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Best Famous Carpets Poems

Here is a collection of the all-time best famous Carpets poems. This is a select list of the best famous Carpets poetry. Reading, writing, and enjoying famous Carpets poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of carpets poems.

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Written by John Dryden | Create an image from this poem

Mac Flecknoe

 All human things are subject to decay,
And, when Fate summons, monarchs must obey:
This Flecknoe found, who, like Augustus, young
Was call'd to empire, and had govern'd long:
In prose and verse, was own'd, without dispute
Through all the realms of Non-sense, absolute.
This aged prince now flourishing in peace, And blest with issue of a large increase, Worn out with business, did at length debate To settle the succession of the State: And pond'ring which of all his sons was fit To reign, and wage immortal war with wit; Cry'd, 'tis resolv'd; for nature pleads that he Should only rule, who most resembles me: Shadwell alone my perfect image bears, Mature in dullness from his tender years.
Shadwell alone, of all my sons, is he Who stands confirm'd in full stupidity.
The rest to some faint meaning make pretence, But Shadwell never deviates into sense.
Some beams of wit on other souls may fall, Strike through and make a lucid interval; But Shadwell's genuine night admits no ray, His rising fogs prevail upon the day: Besides his goodly fabric fills the eye, And seems design'd for thoughtless majesty: Thoughtless as monarch oaks, that shade the plain, And, spread in solemn state, supinely reign.
Heywood and Shirley were but types of thee, Thou last great prophet of tautology: Even I, a dunce of more renown than they, Was sent before but to prepare thy way; And coarsely clad in Norwich drugget came To teach the nations in thy greater name.
My warbling lute, the lute I whilom strung When to King John of Portugal I sung, Was but the prelude to that glorious day, When thou on silver Thames did'st cut thy way, With well tim'd oars before the royal barge, Swell'd with the pride of thy celestial charge; And big with hymn, commander of an host, The like was ne'er in Epsom blankets toss'd.
Methinks I see the new Arion sail, The lute still trembling underneath thy nail.
At thy well sharpen'd thumb from shore to shore The treble squeaks for fear, the basses roar: Echoes from Pissing-Alley, Shadwell call, And Shadwell they resound from Aston Hall.
About thy boat the little fishes throng, As at the morning toast, that floats along.
Sometimes as prince of thy harmonious band Thou wield'st thy papers in thy threshing hand.
St.
Andre's feet ne'er kept more equal time, Not ev'n the feet of thy own Psyche's rhyme: Though they in number as in sense excel; So just, so like tautology they fell, That, pale with envy, Singleton forswore The lute and sword which he in triumph bore And vow'd he ne'er would act Villerius more.
Here stopt the good old sire; and wept for joy In silent raptures of the hopeful boy.
All arguments, but most his plays, persuade, That for anointed dullness he was made.
Close to the walls which fair Augusta bind, (The fair Augusta much to fears inclin'd) An ancient fabric, rais'd t'inform the sight, There stood of yore, and Barbican it hight: A watch tower once; but now, so fate ordains, Of all the pile an empty name remains.
From its old ruins brothel-houses rise, Scenes of lewd loves, and of polluted joys.
Where their vast courts, the mother-strumpets keep, And, undisturb'd by watch, in silence sleep.
Near these a nursery erects its head, Where queens are form'd, and future heroes bred; Where unfledg'd actors learn to laugh and cry, Where infant punks their tender voices try, And little Maximins the gods defy.
Great Fletcher never treads in buskins here, Nor greater Jonson dares in socks appear; But gentle Simkin just reception finds Amidst this monument of vanish'd minds: Pure clinches, the suburbian muse affords; And Panton waging harmless war with words.
Here Flecknoe, as a place to fame well known, Ambitiously design'd his Shadwell's throne.
For ancient Decker prophesi'd long since, That in this pile should reign a mighty prince, Born for a scourge of wit, and flail of sense: To whom true dullness should some Psyches owe, But worlds of Misers from his pen should flow; Humorists and hypocrites it should produce, Whole Raymond families, and tribes of Bruce.
Now Empress Fame had publisht the renown, Of Shadwell's coronation through the town.
Rous'd by report of fame, the nations meet, From near Bun-Hill, and distant Watling-street.
No Persian carpets spread th'imperial way, But scatter'd limbs of mangled poets lay: From dusty shops neglected authors come, Martyrs of pies, and reliques of the bum.
Much Heywood, Shirley, Ogleby there lay, But loads of Shadwell almost chok'd the way.
Bilk'd stationers for yeoman stood prepar'd, And Herringman was Captain of the Guard.
The hoary prince in majesty appear'd, High on a throne of his own labours rear'd.
At his right hand our young Ascanius sat Rome's other hope, and pillar of the state.
His brows thick fogs, instead of glories, grace, And lambent dullness play'd around his face.
As Hannibal did to the altars come, Sworn by his sire a mortal foe to Rome; So Shadwell swore, nor should his vow be vain, That he till death true dullness would maintain; And in his father's right, and realm's defence, Ne'er to have peace with wit, nor truce with sense.
The king himself the sacred unction made, As king by office, and as priest by trade: In his sinister hand, instead of ball, He plac'd a mighty mug of potent ale; Love's kingdom to his right he did convey, At once his sceptre and his rule of sway; Whose righteous lore the prince had practis'd young, And from whose loins recorded Psyche sprung, His temples last with poppies were o'er spread, That nodding seem'd to consecrate his head: Just at that point of time, if fame not lie, On his left hand twelve reverend owls did fly.
So Romulus, 'tis sung, by Tiber's brook, Presage of sway from twice six vultures took.
Th'admiring throng loud acclamations make, And omens of his future empire take.
The sire then shook the honours of his head, And from his brows damps of oblivion shed Full on the filial dullness: long he stood, Repelling from his breast the raging god; At length burst out in this prophetic mood: Heavens bless my son, from Ireland let him reign To far Barbadoes on the Western main; Of his dominion may no end be known, And greater than his father's be his throne.
Beyond love's kingdom let him stretch his pen; He paus'd, and all the people cry'd Amen.
Then thus, continu'd he, my son advance Still in new impudence, new ignorance.
Success let other teach, learn thou from me Pangs without birth, and fruitless industry.
Let Virtuosos in five years be writ; Yet not one thought accuse thy toil of wit.
Let gentle George in triumph tread the stage, Make Dorimant betray, and Loveit rage; Let Cully, Cockwood, Fopling, charm the pit, And in their folly show the writer's wit.
Yet still thy fools shall stand in thy defence, And justify their author's want of sense.
Let 'em be all by thy own model made Of dullness, and desire no foreign aid: That they to future ages may be known, Not copies drawn, but issue of thy own.
Nay let thy men of wit too be the same, All full of thee, and differing but in name; But let no alien Sedley interpose To lard with wit thy hungry Epsom prose.
And when false flowers of rhetoric thou would'st cull, Trust Nature, do not labour to be dull; But write thy best, and top; and in each line, Sir Formal's oratory will be thine.
Sir Formal, though unsought, attends thy quill, And does thy Northern Dedications fill.
Nor let false friends seduce thy mind to fame, By arrogating Jonson's hostile name.
Let Father Flecknoe fire thy mind with praise, And Uncle Ogleby thy envy raise.
Thou art my blood, where Jonson has no part; What share have we in Nature or in Art? Where did his wit on learning fix a brand, And rail at arts he did not understand? Where made he love in Prince Nicander's vein, Or swept the dust in Psyche's humble strain? Where sold he bargains, whip-stitch, kiss my ****, Promis'd a play and dwindled to a farce? When did his muse from Fletcher scenes purloin, As thou whole Eth'ridge dost transfuse to thine? But so transfus'd as oil on waters flow, His always floats above, thine sinks below.
This is thy province, this thy wondrous way, New humours to invent for each new play: This is that boasted bias of thy mind, By which one way, to dullness, 'tis inclin'd, Which makes thy writings lean on one side still, And in all changes that way bends thy will.
Nor let thy mountain belly make pretence Of likeness; thine's a tympany of sense.
A tun of man in thy large bulk is writ, But sure thou 'rt but a kilderkin of wit.
Like mine thy gentle numbers feebly creep, Thy Tragic Muse gives smiles, thy Comic sleep.
With whate'er gall thou sett'st thy self to write, Thy inoffensive satires never bite.
In thy felonious heart, though venom lies, It does but touch thy Irish pen, and dies.
Thy genius calls thee not to purchase fame In keen iambics, but mild anagram: Leave writing plays, and choose for thy command Some peaceful province in acrostic land.
There thou may'st wings display and altars raise, And torture one poor word ten thousand ways.
Or if thou would'st thy diff'rent talents suit, Set thy own songs, and sing them to thy lute.
He said, but his last words were scarcely heard, For Bruce and Longvil had a trap prepar'd, And down they sent the yet declaiming bard.
Sinking he left his drugget robe behind, Born upwards by a subterranean wind.
The mantle fell to the young prophet's part, With double portion of his father's art.


Written by Rudyard Kipling | Create an image from this poem

The Ballad of the Kings Jest

 When spring-time flushes the desert grass,
Our kafilas wind through the Khyber Pass.
Lean are the camels but fat the frails, Light are the purses but heavy the bales, As the snowbound trade of the North comes down To the market-square of Peshawur town.
In a turquoise twilight, crisp and chill, A kafila camped at the foot of the hill.
Then blue smoke-haze of the cooking rose, And tent-peg answered to hammer-nose; And the picketed ponies, shag and wild, Strained at their ropes as the feed was piled; And the bubbling camels beside the load Sprawled for a furlong adown the road; And the Persian pussy-cats, brought for sale, Spat at the dogs from the camel-bale; And the tribesmen bellowed to hasten the food; And the camp-fires twinkled by Fort Jumrood; And there fled on the wings of the gathering dusk A savour of camels and carpets and musk, A murmur of voices, a reek of smoke, To tell us the trade of the Khyber woke.
The lid of the flesh-pot chattered high, The knives were whetted and -- then came I To Mahbub Ali the muleteer, Patching his bridles and counting his gear, Crammed with the gossip of half a year.
But Mahbub Ali the kindly said, "Better is speech when the belly is fed.
" So we plunged the hand to the mid-wrist deep In a cinnamon stew of the fat-tailed sheep, And he who never hath tasted the food, By Allah! he knoweth not bad from good.
We cleansed our beards of the mutton-grease, We lay on the mats and were filled with peace, And the talk slid north, and the talk slid south, With the sliding puffs from the hookah-mouth.
Four things greater than all things are, -- Women and Horses and Power and War.
We spake of them all, but the last the most, For I sought a word of a Russian post, Of a shifty promise, an unsheathed sword And a gray-coat guard on the Helmund ford.
Then Mahbub Ali lowered his eyes In the fashion of one who is weaving lies.
Quoth he: "Of the Russians who can say? When the night is gathering all is gray.
But we look that the gloom of the night shall die In the morning flush of a blood-red sky.
Friend of my heart, is it meet or wise To warn a King of his enemies? We know what Heaven or Hell may bring, But no man knoweth the mind of the King.
That unsought counsel is cursed of God Attesteth the story of Wali Dad.
"His sire was leaky of tongue and pen, His dam was a clucking Khuttuck hen; And the colt bred close to the vice of each, For he carried the curse of an unstanched speech.
Therewith madness -- so that he sought The favour of kings at the Kabul court; And travelled, in hope of honour, far To the line where the gray-coat squadrons are.
There have I journeyed too -- but I Saw naught, said naught, and -- did not die! He harked to rumour, and snatched at a breath Of `this one knoweth' and `that one saith', -- Legends that ran from mouth to mouth Of a gray-coat coming, and sack of the South.
These have I also heard -- they pass With each new spring and the winter grass.
"Hot-foot southward, forgotten of God, Back to the city ran Wali Dad, Even to Kabul -- in full durbar The King held talk with his Chief in War.
Into the press of the crowd he broke, And what he had heard of the coming spoke.
"Then Gholam Hyder, the Red Chief, smiled, As a mother might on a babbling child; But those who would laugh restrained their breath, When the face of the King showed dark as death.
Evil it is in full durbar To cry to a ruler of gathering war! Slowly he led to a peach-tree small, That grew by a cleft of the city wall.
And he said to the boy: `They shall praise thy zeal So long as the red spurt follows the steel.
And the Russ is upon us even now? Great is thy prudence -- await them, thou.
Watch from the tree.
Thou art young and strong, Surely thy vigil is not for long.
The Russ is upon us, thy clamour ran? Surely an hour shall bring their van.
Wait and watch.
When the host is near, Shout aloud that my men may hear.
' "Friend of my heart, is it meet or wise To warn a King of his enemies? A guard was set that he might not flee -- A score of bayonets ringed the tree.
The peach-bloom fell in showers of snow, When he shook at his death as he looked below.
By the power of God, who alone is great, Till the seventh day he fought with his fate.
Then madness took him, and men declare He mowed in the branches as ape and bear, And last as a sloth, ere his body failed, And he hung as a bat in the forks, and wailed, And sleep the cord of his hands untied, And he fell, and was caught on the points and died.
"Heart of my heart, is it meet or wise To warn a King of his enemies? We know what Heaven or Hell may bring, But no man knoweth the mind of the King.
Of the gray-coat coming who can say? When the night is gathering all is gray.
Two things greater than all things are, The first is Love, and the second War.
And since we know not how War may prove, Heart of my heart, let us talk of Love!"
Written by Charles Bukowski | Create an image from this poem

The Sun Weilds Mercy

 and the sun weilds mercy
but like a jet torch carried to high,
and the jets whip across its sight
and rockets leap like toads,
and the boys get out the maps
and pin-cuishon the moon,
old green cheese,
no life there but too much on earth:
our unwashed India boys
crosssing their legs,playing pipes,
starving with sucked in bellies,
watching the snakes volute
like beautiful women in the hungry air;
the rockets leap,
the rockets leap like hares,
clearing clump and dog
replacing out-dated bullets;
the Chineses still carve
in jade,quietly stuffing rice
into their hunger, a hunger
a thousand years old,
their muddy rivers moving with fire
and song, barges, houseboats
pushed by drifting poles
of waiting without wanting;
in Turkey they face the East
on their carpets
praying to a purple god
who smokes and laughs
and sticks fingers in their eyes
blinding them, as gods will do;
but the rockets are ready: peace is no longer,
for some reason,precious;
madness drifts like lily pads
on a pond circling senselessly;
the painters paint dipping
their reds and greens and yellows,
poets rhyme their lonliness,
musicians starve as always
and the novelists miss the mark,
but not the pelican , the gull;
pelicans dip and dive, rise,
shaking shocked half-dead
radioactive fish from their beaks;
indeed, indeed, the waters wash
the rocks with slime; and on wall st.
the market staggers like a lost drunk looking for his key; ah, this will be a good one,by God: it will take us back to the sabre-teeth, the winged monkey scrabbling in pits over bits of helmet, instrument and glass; a lightning crashes across the window and in a million rooms lovers lie entwined and lost and sick as peace; the sky still breaks red and orange for the painters-and for the lovers, flowers open as they always have opened but covered with thin dust of rocket fuel and mushrooms, poison mushrooms; it's a bad time, a dog-sick time-curtain act 3, standing room only, SOLD OUT, SOLD OUT, SOLD OUT again, by god,by somebody and something, by rockets and generals and leaders, by poets , doctors, comedians, by manufacturers of soup and biscuits, Janus-faced hucksters of their own indexerity; I can now see now the coal-slick contanminated fields, a snail or 2, bile, obsidian, a fish or 3 in the shallows, an obloquy of our source and our sight.
.
.
.
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has this happend before? is history a circle that catches itself by the tail, a dream, a nightmare, a general's dream, a presidents dream, a dictators dream.
.
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can't we awaken? or are the forces of life greater than we are? can't we awaken? must we foever, dear freinds, die in our sleep?
Written by Robert Graves | Create an image from this poem

I Hardly Remember

 I hardly remember your voice, but the pain of you
floats in some remote current of my blood.
I carry you in my depths, trapped in the sludge like one of those corpses the sea refuses to give up.
It was a spoiled remnant of the South.
A beach without fishing boats, where the sun was for sale.
A stretch of shore, now a jungle of lights and languages that grudgingly offered, defeated, its obligation of sand.
The night of that day punished us at its whim.
I held you so close I could barely see you.
Autumn was brandishing guffaws and dancebands and the sea tore at the pleasure-boats in a frenzy.
Your hand balanced, with its steady heat, the wavering tepidness of alcohol.
The gardens came at me from far away through your skirt.
My high-tide mark rose to the level of your breasts.
Carpets, like tentacles, wriggling down to the strand, attracted passers-by to the mouth of the clamor.
With lights and curtains, above the tedium the bedrooms murmured in the grand hotels.
There are dark moments when our ballast gives out from so much banging around.
Moments, or centuries, when the flesh revels in its nakedness and reels to its own destruction, sucking the life from itself.
I groped around me, trying on your embrace, but love was not where your embrace was.
I felt your hands stroking that physical ache but a great nothing went before your hands.
I searched, down the length of your soulless surrender, for a calm bay where I could cast a net, yearning to hear a trace of the vendor's voice still wet with the glimmer of the flapping minnows.
It was a spoiled remnant of the South.
The aroma of muscatel was tainted with whiskey breath.
I carry that dead embrace inside me yet like a foreign object the flesh tries to reject.
Written by Rafael Guillen | Create an image from this poem

I Hardly Remember

 I hardly remember your voice, but the pain of you
floats in some remote current of my blood.
I carry you in my depths, trapped in the sludge like one of those corpses the sea refuses to give up.
It was a spoiled remnant of the South.
A beach without fishing boats, where the sun was for sale.
A stretch of shore, now a jungle of lights and languages that grudgingly offered, defeated, its obligation of sand.
The night of that day punished us at its whim.
I held you so close I could barely see you.
Autumn was brandishing guffaws and dancebands and the sea tore at the pleasure-boats in a frenzy.
Your hand balanced, with its steady heat, the wavering tepidness of alcohol.
The gardens came at me from far away through your skirt.
My high-tide mark rose to the level of your breasts.
Carpets, like tentacles, wriggling down to the strand, attracted passers-by to the mouth of the clamor.
With lights and curtains, above the tedium the bedrooms murmured in the grand hotels.
There are dark moments when our ballast gives out from so much banging around.
Moments, or centuries, when the flesh revels in its nakedness and reels to its own destruction, sucking the life from itself.
I groped around me, trying on your embrace, but love was not where your embrace was.
I felt your hands stroking that physical ache but a great nothing went before your hands.
I searched, down the length of your soulless surrender, for a calm bay where I could cast a net, yearning to hear a trace of the vendor's voice still wet with the glimmer of the flapping minnows.
It was a spoiled remnant of the South.
The aroma of muscatel was tainted with whiskey breath.
I carry that dead embrace inside me yet like a foreign object the flesh tries to reject.


Written by Barry Tebb | Create an image from this poem

AUBADE

 Dawn’s my Mr Right, already

Cocks have crowed, birds flown from nests,

The neon lights of Leeds last night still

Sovereign in my sights, limousines and

Pink baloons, tee shirts with green stencilled

Dates of wedding days to come, the worn dance floor,

Jingling arcades where chrome fendered fruit machines

Rest on plush carpets like the ghosts of fifties Chevies,

Dreams for sale on boulevards where forget-me-nots

Are flowing through the hyaline summer air.
I stood with you in Kings Cross on Thursday night Waiting for a bus we saw the lighthouse on top Of a triangle of empty shops and seedy bedsits, Some relic of a nineteenth century’s eccentric’s dream come true.
But posing now the question "What to do with a listed building And the Channel Tunnel coming through?" Its welded slats, Timber frame and listing broken windows blew our minds- Like discovering a Tintoretto in a gallery of fakes.
Leeds takes away the steely glare of Sutton Weighing down on me like breeze-blocks by the ton, When all I want to do is run away and make a home In Keighley, catch a bus to Haworth and walk and walk Till human talk is silenced by the sun.
Written by Thomas Hardy | Create an image from this poem

During Wind And Rain

 They sing their dearest songs --
He, she, all of them -- yea,
Treble and tenor and bass,
And one to play;
With the candles mooning each face.
.
.
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Ah, no; the years O! How the sick leaves reel down in throngs! They clear the creeping moss -- Elders and juniors -- aye, Making the pathways neat And the garden gay; And they build a shady seat.
.
.
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Ah, no; the years, the years; See, the white storm-birds wing across! They are blithely breakfasting all -- Men and maidens -- yea, Under the summer tree, With a glimpse of the bay, While pet fowl come to the knee.
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.
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Ah, no; the years O! And the rotten rose is ript from the wall.
They change to a high new house, He, she, all of them -- aye, Clocks and carpets and chairs On the lawn all day, And brightest things that are theirs.
.
.
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Ah, no; the years, the years; Down their carved names the rain-drop ploughs.
Written by Anne Sexton | Create an image from this poem

Crossing The Atlantic

 We sail out of season into on oyster-gray wind,
over a terrible hardness.
Where Dickens crossed with mal de mer in twenty weeks or twenty days I cross toward him in five.
Wraped in robes-- not like Caesar but like liver with bacon-- I rest on the stern burning my mouth with a wind-hot ash, watching my ship bypass the swells as easily as an old woman reads a palm.
I think; as I look North, that a field of mules lay down to die.
The ship is 27 hours out.
I have entered her.
She might be a whale, sleeping 2000 and ship's company, the last 40¢ martini and steel staterooms where night goes on forever.
Being inside them is, I think, the way one would dig into a planet and forget the word light.
I have walked cities, miles of mole alleys with carpets.
Inside I have been ten girls who speak French.
They languish everywhere like bedsheets.
Oh my Atlantic of the cracked shores, those blemished gates of Rockport and Boothbay, those harbor smells like the innards of animals! Old childish Queen, where did you go, you bayer at wharfs and Victorian houses? I have read each page of my mother's voyage.
I have read each page of her mother's voyage.
I have learned their words as they learned Dickens'.
I have swallowed these words like bullets.
But I have forgotten the last guest--terror.
Unlike them, I cannot toss in the cabin as in childbirth.
Now always leaving me in the West is the wake, a ragged bridal veil, unexplained, seductive, always rushing down the stairs, never detained, never enough.
The ship goes on as though nothing else were happening.
Generation after generation, I go her way.
She will run East, knot by knot, over an old bloodstream, stripping it clear, each hour ripping it, pounding, pounding, forcing through as through a virgin.
Oh she is so quick! This dead street never stops!
Written by Edgar Lee Masters | Create an image from this poem

Widow McFarlane

 I was the Widow McFarlane,
Weaver of carpets for all the village.
And I pity you still at the loom of life, You who are singing to the shuttle And lovingly watching the work of your hands, If you reach the day of hate, of terrible truth.
For the cloth of life is woven, you know, To a pattern hidden under the loom -- A pattern you never see! And you weave high-hearted, singing, singing, You guard the threads of love and friendship For noble figures in gold and purple.
And long after other eyes can see You have woven a moon-white strip of cloth, You laugh in your strength, for Hope overlays it With shapes of love and beauty.
The loom stops short! The pattern's out! You're alone in the room! You have woven a shroud! And hate of it lays you in it!
Written by Adrienne Rich | Create an image from this poem

Moving in Winter

 Their life, collapsed like unplayed cards,
is carried piecemeal through the snow;
Headboard and footboard now, the bed
where she has lain desiring him
where overhead his sleep will build
its canopy to smother her once more;
their table, by four elbows worn
evening after evening while the wax runs down;
mirrors grey with reflecting them,
bureaus coffining from the cold
things that can shuffle in a drawer,
carpets rolled up around those echoes
which, shaken out, take wing and breed
new altercations, the old silences.

Book: Reflection on the Important Things