Written by
Robert William Service |
Let us have birthdays every day,
(I had the thought while I was shaving)
Because a birthday should be gay,
And full of grace and good behaving.
We can't have cakes and candles bright,
And presents are beyond our giving,
But let lt us cherish with delight
The birthday way of lovely living.
For I have passed three-score and ten
And I can count upon my fingers
The years I hope to bide with men,
(Though by God's grace one often lingers.)
So in the summers left to me,
Because I'm blest beyond my merit,
I hope with gratitude and glee
To sparkle with the birthday spirit.
Let me inform myself each day
Who's proudmost on the natal roster;
If Washington or Henry Clay,
Or Eugene Field or Stephen Foster.
oh lots of famous folks I'll find
Who more than measure to my rating,
And so thanksgivingly inclined
Their birthdays I'll be celebrating.
For Oh I know the cheery glow|
Of Anniversary rejoicing;
Let me reflect its radiance so
My daily gladness I'll be voicing.
And though I'm stooped and silver-haired,
Let me with laughter make the hearth gay,
So by the gods I may be spared
Each year to hear: "Pop, Happy Birthday."
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Written by
Robert Frost |
Brown lived at such a lofty farm
That everyone for miles could see
His lantern when he did his chores
In winter after half-past three.
And many must have seen him make
His wild descent from there one night,
’Cross lots, ’cross walls, ’cross everything,
Describing rings of lantern light.
Between the house and barn the gale
Got him by something he had on
And blew him out on the icy crust
That cased the world, and he was gone!
Walls were all buried, trees were few:
He saw no stay unless he stove
A hole in somewhere with his heel.
But though repeatedly he strove
And stamped and said things to himself,
And sometimes something seemed to yield,
He gained no foothold, but pursued
His journey down from field to field.
Sometimes he came with arms outspread
Like wings, revolving in the scene
Upon his longer axis, and
With no small dignity of mien.
Faster or slower as he chanced,
Sitting or standing as he chose,
According as he feared to risk
His neck, or thought to spare his clothes,
He never let the lantern drop.
And some exclaimed who saw afar
The figures he described with it,
”I wonder what those signals are
Brown makes at such an hour of night!
He’s celebrating something strange.
I wonder if he’s sold his farm,
Or been made Master of the Grange.”
He reeled, he lurched, he bobbed, he checked;
He fell and made the lantern rattle
(But saved the light from going out.)
So half-way down he fought the battle
Incredulous of his own bad luck.
And then becoming reconciled
To everything, he gave it up
And came down like a coasting child.
“Well—I—be—” that was all he said,
As standing in the river road,
He looked back up the slippery slope
(Two miles it was) to his abode.
Sometimes as an authority
On motor-cars, I’m asked if I
Should say our stock was petered out,
And this is my sincere reply:
Yankees are what they always were.
Don’t think Brown ever gave up hope
Of getting home again because
He couldn’t climb that slippery slope;
Or even thought of standing there
Until the January thaw
Should take the polish off the crust.
He bowed with grace to natural law,
And then went round it on his feet,
After the manner of our stock;
Not much concerned for those to whom,
At that particular time o’clock,
It must have looked as if the course
He steered was really straight away
From that which he was headed for—
Not much concerned for them, I say:
No more so than became a man—
And politician at odd seasons.
I’ve kept Brown standing in the cold
While I invested him with reasons;
But now he snapped his eyes three times;
Then shook his lantern, saying, “Ile’s
’Bout out!” and took the long way home
By road, a matter of several miles.
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Written by
Joyce Sutphen |
The second half of my life will be black
to the white rind of the old and fading moon.
The second half of my life will be water
over the cracked floor of these desert years.
I will land on my feet this time,
knowing at least two languages and who
my friends are. I will dress for the
occasion, and my hair shall be
whatever color I please.
Everyone will go on celebrating the old
birthday, counting the years as usual,
but I will count myself new from this
inception, this imprint of my own desire.
The second half of my life will be swift,
past leaning fenceposts, a gravel shoulder,
asphalt tickets, the beckon of open road.
The second half of my life will be wide-eyed,
fingers shifting through fine sands,
arms loose at my sides, wandering feet.
There will be new dreams every night,
and the drapes will never be closed.
I will toss my string of keys into a deep
well and old letters into the grate.
The second half of my life will be ice
breaking up on the river, rain
soaking the fields, a hand
held out, a fire,
and smoke going
upward, always up.
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Written by
Marilyn Hacker |
This is for Elsa, also known as Liz,
an ample-bosomed gospel singer: five
discrete malignancies in one full breast.
This is for auburn Jacqueline, who is
celebrating fifty years alive,
one since she finished chemotherapy.
with fireworks on the fifteenth of July.
This is for June, whose words are lean and mean
as she is, elucidating our protest.
This is for Lucille, who shines a wide
beam for us with her dark cadences.
This is for long-limbed Maxine, astride
a horse like conscience. This is for Aline
who taught her lover how to caress the scar.
This is for Eve, who thought of AZT
while hopeful poisons pumped into a vein.
This is for Nanette in the Midwest.
This is for Alicia, shaking back dark hair,
dancing one-breasted with the Sabbath bride.
This is for Judy on a mountainside,
plunging her gloved hands in a glistening hive.
Hilda, Patricia, Gaylord, Emilienne,
Tania, Eunice: this is for everyone
who marks the distance on a calendar
from what's less likely each year to "recur."
Our saved-for-now lives are life sentences
-- which we prefer to the alternative.
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Written by
Odysseus Elytis |
"Calendar of an Invisible April"
Translation from Greek: Marios Dikaiakos
"The wind was wistling continuously, it was
getting darker, and that distant voice was
incessantly reaching my ears : "an entire life"...
"an entire life"...
On the opposite wall, the shadows of the
trees were playing cinema"
----------------
"It seems that somewhere people are celebrating;
although there are no houses or human beings
I can listen to guitars and other laughters which
are not nearby
Maybe far away, within the ashes of heavens
Andromeda, the Bear, or the Virgin...
I wonder; is loneliness the same, all over the
worlds ? "
----------------
"Almond-shaped, elongated eyes, lips; perfumes stemming
from a premature sky of great feminine delicacy
and fatal drunkeness.
I leant on my side -almost fell- onto the
hymns to the Virgin and the cold of spacious
gardens.
Prepared for the worst."
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Written by
Robert William Service |
I asked of ancient gaffers three
The way of their ripe living,
And this is what they told to me
Without Misgiving.
The First: 'The why I've lived so long,
To my fond recollection
Is that for women, wine and song
I've had a predilection.
Full many a bawdy stave I've sung
With wenches of my choosing,
But of the joys that kept me young
The best was boozing.'
The Second: 'I'm a sage revered
Because I was a fool
And with the bourgeon of my beard
I kept my ardour cool.
On health I have conserved my hold
By never dissipating:
And that is why a hundred old
I'm celebrating.'
The Third: 'The explanation I
Have been so long a-olding,
Is that to wash I never try,
Despite conjugal scolding.
I hate the sight of soap and so
I seldom change my shirt:
Believe me, Brother, there is no
Preservative like dirt.'
So there you have the reasons three
Why age may you rejoice:
Booze, squalour and temerity,--
Well, you may take your choice.
Yet let me say, although it may
Your egoism hurt,
Of all the three it seems to me
The best is DIRT.
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Written by
Francesco Petrarch |
SONNET CLIV. Giunto Alessandro alla famosa tomba. HE FEARS THAT HE IS INCAPABLE OF WORTHILY CELEBRATING HER. The son of Philip, when he saw the tombOf fierce Achilles, with a sigh, thus said:"O happy, whose achievements erst found roomFrom that illustrious trumpet to be spreadO'er earth for ever!"—But, beyond the gloomOf deep Oblivion shall that loveliest maid,Whose like to view seems not of earthly doom,By my imperfect accents be convey'd?[Pg 171]Her of the Homeric, the Orphèan Lyre,Most worthy, or that shepherd, Mantua's pride,To be the theme of their immortal lays;Her stars and unpropitious fate deniedThis palm:—and me bade to such height aspire,Who, haply, dim her glories by my praise. Capel Lofft. When Alexander at the famous tombOf fierce Achilles stood, the ambitious sighBurst from his bosom—"Fortunate! on whomTh' eternal bard shower'd honours bright and high."But, ah! for so to each is fix'd his doom,This pure fair dove, whose like by mortal eyeWas never seen, what poor and scanty roomFor her great praise can my weak verse supply?Whom, worthiest Homer's line and Orpheus' song,Or his whom reverent Mantua still admires—Sole and sufficient she to wake such lyres!An adverse star, a fate here only wrong,Entrusts to one who worships her dear name,Yet haply injures by his praise her fame. Macgregor.
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Written by
John Berryman |
Full moon. Our Narragansett gales subside
and the land is celebrating men of war
more or less, less or more.
In valleys, thin on headlands, narrow & wide
our targets rest. In us we trust. Far, near,
the bivouacs of fear
are solemn in the moon somewhere tonight,
in turning time. It's late for gratitude,
an annual, rude
roar of a moment's turkey's 'Thanks'. Bright & white
their ordered markers undulate away
awaiting no day.
Away from us, from Henry's feel or fail,
campaigners lie with mouldered toes, disarmed,
out of order,
with whom we will one. The war is real,
and a sullen glory pauses over them harmed,
incident to murder.
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Written by
Delmore Schwartz |
"The trumpet is a brilliant instrument." - Dietrich Buxtehude
Come and come forth and come up from the cup of
Your dumbness, stunned and numb, come with
The statues and believed in,
Thinking this is nothing, deceived.
Come to the summer and sun,
Come see upon that height, and that sum
In the seedtime of the winter's absolute,
How yearly the phoenix inhabits the fruit.
Behold, above all, how the tall ball
Called the body is but a drum, but a bell
Summoning the soul
To rise from the catacomb of sleep and fear
To the blaze and death of summer,
Rising from the lithe forms of the pure
Furs of the rising flames, slender and supple,
Which are the consummation of the blaze of fall and of all.
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