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Best Famous Caul Poems

Here is a collection of the all-time best famous Caul poems. This is a select list of the best famous Caul poetry. Reading, writing, and enjoying famous Caul poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of caul poems.

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Written by Sharon Olds | Create an image from this poem

The Daughter Goes To Camp

 In the taxi alone, home from the airport,
I could not believe you were gone.
My palm kept creeping over the smooth plastic to find your strong meaty little hand and squeeze it, find your narrow thigh in the noble ribbing of the corduroy, straight and regular as anything in nature, to find the slack cool cheek of a child in the heat of a summer morning— nothing, nothing, waves of bawling hitting me in hot flashes like some change of life, some boiling wave rising in me toward your body, toward where it should have been on the seat, your brow curved like a cereal bowl, your eyes dark with massed crystals like the magnified scales of a butterfly's wing, the delicate feelers of your limp hair, floods of blood rising in my face as I tried to reassemble the hot gritty molecules in the car, to make you appear like a holograph on the back seat, pull you out of nothing as I once did—but you were really gone, the cab glossy as a slit caul out of which you had slipped, the air glittering electric with escape as it does in the room at a birth.


Written by Eugene Field | Create an image from this poem

Dr. sam

 TO MISS GRACE KING

Down in the old French quarter,
Just out of Rampart street,
I wend my way
At close of day
Unto the quaint retreat
Where lives the Voodoo Doctor
By some esteemed a sham,
Yet I'll declare there's none elsewhere
So skilled as Doctor Sam
With the claws of a deviled crawfish,
The juice of the prickly prune,
And the quivering dew
From a yarb that grew
In the light of a midnight moon!

I never should have known him
But for the colored folk
That here obtain
And ne'er in vain
That wizard's art invoke;
For when the Eye that's Evil
Would him and his'n damn,
The *****'s grief gets quick relief
Of Hoodoo-Doctor Sam.
With the caul of an alligator, The plume of an unborn loon, And the poison wrung From a serpent's tongue By the light of a midnight moon! In all neurotic ailments I hear that he excels, And he insures Immediate cures Of weird, uncanny spells; The most unruly patient Gets docile as a lamb And is freed from ill by the potent skill Of Hoodoo-Doctor Sam; Feathers of strangled chickens, Moss from the dank lagoon, And plasters wet With spider sweat In the light of a midnight moon! They say when nights are grewsome And hours are, oh! so late, Old Sam steals out And hunts about For charms that hoodoos hate! That from the moaning river And from the haunted glen He silently brings what eerie things Give peace to hoodooed men:-- The tongue of a piebald 'possum, The tooth of a senile 'coon, The buzzard's breath that smells of death, And the film that lies On a lizard's eyes In the light of a midnight moon!
Written by Dylan Thomas | Create an image from this poem

From Loves First Fever To Her Plague

 From love's first fever to her plague, from the soft second
And to the hollow minute of the womb,
From the unfolding to the scissored caul,
The time for breast and the green apron age
When no mouth stirred about the hanging famine,
All world was one, one windy nothing,
My world was christened in a stream of milk.
And earth and sky were as one airy hill.
The sun and mood shed one white light.
From the first print of the unshodden foot, the lifting Hand, the breaking of the hair, From the first scent of the heart, the warning ghost, And to the first dumb wonder at the flesh, The sun was red, the moon was grey, The earth and sky were as two mountains meeting.
The body prospered, teeth in the marrowed gums, The growing bones, the rumour of the manseed Within the hallowed gland, blood blessed the heart, And the four winds, that had long blown as one, Shone in my ears the light of sound, Called in my eyes the sound of light.
And yellow was the multiplying sand, Each golden grain spat life into its fellow, Green was the singing house.
The plum my mother picked matured slowly, The boy she dropped from darkness at her side Into the sided lap of light grew strong, Was muscled, matted, wise to the crying thigh, And to the voice that, like a voice of hunger, Itched in the noise of wind and sun.
And from the first declension of the flesh I learnt man's tongue, to twist the shapes of thoughts Into the stony idiom of the brain, To shade and knit anew the patch of words Left by the dead who, in their moonless acre, Need no word's warmth.
The root of tongues ends in a spentout cancer, That but a name, where maggots have their X.
I learnt the verbs of will, and had my secret; The code of night tapped on my tongue; What had been one was many sounding minded.
One wound, one mind, spewed out the matter, One breast gave suck the fever's issue; From the divorcing sky I learnt the double, The two-framed globe that spun into a score; A million minds gave suck to such a bud As forks my eye; Youth did condense; the tears of spring Dissolved in summer and the hundred seasons; One sun, one manna, warmed and fed.
Written by Eugene Field | Create an image from this poem

The peter-bird

 Out of the woods by the creek cometh a calling for Peter,
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that strange crying for Peter,
Over the meadows that call is aye and forever repeated.
So let me tell you the tale, when, where, and how it all happened, And, when the story is told, let us pay heed to the lesson.
Once on a time, long ago, lived in the State of Kentucky One that was reckoned a witch--full of strange spells and devices; Nightly she wandered the woods, searching for charms voodooistic-- Scorpions, lizards, and herbs, dormice, chameleons, and plantains! Serpents and caw-caws and bats, screech-owls and crickets and adders-- These were the guides of that witch through the dank deeps of the forest.
Then, with her roots and her herbs, back to her cave in the morning Ambled that hussy to brew spells of unspeakable evil; And, when the people awoke, seeing that hillside and valley Sweltered in swathes as of mist--"Look!" they would whisper in terror-- "Look! the old witch is at work brewing her spells of great evil!" Then would they pray till the sun, darting his rays through the vapor, Lifted the smoke from the earth and baffled the witch's intentions.
One of the boys at that time was a certain young person named Peter, Given too little to work, given too largely to dreaming; Fonder of books than of chores, you can imagine that Peter Led a sad life on the farm, causing his parents much trouble.
"Peter!" his mother would call, "the cream is a'ready for churning!" "Peter!" his father would cry, "go grub at the weeds in the garden!" So it was "Peter!" all day--calling, reminding, and chiding-- Peter neglected his work; therefore that nagging at Peter! Peter got hold of some books--how, I'm unable to tell you; Some have suspected the witch--this is no place for suspicions! It is sufficient to stick close to the thread of the legend.
Nor is it stated or guessed what was the trend of those volumes; What thing soever it was--done with a pen and a pencil, Wrought with a brain, not a hoe--surely 't was hostile to farming! "Fudge on all readin'!" they quoth; or "that's what's the ruin of Peter!" So, when the mornings were hot, under the beech or the maple, Cushioned in grass that was blue, breathing the breath of the blossoms, Lulled by the hum of the bees, the coo of the ring-doves a-mating, Peter would frivol his time at reading, or lazing, or dreaming.
"Peter!" his mother would call, "the cream is a'ready for churning!" "Peter!" his father would cry, "go grub at the weeds in the garden!" "Peter!" and "Peter!" all day--calling, reminding, and chiding-- Peter neglected his chores; therefore that outcry for Peter; Therefore the neighbors allowed evil would surely befall him-- Yes, on account of these things, ruin would come upon Peter! Surely enough, on a time, reading and lazing and dreaming Wrought the calamitous ill all had predicted for Peter; For, of a morning in spring when lay the mist in the valleys-- "See," quoth the folk, "how the witch breweth her evil decoctions! See how the smoke from her fire broodeth on woodland and meadow! Grant that the sun cometh out to smother the smudge of her caldron! She hath been forth in the night, full of her spells and devices, Roaming the marshes and dells for heathenish magical nostrums; Digging in leaves and at stumps for centipedes, pismires, and spiders, Grubbing in poisonous pools for hot salamanders and toadstools; Charming the bats from the flues, snaring the lizards by twilight, Sucking the scorpion's egg and milking the breast of the adder!" Peter derided these things held in such faith by the farmer, Scouted at magic and charms, hooted at Jonahs and hoodoos-- Thinking and reading of books must have unsettled his reason! "There ain't no witches," he cried; "it isn't smoky, but foggy! I will go out in the wet--you all can't hender me, nuther!" Surely enough he went out into the damp of the morning, Into the smudge that the witch spread over woodland and meadow, Into the fleecy gray pall brooding on hillside and valley.
Laughing and scoffing, he strode into that hideous vapor; Just as he said he would do, just as he bantered and threatened, Ere they could fasten the door, Peter had done gone and done it! Wasting his time over books, you see, had unsettled his reason-- Soddened his callow young brain with semi-pubescent paresis, And his neglect of his chores hastened this evil condition.
Out of the woods by the creek cometh a calling for Peter And from the orchard a voice echoes and echoes it over; Down in the pasture the sheep hear that shrill crying for Peter, Up from the spring house the wail stealeth anon like a whisper, Over the meadows that call is aye and forever repeated.
Such were the voices that whooped wildly and vainly for Peter Decades and decades ago down in the State of Kentucky-- Such are the voices that cry now from the woodland and meadow, "Peter--O Peter!" all day, calling, reminding, and chiding-- Taking us back to the time when Peter he done gone and done it! These are the voices of those left by the boy in the farmhouse When, with his laughter and scorn, hatless and bootless and sockless, Clothed in his jeans and his pride, Peter sailed out in the weather, Broke from the warmth of his home into that fog of the devil, Into the smoke of that witch brewing her damnable porridge! Lo, when he vanished from sight, knowing the evil that threatened, Forth with importunate cries hastened his father and mother.
"Peter!" they shrieked in alarm, "Peter!" and evermore "Peter!"-- Ran from the house to the barn, ran from the barn to the garden, Ran to the corn-crib anon, then to the smoke-house proceeded; Henhouse and woodpile they passed, calling and wailing and weeping, Through the front gate to the road, braving the hideous vapor-- Sought him in lane and on pike, called him in orchard and meadow, Clamoring "Peter!" in vain, vainly outcrying for Peter.
Joining the search came the rest, brothers and sisters and cousins, Venting unspeakable fears in pitiful wailing for Peter! And from the neighboring farms gathered the men and the women, Who, upon hearing the news, swelled the loud chorus for Peter.
Farmers and hussifs and maids, bosses and field-hands and niggers, Colonels and jedges galore from cornfields and mint-beds and thickets, All that had voices to voice, all to those parts appertaining, Came to engage in the search, gathered and bellowed for Peter.
The Taylors, the Dorseys, the Browns, the Wallers, the Mitchells, the Logans, The Yenowines, Crittendens, Dukes, the Hickmans, the Hobbses, the Morgans; The Ormsbys, the Thompsons, the Hikes, the Williamsons, Murrays, and Hardins, The Beynroths, the Sherleys, the Hokes, the Haldermans, Harneys, and Slaughters-- All, famed in Kentucky of old for prowess prodigious at farming, Now surged from their prosperous homes to join in that hunt for the truant, To ascertain where he was at, to help out the chorus for Peter.
Still on those prosperous farms where heirs and assigns of the people Specified hereinabove and proved by the records of probate-- Still on those farms shall you hear (and still on the turnpikes adjacent) That pitiful, petulant call, that pleading, expostulant wailing, That hopeless, monotonous moan, that crooning and droning for Peter.
Some say the witch in her wrath transmogrified all those good people; That, wakened from slumber that day by the calling and bawling for Peter, She out of her cave in a thrice, and, waving the foot of a rabbit (Crossed with the caul of a coon and smeared with the blood of a chicken), She changed all those folk into birds and shrieked with demoniac venom: "Fly away over the land, moaning your Peter forever, Croaking of Peter, the boy who didn't believe there were hoodoos, Crooning of Peter, the fool who scouted at stories of witches, Crying of Peter for aye, forever outcalling for Peter!" This is the story they tell; so in good sooth saith the legend; As I have told it to you, so tell the folk and the legend.
That it is true I believe, for on the breezes this morning Come the shrill voices of birds calling and calling for Peter; Out of the maple and beech glitter the eyes of the wailers, Peeping and peering for him who formerly lived in these places-- Peter, the heretic lad, lazy and careless and dreaming, Sorely afflicted with books and with pubescent paresis, Hating the things of the farm, care of the barn and the garden, Always neglecting his chores--given to books and to reading, Which, as all people allow, turn the young person to mischief, Harden his heart against toil, wean his affections from tillage.
This is the legend of yore told in the state of Kentucky When in the springtime the birds call from the beeches and maples, Call from the petulant thorn, call from the acrid persimmon; When from the woods by the creek and from the pastures and meadows, When from the spring house and lane and from the mint-bed and orchard, When from the redbud and gum and from the redolent lilac, When from the dirt roads and pikes cometh that calling for Peter; Cometh the dolorous cry, cometh that weird iteration Of "Peter" and "Peter" for aye, of "Peter" and "Peter" forever! This is the legend of old, told in the tum-titty meter Which the great poets prefer, being less labor than rhyming (My first attempt at the same, my last attempt, too, I reckon!); Nor have I further to say, for the sad story is ended.
Written by Dylan Thomas | Create an image from this poem

To-Day This Insect

 To-day, this insect, and the world I breathe,
Now that my symbols have outelbowed space,
Time at the city spectacles, and half
The dear, daft time I take to nudge the sentence,
In trust and tale I have divided sense,
Slapped down the guillotine, the blood-red double
Of head and tail made witnesses to this
Murder of Eden and green genesis.
The insect certain is the plague of fables.
This story's monster has a serpent caul, Blind in the coil scrams round the blazing outline, Measures his own length on the garden wall And breaks his shell in the last shocked beginning; A crocodile before the chrysalis, Before the fall from love the flying heartbone, Winged like a sabbath ass this children's piece Uncredited blows Jericho on Eden.
The insect fable is the certain promise.
Death: death of Hamlet and the nightmare madmen, An air-drawn windmill on a wooden horse, John's beast, Job's patience, and the fibs of vision, Greek in the Irish sea the ageless voice: 'Adam I love, my madmen's love is endless, No tell-tale lover has an end more certain, All legends' sweethearts on a tree of stories, My cross of tales behind the fabulous curtain.
'


Written by Dylan Thomas | Create an image from this poem

All All And All The Dry Worlds Lever

 I

All all and all the dry worlds lever,
Stage of the ice, the solid ocean,
All from the oil, the pound of lava.
City of spring, the governed flower, Turns in the earth that turns the ashen Towns around on a wheel of fire.
How now my flesh, my naked fellow, Dug of the sea, the glanded morrow, Worm in the scalp, the staked and fallow.
All all and all, the corpse's lover, Skinny as sin, the foaming marrow, All of the flesh, the dry worlds lever.
II Fear not the waking world, my mortal, Fear not the flat, synthetic blood, Nor the heart in the ribbing metal.
Fear not the tread, the seeded milling, The trigger and scythe, the bridal blade, Nor the flint in the lover's mauling.
Man of my flesh, the jawbone riven, Know now the flesh's lock and vice, And the cage for the scythe-eyed raver.
Know, O my bone, the jointed lever, Fear not the screws that turn the voice, And the face to the driven lover.
III All all and all the dry worlds couple, Ghost with her ghost, contagious man With the womb of his shapeless people.
All that shapes from the caul and suckle, Stroke of mechanical flesh on mine, Square in these worlds the mortal circle.
Flower, flower the people's fusion, O light in zenith, the coupled bud, And the flame in the flesh's vision.
Out of the sea, the drive of oil, Socket and grave, the brassy blood, Flower, flower, all all and all.

Book: Shattered Sighs