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Best Famous Chaplin Poems

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Written by Charles Bukowski | Create an image from this poem

Let It Enfold You

 either peace or happiness,
let it enfold you

when i was a young man
I felt these things were
dumb,unsophisticated.
I had bad blood,a twisted
mind, a pecarious
upbringing.

I was hard as granite,I
leered at the 
sun.
I trusted no man and
especially no
woman.

I was living a hell in
small rooms, I broke
things, smashed things,
walked through glass,
cursed.
I challenged everything,
was continually being
evicted,jailed,in and
out of fights,in and aout
of my mind.
women were something
to screw and rail
at,i had no male
freinds,

I changed jobs and
cities,I hated holidays,
babies,history,
newspapers, museums,
grandmothers,
marriage, movies,
spiders, garbagemen,
english accents,spain,
france,italy,walnuts and
the color 
orange.
algebra angred me,
opera sickened me,
charlie chaplin was a
fake
and flowers were for
pansies.

peace an happiness to me
were signs of
inferiority,
tenants of the weak
an
addled
mind.

but as I went on with
my alley fights,
my suicidal years,
my passage through
any number of 
women-it gradually
began to occur to
me
that I wasn't diffrent

from the
others, I was the same,

they were all fulsome
with hatred,
glossed over with petty
greivances,
the men I fought in
alleys had hearts of stone.
everybody was nudging,
inching, cheating for
some insignificant
advantage,
the lie was the
weapon and the
plot was
emptey,
darkness was the
dictator.

cautiously, I allowed
myself to feel good
at times.
I found moments of 
peace in cheap
rooms
just staring at the 
knobs of some
dresser
or listening to the
rain in the 
dark.
the less i needed
the better i 
felt.

maybe the other life had worn me 
down.
I no longer found
glamour
in topping somebody
in conversation.
or in mounting the
body of some poor
drunken female
whose life had 
slipped away into 
sorrow.

I could never accept
life as it was,
i could never gobble 
down all its
poisons
but there were parts,
tenous magic parts
open for the
asking.

I re formulated
I don't know when,
date,time,all
that
but the change
occured.
something in me
relaxed, smoothed
out.
i no longer had to 
prove that i was a 
man,

I did'nt have to prove
anything.

I began to see things:
coffe cups lined up
behind a counter in a 
cafe.
or a dog walking along
a sidewalk.
or the way the mouse
on my dresser top
stopped there
with its body,
its ears,
its nose,
it was fixed,
a bit of life
caught within itself
and its eyes looked 
at me
and they were
beautiful.
then- it was
gone.

I began to feel good,
I began to feel good
in the worst situations
and there were plenty
of those.
like say, the boss
behind his desk,
he is going to have
to fire me.

I've missed too many 
days.
he is dressed in a
suit, necktie, glasses,
he says, "i am going
to have to let you go"

"it's all right" i tell
him.

He must do what he
must do, he has a 
wife, a house, children.
expenses, most probably
a girlfreind.

I am sorry for him
he is caught.

I walk onto the blazing
sunshine.
the whole day is
mine
temporailiy,
anyhow.

(the whole world is at the
throat of the world,
everybody feels angry,
short-changed, cheated,
everybody is despondent,
dissillusioned)

I welcomed shots of
peace, tattered shards of
happiness.

I embraced that stuff
like the hottest number,
like high heels,breasts,
singing,the
works.

(dont get me wrong,
there is such a thing as cockeyed optimism
that overlooks all
basic problems justr for
the sake of
itself-
this is a sheild and a 
sickness.)

The knife got near my
throat again,
I almost turned on the
gas
again
but when the good
moments arrived
again
I did'nt fight them off
like an alley 
adversary.
I let them take me,
i luxuriated in them,
I bade them welcome
home.
I even looked into
the mirror
once having thought
myself to be
ugly,
I now liked what
I saw,almost
handsome,yes,
a bit ripped and
ragged,
scares,lumps,
odd turns,
but all in all,
not too bad,
almost handsome,
better at least than
some of those movie
star faces
like the cheeks of
a babys
butt.

and finally I discovered
real feelings fo
others,
unhearleded,
like latley,
like this morning,
as I was leaving,
for the track,
i saw my wif in bed,
just the 
shape of
her head there
(not forgetting
centuries of the living
and the dead and
the dying,
the pyarimids,
Mozart dead
but his music still 
there in the
room, weeds growing,
the earth turning,
the toteboard waiting for
me)
I saw the shape of my
wife's head,
she so still,
i ached for her life,
just being there
under the 
covers.

i kissed her in the,
forehead,
got down the stairway,
got outside,
got into my marvelous
car,
fixed the seatbelt,
backed out the
drive.
feeling warm to
the fingertips,
down to my
foot on the gas
pedal,
I entered the world
once
more,
drove down the 
hill
past the houses
full and emptey
of
people,
i saw the mailman,
honked,
he waved
back
at me.


Written by Nazim Hikmet | Create an image from this poem

Autobiography

 I was born in 1902
I never once went back to my birthplace
I don't like to turn back
at three I served as a pasha's grandson in Aleppo
at nineteen as a student at Moscow Communist University
at forty-nine I was back in Moscow as the Tcheka Party's guest
and I've been a poet since I was fourteen
some people know all about plants some about fish
 I know separation
some people know the names of the stars by heart
 I recite absences
I've slept in prisons and in grand hotels
I've known hunger even a hunger strike and there's almost no food
 I haven't tasted
at thirty they wanted to hang me
at forty-eight to give me the Peace Prize
 which they did
at thirty-six I covered four square meters of concrete in half a year
at fifty-nine I flew from Prague to Havana in eighteen hours
I never saw Lenin I stood watch at his coffin in '24
in '61 the tomb I visit is his books
they tried to tear me away from my party
 it didn't work
nor was I crushed under the falling idols
in '51 I sailed with a young friend into the teeth of death
in '52 I spent four months flat on my back with a broken heart
 waiting to die
I was jealous of the women I loved
I didn't envy Charlie Chaplin one bit
I deceived my women
I never talked my friends' backs
I drank but not every day
I earned my bread money honestly what happiness
out of embarrassment for others I lied
I lied so as not to hurt someone else
 but I also lied for no reason at all
I've ridden in trains planes and cars
most people don't get the chance
I went to opera
 most people haven't even heard of the opera
and since '21 I haven't gone to the places most people visit
 mosques churches temples synagogues sorcerers
 but I've had my coffee grounds read
my writings are published in thirty or forty languages
 in my Turkey in my Turkish they're banned
cancer hasn't caught up with me yet
and nothing says it will
I'll never be a prime minister or anything like that
and I wouldn't want such a life
nor did I go to war
or burrow in bomb shelters in the bottom of the night
and I never had to take to the road under diving planes
but I fell in love at almost sixty
in short comrades
even if today in Berlin I'm croaking of grief
 I can say I've lived like a human being
and who knows
 how much longer I'll live
 what else will happen to me


 This autobiography was written 
 in east Berlin on 11 September 1961
Written by Delmore Schwartz | Create an image from this poem

Prothalamion

 "little soul, little flirting,
 little perverse one
 where are you off to now?
 little wan one, firm one
 little exposed one...
 and never make fun of me again."


Now I must betray myself.
The feast of bondage and unity is near,
And none engaged in that great piety
When each bows to the other, kneels, and takes
Hand in hand, glance and glance, care and care,
None may wear masks or enigmatic clothes,
For weakness blinds the wounded face enough.
In sense, see my shocking nakedness.

I gave a girl an apple when five years old,
Saying, Will you be sorry when I am gone?
Ravenous for such courtesies, my name
Is fed like a raving fire, insatiate still.
But do not be afraid.
For I forget myself. I do indeed
Before each genuine beauty, and I will
Forget myself before your unknown heart.

I will forget the speech my mother made
In a restaurant, trapping my father there
At dinner with his whore. Her spoken rage
Struck down the child of seven years
With shame for all three, with pity for
The helpless harried waiter, with anger for
The diners gazing, avid, and contempt
And great disgust for every human being.
I will remember this. My mother's rhetoric
Has charmed my various tongue, but now I know
Love's metric seeks a rhyme more pure and sure.

For thus it is that I betray myself,
Passing the terror of childhood at second hand
Through nervous, learned fingertips.
At thirteen when a little girl died,
I walked for three weeks neither alive nor dead,
And could not understand and still cannot
The adult blind to the nearness of the dead,
Or carefully ignorant of their own death.
--This sense could shadow all the time's curving fruits,
But we will taste of them the whole night long,
Forgetting no twelfth night, no fete of June,
But in the daylight knowing our nothingness.

Let Freud and Marx be wedding guests indeed!
Let them mark out masks that face us there,
For of all anguish, weakness, loss and failure,
No form is cruel as self-deception, none
Shows day-by-day a bad dream long lived
And unbroken like the lies
We tell each other because we are rich or poor.
Though from the general guilt not free
We can keep honor by being poor.

The waste, the evil, the abomination
Is interrupted. the perfect stars persist
Small in the guilty night,
 and Mozart shows
The irreducible incorruptible good
Risen past birth and death, though he is dead.
Hope, like a face reflected on the windowpane,
Remote and dim, fosters a myth or dream,
And in that dream, I speak, I summon all
Who are our friends somehow and thus I say:

"Bid the jewellers come with monocles,
Exclaiming, Pure! Intrinsic! Final!
Summon the children eating ice cream
To speak the chill thrill of immediacy.
Call for the acrobats who tumble
The ecstasy of the somersault.
Bid the self-sufficient stars be piercing
In the sublime and inexhaustible blue.

"Bring a mathematician, there is much to count,
The unending continuum of my attention:
Infinity will hurry his multiplied voice!
Bring the poised impeccable diver,
Summon the skater, precise in figure,
He knows the peril of circumstance,
The risk of movement and the hard ground.
Summon the florist! And the tobacconist!
All who have known a plant-like beauty:
Summon the charming bird for ignorant song.

"You, Athena, with your tired beauty,
Will you give me away? For you must come
In a bathing suit with that white owl
Whom, as I walk, I will hold in my hand.
You too, Crusoe, to utter the emotion
Of finding Friday, no longer alone;
You too, Chaplin, muse of the curbstone,
Mummer of hope, you understand!"

But this is fantastic and pitiful,
And no one comes, none will, we are alone,
And what is possible is my own voice,
Speaking its wish, despite its lasting fear;
Speaking of its hope, its promise and its fear,
The voice drunk with itself and rapt in fear,
Exaggeration, braggadocio,
Rhetoric and hope, and always fear:

"For fifty-six or for a thousand years,
I will live with you and be your friend,
And what your body and what your spirit bears
I will like my own body cure and tend.
But you are heavy and my body's weight
Is great and heavy: when I carry you
I lift upon my back time like a fate
Near as my heart, dark when I marry you.
"The voice's promise is easy, and hope
Is drunk, and wanton, and unwilled;
In time's quicksilver, where our desires grope,
The dream is warped or monstrously fulfilled,
In this sense, listen, listen, and draw near:
Love is inexhaustible and full of fear."

This life is endless and my eyes are tired,
So that, again and again, I touch a chair,
Or go to the window, press my face
Against it, hoping with substantial touch,
Colorful sight, or turning things to gain once more
The look of actuality, the certainty
Of those who run down stairs and drive a car.
Then let us be each other's truth, let us
Affirm the other's self, and be
The other's audience, the other's state,
Each to the other his sonorous fame.

Now you will be afraid, when, waking up,
Before familiar morning, by my mute side
Wan and abandoned then, when, waking up,
You see the lion or lamb upon my face
Or see the daemon breathing heavily
His sense of ignorance, his wish to die,
For I am nothing because my circus self
Divides its love a million times.

I am the octopus in love with God,
For thus is my desire inconclusible,
Until my mind, deranged in swimming tubes,
Issues its own darkness, clutching seas
---O God of my perfect ignorance,
Bring the New Year to my only sister soon,
Take from me strength and power to bless her head,
Give her the magnitude of secular trust,
Until she turns to me in her troubled sleep,
Seeing me in my wish, free from self-wrongs.
Written by A S J Tessimond | Create an image from this poem

Chaplin

 The sun, a heavy spider, spins in the thirsty sky.
The wind hides under cactus leaves, in doorway corners. Only the wry

Small shadow accompanies Hamlet-Petrouchka's march - the slight
Wry sniggering shadow in front of the morning, turning at noon, behind towards night.

The plumed cavalcade has passed to tomorrow, is lost again;
But the wisecrack-mask, the quick-flick-fanfare of the cane remain.

Diminuendo of footsteps even is done:
Only remain, Don Quixote, hat, cane, smile and sun.

Goliaths fall to our sling, but craftier fates than these
Lie ambushed - malice of open manholes, strings in the dark and falling trees.

God kicks our backsides, scatters peel on the smoothest stair;
And towering centaurs steal the tulip lips, the aureoled hair,

While we, craned from the gallery, throw our cardboard flowers
And our feet jerk to tunes not played for ours.

Book: Reflection on the Important Things