image.
Thou dost mark them, flushed with hope, As on the threshold of their vast designs Doubtful and loose they stand, and strik'st them down.
Alas, I little thought that the stern power Whose fearful praise I sung, would try me thus Before the strain was ended.
It must cease-- For he is in his grave who taught my youth The art of verse, and in the bud of life Offered me to the muses.
Oh, cut off Untimely! when thy reason in its strength, Ripened by years of toil and studious search And watch of Nature's silent lessons, taught Thy hand to practise best the lenient art To which thou gavest thy laborious days.
And, last, thy life.
And, therefore, when the earth Received thee, tears were in unyielding eyes And on hard cheeks, and they who deemed thy skill Delayed their death-hour, shuddered and turned pale When thou wert gone.
This faltering verse, which thou Shalt not, as wont, o'erlook, is all I have To offer at thy grave--this--and the hope To copy thy example, and to leave A name of which the wretched shall not think As of an enemy's, whom they forgive As all forgive the dead.
Rest, therefore, thou Whose early guidance trained my infant steps-- Rest, in the bosom of God, till the brief sleep Of death is over, and a happier life Shall dawn to waken thine insensible dust.
Now thou art not--and yet the men whose guilt Has wearied Heaven for vengeance--he who bears False witness--he who takes the orphan's bread, And robs the widow--he who spreads abroad Polluted hands in mockery of prayer, Are left to cumber earth.
Shuddering I look On what is written, yet I blot not out The desultory numbers--let them stand.
The record of an idle revery.
Written by John Greenleaf Whittier | Create an image from this poem

Burning Drift-Wood

Before my drift-wood fire I sit, 
And see, with every waif I burn, 
Old dreams and fancies coloring it, 
And folly's unlaid ghosts return.
O ships of mine, whose swift keels cleft The enchanted sea on which they sailed, Are these poor fragments only left Of vain desires and hopes that failed? Did I not watch from them the light Of sunset on my towers in Spain, And see, far off, uploom in sight The Fortunate Isles I might not gain? Did sudden lift of fog reveal Arcadia's vales of song and spring, And did I pass, with grazing keel, The rocks whereon the sirens sing? Have I not drifted hard upon The unmapped regions lost to man, The cloud-pitched tents of Prester John, The palace domes of Kubla Khan? Did land winds blow from jasmine flowers, Where Youth the ageless Fountain fills? Did Love make sign from rose blown bowers, And gold from Eldorado's hills? Alas! the gallant ships, that sailed On blind Adventure's errand sent, Howe'er they laid their courses, failed To reach the haven of Content.
And of my ventures, those alone Which Love had freighted, safely sped, Seeking a good beyond my own, By clear-eyed Duty piloted.
O mariners, hoping still to meet The luck Arabian voyagers met, And find in Bagdad's moonlit street, Haroun al Raschid walking yet, Take with you, on your Sea of Dreams, The fair, fond fancies dear to youth.
I turn from all that only seems, And seek the sober grounds of truth.
What matter that it is not May, That birds have flown, and trees are bare, That darker grows the shortening day, And colder blows the wintry air! The wrecks of passion and desire, The castles I no more rebuild, May fitly feed my drift-wood fire, And warm the hands that age has chilled.
Whatever perished with my ships, I only know the best remains; A song of praise is on my lips For losses which are now my gains.
Heap high my hearth! No worth is lost; No wisdom with the folly dies.
Burn on, poor shreds, your holocaust Shall be my evening sacrifice! Far more than all I dared to dream, Unsought before my door I see; On wings of fire and steeds of steam The world's great wonders come to me, And holier signs, unmarked before, Of Love to seek and Power to save,— The righting of the wronged and poor, The man evolving from the slave; And life, no longer chance or fate, Safe in the gracious Fatherhood.
I fold o'er-wearied hands and wait, In full assurance of the good.
And well the waiting time must be, Though brief or long its granted days, If Faith and Hope and Charity Sit by my evening hearth-fire's blaze.
And with them, friends whom Heaven has spared, Whose love my heart has comforted, And, sharing all my joys, has shared My tender memories of the dead,— Dear souls who left us lonely here, Bound on their last, long voyage, to whom We, day by day, are drawing near, Where every bark has sailing room.
I know the solemn monotone Of waters calling unto me; I know from whence the airs have blown That whisper of the Eternal Sea.
As low my fires of drift-wood burn, I hear that sea's deep sounds increase, And, fair in sunset light, discern Its mirage-lifted Isles of Peace.
Written by William Butler Yeats | Create an image from this poem

The Hour Before Dawn

 A cursing rogue with a merry face,
A bundle of rags upon a crutch,
Stumbled upon that windy place
Called Cruachan, and it was as much
As the one sturdy leg could do
To keep him upright while he cursed.
He had counted, where long years ago Queen Maeve's nine Maines had been nursed, A pair of lapwings, one old sheep, And not a house to the plain's edge, When close to his right hand a heap Of grey stones and a rocky ledge Reminded him that he could make.
If he but shifted a few stones, A shelter till the daylight broke.
But while he fumbled with the stones They toppled over; 'Were it not I have a lucky wooden shin I had been hurt'; and toppling brought Before his eyes, where stones had been, A dark deep hollow in the rock.
He gave a gasp and thought to have fled, Being certain it was no right rock Because an ancient history said Hell Mouth lay open near that place, And yet stood still, because inside A great lad with a beery face Had tucked himself away beside A ladle and a tub of beer, And snored, no phantom by his look.
So with a laugh at his own fear He crawled into that pleasant nook.
'Night grows uneasy near the dawn Till even I sleep light; but who Has tired of his own company? What one of Maeve's nine brawling sons Sick of his grave has wakened me? But let him keep his grave for once That I may find the sleep I have lost.
' What care I if you sleep or wake? But I'Il have no man call me ghost.
' Say what you please, but from daybreak I'll sleep another century.
' And I will talk before I sleep And drink before I talk.
' And he Had dipped the wooden ladle deep Into the sleeper's tub of beer Had not the sleeper started up.
Before you have dipped it in the beer I dragged from Goban's mountain-top I'll have assurance that you are able To value beer; no half-legged fool Shall dip his nose into my ladle Merely for stumbling on this hole In the bad hour before the dawn.
' 'Why beer is only beer.
' 'But say 'I'll sleep until the winter's gone, Or maybe to Midsummer Day,' And drink and you will sleep that length.
' 'I'd like to sleep till winter's gone Or till the sun is in his srrength.
This blast has chilled me to the bone.
' 'I had no better plan at first.
I thought to wait for that or this; Maybe the weather was accursed Or I had no woman there to kiss; So slept for half a year or so; But year by year I found that less Gave me such pleasure I'd forgo Even a half-hour's nothingness, And when at one year's end I found I had not waked a single minute, I chosc this burrow under ground.
I'll sleep away all time within it: My sleep were now nine centuries But for those mornings when I find The lapwing at their foolish dies And the sheep bleating at the wind As when I also played the fool.
' The beggar in a rage began Upon his hunkers in the hole, 'It's plain that you are no right man To mock at everything I love As if it were not worth, the doing.
I'd have a merry life enough If a good Easter wind were blowing, And though the winter wind is bad I should not be too down in the mouth For anything you did or said If but this wind were in the south.
' 'You cry aloud, O would 'twere spring Or that the wind would shift a point, And do not know that you would bring, If time were suppler in the joint, Neither the spring nor the south wind But the hour when you shall pass away And leave no smoking wick behind, For all life longs for the Last Day And there's no man but cocks his ear To know when Michael's trumpet cries 'That flesh and bone may disappear, And souls as if they were but sighs, And there be nothing but God left; But, I aone being blessed keep Like some old rabbit to my cleft And wait Him in a drunken sleep.
' He dipped his ladle in the tub And drank and yawned and stretched him out, The other shouted, 'You would rob My life of every pleasant thought And every comfortable thing, And so take that and that.
' Thereon He gave him a great pummelling, But might have pummelled at a stone For all the sleeper knew or cared; And after heaped up stone on stone, And then, grown weary, prayed and cursed And heaped up stone on stone again, And prayed and cursed and cursed and bed From Maeve and all that juggling plain, Nor gave God thanks till overhead The clouds were brightening with the dawn.
Written by Edwin Arlington Robinson | Create an image from this poem

Octaves

 I 

We thrill too strangely at the master's touch;
We shrink too sadly from the larger self
Which for its own completeness agitates
And undetermines us; we do not feel -- 
We dare not feel it yet -- the splendid shame
Of uncreated failure; we forget,
The while we groan, that God's accomplishment
Is always and unfailingly at hand.
II Tumultuously void of a clean scheme Whereon to build, whereof to formulate, The legion life that riots in mankind Goes ever plunging upward, up and down, Most like some crazy regiment at arms, Undisciplined of aught but Ignorance, And ever led resourcelessly along To brainless carnage by drunk trumpeters.
III To me the groaning of world-worshippers Rings like a lonely music played in hell By one with art enough to cleave the walls Of heaven with his cadence, but without The wisdom or the will to comprehend The strangeness of his own perversity, And all without the courage to deny The profit and the pride of his defeat.
IV While we are drilled in error, we are lost Alike to truth and usefulness.
We think We are great warriors now, and we can brag Like Titans; but the world is growing young, And we, the fools of time, are growing with it: -- We do not fight to-day, we only die; We are too proud of death, and too ashamed Of God, to know enough to be alive.
V There is one battle-field whereon we fall Triumphant and unconquered; but, alas! We are too fleshly fearful of ourselves To fight there till our days are whirled and blurred By sorrow, and the ministering wheels Of anguish take us eastward, where the clouds Of human gloom are lost against the gleam That shines on Thought's impenetrable mail.
VI When we shall hear no more the cradle-songs Of ages -- when the timeless hymns of Love Defeat them and outsound them -- we shall know The rapture of that large release which all Right science comprehends; and we shall read, With unoppressed and unoffended eyes, That record of All-Soul whereon God writes In everlasting runes the truth of Him.
VII The guerdon of new childhood is repose: -- Once he has read the primer of right thought, A man may claim between two smithy strokes Beatitude enough to realize God's parallel completeness in the vague And incommensurable excellence That equitably uncreates itself And makes a whirlwind of the Universe.
VIII There is no loneliness: -- no matter where We go, nor whence we come, nor what good friends Forsake us in the seeming, we are all At one with a complete companionship; And though forlornly joyless be the ways We travel, the compensate spirit-gleams Of Wisdom shaft the darkness here and there, Like scattered lamps in unfrequented streets.
IX When one that you and I had all but sworn To be the purest thing God ever made Bewilders us until at last it seems An angel has come back restigmatized, -- Faith wavers, and we wonder what there is On earth to make us faithful any more, But never are quite wise enough to know The wisdom that is in that wonderment.
X Where does a dead man go? -- The dead man dies; But the free life that would no longer feed On fagots of outburned and shattered flesh Wakes to a thrilled invisible advance, Unchained (or fettered else) of memory; And when the dead man goes it seems to me 'T were better for us all to do away With weeping, and be glad that he is gone.
XI So through the dusk of dead, blank-legended, And unremunerative years we search To get where life begins, and still we groan Because we do not find the living spark Where no spark ever was; and thus we die, Still searching, like poor old astronomers Who totter off to bed and go to sleep, To dream of untriangulated stars.
XII With conscious eyes not yet sincere enough To pierce the glimmered cloud that fluctuates Between me and the glorifying light That screens itself with knowledge, I discern The searching rays of wisdom that reach through The mist of shame's infirm credulity, And infinitely wonder if hard words Like mine have any message for the dead.
XIII I grant you friendship is a royal thing, But none shall ever know that royalty For what it is till he has realized His best friend in himself.
'T is then, perforce, That man's unfettered faith indemnifies Of its own conscious freedom the old shame, And love's revealed infinitude supplants Of its own wealth and wisdom the old scorn.
XIV Though the sick beast infect us, we are fraught Forever with indissoluble Truth, Wherein redress reveals itself divine, Transitional, transcendent.
Grief and loss, Disease and desolation, are the dreams Of wasted excellence; and every dream Has in it something of an ageless fact That flouts deformity and laughs at years.
XV We lack the courage to be where we are: -- We love too much to travel on old roads, To triumph on old fields; we love too much To consecrate the magic of dead things, And yieldingly to linger by long walls Of ruin, where the ruinous moonlight That sheds a lying glory on old stones Befriends us with a wizard's enmity.
XVI Something as one with eyes that look below The battle-smoke to glimpse the foeman's charge, We through the dust of downward years may scan The onslaught that awaits this idiot world Where blood pays blood for nothing, and where life Pays life to madness, till at last the ports Of gilded helplessness be battered through By the still crash of salvatory steel.
XVII To you that sit with Sorrow like chained slaves, And wonder if the night will ever come, I would say this: The night will never come, And sorrow is not always.
But my words Are not enough; your eyes are not enough; The soul itself must insulate the Real, Or ever you do cherish in this life -- In this life or in any life -- repose.
XVIII Like a white wall whereon forever breaks Unsatisfied the tumult of green seas, Man's unconjectured godliness rebukes With its imperial silence the lost waves Of insufficient grief.
This mortal surge That beats against us now is nothing else Than plangent ignorance.
Truth neither shakes Nor wavers; but the world shakes, and we shriek.
XIX Nor jewelled phrase nor mere mellifluous rhyme Reverberates aright, or ever shall, One cadence of that infinite plain-song Which is itself all music.
Stronger notes Than any that have ever touched the world Must ring to tell it -- ring like hammer-blows, Right-echoed of a chime primordial, On anvils, in the gleaming of God's forge.
XX The prophet of dead words defeats himself: Whoever would acknowledge and include The foregleam and the glory of the real, Must work with something else than pen and ink And painful preparation: he must work With unseen implements that have no names, And he must win withal, to do that work, Good fortitude, clean wisdom, and strong skill.
XXI To curse the chilled insistence of the dawn Because the free gleam lingers; to defraud The constant opportunity that lives Unchallenged in all sorrow; to forget For this large prodigality of gold That larger generosity of thought, -- These are the fleshly clogs of human greed, The fundamental blunders of mankind.
XXII Forebodings are the fiends of Recreance; The master of the moment, the clean seer Of ages, too securely scans what is, Ever to be appalled at what is not; He sees beyond the groaning borough lines Of Hell, God's highways gleaming, and he knows That Love's complete communion is the end Of anguish to the liberated man.
XXIII Here by the windy docks I stand alone, But yet companioned.
There the vessel goes, And there my friend goes with it; but the wake That melts and ebbs between that friend and me Love's earnest is of Life's all-purposeful And all-triumphant sailing, when the ships Of Wisdom loose their fretful chains and swing Forever from the crumbled wharves of Time.


Written by Edna St Vincent Millay | Create an image from this poem

Interim

 The room is full of you!—As I came in
And closed the door behind me, all at once
A something in the air, intangible,
Yet stiff with meaning, struck my senses sick!—

Sharp, unfamiliar odors have destroyed
Each other room's dear personality.
The heavy scent of damp, funereal flowers,— The very essence, hush-distilled, of Death— Has strangled that habitual breath of home Whose expiration leaves all houses dead; And wheresoe'er I look is hideous change.
Save here.
Here 'twas as if a weed-choked gate Had opened at my touch, and I had stepped Into some long-forgot, enchanted, strange, Sweet garden of a thousand years ago And suddenly thought, "I have been here before!" You are not here.
I know that you are gone, And will not ever enter here again.
And yet it seems to me, if I should speak, Your silent step must wake across the hall; If I should turn my head, that your sweet eyes Would kiss me from the door.
—So short a time To teach my life its transposition to This difficult and unaccustomed key!— The room is as you left it; your last touch— A thoughtless pressure, knowing not itself As saintly—hallows now each simple thing; Hallows and glorifies, and glows between The dust's grey fingers like a shielded light.
There is your book, just as you laid it down, Face to the table,—I cannot believe That you are gone!—Just then it seemed to me You must be here.
I almost laughed to think How like reality the dream had been; Yet knew before I laughed, and so was still.
That book, outspread, just as you laid it down! Perhaps you thought, "I wonder what comes next, And whether this or this will be the end"; So rose, and left it, thinking to return.
Perhaps that chair, when you arose and passed Out of the room, rocked silently a while Ere it again was still.
When you were gone Forever from the room, perhaps that chair, Stirred by your movement, rocked a little while, Silently, to and fro.
.
.
And here are the last words your fingers wrote, Scrawled in broad characters across a page In this brown book I gave you.
Here your hand, Guiding your rapid pen, moved up and down.
Here with a looping knot you crossed a "t," And here another like it, just beyond These two eccentric "e's.
" You were so small, And wrote so brave a hand! How strange it seems That of all words these are the words you chose! And yet a simple choice; you did not know You would not write again.
If you had known— But then, it does not matter,—and indeed If you had known there was so little time You would have dropped your pen and come to me And this page would be empty, and some phrase Other than this would hold my wonder now.
Yet, since you could not know, and it befell That these are the last words your fingers wrote, There is a dignity some might not see In this, "I picked the first sweet-pea to-day.
" To-day! Was there an opening bud beside it You left until to-morrow?—O my love, The things that withered,—and you came not back That day you filled this circle of my arms That now is empty.
(O my empty life!) That day—that day you picked the first sweet-pea,— And brought it in to show me! I recall With terrible distinctness how the smell Of your cool gardens drifted in with you.
I know, you held it up for me to see And flushed because I looked not at the flower, But at your face; and when behind my look You saw such unmistakable intent You laughed and brushed your flower against my lips.
(You were the fairest thing God ever made, I think.
) And then your hands above my heart Drew down its stem into a fastening, And while your head was bent I kissed your hair.
I wonder if you knew.
(Beloved hands! Somehow I cannot seem to see them still.
Somehow I cannot seem to see the dust In your bright hair.
) What is the need of Heaven When earth can be so sweet?—If only God Had let us love,—and show the world the way! Strange cancellings must ink th' eternal books When love-crossed-out will bring the answer right! That first sweet-pea! I wonder where it is.
It seems to me I laid it down somewhere, And yet,—I am not sure.
I am not sure, Even, if it was white or pink; for then 'Twas much like any other flower to me Save that it was the first.
I did not know Then, that it was the last.
If I had known— But then, it does not matter.
Strange how few, After all's said and done, the things that are Of moment.
Few indeed! When I can make Of ten small words a rope to hang the world! "I had you and I have you now no more.
" There, there it dangles,—where's the little truth That can for long keep footing under that When its slack syllables tighten to a thought? Here, let me write it down! I wish to see Just how a thing like that will look on paper! "I had you and I have you now no more.
" O little words, how can you run so straight Across the page, beneath the weight you bear? How can you fall apart, whom such a theme Has bound together, and hereafter aid In trivial expression, that have been So hideously dignified?—Would God That tearing you apart would tear the thread I strung you on! Would God—O God, my mind Stretches asunder on this merciless rack Of imagery! O, let me sleep a while! Would I could sleep, and wake to find me back In that sweet summer afternoon with you.
Summer? Tis summer still by the calendar! How easily could God, if He so willed, Set back the world a little turn or two! Correct its griefs, and bring its joys again! We were so wholly one I had not thought That we could die apart.
I had not thought That I could move,—and you be stiff and still! That I could speak,—and you perforce be dumb! I think our heart-strings were, like warp and woof In some firm fabric, woven in and out; Your golden filaments in fair design Across my duller fibre.
And to-day The shining strip is rent; the exquisite Fine pattern is destroyed; part of your heart Aches in my breast; part of my heart lies chilled In the damp earth with you.
I have been tom In two, and suffer for the rest of me.
What is my life to me? And what am I To life,—a ship whose star has guttered out? A Fear that in the deep night starts awake Perpetually, to find its senses strained Against the taut strings of the quivering air, Awaiting the return of some dread chord? Dark, Dark, is all I find for metaphor; All else were contrast,—save that contrast's wall Is down, and all opposed things flow together Into a vast monotony, where night And day, and frost and thaw, and death and life, Are synonyms.
What now—what now to me Are all the jabbering birds and foolish flowers That clutter up the world? You were my song! Now, let discord scream! You were my flower! Now let the world grow weeds! For I shall not Plant things above your grave—(the common balm Of the conventional woe for its own wound!) Amid sensations rendered negative By your elimination stands to-day, Certain, unmixed, the element of grief; I sorrow; and I shall not mock my truth With travesties of suffering, nor seek To effigy its incorporeal bulk In little wry-faced images of woe.
I cannot call you back; and I desire No utterance of my immaterial voice.
I cannot even turn my face this way Or that, and say, "My face is turned to you"; I know not where you are, I do not know If Heaven hold you or if earth transmute, Body and soul, you into earth again; But this I know:—not for one second's space Shall I insult my sight with visionings Such as the credulous crowd so eager-eyed Beholds, self-conjured, in the empty air.
Let the world wail! Let drip its easy tears! My sorrow shall be dumb! —What do I say? God! God!—God pity me! Am I gone mad That I should spit upon a rosary? Am I become so shrunken? Would to God I too might feel that frenzied faith whose touch Makes temporal the most enduring grief; Though it must walk a while, as is its wont, With wild lamenting! Would I too might weep Where weeps the world and hangs its piteous wreaths For its new dead! Not Truth, but Faith, it is That keeps the world alive.
If all at once Faith were to slacken,—that unconscious faith Which must, I know, yet be the corner-stone Of all believing,—birds now flying fearless Across would drop in terror to the earth; Fishes would drown; and the all-governing reins Would tangle in the frantic hands of God And the worlds gallop headlong to destruction! O God, I see it now, and my sick brain Staggers and swoons! How often over me Flashes this breathlessness of sudden sight In which I see the universe unrolled Before me like a scroll and read thereon Chaos and Doom, where helpless planets whirl Dizzily round and round and round and round, Like tops across a table, gathering speed With every spin, to waver on the edge One instant—looking over—and the next To shudder and lurch forward out of sight— * * * * * * * Ah, I am worn out—I am wearied out— It is too much—I am but flesh and blood, And I must sleep.
Though you were dead again, I am but flesh and blood and I must sleep.
Written by Carl Sandburg | Create an image from this poem

Smoke and Steel

 SMOKE of the fields in spring is one,
Smoke of the leaves in autumn another.
Smoke of a steel-mill roof or a battleship funnel, They all go up in a line with a smokestack, Or they twist … in the slow twist … of the wind.
If the north wind comes they run to the south.
If the west wind comes they run to the east.
By this sign all smokes know each other.
Smoke of the fields in spring and leaves in autumn, Smoke of the finished steel, chilled and blue, By the oath of work they swear: “I know you.
” Hunted and hissed from the center Deep down long ago when God made us over, Deep down are the cinders we came from— You and I and our heads of smoke.
Some of the smokes God dropped on the job Cross on the sky and count our years And sing in the secrets of our numbers; Sing their dawns and sing their evenings, Sing an old log-fire song: You may put the damper up, You may put the damper down, The smoke goes up the chimney just the same.
Smoke of a city sunset skyline, Smoke of a country dusk horizon— They cross on the sky and count our years.
Smoke of a brick-red dust Winds on a spiral Out of the stacks For a hidden and glimpsing moon.
This, said the bar-iron shed to the blooming mill, This is the slang of coal and steel.
The day-gang hands it to the night-gang, The night-gang hands it back.
Stammer at the slang of this— Let us understand half of it.
In the rolling mills and sheet mills, In the harr and boom of the blast fires, The smoke changes its shadow And men change their shadow; A ******, a wop, a bohunk changes.
A bar of steel—it is only Smoke at the heart of it, smoke and the blood of a man.
A runner of fire ran in it, ran out, ran somewhere else, And left—smoke and the blood of a man And the finished steel, chilled and blue.
So fire runs in, runs out, runs somewhere else again, And the bar of steel is a gun, a wheel, a nail, a shovel, A rudder under the sea, a steering-gear in the sky; And always dark in the heart and through it, Smoke and the blood of a man.
Pittsburg, Youngstown, Gary—they make their steel with men.
In the blood of men and the ink of chimneys The smoke nights write their oaths: Smoke into steel and blood into steel; Homestead, Braddock, Birmingham, they make their steel with men.
Smoke and blood is the mix of steel.
The birdmen drone in the blue; it is steel a motor sings and zooms.
Steel barb-wire around The Works.
Steel guns in the holsters of the guards at the gates of The Works.
Steel ore-boats bring the loads clawed from the earth by steel, lifted and lugged by arms of steel, sung on its way by the clanking clam-shells.
The runners now, the handlers now, are steel; they dig and clutch and haul; they hoist their automatic knuckles from job to job; they are steel making steel.
Fire and dust and air fight in the furnaces; the pour is timed, the billets wriggle; the clinkers are dumped: Liners on the sea, skyscrapers on the land; diving steel in the sea, climbing steel in the sky.
Finders in the dark, you Steve with a dinner bucket, you Steve clumping in the dusk on the sidewalks with an evening paper for the woman and kids, you Steve with your head wondering where we all end up— Finders in the dark, Steve: I hook my arm in cinder sleeves; we go down the street together; it is all the same to us; you Steve and the rest of us end on the same stars; we all wear a hat in hell together, in hell or heaven.
Smoke nights now, Steve.
Smoke, smoke, lost in the sieves of yesterday; Dumped again to the scoops and hooks today.
Smoke like the clocks and whistles, always.
Smoke nights now.
To-morrow something else.
Luck moons come and go: Five men swim in a pot of red steel.
Their bones are kneaded into the bread of steel: Their bones are knocked into coils and anvils And the sucking plungers of sea-fighting turbines.
Look for them in the woven frame of a wireless station.
So ghosts hide in steel like heavy-armed men in mirrors.
Peepers, skulkers—they shadow-dance in laughing tombs.
They are always there and they never answer.
One of them said: “I like my job, the company is good to me, America is a wonderful country.
” One: “Jesus, my bones ache; the company is a liar; this is a free country, like hell.
” One: “I got a girl, a peach; we save up and go on a farm and raise pigs and be the boss ourselves.
” And the others were roughneck singers a long ways from home.
Look for them back of a steel vault door.
They laugh at the cost.
They lift the birdmen into the blue.
It is steel a motor sings and zooms.
In the subway plugs and drums, In the slow hydraulic drills, in gumbo or gravel, Under dynamo shafts in the webs of armature spiders, They shadow-dance and laugh at the cost.
The ovens light a red dome.
Spools of fire wind and wind.
Quadrangles of crimson sputter.
The lashes of dying maroon let down.
Fire and wind wash out the slag.
Forever the slag gets washed in fire and wind.
The anthem learned by the steel is: Do this or go hungry.
Look for our rust on a plow.
Listen to us in a threshing-engine razz.
Look at our job in the running wagon wheat.
Fire and wind wash at the slag.
Box-cars, clocks, steam-shovels, churns, pistons, boilers, scissors— Oh, the sleeping slag from the mountains, the slag-heavy pig-iron will go down many roads.
Men will stab and shoot with it, and make butter and tunnel rivers, and mow hay in swaths, and slit hogs and skin beeves, and steer airplanes across North America, Europe, Asia, round the world.
Hacked from a hard rock country, broken and baked in mills and smelters, the rusty dust waits Till the clean hard weave of its atoms cripples and blunts the drills chewing a hole in it.
The steel of its plinths and flanges is reckoned, O God, in one-millionth of an inch.
Once when I saw the curves of fire, the rough scarf women dancing, Dancing out of the flues and smoke-stacks—flying hair of fire, flying feet upside down; Buckets and baskets of fire exploding and chortling, fire running wild out of the steady and fastened ovens; Sparks cracking a harr-harr-huff from a solar-plexus of rock-ribs of the earth taking a laugh for themselves; Ears and noses of fire, gibbering gorilla arms of fire, gold mud-pies, gold bird-wings, red jackets riding purple mules, scarlet autocrats tumbling from the humps of camels, assassinated czars straddling vermillion balloons; I saw then the fires flash one by one: good-by: then smoke, smoke; And in the screens the great sisters of night and cool stars, sitting women arranging their hair, Waiting in the sky, waiting with slow easy eyes, waiting and half-murmuring: “Since you know all and I know nothing, tell me what I dreamed last night.
” Pearl cobwebs in the windy rain, in only a flicker of wind, are caught and lost and never known again.
A pool of moonshine comes and waits, but never waits long: the wind picks up loose gold like this and is gone.
A bar of steel sleeps and looks slant-eyed on the pearl cobwebs, the pools of moonshine; sleeps slant-eyed a million years, sleeps with a coat of rust, a vest of moths, a shirt of gathering sod and loam.
The wind never bothers … a bar of steel.
The wind picks only .
.
pearl cobwebs .
.
pools of moonshine.
Written by Robert William Service | Create an image from this poem

The Cremation Of Sam McGee

 There are strange things done in the midnight sun
 By the men who moil for gold;
The Arctic trails have their secret tales
 That would make your blood run cold;
The Northern Lights have seen ***** sights,
 But the queerest they ever did see
Was that night on the marge of Lake Lebarge
 I cremated Sam McGee.
Now Sam McGee was from Tennessee, where the cotton blooms and blows.
Why he left his home in the South to roam 'round the Pole, God only knows.
He was always cold, but the land of gold seemed to hold him like a spell; Though he'd often say in his homely way that he'd "sooner live in hell".
On a Christmas Day we were mushing our way over the Dawson trail.
Talk of your cold! through the parka's fold it stabbed like a driven nail.
If our eyes we'd close, then the lashes froze till sometimes we couldn't see; It wasn't much fun, but the only one to whimper was Sam McGee.
And that very night, as we lay packed tight in our robes beneath the snow, And the dogs were fed, and the stars o'erhead were dancing heel and toe, He turned to me, and "Cap," says he, "I'll cash in this trip, I guess; And if I do, I'm asking that you won't refuse my last request.
" Well, he seemed so low that I couldn't say no; then he says with a sort of moan: "It's the cursed cold, and it's got right hold till I'm chilled clean through to the bone.
Yet 'tain't being dead -- it's my awful dread of the icy grave that pains; So I want you to swear that, foul or fair, you'll cremate my last remains.
" A pal's last need is a thing to heed, so I swore I would not fail; And we started on at the streak of dawn; but God! he looked ghastly pale.
He crouched on the sleigh, and he raved all day of his home in Tennessee; And before nightfall a corpse was all that was left of Sam McGee.
There wasn't a breath in that land of death, and I hurried, horror-driven, With a corpse half hid that I couldn't get rid, because of a promise given; It was lashed to the sleigh, and it seemed to say: "You may tax your brawn and brains, But you promised true, and it's up to you to cremate those last remains.
" Now a promise made is a debt unpaid, and the trail has its own stern code.
In the days to come, though my lips were dumb, in my heart how I cursed that load.
In the long, long night, by the lone firelight, while the huskies, round in a ring, Howled out their woes to the homeless snows -- O God! how I loathed the thing.
And every day that quiet clay seemed to heavy and heavier grow; And on I went, though the dogs were spent and the grub was getting low; The trail was bad, and I felt half mad, but I swore I would not give in; And I'd often sing to the hateful thing, and it hearkened with a grin.
Till I came to the marge of Lake Lebarge, and a derelict there lay; It was jammed in the ice, but I saw in a trice it was called the "Alice May".
And I looked at it, and I thought a bit, and I looked at my frozen chum; Then "Here," said I, with a sudden cry, "is my cre-ma-tor-eum.
" Some planks I tore from the cabin floor, and I lit the boiler fire; Some coal I found that was lying around, and I heaped the fuel higher; The flames just soared, and the furnace roared -- such a blaze you seldom see; And I burrowed a hole in the glowing coal, and I stuffed in Sam McGee.
Then I made a hike, for I didn't like to hear him sizzle so; And the heavens scowled, and the huskies howled, and the wind began to blow.
It was icy cold, but the hot sweat rolled down my cheeks, and I don't know why; And the greasy smoke in an inky cloak went streaking down the sky.
I do not know how long in the snow I wrestled with grisly fear; But the stars came out and they danced about ere again I ventured near; I was sick with dread, but I bravely said: "I'll just take a peep inside.
I guess he's cooked, and it's time I looked"; .
.
.
then the door I opened wide.
And there sat Sam, looking cool and calm, in the heart of the furnace roar; And he wore a smile you could see a mile, and he said: "Please close that door.
It's fine in here, but I greatly fear you'll let in the cold and storm -- Since I left Plumtree, down in Tennessee, it's the first time I've been warm.
" There are strange things done in the midnight sun By the men who moil for gold; The Arctic trails have their secret tales That would make your blood run cold; The Northern Lights have seen ***** sights, But the queerest they ever did see Was that night on the marge of Lake Lebarge I cremated Sam McGee.
Written by Vernon Scannell | Create an image from this poem

They Did Not Expect This

 They did not expect this.
Being neither wise nor brave And wearing only the beauty of youth's season They took the first turning quite unquestioningly And walked quickly without looking back even once.
It was of course the wrong turning.
First they were nagged By a small wind that tugged at their clothing like a dog; Then the rain began and there was no shelter anywhere, Only the street and the rows of houses stern as soldiers.
Though the blood chilled, the endearing word burnt the tongue.
There were no parks or gardens or public houses: Midnight settled and the rain paused leaving the city Enormous and still like a great sleeping seal.
At last they found accommodation in a cold Furnished room where they quickly learnt to believe in ghosts; They had their hope stuffed and put on the mantelpiece But found, after a while, that they did not notice it.
While she spends many hours looking in the bottoms of teacups He reads much about association football And waits for the marvellous envelope to fall: Their eyes are strangers and they rarely speak.
They did not expect this.
Written by Anne Bradstreet | Create an image from this poem

A Letter to Her Husband

 Absent upon Public Employment 

My head, my heart, mine eyes, my life, nay more,
My joy, my magazine, of earthly store,
If two be one, as surely thou and I,
How stayest thou there, whilst I at Ipswich lie?
So many steps, head from the heart to sever,
If but a neck, soon should we be together.
I, like the Earth this season, mourn in black, My Sun is gone so far in's zodiac, Whom whilst I 'joyed, nor storms, nor frost I felt, His warmth such fridged colds did cause to melt.
My chilled limbs now numbed lie forlorn; Return; return, sweet Sol, from Capricorn; In this dead time, alas, what can I more Than view those fruits which through thy heart I bore? Which sweet contentment yield me for a space, True living pictures of their father's face.
O strange effect! now thou art southward gone, I weary grow the tedious day so long; But when thou northward to me shalt return, I wish my Sun may never set, but burn Within the Cancer of my glowing breast, The welcome house of him my dearest guest.
Where ever, ever stay, and go not thence, Till nature's sad decree shall call thee hence; Flesh of thy flesh, bone of thy bone, I here, thou there, yet both but one.

Book: Shattered Sighs