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Best Famous Capped Poems

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Written by Allen Ginsberg | Create an image from this poem

In The Baggage Room At Greyhound

 I

In the depths of the Greyhound Terminal 
sitting dumbly on a baggage truck looking at the sky 
 waiting for the Los Angeles Express to depart 
worrying about eternity over the Post Office roof in 
 the night-time red downtown heaven 
staring through my eyeglasses I realized shuddering 
 these thoughts were not eternity, nor the poverty 
 of our lives, irritable baggage clerks, 
nor the millions of weeping relatives surrounding the 
 buses waving goodbye, 
nor other millions of the poor rushing around from 
 city to city to see their loved ones, 
nor an indian dead with fright talking to a huge cop 
 by the Coke machine, 
nor this trembling old lady with a cane taking the last 
 trip of her life, 
nor the red-capped cynical porter collecting his quar- 
 ters and smiling over the smashed baggage, 
nor me looking around at the horrible dream, 
nor mustached ***** Operating Clerk named Spade, 
 dealing out with his marvelous long hand the 
 fate of thousands of express packages, 
nor fairy Sam in the basement limping from leaden 
 trunk to trunk, 
nor Joe at the counter with his nervous breakdown 
 smiling cowardly at the customers, 
nor the grayish-green whale's stomach interior loft 
 where we keep the baggage in hideous racks, 
hundreds of suitcases full of tragedy rocking back and 
 forth waiting to be opened, 
nor the baggage that's lost, nor damaged handles, 
 nameplates vanished, busted wires & broken 
 ropes, whole trunks exploding on the concrete 
 floor, 
nor seabags emptied into the night in the final 
 warehouse. 

 II

Yet Spade reminded me of Angel, unloading a bus, 
dressed in blue overalls black face official Angel's work- 
 man cap, 
pushing with his belly a huge tin horse piled high with 
 black baggage, 
looking up as he passed the yellow light bulb of the loft 
and holding high on his arm an iron shepherd's crook. 

 III

It was the racks, I realized, sitting myself on top of 
 them now as is my wont at lunchtime to rest 
 my tired foot, 
it was the racks, great wooden shelves and stanchions 
 posts and beams assembled floor to roof jumbled 
 with baggage, 
--the Japanese white metal postwar trunk gaudily 
 flowered & headed for Fort Bragg, 
one Mexican green paper package in purple rope 
 adorned with names for Nogales, 
hundreds of radiators all at once for Eureka, 
crates of Hawaiian underwear, 
rolls of posters scattered over the Peninsula, nuts to 
 Sacramento, 
one human eye for Napa, 
an aluminum box of human blood for Stockton 
and a little red package of teeth for Calistoga- 
it was the racks and these on the racks I saw naked 
 in electric light the night before I quit, 
the racks were created to hang our possessions, to keep 
 us together, a temporary shift in space, 
God's only way of building the rickety structure of 
 Time, 
to hold the bags to send on the roads, to carry our 
 luggage from place to place 
looking for a bus to ride us back home to Eternity 
 where the heart was left and farewell tears 
 began. 

 IV

A swarm of baggage sitting by the counter as the trans- 
 continental bus pulls in. 
The clock registering 12:15 A.M., May 9, 1956, the 
 second hand moving forward, red. 
Getting ready to load my last bus.-Farewell, Walnut 
 Creek Richmond Vallejo Portland Pacific 
 Highway 
Fleet-footed Quicksilver, God of transience. 
One last package sits lone at midnight sticking up out 
 of the Coast rack high as the dusty fluorescent 
 light. 

The wage they pay us is too low to live on. Tragedy 
 reduced to numbers. 
This for the poor shepherds. I am a communist. 
Farewell ye Greyhound where I suffered so much, 
 hurt my knee and scraped my hand and built 
 my pectoral muscles big as a vagina.

 May 9, 1956


Written by Philip Levine | Create an image from this poem

For The Country

 THE DREAM

This has nothing to do with war 
or the end of the world. She 
dreams there are gray starlings 
on the winter lawn and the buds 
of next year's oranges alongside 
this year's oranges, and the sun 
is still up, a watery circle 
of fire settling into the sky 
at dinner time, but there's no 
flame racing through the house 
or threatening the bed. When she 
wakens the phone is ringing 
in a distant room, but she 
doesn't go to answer it. No 
one is home with her, and the cars 
passing before the house hiss 
in the rain. "My children!" she 
almost says, but there are no 
longer children at home, there 
are no longer those who would 
turn to her, their faces running 
with tears, and ask her forgiveness.

THE WAR

The Michigan Central Terminal 
the day after victory. Her brother 
home from Europe after years 
of her mother's terror, and he still 
so young but now with the dark 
shadow of a beard, holding her 
tightly among all the others 
calling for their wives or girls. 
That night in the front room 
crowded with family and neighbors -- 
he was first back on the block -- 
he sat cross-legged on the floor 
still in his wool uniform, smoking 
and drinking as he spoke of passing 
high over the dark cities she'd 
only read about. He'd wanted to 
go back again and again. He'd wanted 
to do this for the country, 
for this -- a small house with upstairs 
bedrooms -- so he'd asked to go 
on raid after raid as though 
he hungered to kill or be killed.

THE PRESIDENT

Today on television men 
will enter space and return, 
men she cannot imagine. 
Lost in gigantic paper suits, 
they move like sea creatures. 
A voice will crackle from out 
there where no voices are 
speaking of the great theater 
of conquest, of advancing 
beyond the simple miracles 
of flight, the small ventures 
of birds and beasts. The President 
will answer with words she 
cannot remember having 
spoken ever to anyone.

THE PHONE CALL

She calls Chicago, but no one 
is home. The operator asks 
for another number but still 
no one answers. Together 
they try twenty-one numbers, 
and at each no one is ever home. 
"Can I call Baltimore?" she asks. 
She can, but she knows no one 
in Baltimore, no one in 
St. Louis, Boston, Washington. 
She imagines herself standing 
before the glass wall high 
over Lake Shore Drive, the cars 
below fanning into the city. 
East she can see all the way 
to Gary and the great gray clouds 
of exhaustion rolling over 
the lake where her vision ends. 
This is where her brother lives. 
At such height there's nothing, 
no birds, no growing, no noise. 
She leans her sweating forehead 
against the cold glass, shudders, 
and puts down the receiver.

THE GARDEN

Wherever she turns her garden 
is alive and growing. The thin 
spears of wild asparagus, shaft 
of tulip and flag, green stain 
of berry buds along the vines, 
even in the eaten leaf of 
pepper plants and clipped stalk 
of snap bean. Mid-afternoon 
and already the grass is dry 
under the low sun. Bluejay 
and dark capped juncos hidden 
in dense foliage waiting 
the sun's early fall, when she 
returns alone to hear them 
call and call back, and finally 
in the long shadows settle 
down to rest and to silence 
in the sudden rising chill.

THE GAME

Two boys are playing ball 
in the backyard, throwing it 
back and forth in the afternoon's 
bright sunshine as a black mongrel 
big as a shepherd races 
from one to the other. She 
hides behind the heavy drapes 
in her dining room and listens, 
but they're too far. Who are 
they? They move about her yard 
as though it were theirs. Are they 
the sons of her sons? They've 
taken off their shirts, and she 
sees they're not boys at all -- 
a dark smudge of hair rises 
along the belly of one --, and now 
they have the dog down thrashing 
on his back, snarling and flashing 
his teeth, and they're laughing.

AFTER DINNER

She's eaten dinner talking 
back to the television, she's 
had coffee and brandy, done 
the dishes and drifted into 
and out of sleep over a book 
she found beside the couch. It's 
time for bed, but she goes 
instead to the front door, unlocks 
it, and steps onto the porch. 
Behind her she can hear only 
the silence of the house. The lights 
throw her shadow down the stairs 
and onto the lawn, and she walks 
carefully to meet it. Now she's 
standing in the huge, whispering 
arena of night, hearing her 
own breath tearing out of her 
like the cries of an animal. 
She could keep going into 
whatever the darkness brings, 
she could find a presence there 
her shaking hands could hold 
instead of each other.

SLEEP

A dark sister lies beside her 
all night, whispering 
that it's not a dream, that fire 
has entered the spaces between 
one face and another. 
There will be no wakening. 
When she wakens, she can't 
catch her own breath, so she yells 
for help. It comes in the form 
of sleep. They whisper 
back and forth, using new words 
that have no meaning 
to anyone. The aspen shreds 
itself against her window. 
The oranges she saw that day 
in her yard explode 
in circles of oil, the few stars 
quiet and darken. They go on, 
two little girls up long past 
their hour, playing in bed.
Written by Rg Gregory | Create an image from this poem

from imperfect Eden

 (1)
and off to scott's (the dockers' restaurant)
burly men packed in round solid tables
but what the helle (drowned in hellespont)
this place for me was rich in its own fables
i'll be the lover sunk if that enables
an awesome sense of just how deep the spells
that put scotts for me beyond the dardanelles

lace-curtained windows (or memory plays me false)
no capped odysseus could turn such sirens down
or was it a circean slip that shocked the pulse
all men are pigs when hunger rips the gown
and these men were not there to grace the town
service bustling (no time to take caps off)
hot steaming food and noses in the trough

i loved it deeply squashed in there with you
rough offensive banter bantered back
the smells of sweat and cargoes mixed with stew
and dumplings lamb chops roast beef - what the ****
these toughened men could outdo friar tuck
so ravenous their faith blown off the sea
that god lived in the stomach raucously

perhaps cramped into scotts i felt it most
that you belonged in a living sea of men
who shared the one blood-vision of a coast
tides washed you to but washed you off again
too much history made the struggle plain
but all the time there was this rough-hewn glimmer
that truth wore dirty clothes and ate its dinner

at midday - scotts was a parliament of sorts
where what was said had not the solid weight
of what was felt (or what was eaten) courts
bewigged and stuffed with pomp of state
were brushed aside in favour of the plate
but those who entered hungry came out wise
unspoken resolutions mulled like pies


(2)
and then the tram ride home (if we were lucky -
and nothing during the day had caused despair)
trams had a gift about them that was snaky
wriggling their straitened ways from lair to lair
they hissed upon their wires and flashed the air
they swallowed people whole and spewed them out
and most engorged in them became devout

you either believed in trams or thought them heathen
savage contraptions that shook you to your roots
on busy jaunts there was no room for breathing
damn dignity - rapt flesh was in cahoots
all sexes fused from head-scarves to their boots
and somewhere in the melee children pressed
shoulders to crotches noses to the rest

and in light-headed periods trams debunked
the classier lissome ways of shifting freight
emptied of pomp their anarchy instinct
they'd rattle down their tracks at such a rate
they'd writhe their upper structures like an eight
being drawn by revelling legless topers
strict rails (they claimed) gave sanction for such capers

trams had this kind of catholic conviction
the end ordained their waywardness was blessed
if tramways claimed per se this benediction
who cared if errant trams at times seemed pissed
religions prosper from the hedonist
who shags the world by day and prays at night
those drunken trams still brim me with delight

to climb the twisted stairs and seek a seat
as tram got under way through sozzled rotors
and find olympia vacant at my feet
(the gods too razzled by the rasping motors
- the sharps of life too much for absolutors)
would send me skeltering along the aisle
king of the upper world for one short while

and all the shaking rolling raucous gait
of this metallic serpent sizzling through
the maze of shoppy streets (o dizzy state)
sprinkled my heart-strings with ambrosial dew
(well tell a lie but such a wish will do)
and i'd be gloried as if leviathan
said hop on nip and sped me to japan

so back to earth - the tram that netley day
would be quite sober bumbling through the town
the rush-hour gone and night still on its way
mum lil and baby (babies) would stay down
and we'd be up the top - too tired to clown
our bodies glowed (a warm contentment brewed)
burnt backs nor aching legs could pop that mood

(3)
i lay in bed one day my joints subsiding
lost in a day-dream rhythmed by my heart
medicine-time (a pleasure not abiding)
i did my best to play the sleeping part
then at my back a nurse's rustling skirt
a bending breeze (all breathing held in check)
and then she blew sweet eddies down my neck

the nurse (of all) whose presence turned the winter
to summer's morning (cool before the sun)
who touched the quick with such exquisite splinter
the wince was there but no great hurt was done
she moved like silk the finest loom had spun
the ward went dark when she was gone or late
and i was seven longing to be eight

that whispering down my spine by scented lips
threw wants and hopes my way that stewed my mind
a draught drunk down in paradisal sips
stirred passages in me not then defined
at three i'd touched the grail with fingers blind
to heart-ache - this nurse though first described the gates
to elysium where grown-up love pupates

but soon a cloud knocked pristine sex aback
(i had to learn the hard way nothing's easy)
i went my own route off the sanctioned track
and came distraught - in fact distinctly queasy
without permission (both nonchalant and breezy)
i sailed from bed to have a pee (or worse)
and got locked in - and drew that nurse's curse

not only hers but all the fussing staff's
for daring such a voyage in my state
whose heart just then was not a bag of laughs
did i not understand the fist of fate
that waited naughty boys who could not wait
thunderous gods glared through the quaking panes
a corporate wrath set back my growing pains

forget the scented lips the creeping bliss
of such a nurse's presence on my flesh
locked in i'd been an hour or more amiss
they thought i'd done a bunk or slipped the leash
when found i'd gone all blue like frozen fish
those scented lips discharged their angry bile
and cupid's dart fell short a scornful mile

come christmas day the christmas tree was bright
its mothering arms held glittering gifts for all
and i was seven longing to be eight
and i was given a large pink fluffy ball
my spirit shrank into the nearest wall
true love reduced to this insulting gimcrack
my pumped-up heart was punctured by a tintack
Written by Henry Wadsworth Longfellow | Create an image from this poem

Voices Of the Night

 PRELUDE.

Pleasant it was, when woods were green,
And winds were soft and low,
To lie amid some sylvan scene,
Where, the long drooping boughs between
Shadows dark and sunlight sheen
Alternate come and go;

Or where the denser grove receives
No sunlight from above
But the dark foliage interweaves
In one unbroken roof of leaves,
Underneath whose sloping eaves
The shadows hardly move.

Beneath some patriarchal tree
I lay upon the ground;
His hoary arms uplifted he,
And all the broad leaves over me
Clapped their little hands in glee,
With one continuous sound;-

A slumberous sound,-a sound that brings
The feelings of a dream,-
As of innumerable wings,
As, when a bell no longer swings,
Faint the hollow murmur rings
O'er meadow, lake, and stream.

And dreams of that which cannot die,
Bright visins, came to me,
As lapped in thought I used to lie,
And gaze into the summer sky,
Where the sailing clouds went by,
Like ships upon the sea;

Dreams that the soul of youth engage
Ere Fancy has been quelled;
Old legends of the monkish page.
Traditions of the saint and sage,
Tales that have the rime of age,
And chronicles of Eld.

And, loving still these quaint old themes,
Even in the city's throng
I feel the freshness of the streams,
That, crossed by shades and sunny gleams,
Water the green land of dreams,
The holy land of song.

Therefore, at Pentecost, which brings
The Spring, clothed like a bride,
When nestling buds unfold their wings,
And bishop's-caps have golden rings,
Musing upon many things,
I sought the woodlands wide.

The green trees whispered low and mild,
It was a sound of joy!
They were my playmates when a child
And rocked me in their arms so wild!
Still they looked at me and smiled
As if I were a boy;

And ever whispered, mild and low,
"Come, be a child once more!"
And waved their long arms to and fro,
And beckoned solemnly and slow;
O, I could not choose but go
Into the woodlands hoar;

Into the blithe and breathing air,
Into the solemn wood.
Solemn and silent everywhere!
Nature with folded hands seemed there,
Kneeling at her evening prayer!
Like one in prayer I stood.

Before me rose an avenue
Of tall and sombrous pines;
Abroad their fan-like branches grew,
And, where the sunshine darted throught
Spread a vapor soft and blue,
In long and sloping lines.

And, falling on my weary brain,
Like a fast-falling shower,
The dreams of youth came back again,
Low lispings of the summer rain,
Dropping on the ripened grain,
As once upon the flower.

Visions of childhood! Stay, O stay!
Ye were so sweet and wild!
And distant voices seemed to say,
"It cannot be! They pass away!
Other themes demand thy lay;
Thou art no more a child!

"The land of Song within thee lies,
Watered by living springs;
The lids of Fancy's sleepless eyes
Are gates unto that Paradise;
Holy thoughts, like stars, arise,
Its clouds are angels' wings.

"Learn, that henceforth thy song shall be
Not mountains capped with snow,
Nor forests sounding like the sea,
Nor rivers flowing ceaselessly,
Where the woodlands bend to see
The bending heavens below.

"There is a forest where the din
Of iron branches sounds!
A mighty river roara between,
And whosoever looks therein,
Sees the heavens all black with sin,-
Sees not ita depths, nor bounds.

"Athwart the swinging branches cast,
Soft rays of sunshine pour;
Then comes the fearful wintry blast;
Our hopes, like withered leaves, fall fast;
Pallid lips say, 'It is past!
We can return no more!'

"Look, then, into thine heart, and write!
Yes, into Life's deep stream!
All forms of sorrow and delight,
All solemn Voices of the Night,
That can soothe thee, or affright,-
Be these henceforth thy theme."
Written by Robert Graves | Create an image from this poem

Letter to S.S. from Mametz Wood

 I never dreamed we’d meet that day 
In our old haunts down Fricourt way, 
Plotting such marvellous journeys there 
For jolly old “Apr?s-la-guerre.” 

Well, when it’s over, first we’ll meet 
At Gweithdy Bach, my country seat 
In Wales, a curious little shop 
With two rooms and a roof on top, 
A sort of Morlancourt-ish billet 
That never needs a crowd to fill it.
But oh, the country round about! 
The sort of view that makes you shout 
For want of any better way 
Of praising God: there’s a blue bay 
Shining in front, and on the right
Snowden and Hebog capped with white, 
And lots of other jolly peaks 
That you could wonder at for weeks, 
With jag and spur and hump and cleft. 
There’s a grey castle on the left,
And back in the high Hinterland 
You’ll see the grave of Shawn Knarlbrand, 
Who slew the savage Buffaloon 
By the Nant-col one night in June, 
And won his surname from the horn
Of this prodigious unicorn. 
Beyond, where the two Rhinogs tower, 
Rhinog Fach and Rhinog Fawr, 
Close there after a four years’ chase 
From Thessaly and the woods of Thrace,
The beaten Dog-cat stood at bay 
And growled and fought and passed away. 
You’ll see where mountain conies grapple 
With prayer and creed in their rock chapel 
Which Ben and Claire once built for them;
They call it S?ar Bethlehem. 
You’ll see where in old Roman days, 
Before Revivals changed our ways, 
The Virgin ’scaped the Devil’s grab, 
Printing her foot on a stone slab
With five clear toe-marks; and you’ll find 
The fiendish thumbprint close behind. 
You’ll see where Math, Mathonwy’s son, 
Spoke with the wizard Gwydion 
And bad him from South Wales set out
To steal that creature with the snout, 
That new-discovered grunting beast 
Divinely flavoured for the feast. 
No traveller yet has hit upon 
A wilder land than Meirion,
For desolate hills and tumbling stones, 
Bogland and melody and old bones. 
Fairies and ghosts are here galore, 
And poetry most splendid, more 
Than can be written with the pen
Or understood by common men. 

In Gweithdy Bach we’ll rest awhile, 
We’ll dress our wounds and learn to smile 
With easier lips; we’ll stretch our legs, 
And live on bilberry tart and eggs,
And store up solar energy, 
Basking in sunshine by the sea, 
Until we feel a match once more 
For anything but another war. 

So then we’ll kiss our families,
And sail across the seas 
(The God of Song protecting us) 
To the great hills of Caucasus. 
Robert will learn the local bat 
For billeting and things like that,
If Siegfried learns the piccolo 
To charm the people as we go. 

The jolly peasants clad in furs 
Will greet the Welch-ski officers 
With open arms, and ere we pass
Will make us vocal with Kavasse. 
In old Bagdad we’ll call a halt 
At the S?shuns’ ancestral vault; 
We’ll catch the Persian rose-flowers’ scent, 
And understand what Omar meant.
Bitlis and Mush will know our faces, 
Tiflis and Tomsk, and all such places. 
Perhaps eventually we’ll get 
Among the Tartars of Thibet. 
Hobnobbing with the Chungs and Mings,
And doing wild, tremendous things 
In free adventure, quest and fight, 
And God! what poetry we’ll write!


Written by Robert Pinsky | Create an image from this poem

Poem With Refrains

 The opening scene. The yellow, coal-fed fog
Uncurling over the tainted city river,
A young girl rowing and her anxious father
Scavenging for corpses. Funeral meats. The clever
Abandoned orphan. The great athletic killer
Sulking in his tent. As though all stories began
With someone dying.

 When her mother died,
My mother refused to attend the funeral--
In fact, she sulked in her tent all through the year
Of the old lady's dying. I don't know why:
She said, because she loved her mother so much
She couldn't bear to see the way the doctors,
Or her father, or--someone--was letting her mother die.
"Follow your saint, follow with accents sweet;
Haste you, sad notes, fall at her flying feet."

She fogs things up, she scavenges the taint.
Possibly that's the reason I write these poems.

But they did speak: on the phone. Wept and argued,
So fiercely one or the other often cut off
A sentence by hanging up in rage--like lovers,
But all that year she never saw her face.

They lived on the same block, four doors apart.
"Absence my presence is; strangeness my grace;
With them that walk against me is my sun."

"Synagogue" is a word I never heard,
We called it shul, the Yiddish word for school.
Elms, terra-cotta, the ocean a few blocks east.
"Lay institution": she taught me we didn't think
God lived in it. The rabbi is just a teacher.

But what about the hereditary priests,
Descendants of the Cohanes of the Temple,
Like Walter Holtz--I called him Uncle Walter,
When I was small. A big man with a face
Just like a boxer dog or a cartoon sergeant.
She told me whenever he helped a pretty woman
Try on a shoe in his store, he'd touch her calf
And ask her, "How does that feel?" I was too little
To get the point but pretended to understand.
"Desire, be steady; hope is your delight,
An orb wherein no creature can ever be sorry."

She didn't go to my bar mitzvah, either.
I can't say why: she was there, and then she wasn't.
I looked around before I mounted the steps
To chant that babble and the speech the rabbi wrote
And there she wasn't, and there was Uncle Walter
The Cohane frowning with his doggy face:
"She's missing her own son's musaf." Maybe she just
Doesn't like rituals. Afterwards, she had a reason
I don't remember. I wasn't upset: the truth
Is, I had decided to be the clever orphan
Some time before. By now, it's all a myth.
What is a myth but something that seems to happen
Always for the first time over and over again?
And ten years later, she missed my brother's, too.
I'm sorry: I think it was something about a hat.
"Hot sun, cool fire, tempered with sweet air,
Black shade, fair nurse, shadow my white hair;
Shine, sun; burn, fire; breathe, air, and ease me."

She sees the minister of the Nation of Islam
On television, though she's half-blind in one eye.
His bow tie is lime, his jacket crocodile green.
Vigorously he denounces the Jews who traded in slaves,
The Jews who run the newspapers and the banks.
"I see what this guy is mad about now," she says,
"It must have been some Jew that sold him the suit."
"And the same wind sang and the same wave whitened,
And or ever the garden's last petals were shed,
In the lips that had whispered, the eyes that had lightened."

But when they unveiled her mother's memorial stone,
Gathered at the graveside one year after the death,
According to custom, while we were standing around
About to begin the prayers, her car appeared.
It was a black car; the ground was deep in snow.
My mother got out and walked toward us, across
The field of gravestones capped with snow, her coat
Black as the car, and they waited to start the prayers
Until she arrived. I think she enjoyed the drama.
I can't remember if she prayed or not,
But that may be the way I'll remember her best:
Dark figure, awaited, attended, aware, apart.
"The present time upon time passëd striketh;
With Phoebus's wandering course the earth is graced.

The air still moves, and by its moving, cleareth;
The fire up ascends, and planets feedeth;
The water passeth on, and all lets weareth;
The earth stands still, yet change of changes breedeth."
Written by Charles Sorley | Create an image from this poem

A Letter From the Trenches to a School Friend

 I have not brought my Odyssey
With me here across the sea;
But you'll remember, when I say
How, when they went down Sparta way,
To sandy Sparta, long ere dawn
Horses were harnessed, rations drawn,
Equipment polished sparkling bright,
And breakfasts swallowed (as the white
Of eastern heavens turned to gold) -
The dogs barked, swift farewells were told.
The sun springs up, the horses neigh,
Crackles the whip thrice-then away!
From sun-go-up to sun-go-down
All day across the sandy down
The gallant horses galloped, till
The wind across the downs more chill
Blew, the sun sank and all the road
Was darkened, that it only showed
Right at the end the town's red light
And twilight glimmering into night.

The horses never slackened till
They reached the doorway and stood still.
Then came the knock, the unlading; then
The honey-sweet converse of men,
The splendid bath, the change of dress,
Then - oh the grandeur of their Mess,
The henchmen, the prim stewardess!
And oh the breaking of old ground,
The tales, after the port went round!
(The wondrous wiles of old Odysseus,
Old Agamemnon and his misuse
Of his command, and that young chit
Paris - who didn't care a bit
For Helen - only to annoy her
He did it really, K.T.A.)
But soon they led amidst the din
The honey-sweet -- in,
Whose eyes were blind, whose soul had sight,
Who knew the fame of men in fight -
Bard of white hair and trembling foot,
Who sang whatever God might put
Into his heart.
And there he sung,
Those war-worn veterans among,
Tales of great war and strong hearts wrung,
Of clash of arms, of council's brawl,
Of beauty that must early fall,
Of battle hate and battle joy
By the old windy walls of Troy.
They felt that they were unreal then,
Visions and shadow-forms, not men.
But those the Bard did sing and say
(Some were their comrades, some were they)
Took shape and loomed and strengthened more
Greatly than they had guessed of yore.
And now the fight begins again,
The old war-joy, the old war-pain.
Sons of one school across the sea
We have no fear to fight -

And soon, oh soon, I do not doubt it,
With the body or without it,
We shall all come tumbling down
To our old wrinkled red-capped town.
Perhaps the road up llsley way,
The old ridge-track, will be my way.
High up among the sheep and sky,
Look down on Wantage, passing by,
And see the smoke from Swindon town;
And then full left at Liddington,
Where the four winds of heaven meet
The earth-blest traveller to greet.
And then my face is toward the south,
There is a singing on my mouth
Away to rightward I descry
My Barbury ensconced in sky,
Far underneath the Ogbourne twins,
And at my feet the thyme and whins,
The grasses with their little crowns
Of gold, the lovely Aldbourne downs,
And that old signpost (well I knew
That crazy signpost, arms askew,
Old mother of the four grass ways).
And then my mouth is dumb with praise,
For, past the wood and chalkpit tiny,
A glimpse of Marlborough --!
So I descend beneath the rail
To warmth and welcome and wassail.

This from the battered trenches - rough,
Jingling and tedious enough.
And so I sign myself to you:
One, who some crooked pathways knew
Round Bedwyn: who could scarcely leave
The Downs on a December eve:
Was at his happiest in shorts,
And got - not many good reports!
Small skill of rhyming in his hand -
But you'll forgive - you'll understand.
Written by Wang Wei | Create an image from this poem

An Early Audience at the Palace of Light. (Harmonizing a poem for Secretary Jia Zhi.)

 The red-capped Cock-Man has just announced morning; 
The Keeper of the Robes brings Jade-Cloud Furs; 
Heaven's nine doors reveal the palace and its courtyards; 
And the coats of many countries bow to the Pearl Crown. 
Sunshine has entered the giants' carven palms; 
Incense wreathes the Dragon Robe: 
The audience adjourns-and the five-coloured edict 
Sets girdle-beads clinking toward the Lake of the Phoenix.
Written by Sylvia Plath | Create an image from this poem

Full Fathom Five

 Old man, you surface seldom.
Then you come in with the tide's coming
When seas wash cold, foam-

Capped: white hair, white beard, far-flung,
A dragnet, rising, falling, as waves
Crest and trough. Miles long

Extend the radial sheaves
Of your spread hair, in which wrinkling skeins
Knotted, caught, survives

The old myth of orgins
Unimaginable. You float near
As kneeled ice-mountains

Of the north, to be steered clear
Of, not fathomed. All obscurity
Starts with a danger:

Your dangers are many. I
Cannot look much but your form suffers
Some strange injury

And seems to die: so vapors
Ravel to clearness on the dawn sea.
The muddy rumors

Of your burial move me
To half-believe: your reappearance
Proves rumors shallow,

For the archaic trenched lines
Of your grained face shed time in runnels:
Ages beat like rains

On the unbeaten channels
Of the ocean. Such sage humor and
Durance are whirlpools

To make away with the ground-
Work of the earth and the sky's ridgepole.
Waist down, you may wind

One labyrinthine tangle
To root deep among knuckles, shinbones,
Skulls. Inscrutable,

Below shoulders not once
Seen by any man who kept his head,
You defy questions;

You defy godhood.
I walk dry on your kingdom's border
Exiled to no good.

Your shelled bed I remember.
Father, this thick air is murderous.
I would breathe water.
Written by Richard Wilbur | Create an image from this poem

A World Without Objects is a Sensible Emptiness

 The tall camels of the spirit
Steer for their deserts, passing the last groves loud
With the sawmill shrill of the locust, to the whole honey of the 
arid
Sun. They are slow, proud, 

And move with a stilted stride
To the land of sheer horizon, hunting Traherne's
Sensible emptiness, there where the brain's lantern-slide
Revels in vast returns.

O connoisseurs of thirst, 
Beasts of my soul who long to learn to drink
Of pure mirage, those prosperous islands are accurst
That shimmer on the brink

Of absence; auras, lustres, 
And all shinings need to be shaped and borne.
Think of those painted saints, capped by the early masters
With bright, jauntily-worn

Aureate plates, or even
Merry-go-round rings. Turn, O turn
From the fine sleights of the sand, from the long empty oven 
Where flames in flamings burn

Back to the trees arrayed 
In bursts of glare, to the halo-dialing run
Of the country creeks, and the hills' bracken tiaras made
Gold in the sunken sun, 

Wisely watch for the sight
Of the supernova burgeoning over the barn, 
Lampshine blurred in the steam of beasts, the spirit's right
Oasis, light incarnate.

Book: Radiant Verses: A Journey Through Inspiring Poetry