Written by
Lewis Carroll |
The sun was shining on the sea,
Shining with all his might;
He did his very best to make
The billows smooth and bright—
And this was odd, because it was
The middle of the night.
The moon was shining sulkily,
Because she thought the sun
Had got no business to be there
After the day was done—
"It's very rude of him," she said,
"To come and spoil the fun!"
The sea was wet as wet could be,
The sands were dry as dry.
You could not see a cloud, because
No cloud was in the sky;
No birds were flying overhead—
There were no birds to fly.
The Walrus and the Carpenter
Were walking close at hand;
They wept like anything to see
Such quantities of sand.
"If this were only cleared away,"
They said, "it would be grand!"
"If seven maids with seven mops
Swept it for half a year,
Do you suppose," the Walrus said,
"That they could get it clear?"
"I doubt it," said the Carpenter,
And shed a bitter tear.
"O Oysters, come and walk with us!"
The Walrus did beseech.
"A pleasant walk, a pleasant talk,
Along the briny beach;
We cannot do with more than four,
To give a hand to each."
The eldest Oyster looked at him,
But never a word he said;
The eldest Oyster winked his eye,
And shook his heavy head—
Meaning to say he did not choose
To leave the oyster-bed.
But four young Oysters hurried up,
All eager for the treat;
Their coats were brushed, their faces washed,
Their shoes were clean and neat—
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more—
All hopping through the frothy waves,
And scrambling to the shore.
The Walrus and the Carpenter
Walked on a mile or so,
And then they rested on a rock
Conveniently low;
And all the little Oysters stood
And waited in a row.
"The time has come," the Walrus said,
"To talk of many things:
Of shoes—and ships—and sealing-wax—
And cabbages—and kings—
And why the sea is boiling hot—
And whether pigs have wings."
"But wait a bit," the Oysters cried,
"Before we have our chat;
For some of us are out of breath,
And all of us are fat!"
"No hurry!" said the Carpenter.
They thanked him much for that.
"A loaf of bread," the Walrus said,
"Is what we chiefly need;
Pepper and vinegar besides
Are very good indeed—
Now if you're ready, Oysters dear,
We can begin to feed."
"But not on us!" the Oysters cried,
Turning a little blue.
"After such kindness, that would be
A dismal thing to do!"
"The night is fine," the Walrus said,
"Do you admire the view?"
"It was so kind of you to come!
And you are very nice!"
The Carpenter said nothing but
"Cut us another slice.
I wish you were not quite so deaf—
I've had to ask you twice!"
"It seems a shame," the Walrus said,
"To play them such a trick,
After we've brought them out so far,
And made them trot so quick!"
The Carpenter said nothing but
"The butter's spread too thick!"
"I weep for you," the Walrus said;
"I deeply sympathize."
With sobs and tears he sorted out
Those of the largest size,
Holding his pocket-handkerchief
Before his streaming eyes.
"O Oysters," said the Carpenter,
"You've had a pleasant run!
Shall we be trotting home again?"
But answer came there none—
And this was scarcely odd, because
They'd eaten every one.
|
Written by
T S (Thomas Stearns) Eliot |
Gus is the Cat at the Theatre Door.
His name, as I ought to have told you before,
Is really Asparagus. That's such a fuss
To pronounce, that we usually call him just Gus.
His coat's very shabby, he's thin as a rake,
And he suffers from palsy that makes his paw shake.
Yet he was, in his youth, quite the smartest of Cats--
But no longer a terror to mice and to rats.
For he isn't the Cat that he was in his prime;
Though his name was quite famous, he says, in its time.
And whenever he joins his friends at their club
(Which takes place at the back of the neighbouring pub)
He loves to regale them, if someone else pays,
With anecdotes drawn from his palmiest days.
For he once was a Star of the highest degree--
He has acted with Irving, he's acted with Tree.
And he likes to relate his success on the Halls,
Where the Gallery once gave him seven cat-calls.
But his grandest creation, as he loves to tell,
Was Firefrorefiddle, the Fiend of the Fell.
"I have played," so he says, "every possible part,
And I used to know seventy speeches by heart.
I'd extemporize back-chat, I knew how to gag,
And I knew how to let the cat out of the bag.
I knew how to act with my back and my tail;
With an hour of rehearsal, I never could fail.
I'd a voice that would soften the hardest of hearts,
Whether I took the lead, or in character parts.
I have sat by the bedside of poor Little Nell;
When the Curfew was rung, then I swung on the bell.
In the Pantomime season I never fell flat,
And I once understudied Dick Whittington's Cat.
But my grandest creation, as history will tell,
Was Firefrorefiddle, the Fiend of the Fell."
Then, if someone will give him a toothful of gin,
He will tell how he once played a part in East Lynne.
At a Shakespeare performance he once walked on pat,
When some actor suggested the need for a cat.
He once played a Tiger--could do it again--
Which an Indian Colonel purused down a drain.
And he thinks that he still can, much better than most,
Produce blood-curdling noises to bring on the Ghost.
And he once crossed the stage on a telegraph wire,
To rescue a child when a house was on fire.
And he says: "Now then kittens, they do not get trained
As we did in the days when Victoria reigned.
They never get drilled in a regular troupe,
And they think they are smart, just to jump through a hoop."
And he'll say, as he scratches himself with his claws,
"Well, the Theatre's certainly not what it was.
These modern productions are all very well,
But there's nothing to equal, from what I hear tell,
That moment of mystery
When I made history
As Firefrorefiddle, the Fiend of the Fell."
|
Written by
Victor Hugo |
("Enfants! Oh! revenez!")
{XXII, April, 1837}
Children, come back—come back, I say—
You whom my folly chased away
A moment since, from this my room,
With bristling wrath and words of doom!
What had you done, you bandits small,
With lips as red as roses all?
What crime?—what wild and hapless deed?
What porcelain vase by you was split
To thousand pieces? Did you need
For pastime, as you handled it,
Some Gothic missal to enrich
With your designs fantastical?
Or did your tearing fingers fall
On some old picture? Which, oh, which
Your dreadful fault? Not one of these;
Only when left yourselves to please
This morning but a moment here
'Mid papers tinted by my mind
You took some embryo verses near—
Half formed, but fully well designed
To open out. Your hearts desire
Was but to throw them on the fire,
Then watch the tinder, for the sight
Of shining sparks that twinkle bright
As little boats that sail at night,
Or like the window lights that spring
From out the dark at evening.
'Twas all, and you were well content.
Fine loss was this for anger's vent—
A strophe ill made midst your play,
Sweet sound that chased the words away
In stormy flight. An ode quite new,
With rhymes inflated—stanzas, too,
That panted, moving lazily,
And heavy Alexandrine lines
That seemed to jostle bodily,
Like children full of play designs
That spring at once from schoolroom's form.
Instead of all this angry storm,
Another might have thanked you well
For saving prey from that grim cell,
That hollowed den 'neath journals great,
Where editors who poets flout
With their demoniac laughter shout.
And I have scolded you! What fate
For charming dwarfs who never meant
To anger Hercules! And I
Have frightened you!—My chair I sent
Back to the wall, and then let fly
A shower of words the envious use—
"Get out," I said, with hard abuse,
"Leave me alone—alone I say."
Poor man alone! Ah, well-a-day,
What fine result—what triumph rare!
As one turns from the coffin'd dead
So left you me:—I could but stare
Upon the door through which you fled—
I proud and grave—but punished quite.
And what care you for this my plight!—
You have recovered liberty,
Fresh air and lovely scenery,
The spacious park and wished-for grass;
lights
And gratefully to sing.
E'e
A blade to watch what comes to pass;
Blue sky, and all the spring can show;
Nature, serenely fair to see;
The book of birds and spirits free,
God's poem, worth much more than mine,
Where flowers for perfect stanzas shine—
Flowers that a child may pluck in play,
No harsh voice frightening it away.
And I'm alone—all pleasure o'er—
Alone with pedant called "Ennui,"
For since the morning at my door
Ennui has waited patiently.
That docto-r-London born, you mark,
One Sunday in December dark,
Poor little ones—he loved you not,
And waited till the chance he got
To enter as you passed away,
And in the very corner where
You played with frolic laughter gay,
He sighs and yawns with weary air.
What can I do? Shall I read books,
Or write more verse—or turn fond looks
Upon enamels blue, sea-green,
And white—on insects rare as seen
Upon my Dresden china ware?
Or shall I touch the globe, and care
To make the heavens turn upon
Its axis? No, not one—not one
Of all these things care I to do;
All wearies me—I think of you.
In truth with you my sunshine fled,
And gayety with your light tread—
Glad noise that set me dreaming still.
'Twas my delight to watch your will,
And mark you point with finger-tips
To help your spelling out a word;
To see the pearls between your lips
When I your joyous laughter heard;
Your honest brows that looked so true,
And said "Oh, yes!" to each intent;
Your great bright eyes, that loved to view
With admiration innocent
My fine old Sèvres; the eager thought
That every kind of knowledge sought;
The elbow push with "Come and see!"
Oh, certes! spirits, sylphs, there be,
And fays the wind blows often here;
The gnomes that squat the ceiling near,
In corners made by old books dim;
The long-backed dwarfs, those goblins grim
That seem at home 'mong vases rare,
And chat to them with friendly air—
Oh, how the joyous demon throng
Must all have laughed with laughter long
To see you on my rough drafts fall,
My bald hexameters, and all
The mournful, miserable band,
And drag them with relentless hand
From out their box, with true delight
To set them each and all a-light,
And then with clapping hands to lean
Above the stove and watch the scene,
How to the mass deformed there came
A soul that showed itself in flame!
Bright tricksy children—oh, I pray
Come back and sing and dance away,
And chatter too—sometimes you may,
A giddy group, a big book seize—
Or sometimes, if it so you please,
With nimble step you'll run to me
And push the arm that holds the pen,
Till on my finished verse will be
A stroke that's like a steeple when
Seen suddenly upon a plain.
My soul longs for your breath again
To warm it. Oh, return—come here
With laugh and babble—and no fear
When with your shadow you obscure
The book I read, for I am sure,
Oh, madcaps terrible and dear,
That you were right and I was wrong.
But who has ne'er with scolding tongue
Blamed out of season. Pardon me!
You must forgive—for sad are we.
The young should not be hard and cold
And unforgiving to the old.
Children each morn your souls ope out
Like windows to the shining day,
Oh, miracle that comes about,
The miracle that children gay
Have happiness and goodness too,
Caressed by destiny are you,
Charming you are, if you but play.
But we with living overwrought,
And full of grave and sombre thought,
Are snappish oft: dear little men,
We have ill-tempered days, and then,
Are quite unjust and full of care;
It rained this morning and the air
Was chill; but clouds that dimm'd the sky
Have passed. Things spited me, and why?
But now my heart repents. Behold
What 'twas that made me cross, and scold!
All by-and-by you'll understand,
When brows are mark'd by Time's stern hand;
Then you will comprehend, be sure,
When older—that's to say, less pure.
The fault I freely own was mine.
But oh, for pardon now I pine!
Enough my punishment to meet,
You must forgive, I do entreat
With clasped hands praying—oh, come back,
Make peace, and you shall nothing lack.
See now my pencils—paper—here,
And pointless compasses, and dear
Old lacquer-work; and stoneware clear
Through glass protecting; all man's toys
So coveted by girls and boys.
Great China monsters—bodies much
Like cucumbers—you all shall touch.
I yield up all! my picture rare
Found beneath antique rubbish heap,
My great and tapestried oak chair
I will from you no longer keep.
You shall about my table climb,
And dance, or drag, without a cry
From me as if it were a crime.
Even I'll look on patiently
If you your jagged toys all throw
Upon my carved bench, till it show
The wood is torn; and freely too,
I'll leave in your own hands to view,
My pictured Bible—oft desired—
But which to touch your fear inspired—
With God in emperor's robes attired.
Then if to see my verses burn,
Should seem to you a pleasant turn,
Take them to freely tear away
Or burn. But, oh! not so I'd say,
If this were Méry's room to-day.
That noble poet! Happy town,
Marseilles the Greek, that him doth own!
Daughter of Homer, fair to see,
Of Virgil's son the mother she.
To you I'd say, Hold, children all,
Let but your eyes on his work fall;
These papers are the sacred nest
In which his crooning fancies rest;
To-morrow winged to Heaven they'll soar,
For new-born verse imprisoned still
In manuscript may suffer sore
At your small hands and childish will,
Without a thought of bad intent,
Of cruelty quite innocent.
You wound their feet, and bruise their wings,
And make them suffer those ill things
That children's play to young birds brings.
But mine! no matter what you do,
My poetry is all in you;
You are my inspiration bright
That gives my verse its purest light.
Children whose life is made of hope,
Whose joy, within its mystic scope,
Owes all to ignorance of ill,
You have not suffered, and you still
Know not what gloomy thoughts weigh down
The poet-writer weary grown.
What warmth is shed by your sweet smile!
How much he needs to gaze awhile
Upon your shining placid brow,
When his own brow its ache doth know;
With what delight he loves to hear
Your frolic play 'neath tree that's near,
Your joyous voices mixing well
With his own song's all-mournful swell!
Come back then, children! come to me,
If you wish not that I should be
As lonely now that you're afar
As fisherman of Etrétat,
Who listless on his elbow leans
Through all the weary winter scenes,
As tired of thought—as on Time flies—
And watching only rainy skies!
MRS. NEWTON CROSLAND.
|
Written by
Robert Browning |
(PETER RONSARD _loquitur_.)
``Heigho!'' yawned one day King Francis,
``Distance all value enhances!
``When a man's busy, why, leisure
``Strikes him as wonderful pleasure:
`` 'Faith, and at leisure once is he?
``Straightway he wants to be busy.
``Here we've got peace; and aghast I'm
``Caught thinking war the true pastime.
``Is there a reason in metre?
``Give us your speech, master Peter!''
I who, if mortal dare say so,
Ne'er am at loss with my Naso,
``Sire,'' I replied, ``joys prove cloudlets:
``Men are the merest Ixions''---
Here the King whistled aloud, ``Let's
``---Heigho---go look at our lions!''
Such are the sorrowful chances
If you talk fine to King Francis.
And so, to the courtyard proceeding,
Our company, Francis was leading,
Increased by new followers tenfold
Before be arrived at the penfold;
Lords, ladies, like clouds which bedizen
At sunset the western horizon.
And Sir De Lorge pressed 'mid the foremost
With the dame he professed to adore most.
Oh, what a face! One by fits eyed
Her, and the horrible pitside;
For the penfold surrounded a hollow
Which led where the eye scarce dared follow,
And shelved to the chamber secluded
Where Bluebeard, the great lion, brooded.
The King bailed his keeper, an Arab
As glossy and black as a scarab,*1
And bade him make sport and at once stir
Up and out of his den the old monster.
They opened a hole in the wire-work
Across it, and dropped there a firework,
And fled: one's heart's beating redoubled;
A pause, while the pit's mouth was troubled,
The blackness and silence so utter,
By the firework's slow sparkling and sputter;
Then earth in a sudden contortion
Gave out to our gaze her abortion.
Such a brute! Were I friend Clement Marot
(Whose experience of nature's but narrow,
And whose faculties move in no small mist
When he versifies David the Psalmist)
I should study that brute to describe you
_Illim Juda Leonem de Tribu_.
One's whole blood grew curdling and creepy
To see the black mane, vast and heapy,
The tail in the air stiff and straining,
The wide eyes, nor waxing nor waning,
As over the barrier which bounded
His platform, and us who surrounded
The barrier, they reached and they rested
On space that might stand him in best stead:
For who knew, he thought, what the amazement,
The eruption of clatter and blaze meant,
And if, in this minute of wonder,
No outlet, 'mid lightning and thunder,
Lay broad, and, his shackles all shivered,
The lion at last was delivered?
Ay, that was the open sky o'erhead!
And you saw by the flash on his forehead,
By the hope in those eyes wide and steady,
He was leagues in the desert already,
Driving the flocks up the mountain,
Or catlike couched hard by the fountain
To waylay the date-gathering negress:
So guarded he entrance or egress.
``How he stands!'' quoth the King: ``we may well swear,
(``No novice, we've won our spurs elsewhere
``And so can afford the confession,)
``We exercise wholesome discretion
``In keeping aloof from his threshold;
``Once hold you, those jaws want no fresh hold,
``Their first would too pleasantly purloin
``The visitor's brisket or surloin:
``But who's he would prove so fool-hardy?
``Not the best man of Marignan, pardie!''
The sentence no sooner was uttered,
Than over the rails a glove flattered,
Fell close to the lion, and rested:
The dame 'twas, who flung it and jested
With life so, De Lorge had been wooing
For months past; he sat there pursuing
His suit, weighing out with nonchalance
Fine speeches like gold from a balance.
Sound the trumpet, no true knight's a tarrier!
De Lorge made one leap at the barrier,
Walked straight to the glove,---while the lion
Neer moved, kept his far-reaching eye on
The palm-tree-edged desert-spring's sapphire,
And the musky oiled skin of the Kaffir,---
Picked it up, and as calmly retreated,
Leaped back where the lady was seated,
And full in the face of its owner
Flung the glove.
``Your heart's queen, you dethrone her?
``So should I!''---cried the King---``'twas mere vanity,
``Not love, set that task to humanity!''
Lords and ladies alike turned with loathing
From such a proved wolf in sheep's clothing.
Not so, I; for I caught an expression
In her brow's undisturbed self-possession
Amid the Court's scoffing and merriment,---
As if from no pleasing experiment
She rose, yet of pain not much heedful
So long as the process was needful,---
As if she had tried in a crucible,
To what ``speeches like gold'' were reducible,
And, finding the finest prove copper,
Felt the smoke in her face was but proper;
To know what she had _not_ to trust to,
Was worth all the ashes and dust too.
She went out 'mid hooting and laughter;
Clement Marot stayed; I followed after,
And asked, as a grace, what it all meant?
If she wished not the rash deed's recalment?
``For I''---so I spoke---``am a poet:
``Human nature,---behoves that I know it!''
She told me, ``Too long had I heard
``Of the deed proved alone by the word:
``For my love---what De Lorge would not dare!
``With my scorn---what De Lorge could compare!
``And the endless descriptions of death
``He would brave when my lip formed a breath,
``I must reckon as braved, or, of course,
``Doubt his word---and moreover, perforce,
``For such gifts as no lady could spurn,
``Must offer my love in return.
``When I looked on your lion, it brought
``All the dangers at once to my thought,
``Encountered by all sorts of men,
``Before he was lodged in his den,---
``From the poor slave whose club or bare hands
``Dug the trap, set the snare on the sands,
``With no King and no Court to applaud,
``By no shame, should he shrink, overawed,
``Yet to capture the creature made shift,
``That his rude boys might laugh at the gift,
``---To the page who last leaped o'er the fence
``Of the pit, on no greater pretence
``Than to get back the bonnet he dropped,
``Lest his pay for a week should be stopped.
``So, wiser I judged it to make
``One trial what `death for my sake'
``Really meant, while the power was yet mine,
``Than to wait until time should define
``Such a phrase not so simply as I,
``Who took it to mean just `to die.'
``The blow a glove gives is but weak:
``Does the mark yet discolour my cheek?
``But when the heart suffers a blow,
``Will the pain pass so soon, do you know?''
I looked, as away she was sweeping,
And saw a youth eagerly keeping
As close as he dared to the doorway.
No doubt that a noble should more weigh
His life than befits a plebeian;
And yet, had our brute been Nemean---
(I judge by a certain calm fervour
The youth stepped with, forward to serve her)
---He'd have scarce thought you did him the worst turn
If you whispered ``Friend, what you'd get, first earn!''
And when, shortly after, she carried
Her shame from the Court, and they married,
To that marriage some happiness, maugre
The voice of the Court, I dared augur.
For De Lorge, he made women with men vie,
Those in wonder and praise, these in envy;
And in short stood so plain a head taller
That he wooed and won ... how do you call her?
The beauty, that rose in the sequel
To the King's love, who loved her a week well.
And 'twas noticed he never would honour
De Lorge (who looked daggers upon her)
With the easy commission of stretching
His legs in the service, and fetching
His wife, from her chamber, those straying
Sad gloves she was always mislaying,
While the King took the closet to chat in,---
But of course this adventure came pat in.
And never the King told the story,
How bringing a glove brought such glory,
But the wife smiled---``His nerves are grown firmer:
``Mine he brings now and utters no murmur.''
_Venienti occurrite morbo!_
With which moral I drop my theorbo.
*1 A beetle.
|
Written by
Rg Gregory |
(a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there
poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light
people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)
and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside
a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers
it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction
there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench
the rites of words in orthodox
belief - difference is essential
and delightful (integrity's all)
quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay
(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)
can surface in a side-attempt
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works
the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and
impolitic to confront - ball
to be bounced from high art to low
when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down
and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since
plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all
fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time
and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace
they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres
all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests
inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment
these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich
poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause
everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog
to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all
the praisiest worms but in the nest
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads
winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams
prometheus gnawed by eagles
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references
and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend
agents breathing fire up their pants
those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens
universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me
above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up
waving their thin bright books
for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)
a poem from one of them is like
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that
but what i can't accept is (all
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of
shoved in wilderness by those
who've gone the gilded route (mapped out
by ego and a driving need to claim
best prick with a capital pee)
it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there
it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)
|
Written by
Lewis Carroll |
All in the golden afternoon
Full leisurely we glide;
For both our oars, with little skill,
By little arms are plied,
While little hands make vain pretense
Our wanderings to guide.
Ah, cruel Three! In such an hour,
Beneath such dreamy weather,
To beg a tale of breath too weak
To stir the tiniest feather!
Yet what can one poor voice avail
Against three tongues together?
Imperious Prima flashes forth
Her edict to "begin it"--
In gentler tones Secunda hopes
"There will be nonsense in it"--
While Tertia interrupts the tale
Not more than once a minute.
Anon, to sudden silence won,
In fancy they pursue
The dream-child moving through a land
Of wonders wild and new,
In friendly chat with bird or beast--
And half believe it true.
And ever, as the story drained
The wells of fancy dry,
And faintly strove that weary one
To put the subject by,
"The rest next time"--"It is next time!"
The happy voices cry.
Thus grew the tale of Wonderland:
Thus slowly, one by one,
Its quaint events were hammered out--
And now the tale is done,
And home we steer, a merry crew,
Beneath the setting sun.
Alice! a childish story take,
And with a gentle hand
Lay it where Childhood's dreams are twined
In Memory's mystic band,
Like pilgrim's withered wreath of flowers
Plucked in a far-off land.
|
Written by
Christina Rossetti |
When I was dead, my spirit turned
To seek the much-frequented house:
I passed the door, and saw my friends
Feasting beneath green orange boughs;
From hand to hand they pushed the wine,
They sucked the pulp of plum and peach;
They sang, they jested, and they laughed,
For each was loved of each.
I listened to thier honest chat:
Said one: "To-morrow we shall be
Plod plod along the featureless sands,
And coasting miles and miles of sea."
Said one: "Before the turn of tide
We will achieve the eyrie-seat."
Said one: "To-morrow shall be like
To-day, but much more sweet."
"To-morrow," said they, strong with hope,
And dwelt upon the pleasant way:
"To-morrow," cried they, one and all,
While no one spoke of yesterday.
Their life stood full at blessed noon;
I, only I, had passed away:
"To-morrow and to-day," they cried;
I was of yesterday.
I shivered comfortless, but cast
No chill across the table-cloth;
I, all-forgotten, shivered, sad
To stay, and yet to part how loth:
I passed from the familiar room,
I who from love had passed away,
Like the remembrance of a guest
That tarrieth but a day.
|
Written by
Lewis Carroll |
Inscribed to a Dear Child:
In Memory of Golden Summer Hours
And Whispers of a Summer Sea
Girt with a boyish garb for boyish task,
Eager she wields her spade: yet loves as well
Rest on a friendly knee, intent to ask
The tale he loves to tell.
Rude spirits of the seething outer strife,
Unmeet to read her pure and simple spright,
Deem if you list, such hours a waste of life,
Empty of all delight!
Chat on, sweet Maid, and rescue from annoy
Hearts that by wiser talk are unbeguiled.
Ah, happy he who owns that tenderest joy,
The heart-love of a child!
|
Written by
Anne Bradstreet |
I had eight birds hatched in one nest,
Four cocks there were, and hens the rest.
I nursed them up with pain and care,
Nor cost, nor labour did I spare,
Till at the last they felt their wing,
Mounted the trees, and learned to sing;
Chief of the brood then took his flight
To regions far and left me quite.
My mournful chirps I after send,
Till he return, or I do end:
Leave not thy nest, thy dam and sire,
Fly back and sing amidst this choir.
My second bird did take her flight,
And with her mate flew out of sight;
Southward they both their course did bend,
And seasons twain they there did spend,
Till after blown by southern gales,
They norward steered with filled sails.
A prettier bird was no where seen,
Along the beach among the treen.
I have a third of colour white,
On whom I placed no small delight;
Coupled with mate loving and true,
Hath also bid her dam adieu;
And where Aurora first appears,
She now hath perched to spend her years.
One to the academy flew
To chat among that learned crew;
Ambition moves still in his breast
That he might chant above the rest
Striving for more than to do well,
That nightingales he might excel.
My fifth, whose down is yet scarce gone,
Is 'mongst the shrubs and bushes flown,
And as his wings increase in strength,
On higher boughs he'll perch at length.
My other three still with me nest,
Until they're grown, then as the rest,
Or here or there they'll take their flight,
As is ordained, so shall they light.
If birds could weep, then would my tears
Let others know what are my fears
Lest this my brood some harm should catch,
And be surprised for want of watch,
Whilst pecking corn and void of care,
They fall un'wares in fowler's snare,
Or whilst on trees they sit and sing,
Some untoward boy at them do fling,
Or whilst allured with bell and glass,
The net be spread, and caught, alas.
Or lest by lime-twigs they be foiled,
Or by some greedy hawks be spoiled.
O would my young, ye saw my breast,
And knew what thoughts there sadly rest,
Great was my pain when I you fed,
Long did I keep you soft and warm,
And with my wings kept off all harm,
My cares are more and fears than ever,
My throbs such now as 'fore were never.
Alas, my birds, you wisdom want,
Of perils you are ignorant;
Oft times in grass, on trees, in flight,
Sore accidents on you may light.
O to your safety have an eye,
So happy may you live and die.
Meanwhile my days in tunes I'll spend,
Till my weak lays with me shall end.
In shady woods I'll sit and sing,
And things that past to mind I'll bring.
Once young and pleasant, as are you,
But former toys (no joys) adieu.
My age I will not once lament,
But sing, my time so near is spent.
And from the top bough take my flight
Into a country beyond sight,
Where old ones instantly grow young,
And there with seraphims set song;
No seasons cold, nor storms they see;
But spring lasts to eternity.
When each of you shall in your nest
Among your young ones take your rest,
In chirping language, oft them tell,
You had a dam that loved you well,
That did what could be done for young,
And nursed you up till you were strong,
And 'fore she once would let you fly,
She showed you joy and misery;
Taught what was good, and what was ill,
What would save life, and what would kill.
Thus gone, amongst you I may live,
And dead, yet speak, and counsel give:
Farewell, my birds, farewell adieu,
I happy am, if well with you.
|
Written by
William Blake |
When silver snow decks Susan's clothes,
And jewel hangs at th' shepherd's nose,
The blushing bank is all my care,
With hearth so red, and walls so fair;
`Heap the sea-coal, come, heap it higher,
The oaken log lay on the fire.'
The well-wash'd stools, a circling row,
With lad and lass, how fair the show!
The merry can of nut-brown ale,
The laughing jest, the love-sick tale,
Till, tir'd of chat, the game begins.
The lasses prick the lads with pins;
Roger from Dolly twitch'd the stool,
She, falling, kiss'd the ground, poor fool!
She blush'd so red, with sidelong glance
At hob-nail Dick, who griev'd the chance.
But now for Blind man's Buff they call;
Of each encumbrance clear the hall--
Jenny her silken 'kerchief folds,
And blear-eyed Will the black lot holds.
Now laughing stops, with `Silence! hush!'
And Peggy Pout gives Sam a push.
The Blind man's arms, extended wide,
Sam slips between:--`O woe betide
Thee, clumsy Will!'--but titt'ring Kate
Is penn'd up in the corner straight!
And now Will's eyes beheld the play;
He thought his face was t'other way.
`Now, Kitty, now! what chance hast thou,
Roger so near thee!--Trips, I vow!'
She catches him--then Roger ties
His own head up--but not his eyes;
For thro' the slender cloth he sees,
And runs at Sam, who slips with ease
His clumsy hold; and, dodging round,
Sukey is tumbled on the ground!--
`See what it is to play unfair!
Where cheating is, there's mischief there.'
But Roger still pursues the chase,--
`He sees! he sees!' cries, softly, Grace;
`O Roger, thou, unskill'd in art,
Must, surer bound, go thro' thy part!'
Now Kitty, pert, repeats the rimes,
And Roger turns him round three times,
Then pauses ere he starts--but Dick
Was mischief bent upon a trick;
Down on his hands and knees he lay
Directly in the Blind man's way,
Then cries out `Hem!' Hodge heard, and ran
With hood-wink'd chance--sure of his man;
But down he came. -- Alas, how frail
Our best of hopes, how soon they fail!
With crimson drops he stains the ground;
Confusion startles all around.
Poor piteous Dick supports his head,
And fain would cure the hurt he made.
But Kitty hasted with a key,
And down his back they straight convey
The cold relief; the blood is stay'd,
And Hodge again holds up his head.
Such are the fortunes of the game,
And those who play should stop the same
By wholesome laws; such as all those
Who on the blinded man impose
Stand in his stead; as, long a-gone,
When men were first a nation grown,
Lawless they liv'd, till wantonness
A 1000 nd liberty began t' increase,
And one man lay in another's way;
Then laws were made to keep fair play.
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