Written by
Jack Prelutsky |
Last night I dreamed of chickens,
there were chickens everywhere,
they were standing on my stomach,
they were nesting in my hair,
they were pecking at my pillow,
they were hopping on my head,
they were ruffling up their feathers
as they raced about my bed.
They were on the chairs and tables,
they were on the chandeliers,
they were roosting in the corners,
they were clucking in my ears,
there were chickens, chickens, chickens
for as far as I could see.
.
.
when I woke today, I noticed
there were eggs on top of me.
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Written by
Andrei Voznesensky |
My doc announced yesterday :
"You may have talent, though it's hidden,
your beak, however, is frost-bitten,
so stick at home on a cold day".
The nose, eh?
As irretrievable as time,
conforming to the laws of medicine,
your nose, like that of any person,
keep growing
steadily,
with triumph!
The noses of celebrities,
of guards
and ministers of ours
grow, snoring restlessly like owls
at night, along with plants and trees.
They're cool and crooked, resembling bills,
they're squeezed in doors,
get hurt by boxers,
however, our neighbour's noses
screw into keyholes, just like drills!
(Great Gogol felt by intuition
the role they play in man's ambition.
)
My friend Bukashkin who was boozy
dreamed of a nose
that grew like crazy:
above him, coming like a bore,
upsetting pans and chandeliers,
a nose
was piercing
the ceilings
and threading
floor upon the floor!
"What's that? -- he thought, when out of bed.
"A sign of Judgement Day -- I said --
And the inspection of the debtors!"
He was imprisoned on the 30th.
Perpetual motion of the nose!
It's long, while life is getting shorter.
At night on faces, pale as blotter,
like a black hawk, or pumping hose,
the nose absorbs us, I suppose.
They say, the Northern Eskimos
kiss one another with the nose
It hasn't caught on here, of course.
© Copyright Alec Vagapov's translation
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Written by
Charles Baudelaire |
Reubens, river of forgetfulness, garden of sloth,
Pillow of wet flesh that one cannot love,
But where life throngs and seethes without cease
Like the air in the sky and the water in the sea.
Leonardo da Vinci, sinister mirror,
Where these charming angels with sweet smiles
Charged with mystery, appear in shadows
Of glaciers and pines that close off the country.
Rembrandt, sad hospital full of murmurs
Decorated only with a crucifix,
Where tearful prayers arise from filth
And a ray of winter light crosses brusquely.
Michelangelo, a wasteland where one sees Hercules
Mingling with Christ, and rising in a straight line
Powerful phantoms that in the twilight
Tear their shrouds with stretching fingers.
Rage of a boxer, impudence of a faun,
You who gather together the beauty of the boor,
Your big heart swelling with pride at man defective and yellow,
Puget, melancholy emperor of the poor.
Watteau, this carnival of illustrious hearts
Like butterflies, errant and flamboyant,
In the cool decor, with delicate lightning in the chandeliers
Crossing the madness of the twirling ball.
Goya, nightmare of unknown things,
Fetuses roasting on the spit,
Harridans in the mirror and naked children
Tempting demons by loosening their stockings.
Delacroix, haunted lake of blood and evil angels,
Shaded by evergreen forests of dark firs,
Where, under a grieving sky, strange fanfares
Pass, like a gasping breath of Weber.
These curses, these blasphemies, these moans,
These ecstasies, these tears, these cries of "Te Deum"
Are an echo reiterated in a thousand mazes;
It is for mortal hearts a divine opium!
It is a cry repeated by a thousand sentinels,
An order returned by a thousand megaphones,
A beacon lighting a thousand citadels
A summons to hunters lost in the wide woods.
For truly, O Lord, what better testimony
Can we give to our dignity
Than this burning sob that rolls from age to age
And comes to die on the shore of Your eternity?
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Written by
John Betjeman |
Across the wet November night
The church is bright with candlelight
And waiting Evensong.
A single bell with plaintive strokes
Pleads louder than the stirring oaks
The leafless lanes along.
It calls the hoirboys from their tea
And villagers, the two or three,
Damp down the kitchen fire,
Let out the cat, and up the lane
Go paddling through the gentle rain
Of misty Oxfordshire.
How warm the many candles shine
Of Samuel Dowbiggin's design
For this interior neat,
These high box pews of Georgian days
Which screen us from the public gaze
When we make answer meet;
How gracefully their shadow falls
On bold pilasters down the walls
And on the pulpit high.
The chandeliers would twinkle gold
As pre-Tractarian sermons roll'd
Doctrinal, sound and dry.
From that west gallery no doubt
The viol and serpent tooted out
The Tallis tune to Ken,
And firmly at the end of prayers
The clerk below the pulpit stairs
Would thunder out "Amen.
"
But every wand'ring thought will cease
Before the noble alterpiece
With carven swags array'd,
For there in letters all may read
The Lord's Commandments, Prayer and Creed,
And decently display'd.
On country morningd sharp and clear
The penitent in faith draw near
And kneeling here below
Partake the heavenly banquet spread
Of sacremental Wine and Bread
And Jesus' presence know.
And must that plaintive bell in vain
Plead loud along the dripping lane?
And must the building fall?
Not while we love the church and live
And of our charity will give
Our much, our more, our all.
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Written by
Donald Justice |
It begins again, the nocturnal pulse.
It courses through the cables laid for it.
It mounts to the chandeliers and beats there, hotly.
We are too close.
Too late, we would move back.
We are involved with the surge.
Now it bursts.
Now it has been announced.
Now it is being soaked up by newspapers.
Now it is running through the streets.
The crowd has it.
The woman selling carnations
And the man in the straw hat stand with it in their shoes.
Here is the red marquee it sheltered under.
Here is the ballroom, here
The sadly various orchestra led
By a single gesture.
My arms open.
It enters.
Look, we are dancing.
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