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Best Famous Chides Poems

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Written by William Shakespeare | Create an image from this poem

Venus and Adonis

 Lo, here the gentle lark, weary of rest,
From his moist cabinet mounts up on high,
And wakes the morning, from whose silver breast
The sun ariseth in his majesty;
Who doth the world so gloriously behold
That cedar-tops and hills seem burnish'd gold.

Venus salutes him with this fair good-morrow;
"O thou clear god, and patron of all light,
From whom each lamp and shining star doth borrow
The beauteous influence that makes him bright,
There lives a son that suck'd an earthly mother,
May lend thee light, as thou dost lend to other."

This said, she hasteth to a myrtle grove,
Musing the morning is so much o'erworn,
And yet she hears no tidings of her love:
She hearkens for his hounds and for his horn:
Anon she hears them chant it lustily,
And all in haste she coasteth to the cry.

And as she runs, the bushes in the way
Some catch her by the neck, some kiss her face,
Some twine about her thigh to make her stay:
She wildly breaketh from their strict embrace,
Like a milch doe, whose swelling dugs do ache,
Hasting to feed her fawn, hid in some brake.

By this she hears the hounds are at a bay;
Whereat she starts, like one that spies an adder
Wreath'd up in fatal folds just in his way,
The fear whereof doth make him shake and shudder;
Even so the timorous yelping of the hounds
Appals her senses and her spirit confounds.

For now she knows it is no gentle chase,
But the blunt boar, rough bear, or lion proud,
Because the cry remaineth in one place,
Where fearfully the dogs exclaim aloud:
Finding their enemy to be so curst,
They all strain court'sy who shall cope him first.

This dismal cry rings sadly in her ear,
Through which it enters to surprise her heart;
Who, overcome by doubt and bloodless fear,
With cold-pale weakness numbs each feeling part:
Like soldiers, when their captain once doth yield,
They basely fly and dare not stay the field.

Thus stands she in a trembling ecstasy;
Till, cheering up her senses all dismay'd,
She tells them 'tis a causeless fantasy,
And childish error, that they are afraid;
Bids them leave quaking, bids them fear no more:--
And with that word she spied the hunted boar;

Whose frothy mouth, bepainted all with red,
Like milk and blood being mingled both together,
A second fear through all her sinews spread,
Which madly hurries her she knows not whither:
This way she runs, and now she will no further,
But back retires to rate the boar for murther.

A thousand spleens bear her a thousand ways;
She treads the path that she untreads again;
Her more than haste is mated with delays,
Like the proceedings of a drunken brain,
Full of respects, yet nought at all respecting;
In hand with all things, nought at all effecting.

Here kennell'd in a brake she finds a hound,
And asks the weary caitiff for his master,
And there another licking of his wound,
'Gainst venom'd sores the only sovereign plaster;
And here she meets another sadly scowling,
To whom she speaks, and he replies with howling.

When he hath ceas'd his ill-resounding noise,
Another flap-mouth'd mourner, black and grim,
Against the welkin volleys out his voice;
Another, and another, answer him,
Clapping their proud tails to the ground below,
Shaking their scratch'd ears, bleeding as they go.

Look, how the world's poor people are amazed
At apparitions, signs, and prodigies,
Whereon with fearful eyes they long have gazed,
Infusing them with dreadful prophecies;
So she at these sad signs draws up her breath
And sighing it again, exclaims on Death.

"Hard-favour'd tyrant, ugly, meagre, lean,
Hateful divorce of love,"--thus chides she Death,--
"Grim-grinning ghost, earth's worm, what dost thou mean
To stifle beauty and to steal his breath,
Who when he liv'd, his breath and beauty set
Gloss on the rose, smell to the violet?

"If he be dead,--O no, it cannot be,
Seeing his beauty, thou shouldst strike at it:--
O yes, it may; thou hast no eyes to see,
But hatefully at random dost thou hit.
Thy mark is feeble age, but thy false dart
Mistakes that aim and cleaves an infant's heart.

"Hadst thou but bid beware, then he had spoke,
And, hearing him, thy power had lost his power.
The Destinies will curse thee for this stroke;
They bid thee crop a weed, thou pluck'st a flower:
Love's golden arrow at him should have fled,
And not Death's ebon dart, to strike him dead.

"Dost thou drink tears, that thou provok'st such weeping?
What may a heavy groan advantage thee?
Why hast thou cast into eternal sleeping
Those eyes that taught all other eyes to see?
Now nature cares not for thy mortal vigour,
Since her best work is ruin'd with thy rigour."

Here overcome, as one full of despair,
She vail'd her eyelids, who, like sluices, stopt
The crystal tide that from her two cheeks fair
In the sweet channel of her bosom dropt;
But through the flood-gates breaks the silver rain,
And with his strong course opens them again.

O, how her eyes and tears did lend and borrow!
Her eyes seen in the tears, tears in her eye;
Both crystals, where they view'd each other's sorrow,
Sorrow that friendly sighs sought still to dry;
But like a stormy day, now wind, now rain,
Sighs dry her cheeks, tears make them wet again.

Variable passions throng her constant woe,
As striving who should best become her grief;
All entertain'd, each passion labours so,
That every present sorrow seemeth chief,
But none is best: then join they all together,
Like many clouds consulting for foul weather.

By this, far off she hears some huntsman hollo;
A nurse's song ne'er pleased her babe so well:
The dire imagination she did follow
This sound of hope doth labour to expel;
For now reviving joy bids her rejoice,
And flatters her it is Adonis' voice.

Whereat her tears began to turn their tide,
Being prison'd in her eye like pearls in glass;
Yet sometimes falls an orient drop beside,
Which her cheek melts, as scorning it should pass,
To wash the foul face of the sluttish ground,
Who is but drunken when she seemeth drown'd.

O hard-believing love, how strange it seems
Not to believe, and yet too credulous!
Thy weal and woe are both of them extremes;
Despair and hope make thee ridiculous:
The one doth flatter thee in thoughts unlikely,
In likely thoughts the other kills thee quickly.

Now she unweaves the web that she hath wrought;
Adonis lives, and Death is not to blame;
It was not she that call'd him all to naught:
Now she adds honours to his hateful name;
She clepes him king of graves and grave for kings,
Imperious supreme of all mortal things.

"No, no," quoth she, "sweet Death, I did but jest;
Yet pardon me I felt a kind of fear
When as I met the boar, that bloody beast,
Which knows no pity, but is still severe;
Then, gentle shadow,--truth I must confess,--
I rail'd on thee, fearing my love's decease.

"'Tis not my fault: the boar provok'd my tongue;
Be wreak'd on him, invisible commander;
'Tis he, foul creature, that hath done thee wrong;
I did but act, he's author of thy slander:
Grief hath two tongues, and never woman yet
Could rule them both without ten women's wit."

Thus hoping that Adonis is alive,
Her rash suspect she doth extenuate;
And that his beauty may the better thrive,
With Death she humbly doth insinuate;
Tells him of trophies, statues, tombs, and stories
His victories, his triumphs and his glories.

"O Jove," quoth she, "how much a fool was I
To be of such a weak and silly mind
To wail his death who lives and must not die
Till mutual overthrow of mortal kind;
For he being dead, with him is beauty slain,
And, beauty dead, black chaos comes again.

"Fie, fie, fond love, thou art so full of fear
As one with treasure laden, hemm'd with thieves;
Trifles, unwitnessed with eye or ear,
Thy coward heart with false bethinking grieves."
Even at this word she hears a merry horn,
Whereat she leaps that was but late forlorn.

As falcon to the lure, away she flies;
The grass stoops not, she treads on it so light;
And in her haste unfortunately spies
The foul boar's conquest on her fair delight;
Which seen, her eyes, as murder'd with the view,
Like stars asham'd of day, themselves withdrew;

Or, as the snail, whose tender horns being hit,
Shrinks backward in his shelly cave with pain,
And there, all smother'd up, in shade doth sit,
Long after fearing to creep forth again;
So, at his bloody view, her eyes are fled
Into the deep dark cabins of her head:

Where they resign their office and their light
To the disposing of her troubled brain;
Who bids them still consort with ugly night,
And never wound the heart with looks again;
Who, like a king perplexed in his throne,
By their suggestion gives a deadly groan,

Whereat each tributary subject quakes;
As when the wind, imprison'd in the ground,
Struggling for passage, earth's foundation shakes,
Which with cold terror doth men's minds confound.
This mutiny each part doth so surprise
That from their dark beds once more leap her eyes;

And, being open'd, threw unwilling light
Upon the wide wound that the boar had trench'd
In his soft flank; whose wonted lily white
With purple tears, that his wound wept, was drench'd:
No flower was nigh, no grass, herb, leaf, or weed,
But stole his blood and seem'd with him to bleed.

This solemn sympathy poor Venus noteth;
Over one shoulder doth she hang her head;
Dumbly she passions, franticly she doteth;
She thinks he could not die, he is not dead:
Her voice is stopt, her joints forget to bow;
Her eyes are mad that they have wept till now.


Written by John Wilmot | Create an image from this poem

The Imperfect Enjoyment

 Naked she lay, clasped in my longing arms,
I filled with love, and she all over charms;
Both equally inspired with eager fire,
Melting through kindness, flaming in desire.
With arms,legs,lips close clinging to embrace,
She clips me to her breast, and sucks me to her face.
Her nimble tongue, Love's lesser lightening, played
Within my mouth, and to my thoughts conveyed
Swift orders that I should prepare to throw
The all-dissolving thunderbolt below.
My fluttering soul, sprung with the painted kiss,
Hangs hovering o'er her balmy brinks of bliss.
But whilst her busy hand would guide that part
Which should convey my soul up to her heart,
In liquid raptures I dissolve all o'er,
Melt into sperm and, and spend at every pore.
A touch from any part of her had done't:
Her hand, her foot, her very look's a ****.

Smiling, she chides in a kind murmuring noise,
And from her body wipes the clammy joys,
When, with a thousand kisses wandering o'er
My panting bosom, "Is there then no more?"
She cries. "All this to love and rapture's due;
Must we not pay a debt to pleasure too?"

But I, the most forlorn, lost man alive,
To show my wished obedience vainly strive:
I sigh, alas! and kiss, but cannot swive.
Eager desires confound my first intent,
Succeeding shame does more success prevent,
And rage at last confirms me impotent.
Ev'n her fair hand, which might bid heat return
To frozen age, and make cold hermits burn,
Applied to my dead cinder, warms no more
Than fire to ashes could past flames restore.
Trembling, confused, despairing, limber, dry,
A wishing, weak, unmoving lump I lie.
This dart of love, whose piercing point, oft tried,
With virgin blood ten thousand maids have dyed;
Which nature still directed with such art
That it through every **** reached every heart -
Stiffly resolved, 'twould carelessly invade
Woman or man, nor aught its fury stayed:
Where'er it pierced, a **** it found or made -
Now languid lies in this unhappy hour,
Shrunk up and sapless like a withered flower.

Thou treacherous, base deserter of my flame,
False to my passion, fatal to my fame,
Through what mistaken magic dost thou prove
So true to lewdness, so untrue to love?
What oyster-cinder-beggar-common whore
Didst thou e'er fail in all thy life before?
When vice, disease, and scandal lead the way,
With what officious haste dost thou obey!
Like a rude, roaring hector in the streets
Who scuffles, cuffs, and justles all he meets,
But if his king or country claim his aid,
The rakehell villain shrinks and hides his head;
Ev'n so thy brutal valour is displayed,
Breaks every stew, does each small whore invade,
But when great Love the onset does command,
Base recreant to thy prince, thou dar'st not stand.
Worst part of me, and henceforth hated most,
Through all the town a common fucking-post,
On whom each whore relieves her tingling ****
As hogs do rub themselves on gates and grunt,
May'st thou to ravenous chancres be a prey,
Or in consuming weepings waste away;
May strangury and stone thy days attend;
May'st thou ne'er piss, who did refuse to spend
When all my joys did on false thee depend.
And may ten thousand abler pricks agree
To do the wronged Corinna right for thee.
Written by Anne Kingsmill Finch | Create an image from this poem

The Hog The Sheep And Goat Carrying To A FAIR

 Who does not wish, ever to judge aright, 
And, in the Course of Life's Affairs, 
To have a quick, and far extended Sight, 
Tho' it too often multiplies his Cares? 
And who has greater Sense, but greater Sorrow shares? 

This felt the Swine, now carrying to the Knife; 
And whilst the Lamb and silent Goat 
In the same fatal Cart lay void of Strife, 
He widely stretches his foreboding Throat, 
Deaf'ning the easy Crew with his outragious Note. 

The angry Driver chides th'unruly Beast, 
And bids him all this Noise forbear; 
Nor be more loud, nor clamorous than the rest, 
Who with him travel'd to the neighb'ring Fair. 
And quickly shou'd arrive, and be unfetter'd there. 

This, quoth the Swine, I do believe, is true, 
And see we're very near the Town; 
Whilst these poor Fools of short, and bounded View, 
Think 'twill be well, when you have set them down, 
And eas'd One of her Milk, the Other of her Gown. 

But all the dreadful Butchers in a Row, 
To my far-searching Thoughts appear, 
Who know indeed, we to the Shambles go, 
Whilst I, whom none but Belzebub wou'd shear, 
Nor but his Dam wou'd milk, must for my Carcase fear. 

But tell me then, will it prevent thy Fate? 
The rude unpitying Farmer cries; 
If not, the Wretch who tastes his Suff'rings late, 
Not He, who thro' th'unhappy Future prys, 
Must of the Two be held most Fortunate and Wise.
Written by Francesco Petrarch | Create an image from this poem

Sonnet CLXXIII

SONNET CLXXIII.

Rapido fiume che d' alpestra vena.

JOURNEYING ALONG THE RHONE TO AVIGNON, PETRARCH BIDS THE RIVER KISS LAURA'S HAND, AS IT WILL ARRIVE AT HER DWELLING BEFORE HIM.

Impetuous flood, that from the Alps' rude head,Eating around thee, dost thy name obtain;[V]Anxious like me both night and day to gainWhere thee pure nature, and me love doth lead;Pour on: thy course nor sleep nor toils impede;Yet, ere thou pay'st thy tribute to the main,Oh, tarry where most verdant looks the plain,Where most serenity the skies doth spread!There beams my radiant sun of cheering ray,Which deck thy left banks, and gems o'er with flowers;E'en now, vain thought! perhaps she chides my stay:Kiss then her feet, her hand so beauteous fair;In place of language let thy kiss declareStrong is my will, though feeble are my powers.
Nott.
O rapid flood! which from thy mountain bedGnawest thy shores, whence (in my tongue) thy name;[V]Thou art my partner, night and day the same,Where I by love, thou art by nature led:Precede me now; no weariness doth shedIts spell o'er thee, no sleep thy course can tame;Yet ere the ocean waves thy tribute claim,Pause, where the herb and air seem brighter fed.There beams our sun of life, whose genial rayWith brighter verdure thy left shore adorns;Perchance (vain hope!) e'en now my stay she mourns.Kiss then her foot, her lovely hand, and mayThy kiss to her in place of language speak,The spirit is willing, but the flesh is weak.
Wollaston.
Written by Sir Philip Sidney | Create an image from this poem

Astrophel And Stella-First Song

 Doubt you to whom my Muse these notes intendeth,
Which now my breast o'ercharged to music lendeth?
To you, to you, all song of praise is due;
Only in you my song begins and endeth.

Who hath the eyes which marry state with pleasure?
Who keeps the key of Nature's chiefest treasure?
To you, to you, all song of praise is due;
Only for you the heaven forgat all measure.

Who hath the lips where wit in fairness reigneth?
Who womankind at once both decks and staineth?
To you, to you, all song of praise is due;
Only by you Cupid his crown maintaineth.

Who hath the feet whose step all sweetness planteth?
Who else, for whom Fame worthy trumpets wanteth?
To you, to you, all song of praise is due;
Only to you her sceptre Venus granteth.

Who hath the breast whose milk doth passions nourish?
Whose grace is such that when it chides doth cherish?
To you, to you, all song of praise is due;
Only through you the tree of life doth flourish.

Who hath the hand which without stroke subdueth?
Who long-dead beauty with increase reneweth?
To you, to you, all song of praise is due;
Only at you all envy hopeless rueth.

Who hath the hair which, loosest, fastest tieth?
Who makes a man live then glad when he dieth?
To you, to you, all song of praise is due;
Only of you the flatterer never lieth.

Who hath the voice which soul from senses sunders?
Whose force but yours the bolts of beauty thunders?
To you, to you, all song of praise is due;

Only with you not miracles are wonders.

Doubt you to whom my Muse these notes intendeth,
Which now my breast o'ercharged to music lendeth?
To you, to you, all song of praise is due;
Only in you my song begins and endeth.



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