Written by
Anne Sexton |
Consider
a girl who keeps slipping off,
arms limp as old carrots,
into the hypnotist's trance,
into a spirit world
speaking with the gift of tongues.
She is stuck in the time machine,
suddenly two years old sucking her thumb,
as inward as a snail,
learning to talk again.
She's on a voyage.
She is swimming further and further back,
up like a salmon,
struggling into her mother's pocketbook.
Little doll child,
come here to Papa.
Sit on my knee.
I have kisses for the back of your neck.
A penny for your thoughts, Princess.
I will hunt them like an emerald.
Come be my snooky
and I will give you a root.
That kind of voyage,
rank as a honeysuckle.
Once
a king had a christening
for his daughter Briar Rose
and because he had only twelve gold plates
he asked only twelve fairies
to the grand event.
The thirteenth fairy,
her fingers as long and thing as straws,
her eyes burnt by cigarettes,
her uterus an empty teacup,
arrived with an evil gift.
She made this prophecy:
The princess shall prick herself
on a spinning wheel in her fifteenth year
and then fall down dead.
Kaputt!
The court fell silent.
The king looked like Munch's Scream
Fairies' prophecies,
in times like those,
held water.
However the twelfth fairy
had a certain kind of eraser
and thus she mitigated the curse
changing that death
into a hundred-year sleep.
The king ordered every spinning wheel
exterminated and exorcised.
Briar Rose grew to be a goddess
and each night the king
bit the hem of her gown
to keep her safe.
He fastened the moon up
with a safety pin
to give her perpetual light
He forced every male in the court
to scour his tongue with Bab-o
lest they poison the air she dwelt in.
Thus she dwelt in his odor.
Rank as honeysuckle.
On her fifteenth birthday
she pricked her finger
on a charred spinning wheel
and the clocks stopped.
Yes indeed.
She went to sleep.
The king and queen went to sleep,
the courtiers, the flies on the wall.
The fire in the hearth grew still
and the roast meat stopped crackling.
The trees turned into metal
and the dog became china.
They all lay in a trance,
each a catatonic
stuck in a time machine.
Even the frogs were zombies.
Only a bunch of briar roses grew
forming a great wall of tacks
around the castle.
Many princes
tried to get through the brambles
for they had heard much of Briar Rose
but they had not scoured their tongues
so they were held by the thorns
and thus were crucified.
In due time
a hundred years passed
and a prince got through.
The briars parted as if for Moses
and the prince found the tableau intact.
He kissed Briar Rose
and she woke up crying:
Daddy! Daddy!
Presto! She's out of prison!
She married the prince
and all went well
except for the fear --
the fear of sleep.
Briar Rose
was an insomniac.
.
.
She could not nap
or lie in sleep
without the court chemist
mixing her some knock-out drops
and never in the prince's presence.
If if is to come, she said,
sleep must take me unawares
while I am laughing or dancing
so that I do not know that brutal place
where I lie down with cattle prods,
the hole in my cheek open.
Further, I must not dream
for when I do I see the table set
and a faltering crone at my place,
her eyes burnt by cigarettes
as she eats betrayal like a slice of meat.
I must not sleep
for while I'm asleep I'm ninety
and think I'm dying.
Death rattles in my throat
like a marble.
I wear tubes like earrings.
I lie as still as a bar of iron.
You can stick a needle
through my kneecap and I won't flinch.
I'm all shot up with Novocain.
This trance girl
is yours to do with.
You could lay her in a grave,
an awful package,
and shovel dirt on her face
and she'd never call back: Hello there!
But if you kissed her on the mouth
her eyes would spring open
and she'd call out: Daddy! Daddy!
Presto!
She's out of prison.
There was a theft.
That much I am told.
I was abandoned.
That much I know.
I was forced backward.
I was forced forward.
I was passed hand to hand
like a bowl of fruit.
Each night I am nailed into place
and forget who I am.
Daddy?
That's another kind of prison.
It's not the prince at all,
but my father
drunkeningly bends over my bed,
circling the abyss like a shark,
my father thick upon me
like some sleeping jellyfish.
What voyage is this, little girl?
This coming out of prison?
God help --
this life after death?
|
Written by
T S (Thomas Stearns) Eliot |
The Chair she sat in, like a burnished throne,
Glowed on the marble, where the glass
Held up by standards wrought with fruited vines
From which a golden Cupidon peeped out 80
(Another hid his eyes behind his wing)
Doubled the flames of sevenbranched candelabra
Reflecting light upon the table as
The glitter of her jewels rose to meet it,
From satin cases poured in rich profusion;
In vials of ivory and coloured glass
Unstoppered, lurked her strange synthetic perfumes,
Unguent, powdered, or liquid— troubled, confused
And drowned the sense in odours; stirred by the air
That freshened from the window, these ascended 90
In fattening the prolonged candle-flames,
Flung their smoke into the laquearia,
Stirring the pattern on the coffered ceiling.
Huge sea-wood fed with copper
Burned green and orange, framed by the coloured stone,
In which sad light a carved dolphin swam.
Above the antique mantel was displayed
As though a window gave upon the sylvan scene
The change of Philomel, by the barbarous king
So rudely forced; yet there the nightingale 100
Filled all the desert with inviolable voice
And still she cried, and still the world pursues,
"Jug Jug" to dirty ears.
And other withered stumps of time
Were told upon the walls; staring forms
Leaned out, leaning, hushing the room enclosed.
Footsteps shuffled on the stair.
Under the firelight, under the brush, her hair
Spread out in fiery points
Glowed into words, then would be savagely still.
110
"My nerves are bad to-night.
Yes, bad.
Stay with me.
"Speak to me.
Why do you never speak.
Speak.
"What are you thinking of? What thinking? What?
"I never know what you are thinking.
Think.
"
I think we are in rats' alley
Where the dead men lost their bones.
"What is that noise?"
The wind under the door.
"What is that noise now? What is the wind doing?"
Nothing again nothing.
120
"Do
"You know nothing? Do you see nothing? Do you remember
"Nothing?"
I remember
Those are pearls that were his eyes.
"Are you alive, or not? Is there nothing in your head?"
But
O O O O that Shakespeherian Rag—
It's so elegant
So intelligent 130
"What shall I do now? What shall I do?"
I shall rush out as I am, and walk the street
"With my hair down, so.
What shall we do to-morrow?
"What shall we ever do?"
The hot water at ten.
And if it rains, a closed car at four.
And we shall play a game of chess,
Pressing lidless eyes and waiting for a knock upon the door.
When Lil's husband got demobbed, I said—
I didn't mince my words, I said to her myself, 140
HURRY UP PLEASE ITS TIME
Now Albert's coming back, make yourself a bit smart.
He'll want to know what you done with that money he gave you
To get yourself some teeth.
He did, I was there.
You have them all out, Lil, and get a nice set,
He said, I swear, I can't bear to look at you.
And no more can't I, I said, and think of poor Albert,
He's been in the army four years, he wants a good time,
And if you don't give it him, there's others will, I said.
Oh is there, she said.
Something o' that, I said.
150
Then I'll know who to thank, she said, and give me a straight look.
HURRY UP PLEASE ITS TIME
If you don't like it you can get on with it, I said.
Others can pick and choose if you can't.
But if Albert makes off, it won't be for lack of telling.
You ought to be ashamed, I said, to look so antique.
(And her only thirty-one.
)
I can't help it, she said, pulling a long face,
It's them pills I took, to bring it off, she said.
(She's had five already, and nearly died of young George.
) 160
The chemist said it would be alright, but I've never been the same.
You are a proper fool, I said.
Well, if Albert won't leave you alone, there it is, I said,
What you get married for if you don't want children?
HURRY UP PLEASE ITS TIME
Well, that Sunday Albert was home, they had a hot gammon,
And they asked me in to dinner, to get the beauty of it hot—
HURRY UP PLEASE ITS TIME
HURRY UP PLEASE ITS TIME
Goonight Bill.
Goonight Lou.
Goonight May.
Goonight.
170
Ta ta.
Goonight.
Goonight.
Good night, ladies, good night, sweet ladies, good night, good night.
|
Written by
Walt Whitman |
I MET a Seer,
Passing the hues and objects of the world,
The fields of art and learning, pleasure, sense, To glean Eidólons.
Put in thy chants, said he,
No more the puzzling hour, nor day—nor segments, parts, put in,
Put first before the rest, as light for all, and entrance-song of all, That of
Eidólons.
Ever the dim beginning;
Ever the growth, the rounding of the circle;
Ever the summit, and the merge at last, (to surely start again,) Eidólons!
Eidólons!
Ever the mutable!
Ever materials, changing, crumbling, re-cohering;
Ever the ateliers, the factories divine, Issuing Eidólons!
Lo! I or you!
Or woman, man, or State, known or unknown,
We seeming solid wealth, strength, beauty build, But really build Eidólons.
The ostent evanescent;
The substance of an artist’s mood, or savan’s studies long,
Or warrior’s, martyr’s, hero’s toils, To fashion his Eidólon.
Of every human life,
(The units gather’d, posted—not a thought, emotion, deed, left out;)
The whole, or large or small, summ’d, added up, In its Eidólon.
The old, old urge;
Based on the ancient pinnacles, lo! newer, higher pinnacles;
From Science and the Modern still impell’d, The old, old urge, Eidólons.
The present, now and here,
America’s busy, teeming, intricate whirl,
Of aggregate and segregate, for only thence releasing, To-day’s Eidólons.
These, with the past,
Of vanish’d lands—of all the reigns of kings across the sea,
Old conquerors, old campaigns, old sailors’ voyages, Joining Eidólons.
Densities, growth, façades,
Strata of mountains, soils, rocks, giant trees,
Far-born, far-dying, living long, to leave, Eidólons everlasting.
Exaltè, rapt, extatic,
The visible but their womb of birth,
Of orbic tendencies to shape, and shape, and shape, The mighty Earth-Eidólon.
All space, all time,
(The stars, the terrible perturbations of the suns,
Swelling, collapsing, ending—serving their longer, shorter use,) Fill’d with
Eidólons only.
The noiseless myriads!
The infinite oceans where the rivers empty!
The separate, countless free identities, like eyesight; The true realities,
Eidólons.
Not this the World,
Nor these the Universes—they the Universes,
Purport and end—ever the permanent life of life, Eidólons, Eidólons.
Beyond thy lectures, learn’d professor,
Beyond thy telescope or spectroscope, observer keen—beyond all mathematics,
Beyond the doctor’s surgery, anatomy—beyond the chemist with his chemistry, The
entities of entities, Eidólons.
Unfix’d, yet fix’d;
Ever shall be—ever have been, and are,
Sweeping the present to the infinite future, Eidólons, Eidólons,
Eidólons.
The prophet and the bard,
Shall yet maintain themselves—in higher stages yet,
Shall mediate to the Modern, to Democracy—interpret yet to them, God, and
Eidólons.
And thee, My Soul!
Joys, ceaseless exercises, exaltations!
Thy yearning amply fed at last, prepared to meet, Thy mates, Eidólons.
Thy Body permanent,
The Body lurking there within thy Body,
The only purport of the Form thou art—the real I myself, An image, an
Eidólon.
Thy very songs, not in thy songs;
No special strains to sing—none for itself;
But from the whole resulting, rising at last and floating, A round, full-orb’d
Eidólon.
|
Written by
Walt Whitman |
THE indications, and tally of time;
Perfect sanity shows the master among philosophs;
Time, always without flaw, indicates itself in parts;
What always indicates the poet, is the crowd of the pleasant company of singers, and their
words;
The words of the singers are the hours or minutes of the light or dark—but the words
of
the
maker of poems are the general light and dark;
The maker of poems settles justice, reality, immortality,
His insight and power encircle things and the human race,
He is the glory and extract thus far, of things, and of the human race.
The singers do not beget—only the POET begets;
The singers are welcom’d, understood, appear often enough—but rare has the day
been,
likewise the spot, of the birth of the maker of poems, the Answerer,
(Not every century, or every five centuries, has contain’d such a day, for all its
names.
)
The singers of successive hours of centuries may have ostensible names, but the name of
each of
them
is one of the singers,
The name of each is, eye-singer, ear-singer, head-singer, sweet-singer, echo-singer,
parlor-singer,
love-singer, or something else.
All this time, and at all times, wait the words of true poems;
The words of true poems do not merely please,
The true poets are not followers of beauty, but the august masters of beauty;
The greatness of sons is the exuding of the greatness of mothers and fathers,
The words of poems are the tuft and final applause of science.
Divine instinct, breadth of vision, the law of reason, health, rudeness of body,
withdrawnness,
Gayety, sun-tan, air-sweetness—such are some of the words of poems.
The sailor and traveler underlie the maker of poems, the answerer;
The builder, geometer, chemist, anatomist, phrenologist, artist—all these underlie
the
maker of
poems, the answerer.
The words of the true poems give you more than poems,
They give you to form for yourself, poems, religions, politics, war, peace, behavior,
histories,
essays, romances, and everything else,
They balance ranks, colors, races, creeds, and the sexes,
They do not seek beauty—they are sought,
Forever touching them, or close upon them, follows beauty, longing, fain, love-sick.
They prepare for death—yet are they not the finish, but rather the outset,
They bring none to his or her terminus, or to be content and full;
Whom they take, they take into space, to behold the birth of stars, to learn one of the
meanings,
To launch off with absolute faith—to sweep through the ceaseless rings, and never be
quiet
again.
THE indications, and tally of time;
Perfect sanity shows the master among philosophs;
Time, always without flaw, indicates itself in parts;
What always indicates the poet, is the crowd of the pleasant company of singers, and their
words;
The words of the singers are the hours or minutes of the light or dark—but the words
of
the
maker of poems are the general light and dark;
The maker of poems settles justice, reality, immortality,
His insight and power encircle things and the human race,
He is the glory and extract thus far, of things, and of the human race.
The singers do not beget—only the POET begets;
The singers are welcom’d, understood, appear often enough—but rare has the day
been,
likewise the spot, of the birth of the maker of poems, the Answerer,
(Not every century, or every five centuries, has contain’d such a day, for all its
names.
)
The singers of successive hours of centuries may have ostensible names, but the name of
each of
them
is one of the singers,
The name of each is, eye-singer, ear-singer, head-singer, sweet-singer, echo-singer,
parlor-singer,
love-singer, or something else.
All this time, and at all times, wait the words of true poems;
The words of true poems do not merely please,
The true poets are not followers of beauty, but the august masters of beauty;
The greatness of sons is the exuding of the greatness of mothers and fathers,
The words of poems are the tuft and final applause of science.
Divine instinct, breadth of vision, the law of reason, health, rudeness of body,
withdrawnness,
Gayety, sun-tan, air-sweetness—such are some of the words of poems.
The sailor and traveler underlie the maker of poems, the answerer;
The builder, geometer, chemist, anatomist, phrenologist, artist—all these underlie
the
maker of
poems, the answerer.
The words of the true poems give you more than poems,
They give you to form for yourself, poems, religions, politics, war, peace, behavior,
histories,
essays, romances, and everything else,
They balance ranks, colors, races, creeds, and the sexes,
They do not seek beauty—they are sought,
Forever touching them, or close upon them, follows beauty, longing, fain, love-sick.
They prepare for death—yet are they not the finish, but rather the outset,
They bring none to his or her terminus, or to be content and full;
Whom they take, they take into space, to behold the birth of stars, to learn one of the
meanings,
To launch off with absolute faith—to sweep through the ceaseless rings, and never be
quiet
again.
THE indications, and tally of time;
Perfect sanity shows the master among philosophs;
Time, always without flaw, indicates itself in parts;
What always indicates the poet, is the crowd of the pleasant company of singers, and their
words;
The words of the singers are the hours or minutes of the light or dark—but the words
of
the
maker of poems are the general light and dark;
The maker of poems settles justice, reality, immortality,
His insight and power encircle things and the human race,
He is the glory and extract thus far, of things, and of the human race.
The singers do not beget—only the POET begets;
The singers are welcom’d, understood, appear often enough—but rare has the day
been,
likewise the spot, of the birth of the maker of poems, the Answerer,
(Not every century, or every five centuries, has contain’d such a day, for all its
names.
)
The singers of successive hours of centuries may have ostensible names, but the name of
each of
them
is one of the singers,
The name of each is, eye-singer, ear-singer, head-singer, sweet-singer, echo-singer,
parlor-singer,
love-singer, or something else.
All this time, and at all times, wait the words of true poems;
The words of true poems do not merely please,
The true poets are not followers of beauty, but the august masters of beauty;
The greatness of sons is the exuding of the greatness of mothers and fathers,
The words of poems are the tuft and final applause of science.
Divine instinct, breadth of vision, the law of reason, health, rudeness of body,
withdrawnness,
Gayety, sun-tan, air-sweetness—such are some of the words of poems.
The sailor and traveler underlie the maker of poems, the answerer;
The builder, geometer, chemist, anatomist, phrenologist, artist—all these underlie
the
maker of
poems, the answerer.
The words of the true poems give you more than poems,
They give you to form for yourself, poems, religions, politics, war, peace, behavior,
histories,
essays, romances, and everything else,
They balance ranks, colors, races, creeds, and the sexes,
They do not seek beauty—they are sought,
Forever touching them, or close upon them, follows beauty, longing, fain, love-sick.
They prepare for death—yet are they not the finish, but rather the outset,
They bring none to his or her terminus, or to be content and full;
Whom they take, they take into space, to behold the birth of stars, to learn one of the
meanings,
To launch off with absolute faith—to sweep through the ceaseless rings, and never be
quiet
again.
|
Written by
Ralph Waldo Emerson |
Because I was content with these poor fields,
Low, open meads, slender and sluggish streams,
And found a home in haunts which others scorned,
The partial wood-gods overpaid my love,
And granted me the freedom of their state,
And in their secret senate have prevailed
With the dear, dangerous lords that rule our life,
Made moon and planets parties to their bond,
And through my rock-like, solitary wont
Shot million rays of thought and tenderness.
For me, in showers, insweeping showers, the Spring
Visits the valley;--break away the clouds,--
I bathe in the morn's soft and silvered air,
And loiter willing by yon loitering stream.
Sparrows far off, and nearer, April's bird,
Blue-coated, flying before from tree to tree,
Courageous sing a delicate overture
To lead the tardy concert of the year.
Onward and nearer rides the sun of May;
And wide around, the marriage of the plants
Is sweetly solemnized.
Then flows amain
The surge of summer's beauty; dell and crag,
Hollow and lake, hillside and pine arcade,
Are touched with genius.
Yonder ragged cliff
Has thousand faces in a thousand hours.
Beneath low hills, in the broad interval
Through which at will our Indian rivulet
Winds mindful still of sannup and of squaw,
Whose pipe and arrow oft the plough unburies,
Here in pine houses built of new-fallen trees,
Supplanters of the tribe, the farmers dwell.
Traveller, to thee, perchance, a tedious road,
Or, it may be, a picture; to these men,
The landscape is an armory of powers,
Which, one by one, they know to draw and use.
They harness beast, bird, insect, to their work;
They prove the virtues of each bed of rock,
And, like the chemist 'mid his loaded jars
Draw from each stratum its adapted use
To drug their crops or weapon their arts withal.
They turn the frost upon their chemic heap,
They set the wind to winnow pulse and grain,
They thank the spring-flood for its fertile slime,
And, on cheap summit-levels of the snow,
Slide with the sledge to inaccessible woods
O'er meadows bottomless.
So, year by year,
They fight the elements with elements
(That one would say, meadow and forest walked.
Transmuted in these men to rule their like),
And by the order in the field disclose
The order regnant in the yeoman's brain.
What these strong masters wrote at large in miles,
I followed in small copy in my acre;
For there's no rood has not a star above it;
The cordial quality of pear or plum
Ascends as gladly in a single tree
As in broad orchards resonant with bees;
And every atom poises for itself,
And for the whole.
The gentle deities
Showed me the lore of colors and of sounds,
The innumerable tenements of beauty,
The miracle of generative force,
Far-reaching concords of astronomy
Felt in the plants and in the punctual birds;
Better, the linked purpose of the whole,
And, chiefest prize, found I true liberty
In the glad home plain-dealing Nature gave.
The polite found me impolite; the great
Would mortify me, but in vain; for still
I am a willow of the wilderness,
Loving the wind that bent me.
All my hurts
My garden spade can heal.
A woodland walk,
A quest of river-grapes, a mocking thrush,
A wild-rose, or rock-loving columbine,
Salve my worst wounds.
For thus the wood-gods murmured in my ear:
'Dost love our mannersi Canst thou silent lie?
Canst thou, thy pride forgot, like Nature pass
Into the winter night's extinguished mood?
Canst thou shine now, then darkle,
And being latent, feel thyself no less?
As, when the all-worshipped moon attracts the eye,
The river, hill, stems, foliage are obscure,
Yet envies none, none are unenviable.
'
|
Written by
Robert William Service |
I look at no one, me;
I pass them on the stair;
Shadows! I don't see;
Shadows! everywhere.
Haunting, taunting, staring, glaring,
Shadows! I don't care.
Once my room I gain
Then my life begins.
Shut the door on pain;
How the Devil grins!
Grin with might and main;
Grin and grin in vain;
Here's where Heav'n begins:
Cocaine! Cocaine!
A whiff! Ah, that's the thing.
How it makes me gay!
Now I want to sing,
Leap, laugh, play.
Ha! I've had my fling!
Mistress of a king
In my day.
Just another snuff .
.
.
Oh, the blessed stuff!
How the wretched room
Rushes from my sight;
Misery and gloom
Melt into delight;
Fear and death and doom
Vanish in the night.
No more cold and pain,
I am young again,
Beautiful again,
Cocaine! Cocaine!
Oh, I was made to be good, to be good,
For a true man's love and a life that's sweet;
Fireside blessings and motherhood.
Little ones playing around my feet.
How it all unfolds like a magic screen,
Tender and glowing and clear and glad,
The wonderful mother I might have been,
The beautiful children I might have had;
Romping and laughing and shrill with glee,
Oh, I see them now and I see them plain.
Darlings! Come nestle up close to me,
You comfort me so, and you're just .
.
.
Cocaine.
It's Life that's all to blame:
We can't do what we will;
She robes us with her shame,
She crowns us with her ill.
I do not care, because
I see with bitter calm,
Life made me what I was,
Life makes me what I am.
Could I throw back the years,
It all would be the same;
Hunger and cold and tears,
Misery, fear and shame,
And then the old refrain,
Cocaine! Cocaine!
A love-child I, so here my mother came,
Where she might live in peace with none to blame.
And how she toiled! Harder than any slave,
What courage! patient, hopeful, tender, brave.
We had a little room at Lavilette,
So small, so neat, so clean, I see it yet.
Poor mother! sewing, sewing late at night,
Her wasted face beside the candlelight,
This Paris crushed her.
How she used to sigh!
And as I watched her from my bed I knew
She saw red roofs against a primrose sky
And glistening fields and apples dimmed with dew.
Hard times we had.
We counted every sou,
We sewed sacks for a living.
I was quick .
.
.
Four busy hands to work instead of two.
Oh, we were happy there, till she fell sick.
.
.
.
My mother lay, her face turned to the wall,
And I, a girl of sixteen, fair and tall,
Sat by her side, all stricken with despair,
Knelt by her bed and faltered out a prayer.
A doctor's order on the table lay,
Medicine for which, alas! I could not pay;
Medicine to save her life, to soothe her pain.
I sought for something I could sell, in vain .
.
.
All, all was gone! The room was cold and bare;
Gone blankets and the cloak I used to wear;
Bare floor and wall and cupboard, every shelf --
Nothing that I could sell .
.
.
except myself.
I sought the street, I could not bear
To hear my mother moaning there.
I clutched the paper in my hand.
'Twas hard.
You cannot understand .
.
.
I walked as martyr to the flame,
Almost exalted in my shame.
They turned, who heard my voiceless cry,
"For Sale, a virgin, who will buy?"
And so myself I fiercely sold,
And clutched the price, a piece of gold.
Into a pharmacy I pressed;
I took the paper from my breast.
I gave my money .
.
.
how it gleamed!
How precious to my eyes it seemed!
And then I saw the chemist frown,
Quick on the counter throw it down,
Shake with an angry look his head:
"Your louis d'or is bad," he said.
Dazed, crushed, I went into the night,
I clutched my gleaming coin so tight.
No, no, I could not well believe
That any one could so deceive.
I tried again and yet again --
Contempt, suspicion and disdain;
Always the same reply I had:
"Get out of this.
Your money's bad.
"
Heart broken to the room I crept,
To mother's side.
All still .
.
.
she slept .
.
.
I bent, I sought to raise her head .
.
.
"Oh, God, have pity!" she was dead.
That's how it all began.
Said I: Revenge is sweet.
So in my guilty span
I've ruined many a man.
They've groveled at my feet,
I've pity had for none;
I've bled them every one.
Oh, I've had interest for
That worthless louis d'or.
But now it's over; see,
I care for no one, me;
Only at night sometimes
In dreams I hear the chimes
Of wedding-bells and see
A woman without stain
With children at her knee.
Ah, how you comfort me,
Cocaine! .
.
.
|
Written by
Ralph Waldo Emerson |
Because I was content with these poor fields,
Low open meads, slender and sluggish streams,
And found a home in haunts which others scorned,
The partial wood-gods overpaid my love,
And granted me the freedom of their state,
And in their secret senate have prevailed
With the dear dangerous lords that rule our life,
Made moon and planets parties to their bond,
And pitying through my solitary wont
Shot million rays of thought and tenderness.
For me in showers, in sweeping showers, the spring
Visits the valley:—break away the clouds,
I bathe in the morn's soft and silvered air,
And loiter willing by yon loitering stream.
Sparrows far off, and, nearer, yonder bird
Blue-coated, flying before, from tree to tree,
Courageous sing a delicate overture,
To lead the tardy concert of the year.
Onward, and nearer draws the sun of May,
And wide around the marriage of the plants
Is sweetly solemnized; then flows amain
The surge of summer's beauty; dell and crag,
Hollow and lake, hill-side, and pine arcade,
Are touched with genius.
Yonder ragged cliff
Has thousand faces in a thousand hours.
Here friendly landlords, men ineloquent,
Inhabit, and subdue the spacious farms.
Traveller! to thee, perchance, a tedious road,
Or soon forgotten picture,— to these men
The landscape is an armory of powers,
Which, one by one, they know to draw and use.
They harness, beast, bird, insect, to their work;
They prove the virtues of each bed of rock,
And, like a chemist 'mid his loaded jars,
Draw from each stratum its adapted use,
To drug their crops, or weapon their arts withal.
They turn the frost upon their chemic heap;
They set the wind to winnow vetch and grain;
They thank the spring-flood for its fertile slime;
And, on cheap summit-levels of the snow,
Slide with the sledge to inaccessible woods,
O'er meadows bottomless.
So, year by year,
They fight the elements with elements,
(That one would say, meadow and forest walked
Upright in human shape to rule their like.
)
And by the order in the field disclose,
The order regnant in the yeoman's brain.
What these strong masters wrote at large in miles,
I followed in small copy in my acre:
For there's no rood has not a star above it;
The cordial quality of pear or plum
Ascends as gladly in a single tree,
As in broad orchards resonant with bees;
And every atom poises for itself,
And for the whole.
The gentle Mother of all
Showed me the lore of colors and of sounds;
The innumerable tenements of beauty;
The miracle of generative force;
Far-reaching concords of astronomy
Felt in the plants and in the punctual birds;
Mainly, the linked purpose of the whole;
And, chiefest prize, found I true liberty,
The home of homes plain-dealing Nature gave.
The polite found me impolite; the great
Would mortify me, but in vain:
I am a willow of the wilderness,
Loving the wind that bent me.
All my hurts
My garden-spade can heal.
A woodland walk,
A wild rose, or rock-loving columbine,
Salve my worst wounds, and leave no cicatrice.
For thus the wood-gods murmured in my ear,
Dost love our manners? Canst thou silent lie?
Canst thou, thy pride forgot, like nature pass
Into the winter night's extinguished mood?
Canst thou shine now, then darkle,
And being latent, feel thyself no less?
As when the all-worshipped moon attracts the eye,
The river, hill, stems, foliage, are obscure,
Yet envies none, none are unenviable.
|
Written by
Marriott Edgar |
The day after Christmas, young Albert
Were what's called, confined to his bed,
With a tight kind of pain in his stummick
And a light feeling up in his head.
His parents were all in a fluster
When they saw little lad were so sick,
They said, 'Put out your tongue!', When they'd seen it
They said, 'Put it back again - quick!'
Ma made him a basin of gruel,
But that were a move for the worse;
Though the little lad tried hard to eat it,
At the finish he did the reverse.
The pain showed no signs of abating,
So at last they got Doctor to call.
He said it were in the ab-domain
And not in the stummick at all.
He sent up a bottle of physick,
With instructions on t' label to say,
'To be taken in a recumbent posture,
One teaspoon, three times a day.
'
As Ma stood there reading the label
Pa started to fidget about.
He said 'Get a teaspoon and dose him,
Before he gets better without.
'
'I can manage the teaspoon' said Mother
A look of distress on her face.
'It's this 'ere recumbent posture.
.
.
I haven't got one in the place.
'
Said Pa, 'What about Mrs Lupton?.
.
Next door 'ere - you'd better ask her;
A woman who's buried three husbands
Is sure to have one of them there.
'
So they went round and asked Mrs Lupton,
'Aye, I know what you mean,' she replied,
'I 'ad one on order for 'Orace,
But poor dear got impatient and died.
'
She said, 'You'd best try the Co-Op shop,
They'll have one in stock I dare say;
' Fact I think I saw one in the winder
Last time I was passing that way.
'
So round they went to the Co-Op shop,
And at the counter for household supplies;
Pa asked for a recumbent posture
And the shopman said 'Yes sir.
.
.
what size?'
Said Ma, 'It's for our little Albert,
I don't know what size he would use,
I know he takes thirteen in collars,
And sixes, four fittings, in shoes.
'
'If it's little lads size as you're wanting,'
Said the shopman, 'I'm sorry to say,
We nobbut had one in the building,
And that one were sold yesterday.
'
He sent them across to a tin-smith,
Who said, 'I know what you've in mind;
If you'll draw me a pattern, I'll make one.
'
But Pa'd left his pencil behind.
They tried every shop they could think of,
They walked for two hours by the clock,
And though most places reckoned to keep them,
They'd none of them got one in stock.
The last place they tried was the chemist,
He looked at them both with a frown.
And told them a recumbent posture
Were Latin, and meant lying down.
It means 'Lying down' - put in Latin
Said Father, 'That's just what I thowt.
'
Then he picked up a side-glance from Mother,
And pretended he hadn't said nowt.
'They're not dosing my lad with Latin.
'
Said Mother, her face looking grim,
'Just plain Castor Oil's all he's getting
And I'm leaving the posture to him.
'
|
Written by
Ralph Waldo Emerson |
When I was born,
From all the seas of strength Fate filled a chalice,
Saying, This be thy portion, child; this chalice,
Less than a lily's, thou shalt daily draw
From my great arteries; nor less, nor more.
All substances the cunning chemist Time
Melts down into that liquor of my life,
Friends, foes, joys, fortunes, beauty, and disgust,
And whether I am angry or content,
Indebted or insulted, loved or hurt,
All he distils into sidereal wine,
And brims my little cup; heedless, alas!
Of all he sheds how little it will hold,
How much runs over on the desert sands.
If a new muse draw me with splendid ray,
And I uplift myself into her heaven,
The needs of the first sight absorb my blood,
And all the following hours of the day
Drag a ridiculous age.
To-day, when friends approach, and every hour
Brings book or starbright scroll of genius,
The tiny cup will hold not a bead more,
And all the costly liquor runs to waste,
Nor gives the jealous time one diamond drop
So to be husbanded for poorer days.
Why need I volumes, if one word suffice?
Why need I galleries, when a pupil's draught
After the master's sketch, fills and o'erfills
My apprehension? Why should I roam,
Who cannot circumnavigate the sea
Of thoughts and things at home, but still adjourn
The nearest matters to another moon?
Why see new men
Who have not understood the old?
|
Written by
Marriott Edgar |
On Jubilee Day the Ramsbottoms
Invited relations to tea,
Including young Albert's grandmother-
An awkward old .
.
party, was she.
She'd seen Queen Victoria's accession
And `er wedding to Albert (the Good)
But she got quite upset when young Albert
Asked `er `ow she'd got on in the Flood.
She cast quite a damper on't party,
But she warmed up a bit after tea,
And gave Albert a real golden sovereign
She'd been saving since last Jubilee.
It `ad picture of Queen on't one side
And a dragon fight on the reverse,
And it smelled of camphor and cobwebs
Through being so long in `er purse.
Albert `andled the coin, and `e kissed it
And `e felt the rough edge with `is tongue;
For `e knew by the look of `is father
That it wouldn't be `is very long.
"I`ll show you a trick wi' that sovereign,"
Said Pa, `oo were `overin' near-
And `e took and pretended to eat it,
Then brought it back out of `is ear.
This magic filled Albert with wonder,
And before you could say "Uncle Dick",
`E'd got the coin back from `is father
And performed the first part of the trick.
When they all saw where the money `ad gone
With excitement the relatives burned;
And each one suggested some process
For getting the money returned.
Some were for fishing with tweezers,
While some were for shaking it out;
"If we only got back a few shillings,"
They said "`twould be better than nowt.
"
They tried `olding Albert `ead downward
And giving `is shoulders a clump-
`Till his uncle, `oo worked for a chemist
Said "There's nowt for it but stomach pump.
"
Well, they `adn't a stomach pump `andy,
But Pa did the best that `e could
With a bicycle pump that they borrowed
But that weren't nearly so good.
So off they went to the doctor
`Oo looked down `is throat with a glass;
`E said "This'll mean operation-
I fear that `e'll `ave to `ave gas.
"
"`Ow much is this `ere goin' to cost me?"
Said Father, beginning to squirm.
"I'm afraid that it comes out expensive-
The best gas is eight pence a therm.
There's my time, six shillings an hour;
You can't do these things in two ticks-
By rights I should charge you a guinea,
But I'll do it for eighteen and six.
"
"Wot, eighteen and six to get sovereign?"
Said Father, "That doesn't sound sense
I'll tell you, you'd best keep young Albert
And give us the odd eighteen pence!"
The doctor concurred this arrangement,
But to this day he stands in some doubt
As to whether he's in eighteen shillings
Or whether he's eighteen pence out.
|