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Best Famous Chagrin Poems

Here is a collection of the all-time best famous Chagrin poems. This is a select list of the best famous Chagrin poetry. Reading, writing, and enjoying famous Chagrin poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of chagrin poems.

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Written by Amy Clampitt | Create an image from this poem

A Silence

 past parentage or gender
beyond sung vocables
the slipped-between
the so infinitesimal
fault line
a limitless
interiority

beyond the woven
unicorn the maiden
(man-carved worm-eaten)
God at her hip
incipient
the untransfigured
cottontail
bluebell and primrose
growing wild a strawberry
chagrin night terrors
past the earthlit
unearthly masquerade

(we shall be changed)

a silence opens

 *

the larval feeder
naked hairy ravenous
inventing from within
itself its own
raw stuffs'
hooked silk-hung
relinquishment

behind the mask
the milkfat shivering
sinew isinglass
uncrumpling transient
greed to reinvest

 *

names have been
given (revelation
kif nirvana
syncope) for
whatever gift
unasked
gives birth to

torrents
fixities
reincarnations of
the angels
Joseph Smith
enduring
martyrdom

a cavernous
compunction driving
founder-charlatans
who saw in it
the infinite
love of God
and had
(George Fox
was one)
great openings


Written by Charles Baudelaire | Create an image from this poem

Elevation

 Above the ponds, beyond the valleys,
The woods, the mountains, the clouds, the seas,
Farther than the sun, the distant breeze,
The spheres that wilt to infinity

My spirit, you move with agility
And, like a good swimmer who swoons in the wave
You groove the depths immensity gave,
The inexpressible and male ecstasy.
>From this miasma of waste, You will be purified in superior air And drink a pure and divine liqueur, A clear fire to replace the limpid space Behind this boredom and fatigue, this vast chagrin Whose weight moves the mists of existence, Happy is he who vigorously fans the senses Toward serene and luminous fields—wincing! The one whose thoughts are like skylarks taken wing Across the heavens mornings in full flight —Who hovers over life, understanding without effort The language of flowers and mute things.
Written by Jane Taylor | Create an image from this poem

The Holidays

 "Ah! don't you remember, 'tis almost December,
And soon will the holidays come;
Oh, 'twill be so funny, I've plenty of money,
I'll buy me a sword and a drum.
" Thus said little Harry, unwilling to tarry, Impatient from school to depart; But we shall discover, this holiday lover Knew little what was in his heart.
For when on returning, he gave up his learning, Away from his sums and his books, Though playthings surrounded, and sweetmeats abounded, Chagrin still appear'd in his looks.
Though first they delighted, his toys were now slighted, And thrown away out of his sight; He spent every morning in stretching and yawning, Yet went to bed weary at night.
He had not that treasure which really makes pleasure, (A secret discover'd by few).
You'll take it for granted, more playthings he wanted; Oh naught was something to do.
We must have employment to give us enjoyment And pass the time cheerfully away; And study and reading give pleasure, exceeding The pleasures of toys and of play.
To school now returning­to study and learning With eagerness Harry applied; He felt no aversion to books or exertion, Nor yet for the holidays sigh'd.
Written by Sor Juana Inés de la Cruz | Create an image from this poem

You Men

(Español)
Hombres necios que acusáis
a la mujer sin razón,
sin ver que sois la ocasión
de lo mismo que culpáis:

si con ansia sin igual
solicitáis su desdén,
¿por qué quereis que obren bien
si las incitáis al mal?

Combatís su resistencia
y luego, con gravedad,
decís que fue liviandad
lo que hizo la diligencia.

Parecer quiere el denuedo
de vuestro parecer loco,
al niño que pone el coco
y luego le tiene miedo.

Queréis, con presunción necia,
hallar a la que buscáis,
para pretendida, Thais,
y en la posesión, Lucrecia

¿Qué humor puede ser más raro
que el que, falto de consejo,
el mismo empaña el espejo
y siente que no esté claro?

Con el favor y el desdén
tenéis condición igual,
quejándoos, si os tratan mal,
burlándoos, si os quieren bien.

Opinión, ninguna gana:
pues la que más se recata,
si no os admite, es ingrata,
y si os admite, es liviana

Siempre tan necios andáis
que, con desigual nivel,
a una culpáis por crüel
y a otra por fácil culpáis.

¿Pues cómo ha de estar templada
la que vuestro amor pretende,
si la que es ingrata, ofende,
y la que es fácil, enfada?

Mas, entre el enfado y pena
que vuestro gusto refiere,
bien haya la que no os quiere
y quejaos en hora buena.

Dan vuestras amantes penas
a sus libertades alas,
y después de hacerlas malas
las queréis hallar muy buenas.

¿Cuál mayor culpa ha tenido
en una pasión errada:
la que cae de rogada
o el que ruega de caído?

¿O cuál es más de culpar,
aunque cualquiera mal haga:
la que peca por la paga
o el que paga por pecar?

Pues ¿para quée os espantáis
de la culpa que tenéis?
Queredlas cual las hacéis
o hacedlas cual las buscáis.

Dejad de solicitar,
y después, con más razón,
acusaréis la afición
de la que os fuere a rogar.

Bien con muchas armas fundo
que lidia vuestra arrogancia,
pues en promesa e instancia
juntáis diablo, carne y mundo.

(English)
Silly, you men-so very adept
at wrongly faulting womankind,
not seeing you're alone to blame
for faults you plant in woman's mind.

After you've won by urgent plea
the right to tarnish her good name,
you still expect her to behave--
you, that coaxed her into shame.

You batter her resistance down
and then, all righteousness, proclaim
that feminine frivolity,
not your persistence, is to blame.

When it comes to bravely posturing,
your witlessness must take the prize:
you're the child that makes a bogeyman,
and then recoils in fear and cries.

Presumptuous beyond belief,
you'd have the woman you pursue
be Thais when you're courting her,
Lucretia once she falls to you.

For plain default of common sense,
could any action be so *****
as oneself to cloud the mirror,
then complain that it's not clear?

Whether you're favored or disdained,
nothing can leave you satisfied.
You whimper if you're turned away,
you sneer if you've been gratified.

With you, no woman can hope to score;
whichever way, she's bound to lose;
spurning you, she's ungrateful--
succumbing, you call her lewd.

Your folly is always the same:
you apply a single rule
to the one you accuse of looseness
and the one you brand as cruel.

What happy mean could there be
for the woman who catches your eye,
if, unresponsive, she offends,
yet whose complaisance you decry?

Still, whether it's torment or anger--
and both ways you've yourselves to blame--
God bless the woman who won't have you,
no matter how loud you complain.

It's your persistent entreaties
that change her from timid to bold.
Having made her thereby naughty,
you would have her good as gold.

So where does the greater guilt lie
for a passion that should not be:
with the man who pleads out of baseness
or the woman debased by his plea?

Or which is more to be blamed--
though both will have cause for chagrin:
the woman who sins for money
or the man who pays money to sin?

So why are you men all so stunned
at the thought you're all guilty alike?
Either like them for what you've made them
or make of them what you can like.

If you'd give up pursuing them,
you'd discover, without a doubt,
you've a stronger case to make
against those who seek you out.

I well know what powerful arms
you wield in pressing for evil:
your arrogance is allied
with the world, the flesh, and the devil! 
Written by Alexander Pope | Create an image from this poem

The Rape of the Lock: Canto 4

 But anxious cares the pensive nymph oppress'd, 
And secret passions labour'd in her breast.
Not youthful kings in battle seiz'd alive, Not scornful virgins who their charms survive, Not ardent lovers robb'd of all their bliss, Not ancient ladies when refus'd a kiss, Not tyrants fierce that unrepenting die, Not Cynthia when her manteau's pinn'd awry, E'er felt such rage, resentment, and despair, As thou, sad virgin! for thy ravish'd hair.
For, that sad moment, when the Sylphs withdrew, And Ariel weeping from Belinda flew, Umbriel, a dusky, melancholy sprite, As ever sullied the fair face of light, Down to the central earth, his proper scene, Repair'd to search the gloomy cave of Spleen.
Swift on his sooty pinions flits the Gnome, And in a vapour reach'd the dismal dome.
No cheerful breeze this sullen region knows, The dreaded East is all the wind that blows.
Here, in a grotto, shelter'd close from air, And screen'd in shades from day's detested glare, She sighs for ever on her pensive bed, Pain at her side, and Megrim at her head.
Two handmaids wait the throne: alike in place, But diff'ring far in figure and in face.
Here stood Ill Nature like an ancient maid, Her wrinkled form in black and white array'd; With store of pray'rs, for mornings, nights, and noons, Her hand is fill'd; her bosom with lampoons.
There Affectation, with a sickly mien, Shows in her cheek the roses of eighteen, Practis'd to lisp, and hang the head aside, Faints into airs, and languishes with pride, On the rich quilt sinks with becoming woe, Wrapp'd in a gown, for sickness, and for show.
The fair ones feel such maladies as these, When each new night-dress gives a new disease.
A constant vapour o'er the palace flies; Strange phantoms, rising as the mists arise; Dreadful, as hermit's dreams in haunted shades, Or bright, as visions of expiring maids.
Now glaring fiends, and snakes on rolling spires, Pale spectres, gaping tombs, and purple fires: Now lakes of liquid gold, Elysian scenes, And crystal domes, and angels in machines.
Unnumber'd throngs on ev'ry side are seen, Of bodies chang'd to various forms by Spleen.
Here living teapots stand, one arm held out, One bent; the handle this, and that the spout: A pipkin there, like Homer's tripod walks; Here sighs a jar, and there a goose pie talks; Men prove with child, as pow'rful fancy works, And maids turn'd bottles, call aloud for corks.
Safe pass'd the Gnome through this fantastic band, A branch of healing spleenwort in his hand.
Then thus address'd the pow'r: "Hail, wayward Queen! Who rule the sex to fifty from fifteen: Parent of vapours and of female wit, Who give th' hysteric, or poetic fit, On various tempers act by various ways, Make some take physic, others scribble plays; Who cause the proud their visits to delay, And send the godly in a pet to pray.
A nymph there is, that all thy pow'r disdains, And thousands more in equal mirth maintains.
But oh! if e'er thy gnome could spoil a grace, Or raise a pimple on a beauteous face, Like citron waters matrons' cheeks inflame, Or change complexions at a losing game; If e'er with airy horns I planted heads, Or rumpled petticoats, or tumbled beds, Or caus'd suspicion when no soul was rude, Or discompos'd the head-dress of a prude, Or e'er to costive lap-dog gave disease, Which not the tears of brightest eyes could ease: Hear me, and touch Belinda with chagrin; That single act gives half the world the spleen.
" The goddess with a discontented air Seems to reject him, though she grants his pray'r.
A wondrous bag with both her hands she binds, Like that where once Ulysses held the winds; There she collects the force of female lungs, Sighs, sobs, and passions, and the war of tongues.
A vial next she fills with fainting fears, Soft sorrows, melting griefs, and flowing tears.
The Gnome rejoicing bears her gifts away, Spreads his black wings, and slowly mounts to day.
Sunk in Thalestris' arms the nymph he found, Her eyes dejected and her hair unbound.
Full o'er their heads the swelling bag he rent, And all the Furies issu'd at the vent.
Belinda burns with more than mortal ire, And fierce Thalestris fans the rising fire.
"Oh wretched maid!" she spread her hands, and cried, (While Hampton's echoes, "Wretched maid!" replied, "Was it for this you took such constant care The bodkin, comb, and essence to prepare? For this your locks in paper durance bound, For this with tort'ring irons wreath'd around? For this with fillets strain'd your tender head, And bravely bore the double loads of lead? Gods! shall the ravisher display your hair, While the fops envy, and the ladies stare! Honour forbid! at whose unrivall'd shrine Ease, pleasure, virtue, all, our sex resign.
Methinks already I your tears survey, Already hear the horrid things they say, Already see you a degraded toast, And all your honour in a whisper lost! How shall I, then, your helpless fame defend? 'Twill then be infamy to seem your friend! And shall this prize, th' inestimable prize, Expos'd through crystal to the gazing eyes, And heighten'd by the diamond's circling rays, On that rapacious hand for ever blaze? Sooner shall grass in Hyde Park Circus grow, And wits take lodgings in the sound of Bow; Sooner let earth, air, sea, to chaos fall, Men, monkeys, lap-dogs, parrots, perish all!" She said; then raging to Sir Plume repairs, And bids her beau demand the precious hairs: (Sir Plume, of amber snuff-box justly vain, And the nice conduct of a clouded cane) With earnest eyes, and round unthinking face, He first the snuffbox open'd, then the case, And thus broke out--"My Lord, why, what the devil? Z{-}{-}{-}ds! damn the lock! 'fore Gad, you must be civil! Plague on't! 'tis past a jest--nay prithee, pox! Give her the hair"--he spoke, and rapp'd his box.
"It grieves me much," replied the peer again, "Who speaks so well should ever speak in vain.
But by this lock, this sacred lock I swear, (Which never more shall join its parted hair; Which never more its honours shall renew, Clipp'd from the lovely head where late it grew) That while my nostrils draw the vital air, This hand, which won it, shall for ever wear.
" He spoke, and speaking, in proud triumph spread The long-contended honours of her head.
But Umbriel, hateful gnome! forbears not so; He breaks the vial whence the sorrows flow.
Then see! the nymph in beauteous grief appears, Her eyes half-languishing, half-drown'd in tears; On her heav'd bosom hung her drooping head, Which, with a sigh, she rais'd; and thus she said: "For ever curs'd be this detested day, Which snatch'd my best, my fav'rite curl away! Happy! ah ten times happy, had I been, If Hampton Court these eyes had never seen! Yet am not I the first mistaken maid, By love of courts to num'rous ills betray'd.
Oh had I rather unadmir'd remain'd In some lone isle, or distant northern land; Where the gilt chariot never marks the way, Where none learn ombre, none e'er taste bohea! There kept my charms conceal'd from mortal eye, Like roses, that in deserts bloom and die.
What mov'd my mind with youthful lords to roam? Oh had I stay'd, and said my pray'rs at home! 'Twas this, the morning omens seem'd to tell, Thrice from my trembling hand the patch-box fell; The tott'ring china shook without a wind, Nay, Poll sat mute, and Shock was most unkind! A Sylph too warn'd me of the threats of fate, In mystic visions, now believ'd too late! See the poor remnants of these slighted hairs! My hands shall rend what ev'n thy rapine spares: These, in two sable ringlets taught to break, Once gave new beauties to the snowy neck.
The sister-lock now sits uncouth, alone, And in its fellow's fate foresees its own; Uncurl'd it hangs, the fatal shears demands And tempts once more thy sacrilegious hands.
Oh hadst thou, cruel! been content to seize Hairs less in sight, or any hairs but these!"


Written by Sylvia Plath | Create an image from this poem

Winter Landscape With Rooks

 Water in the millrace, through a sluice of stone,
 plunges headlong into that black pond
where, absurd and out-of-season, a single swan
 floats chaste as snow, taunting the clouded mind
which hungers to haul the white reflection down.
The austere sun descends above the fen, an orange cyclops-eye, scorning to look longer on this landscape of chagrin; feathered dark in thought, I stalk like a rook, brooding as the winter night comes on.
Last summer's reeds are all engraved in ice as is your image in my eye; dry frost glazes the window of my hurt; what solace can be struck from rock to make heart's waste grow green again? Who'd walk in this bleak place?
Written by Emily Dickinson | Create an image from this poem

I bet with every Wind that blew

 I bet with every Wind that blew
Till Nature in chagrin
Employed a Fact to visit me
And scuttle my Balloon --
Written by Henry Wadsworth Longfellow | Create an image from this poem

THE NORMAN BARON

 et plus profonde, ou l'interet et l'avarice parlent moins haut
que la raison, dans les instants de chagrin domestique, de
maladie, et de peril de mort, les nobles se repentirent de
posseder des serfs, comme d'une chose peu agreable a Dieu, qui
avait cree tous les hommes a son image.
--THIERRY, Conquete de l'Angleterre.
In his chamber, weak and dying, Was the Norman baron lying; Loud, without, the tempest thundered And the castle-turret shook, In this fight was Death the gainer, Spite of vassal and retainer, And the lands his sires had plundered, Written in the Doomsday Book.
By his bed a monk was seated, Who in humble voice repeated Many a prayer and pater-noster, From the missal on his knee; And, amid the tempest pealing, Sounds of bells came faintly stealing, Bells, that from the neighboring kloster Rang for the Nativity.
In the hall, the serf and vassal Held, that night their Christmas wassail; Many a carol, old and saintly, Sang the minstrels and the waits; And so loud these Saxon gleemen Sang to slaves the songs of freemen, That the storm was heard but faintly, Knocking at the castle-gates.
Till at length the lays they chanted Reached the chamber terror-haunted, Where the monk, with accents holy, Whispered at the baron's ear.
Tears upon his eyelids glistened, As he paused awhile and listened, And the dying baron slowly Turned his weary head to hear.
"Wassail for the kingly stranger Born and cradled in a manger! King, like David, priest, like Aaron, Christ is born to set us free!" And the lightning showed the sainted Figures on the casement painted, And exclaimed the shuddering baron, "Miserere, Domine!" In that hour of deep contrition He beheld, with clearer vision, Through all outward show and fashion, Justice, the Avenger, rise.
All the pomp of earth had vanished, Falsehood and deceit were banished, Reason spake more loud than passion, And the truth wore no disguise.
Every vassal of his banner, Every serf born to his manor, All those wronged and wretched creatures, By his hand were freed again.
And, as on the sacred missal He recorded their dismissal, Death relaxed his iron features, And the monk replied, "Amen!" Many centuries have been numbered Since in death the baron slumbered By the convent's sculptured portal, Mingling with the common dust: But the good deed, through the ages Living in historic pages, Brighter grows and gleams immortal, Unconsumed by moth or rust
Written by Emily Dickinson | Create an image from this poem

His Mansion in the Pool

 His Mansion in the Pool
The Frog forsakes --
He rises on a Log
And statements makes --
His Auditors two Worlds
Deducting me --
The Orator of April
Is hoarse Today --
His Mittens at his Feet
No Hand hath he --
His eloquence a Bubble
As Fame should be --
Applaud him to discover
To your chagrin
Demosthenes has vanished
In Waters Green --
Written by Emily Dickinson | Create an image from this poem

We see -- Comparatively --

 We see -- Comparatively --
The Thing so towering high
We could not grasp its segment
Unaided -- Yesterday --

This Morning's finer Verdict --
Makes scarcely worth the toil --
A furrow -- Our Cordillera --
Our Apennine -- a Knoll --

Perhaps 'tis kindly -- done us --
The Anguish -- and the loss --
The wrenching -- for His Firmament
The Thing belonged to us --

To spare these Striding Spirits
Some Morning of Chagrin --
The waking in a Gnat's -- embrace --
Our Giants -- further on --

Book: Shattered Sighs