Written by
Billy Collins |
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive -
"Nonsense.
" "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
why wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
"Absolutely," they shout
to Duns Scotus and James Baldwin.
"Yes.
" "Bull's-eye.
" "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs.
Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird signing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
"Pardon the egg salad stains, but I'm in love.
"
|
Written by
Carl Sandburg |
THE SINS of Kalamazoo are neither scarlet nor crimson.
The sins of Kalamazoo are a convict gray, a dishwater drab.
And the people who sin the sins of Kalamazoo are neither scarlet nor crimson.
They run to drabs and grays—and some of them sing they shall be washed whiter than snow—and some: We should worry.
Yes, Kalamazoo is a spot on the map
And the passenger trains stop there
And the factory smokestacks smoke
And the grocery stores are open Saturday nights
And the streets are free for citizens who vote
And inhabitants counted in the census.
Saturday night is the big night.
Listen with your ears on a Saturday night in Kalamazoo
And say to yourself: I hear America, I hear, what do I hear?
Main street there runs through the middle of the twon
And there is a dirty postoffice
And a dirty city hall
And a dirty railroad station
And the United States flag cries, cries the Stars and Stripes to the four winds on Lincoln’s birthday and the Fourth of July.
Kalamazoo kisses a hand to something far off.
Kalamazoo calls to a long horizon, to a shivering silver angel, to a creeping mystic what-is-it.
“We’re here because we’re here,” is the song of Kalamazoo.
“We don’t know where we’re going but we’re on our way,” are the words.
There are hound dogs of bronze on the public square, hound dogs looking far beyond the public square.
Sweethearts there in Kalamazoo
Go to the general delivery window of the postoffice
And speak their names and ask for letters
And ask again, “Are you sure there is nothing for me?
I wish you’d look again—there must be a letter for me.
”
And sweethearts go to the city hall
And tell their names and say,“We want a license.
”
And they go to an installment house and buy a bed on time and a clock
And the children grow up asking each other, “What can we do to kill time?”
They grow up and go to the railroad station and buy tickets for Texas, Pennsylvania, Alaska.
“Kalamazoo is all right,” they say.
“But I want to see the world.
”
And when they have looked the world over they come back saying it is all like Kalamazoo.
The trains come in from the east and hoot for the crossings,
And buzz away to the peach country and Chicago to the west
Or they come from the west and shoot on to the Battle Creek breakfast bazaars
And the speedbug heavens of Detroit.
“I hear America, I hear, what do I hear?”
Said a loafer lagging along on the sidewalks of Kalamazoo,
Lagging along and asking questions, reading signs.
Oh yes, there is a town named Kalamazoo,
A spot on the map where the trains hesitate.
I saw the sign of a five and ten cent store there
And the Standard Oil Company and the International Harvester
And a graveyard and a ball grounds
And a short order counter where a man can get a stack of wheats
And a pool hall where a rounder leered confidential like and said:
“Lookin’ for a quiet game?”
The loafer lagged along and asked,
“Do you make guitars here?
Do you make boxes the singing wood winds ask to sleep in?
Do you rig up strings the singing wood winds sift over and sing low?”
The answer: “We manufacture musical instruments here.
”
Here I saw churches with steeples like hatpins,
Undertaking rooms with sample coffins in the show window
And signs everywhere satisfaction is guaranteed,
Shooting galleries where men kill imitation pigeons,
And there were doctors for the sick,
And lawyers for people waiting in jail,
And a dog catcher and a superintendent of streets,
And telephones, water-works, trolley cars,
And newspapers with a splatter of telegrams from sister cities of Kalamazoo the round world over.
And the loafer lagging along said:
Kalamazoo, you ain’t in a class by yourself;
I seen you before in a lot of places.
If you are nuts America is nuts.
And lagging along he said bitterly:
Before I came to Kalamazoo I was silent.
Now I am gabby, God help me, I am gabby.
Kalamazoo, both of us will do a fadeaway.
I will be carried out feet first
And time and the rain will chew you to dust
And the winds blow you away.
And an old, old mother will lay a green moss cover on my bones
And a green moss cover on the stones of your postoffice and city hall.
Best of all
I have loved your kiddies playing run-sheep-run
And cutting their initials on the ball ground fence.
They knew every time I fooled them who was fooled and how.
Best of all
I have loved the red gold smoke of your sunsets;
I have loved a moon with a ring around it
Floating over your public square;
I have loved the white dawn frost of early winter silver
And purple over your railroad tracks and lumber yards.
The wishing heart of you I loved, Kalamazoo.
I sang bye-lo, bye-lo to your dreams.
I sang bye-lo to your hopes and songs.
I wished to God there were hound dogs of bronze on your public square,
Hound dogs with bronze paws looking to a long horizon with a shivering silver angel, a creeping mystic what-is-it.
|
Written by
Marianne Moore |
Fanaticism?No.
Writing is exciting
and baseball is like writing.
You can never tell with either
how it will go
or what you will do;
generating excitement--
a fever in the victim--
pitcher, catcher, fielder, batter.
Victim in what category?
Owlman watching from the press box?
To whom does it apply?
Who is excited?Might it be I?
It's a pitcher's battle all the way--a duel--
a catcher's, as, with cruel
puma paw, Elston Howard lumbers lightly
back to plate.
(His spring
de-winged a bat swing.
)
They have that killer instinct;
yet Elston--whose catching
arm has hurt them all with the bat--
when questioned, says, unenviously,
"I'm very satisfied.
We won.
"
Shorn of the batting crown, says, "We";
robbed by a technicality.
When three players on a side play three positions
and modify conditions,
the massive run need not be everything.
"Going, going .
.
.
"Is
it?Roger Maris
has it, running fast.
You will
never see a finer catch.
Well .
.
.
"Mickey, leaping like the devil"--why
gild it, although deer sounds better--
snares what was speeding towards its treetop nest,
one-handing the souvenir-to-be
meant to be caught by you or me.
Assign Yogi Berra to Cape Canaveral;
he could handle any missile.
He is no feather.
"Strike! .
.
.
Strike two!"
Fouled back.
A blur.
It's gone.
You would infer
that the bat had eyes.
He put the wood to that one.
Praised, Skowron says, "Thanks, Mel.
I think I helped a little bit.
"
All business, each, and modesty.
Blanchard, Richardson, Kubek, Boyer.
In that galaxy of nine, say which
won the pennant?Each.
It was he.
Those two magnificent saves from the knee-throws
by Boyer, finesses in twos--
like Whitey's three kinds of pitch and pre-
diagnosis
with pick-off psychosis.
Pitching is a large subject.
Your arm, too true at first, can learn to
catch your corners--even trouble
Mickey Mantle.
("Grazed a Yankee!
My baby pitcher, Montejo!"
With some pedagogy,
you'll be tough, premature prodigy.
)
They crowd him and curve him and aim for the knees.
Trying
indeed!The secret implying:
"I can stand here, bat held steady.
"
One may suit him;
none has hit him.
Imponderables smite him.
Muscle kinks, infections, spike wounds
require food, rest, respite from ruffians.
(Drat it!
Celebrity costs privacy!)
Cow's milk, "tiger's milk," soy milk, carrot juice,
brewer's yeast (high-potency--
concentrates presage victory
sped by Luis Arroyo, Hector Lopez--
deadly in a pinch.
And "Yes,
it's work; I want you to bear down,
but enjoy it
while you're doing it.
"
Mr.
Houk and Mr.
Sain,
if you have a rummage sale,
don't sell Roland Sheldon or Tom Tresh.
Studded with stars in belt and crown,
the Stadium is an adastrium.
O flashing Orion,
your stars are muscled like the lion.
|
Written by
David Lehman |
for Aaron Fogel
Politically-correct
personal computers
point and click.
President Clinton
(codename Peacock)
can't protect
crack pushing
Communist Party
cops pursuing
a care package
of peasant consciousness
in a car park.
Poverty's a crime,
and capital punishment
par for the course,
in this penal code.
A plausible cliffhanger
can't cure the paralyzed,
prevent cancer,
or prepare California
for Perry Como,
that peerless crooner.
Pitcher and catcher confer.
O cornet player, play
"Pomp and Circumstance"
please, in the partly cloudy
cool Pacific.
|
Written by
Robert Graves |
Love without hope, as when the young bird-catcher
Swept off his tall hat to the Squire's own daughter,
So let the imprisoned larks escape and fly
Singing about her head, as she rode by.
|
Written by
Johann Wolfgang von Goethe |
I AM the bard known far and wide,
The travell'd rat-catcher beside;
A man most needful to this town,
So glorious through its old renown.
However many rats I see,
How many weasels there may be,
I cleanse the place from ev'ry one,
All needs must helter-skelter run.
Sometimes the bard so full of cheer
As a child-catcher will appear,
Who e'en the wildest captive brings,
Whene'er his golden tales he sings.
However proud each boy in heart,
However much the maidens start,
I bid the chords sweet music make,
And all must follow in my wake.
Sometimes the skilful bard ye view
In the form of maiden-catcher too;
For he no city enters e'er,
Without effecting wonders there.
However coy may be each maid,
However the women seem afraid,
Yet all will love-sick be ere long
To sound of magic lute and song.
[Da Capo.
] 1803.
*
|
Written by
Robert William Service |
Nurse, won't you let him in?
He's barkin' an' scratchen' the door,
Makin' so dreffel a din
I jest can't sleep any more;
Out there in the dark an' the cold,
Hark to him scrape an' whine,
Breakin' his heart o' gold,
Poor little pooch o' mine.
Nurse, I was sat in ma seat
In front o' the barber shop,
When there he was lickin' ma feet
As if he would never stop;
Then all of a sudden I see
That dog-catcher moseyin' by:
"Whose mongrel is that?" says he;
"It's ma pedigree pup," says I.
Nurse, he was starved an' a-stray,
But his eyes was plumbful o' trust.
How could I turn him away?
I throwed him a bit o' a crust,
An' he choked as he gluped it up,
Then down at ma feet he curled:
Poor little pitiful pup!
Hadn't a friend in the world.
Nurse, I was friendless too,
So we was makin' a pair.
I'm black as a cast-off shoe,
But that li'le dog didn't care.
He loved me as much as though
Ma skin was pearly an' white:
Somehow dogs seem to know
When a man's heart's all right.
Nurse, we was thick as thieves;
Nothin' could pry us apart,
An' now to hear how he grieves
Is twistin' a knife in ma heart.
As I worked at ma shoe-shine stand
He'd watch me wi' eyes o' love,
A-wigglin' an' lickin' ma hand
Like I was a god above.
Nurse, I sure had no luck
That night o' the rain an' then fog;
There was that thunderin' truck,
And right in the way - ma dog.
Oh, I was a fool, I fear;
It's harder to think than to feel .
.
.
I dashed in, flung the pup clear,
But - I went under the wheel.
.
.
.
Nurse, it's a-gittin' dark;
Guess ma time's about up:
Don't seem to hear him bark,
Poor, broken-hearted pup! .
.
.
Why, here he is, darn his skin!
Lickin' ma face once more:
How did the cuss get in?
Musta' busted the door.
God, I'm an ol' black coon,
But You ain't conscious o' race.
I gotta be goin' soon,
I'll be meetin' You face to face.
I'se been sinful, dice an' hooch,
But Lordy, before I die
I'se a-prayin': "Be good to ma pooch" .
.
.
That's all - little mutt, good-bye.
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