Written by
Barry Tebb |
The years become you as Oxford becomes you,
As you became Oxford through the protest years;
From Magdalen’s grey gargoyles to its bridge in May,
From the cement buttresses of Wellington Square
To Balliol, Balliol in the rain.
The years become you as the Abbey Road becomes you,
As you became that road through silent years,
From the famous crossing to the stunted bridge
Caparisoned with carnivals of children,
Cohorts of coloured clowns and Father Christmases.
The years become you as the Clothworkers’ Hall in gold
Became you, and you became it through the protest years,
When the Brotherton’s Portland stone, its white stone
Of innocence was snow in the School of English garden,
‘A living sculpture’, a Grene Knicht awaiting spring.
The years become you, Oxford, Leeds and London,
As you became them through the years of poems,
Through passing, silent crowds, through the cherry blossom
You sat under, plucked and ploughed, ‘a dissenting voice’,
And Balliol, Balliol in the rain.
|
Written by
Emily Dickinson |
"Heaven" has different Signs -- to me --
Sometimes, I think that Noon
Is but a symbol of the Place --
And when again, at Dawn,
A mighty look runs round the World
And settles in the Hills --
An Awe if it should be like that
Upon the Ignorance steals --
The Orchard, when the Sun is on --
The Triumph of the Birds
When they together Victory make --
Some Carnivals of Clouds --
The Rapture of a finished Day --
Returning to the West --
All these -- remind us of the place
That Men call "paradise" --
Itself be fairer -- we suppose --
But how Ourself, shall be
Adorned, for a Superior Grace --
Not yet, our eyes can see --
|
Written by
Arthur Symons |
They pass upon their old, tremulous feet,
Creeping with little satchels down the street,
And they remember, many years ago,
Passing that way in silks. They wander, slow
And solitary, through the city ways,
And they alone remember those old days
Men have forgotten. In their shaking heads
A dancer of old carnivals yet treads
The measure of past waltzes, and they see
The candles lit again, the patchouli
Sweeten the air, and the warm cloud of musk
Enchant the passing of the passionate dusk.
Then you will see a light begin to creep
Under the earthen eyelids, dimmed with sleep,
And a new tremor, happy and uncouth,
Jerking about the corners of the mouth.
Then the old head drops down again, and shakes,
Muttering.
Sometimes, when the swift gaslight wakes
The dreams and fever of the sleepless town,
A shaking huddled thing in a black gown
Will steal at midnight, carrying with her
Violet bags of lavender,
Into the taproom full of noisy light;
Or, at the crowded earlier hour of night,
Sidle, with matches, up to some who stand
About a stage-door, and, with furtive hand,
Appealing: "I too was a dancer, when
Your fathers would have been young gentlemen!"
And sometimes, out of some lean ancient throat,
A broken voice, with here and there a note
Of unspoiled crystal, suddenly will arise
Into the night, while a cracked fiddle cries
Pantingly after; and you know she sings
The passing of light, famous, passing things.
And sometimes, in the hours past midnight, reels
Out of an alley upon staggering heels,
Or into the dark keeping of the stones
About a doorway, a vague thing of bones
And draggled hair.
And all these have been loved.
And not one ruinous body has not moved
The heart of man's desire, nor has not seemed
Immortal in the eyes of one who dreamed
The dream that men call love. This is the end
Of much fair flesh; it is for this you tend
Your delicate bodies many careful years,
To be this thing of laughter and of tears,
To be this living judgment of the dead,
An old gray woman with a shaking head.
|