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Best Famous Certainties Poems

Here is a collection of the all-time best famous Certainties poems. This is a select list of the best famous Certainties poetry. Reading, writing, and enjoying famous Certainties poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of certainties poems.

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Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?


Written by Marilyn Hacker | Create an image from this poem

Desesperanto

 After Joseph Roth

Parce que c'était lui; parce que c'était moi.
Montaigne, De L'amitië The dream's forfeit was a night in jail and now the slant light is crepuscular.
Papers or not, you are a foreigner whose name is always difficult to spell.
You pack your one valise.
You ring the bell.
Might it not be prudent to disappear beneath that mauve-blue sky above the square fronting your cosmopolitan hotel? You know two short-cuts to the train station which could get you there, on foot, in time.
The person who's apprised of your intention and seems to be your traveling companion is merely the detritus of a dream.
You cross the lobby and go out alone.
You crossed the lobby and went out alone through the square, where two red-headed girls played hopscotch on a chalk grid, now in the shade, of a broad-leafed plane tree, now in the sun.
The lively, lovely, widowed afternoon disarmed, uncoupled, shuffled and disarrayed itself; despite itself, dismayed you with your certainties, your visa, gone from your breast-pocket, or perhaps expired.
At the reception desk, no one inquired if you'd be returning.
Now you wonder why.
When the stout conductor comes down the aisle mustached, red-faced, at first jovial, and asks for your passport, what will you say? When they ask for your passport, will you say that town's name they'd find unpronounceable which resonates, when uttered, like a bell in your mind's tower, as it did the day you carried your green schoolbag down the gray fog-cobbled street, past church, bakery, shul past farm women setting up market stalls it was so early.
"I am on my way to school in .
" You were part of the town now, not the furnished rooms you shared with Mutti, since the others disappeared.
Your knees were red with cold; your itchy wool socks had inched down, so you stooped to pull them up, a student and a citizen.
You are a student and a citizen of whatever state is transient.
You are no more or less the resident of a hotel than you were of that town whose borders were disputed and redrawn.
A prince conceded to a president.
Another language became relevant to merchants on that street a child walked down whom you remember, in the corridors of cities you inhabit, polyglot as the distinguished scholar you were not to be.
A slight accent sets you apart, but it would mark you on that peddlers'-cart street now.
Which language, after all, is yours? Which language, after all these streets, is yours, and why are you here, waiting for a train? You could have run a hot bath, read Montaigne.
But would footsteps beyond the bathroom door's bolt have disturbed the nondescript interior's familiarity, shadowed the plain blue draperies? You reflect, you know no one who would, of you, echo your author's "Because it was he; because it was I," as a unique friendship's non sequitur.
No footsteps and no friend: that makes you free.
The train approaches, wreathed in smoke like fur around the shoulders of a dowager with no time for sentimentality.
With no time for sentimentality, mulling a twice-postponed book-review, you take an empty seat.
Opposite you a voluble immigrant family is already unwrapping garlicky sausages—an unshaven man and his two red-eared sons.
You once wrote: it is true, awful, and unimportant, finally that if the opportunity occurs some of the exiles become storm-troopers; and you try, culpably, to project these three into some torch-lit future, filtering out their wrangling (one of your languages) about the next canto in their short odyssey.
The next canto in your short odyssey will open, you know this, in yet another hotel room.
They have become your mother country: benevolent anonymity of rough starched sheets, dim lamp, rickety escritoire, one window.
Your neighbors gather up their crusts and rinds.
Out of a leather satchel, the man takes their frayed identity cards, examines them.
The sons watch, pale and less talkative.
A border, passport control, draw near: rubber stamp or interrogation? You hope the customs officer lunched well; reflect on the recurrent implication of the dream's forfeit.
One night in jail?
Written by Jerome Rothenberg | Create an image from this poem

I VENT MY WRATH ON ANIMALS

 I came alive
when things went
crazy.
I pulled the plug on the reports of sturm & drang When someone signaled I left open what I could not close.
I broke a covenant that was more fierce than murder.
I vent my wrath on animals pretending they will turn divine.
I open up rare certainties that test free will.
I take from animals a place in which the taste of death pours from their mouths & drowns them.
I support a lesser surface.
I draw comfort from the knowledge of their being.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Preludes

 I

THE WINTER evening settles down
With smell of steaks in passageways.
Six o’clock.
The burnt-out ends of smoky days.
And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and stamps.
And then the lighting of the lamps.
II The morning comes to consciousness Of faint stale smells of beer From the sawdust-trampled street With all its muddy feet that press To early coffee-stands.
With the other masquerades That time resumes, One thinks of all the hands That are raising dingy shades In a thousand furnished rooms.
III You tossed a blanket from the bed, You lay upon your back, and waited; You dozed, and watched the night revealing The thousand sordid images Of which your soul was constituted; They flickered against the ceiling.
And when all the world came back And the light crept up between the shutters And you heard the sparrows in the gutters, You had such a vision of the street As the street hardly understands; Sitting along the bed’s edge, where You curled the papers from your hair, Or clasped the yellow soles of feet In the palms of both soiled hands.
IV His soul stretched tight across the skies That fade behind a city block, Or trampled by insistent feet At four and five and six o’clock; And short square fingers stuffing pipes, And evening newspapers, and eyes Assured of certain certainties, The conscience of a blackened street Impatient to assume the world.
I am moved by fancies that are curled Around these images, and cling: The notion of some infinitely gentle Infinitely suffering thing.
Wipe your hand across your mouth, and laugh; The worlds revolve like ancient women Gathering fuel in vacant lots.
Written by James A Emanuel | Create an image from this poem

Mahalia Jackson

 « I sing the LORD'S songs »
(palms once tough to stay alive,
alarm clock on five).
Cinnamon cheeks, Lord, cornbread smile.
SONGS feed your ribs when you're hungry, chile.
Washboard certainties, soldierly grace, text and style in her brimming face.
Your hand on your heart, her voice in your ear: pilgrim, rest easy.
Sit here.


Written by Walt Whitman | Create an image from this poem

Rise O Days

 1
RISE, O days, from your fathomless deeps, till you loftier, fiercer sweep! 
Long for my soul, hungering gymnastic, I devour’d what the earth gave me; 
Long I roam’d the woods of the north—long I watch’d Niagara pouring; 
I travel’d the prairies over, and slept on their breast—I cross’d the
 Nevadas, I
 cross’d the plateaus; 
I ascended the towering rocks along the Pacific, I sail’d out to sea;
I sail’d through the storm, I was refresh’d by the storm; 
I watch’d with joy the threatening maws of the waves; 
I mark’d the white combs where they career’d so high, curling over; 
I heard the wind piping, I saw the black clouds; 
Saw from below what arose and mounted, (O superb! O wild as my heart, and powerful!)
Heard the continuous thunder, as it bellow’d after the lightning; 
Noted the slender and jagged threads of lightning, as sudden and fast amid the din they
 chased
 each
 other across the sky; 
—These, and such as these, I, elate, saw—saw with wonder, yet pensive and
 masterful; 
All the menacing might of the globe uprisen around me; 
Yet there with my soul I fed—I fed content, supercilious.
2 ’Twas well, O soul! ’twas a good preparation you gave me! Now we advance our latent and ampler hunger to fill; Now we go forth to receive what the earth and the sea never gave us; Not through the mighty woods we go, but through the mightier cities; Something for us is pouring now, more than Niagara pouring; Torrents of men, (sources and rills of the Northwest, are you indeed inexhaustible?) What, to pavements and homesteads here—what were those storms of the mountains and sea? What, to passions I witness around me to-day? Was the sea risen? Was the wind piping the pipe of death under the black clouds? Lo! from deeps more unfathomable, something more deadly and savage; Manhattan, rising, advancing with menacing front—Cincinnati, Chicago, unchain’d; —What was that swell I saw on the ocean? behold what comes here! How it climbs with daring feet and hands! how it dashes! How the true thunder bellows after the lightning! how bright the flashes of lightning! How DEMOCRACY, with desperate vengeful port strides on, shown through the dark by those flashes of lightning! (Yet a mournful wail and low sob I fancied I heard through the dark, In a lull of the deafening confusion.
) 3 Thunder on! stride on, Democracy! strike with vengeful stroke! And do you rise higher than ever yet, O days, O cities! Crash heavier, heavier yet, O storms! you have done me good; My soul, prepared in the mountains, absorbs your immortal strong nutriment; —Long had I walk’d my cities, my country roads, through farms, only half-satisfied; One doubt, nauseous, undulating like a snake, crawl’d on the ground before me, Continually preceding my steps, turning upon me oft, ironically hissing low; —The cities I loved so well, I abandon’d and left—I sped to the certainties suitable to me; Hungering, hungering, hungering, for primal energies, and Nature’s dauntlessness, I refresh’d myself with it only, I could relish it only; I waited the bursting forth of the pent fire—on the water and air I waited long; —But now I no longer wait—I am fully satisfied—I am glutted; I have witness’d the true lightning—I have witness’d my cities electric; I have lived to behold man burst forth, and warlike America rise; Hence I will seek no more the food of the northern solitary wilds, No more on the mountains roam, or sail the stormy sea.
Written by Emily Dickinson | Create an image from this poem

I think to Live -- may be a Bliss

 I think to Live -- may be a Bliss
To those who dare to try --
Beyond my limit to conceive --
My lip -- to testify --

I think the Heart I former wore
Could widen -- till to me
The Other, like the little Bank
Appear -- unto the Sea --

I think the Days -- could every one
In Ordination stand --
And Majesty -- be easier --
Than an inferior kind --

No numb alarm -- lest Difference come --
No Goblin -- on the Bloom --
No start in Apprehension's Ear,
No Bankruptcy -- no Doom --

But Certainties of Sun --
Midsummer -- in the Mind --
A steadfast South -- upon the Soul --
Her Polar time -- behind --

The Vision -- pondered long --
So plausible becomes
That I esteem the fiction -- real --
The Real -- fictitious seems --

How bountiful the Dream --
What Plenty -- it would be --
Had all my Life but been Mistake
Just rectified -- in Thee
Written by George Meredith | Create an image from this poem

Modern Love: L

 Thus piteously Love closed what he begat:
The union of this ever-diverse pair!
These two were rapid falcons in a snare,
Condemned to do the flitting of the bat.
Lovers beneath the singing sky of May, They wandered once; clear as the dew on flowers: But they fed not on the advancing hours: Their hearts held cravings for the buried day.
Then each applied to each that fatal knife, Deep questioning, which probes to endless dole.
Ah, what a dusty answer gets the soul When hot for certainties in this our life!-- In tragic hints here see what evermore Moves dark as yonder midnight ocean's force, Thundering like ramping hosts of warrior horse, To throw that faint thin line upon the shore!
Written by George Meredith | Create an image from this poem

Modern Love L: Thus Piteously Love

 Thus piteously Love closed what he begat:
The union of this ever-diverse pair!
These two were rapid falcons in a snare,
Condemned to do the flitting of the bat.
Lovers beneath the singing sky of May, They wandered once; clear as the dew on flowers: But they fed not on the advancing hours: Their hearts held cravings for the buried day.
Then each applied to each that fatal knife, Deep questioning, which probes to endless dole.
Ah, what a dusty answer gets the soul When hot for certainties in this our life!-- In tragic hints here see what evermore Moves dark as yonder midnight ocean's force, Thundering like ramping hosts of warrior horse, To throw that faint thin line upon the shore!
Written by Emily Dickinson | Create an image from this poem

We do not know the time we lose --

 We do not know the time we lose --
The awful moment is
And takes its fundamental place
Among the certainties --

A firm appearance still inflates
The card -- the chance -- the friend --
The spectre of solidities
Whose substances are sand --

Book: Reflection on the Important Things