Written by
A S J Tessimond |
We being so hidden from those who
Have quietly borne and fed us,
How can we answer civilly
Their innocent invitations?
How can we say "we see you
As but-for-God's-grace-ourselves, as
Our caricatures (we yours), with
Time's telescope between us"?
How can we say "you presumed on
The accident of kinship,
Assumed our friendship coatlike,
Not as a badge one fights for"?
How say "and you remembered
The sins of our outlived selves and
Your own forgiveness, buried
The hatchet to slow music;
Shared money but not your secrets;
Will leave as your final legacy
A box double-locked by the spider
Packed with your unsolved problems"?
How say all this without capitals,
Italics, anger or pathos,
To those who have seen from the womb come
Enemies? How not say it?
|
Written by
Anne Sexton |
A born salesman,
my father made all his dough
by selling wool to Fieldcrest, Woolrich and Faribo.
A born talker,
he could sell one hundred wet-down bales
of that white stuff. He could clock the miles and the sales
and make it pay.
At home each sentence he would utter
had first pleased the buyer who'd paid him off in butter.
Each word
had been tried over and over, at any rate,
on the man who was sold by the man who filled my plate.
My father hovered
over the Yorkshire pudding and the beef:
a peddler, a hawker, a merchant and an Indian chief.
Roosevelt! Willkie! and war!
How suddenly gauche I was
with my old-maid heart and my funny teenage applause.
Each night at home
my father was in love with maps
while the radio fought its battles with Nazis and Japs.
Except when he hid
in his bedroom on a three-day drunk,
he typed out complex itineraries, packed his trunk,
his matched luggage
and pocketed a confirmed reservation,
his heart already pushing over the red routes of the nation.
I sit at my desk
each night with no place to go,
opening thee wrinkled maps of Milwaukee and Buffalo,
the whole U.S.,
its cemeteries, its arbitrary time zones,
through routes like small veins, capitals like small stones.
He died on the road,
his heart pushed from neck to back,
his white hanky signaling from the window of the Cadillac.
My husband,
as blue-eyed as a picture book, sells wool:
boxes of card waste, laps and rovings he can pull
to the thread
and say Leicester, Rambouillet, Merino,
a half-blood, it's greasy and thick, yellow as old snow.
And when you drive off, my darling,
Yes, sir! Yes, sir! It's one for my dame,
your sample cases branded with my father's name,
your itinerary open,
its tolls ticking and greedy,
its highways built up like new loves, raw and speedy.
|
Written by
Vachel Lindsay |
I. THEIR BASIC SAVAGERY
Fat black bucks in a wine-barrel room,
Barrel-house kings, with feet unstable,
Sagged and reeled and pounded on the table,
A deep rolling bass.
Pounded on the table,
Beat an empty barrel with the handle of a broom,
Hard as they were able,
Boom, boom, BOOM,
With a silk umbrella and the handle of a broom,
Boomlay, boomlay, boomlay, BOOM.
THEN I had religion, THEN I had a vision.
I could not turn from their revel in derision.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
More deliberate. Solemnly chanted.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
Then along that riverbank
A thousand miles
Tattooed cannibals danced in files;
Then I heard the boom of the blood-lust song
And a thigh-bone beating on a tin-pan gong.
A rapidly piling climax of speed & racket.
And "BLOOD" screamed the whistles and the fifes of the warriors,
"BLOOD" screamed the skull-faced, lean witch-doctors,
"Whirl ye the deadly voo-doo rattle,
Harry the uplands,
Steal all the cattle,
Rattle-rattle, rattle-rattle,
Bing.
Boomlay, boomlay, boomlay, BOOM,"
A roaring, epic, rag-time tune
With a philosophic pause.
From the mouth of the Congo
To the Mountains of the Moon.
Death is an Elephant,
Torch-eyed and horrible,
Shrilly and with a heavily accented metre.
Foam-flanked and terrible.
BOOM, steal the pygmies,
BOOM, kill the Arabs,
BOOM, kill the white men,
HOO, HOO, HOO.
Listen to the yell of Leopold's ghost
Like the wind in the chimney.
Burning in Hell for his hand-maimed host.
Hear how the demons chuckle and yell
Cutting his hands off, down in Hell.
Listen to the creepy proclamation,
Blown through the lairs of the forest-nation,
Blown past the white-ants' hill of clay,
Blown past the marsh where the butterflies play: --
"Be careful what you do,
Or Mumbo-Jumbo, God of the Congo,
All the "O" sounds very golden. Heavy accents very heavy. Light accents very light. Last line whispered.
And all of the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you."
II. THEIR IRREPRESSIBLE HIGH SPIRITS
Wild crap-shooters with a whoop and a call
Rather shrill and high.
Danced the juba in their gambling-hall
And laughed fit to kill, and shook the town,
And guyed the policemen and laughed them down
With a boomlay, boomlay, boomlay, BOOM.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Read exactly as in first section.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
A ***** fairyland swung into view,
Lay emphasis on the delicate ideas. Keep as light-footed as possible.
A minstrel river
Where dreams come true.
The ebony palace soared on high
Through the blossoming trees to the evening sky.
The inlaid porches and casements shone
With gold and ivory and elephant-bone.
And the black crowd laughed till their sides were sore
At the baboon butler in the agate door,
And the well-known tunes of the parrot band
That trilled on the bushes of that magic land.
A troupe of skull-faced witch-men came
With pomposity.
Through the agate doorway in suits of flame,
Yea, long-tailed coats with a gold-leaf crust
And hats that were covered with diamond-dust.
And the crowd in the court gave a whoop and a call
And danced the juba from wall to wall.
But the witch-men suddenly stilled the throng
With a great deliberation & ghostliness.
With a stern cold glare, and a stern old song: --
"Mumbo-Jumbo will hoo-doo you." ...
Just then from the doorway, as fat as shotes,
With overwhelming assurance, good cheer, and pomp.
Came the cake-walk princes in their long red coats,
Canes with a brilliant lacquer shine,
And tall silk hats that were red as wine.
And they pranced with their butterfly partners there,
With growing speed and sharply marked dance-rhythm
Coal-black maidens with pearls in their hair,
Knee-skirts trimmed with the jassamine sweet,
And bells on their ankles and little black-feet.
And the couples railed at the chant and the frown
Of the witch-men lean, and laughed them down.
(O rare was the revel, and well worth while
That made those glowering witch-men smile.)
The cake-walk royalty then began
To walk for a cake that was tall as a man
To the tune of "Boomlay, boomlay, BOOM,"
While the witch-men laughed, with a sinister air,
With a touch of ***** dialect, and as rapidly as possible toward the end.
And sang with the scalawags prancing there: --
"Walk with care, walk with care,
Or Mumbo-Jumbo, God of the Congo,
And all the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you.
Beware, beware, walk with care,
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay,
BOOM."
Oh rare was the revel, and well worth while
Slow philosophic calm.
That made those glowering witch-men smile.
III. THE HOPE OF THEIR RELIGION
A good old ***** in the slums of the town
Heavy bass. With a literal imitation of camp-meeting racket, and trance.
Preached at a sister for her velvet gown.
Howled at a brother for his low-down ways,
His prowling, guzzling, sneak-thief days.
Beat on the Bible till he wore it out
Starting the jubilee revival shout.
And some had visions, as they stood on chairs,
And sang of Jacob, and the golden stairs,
And they all repented, a thousand strong
From their stupor and savagery and sin and wrong
And slammed with their hymn books till they shook the room
With "glory, glory, glory,"
And "Boom, boom, BOOM."
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Exactly as in the first section. Begin with terror and power, end with joy.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
And the gray sky opened like a new-rent veil
And showed the Apostles with their coats of mail.
In bright white steel they were seated round
And their fire-eyes watched where the Congo wound.
And the twelve Apostles, from their thrones on high
Thrilled all the forest with their heavenly cry: --
"Mumbo-Jumbo will die in the jungle;
Sung to the tune of "Hark, ten thousand harps and voices."
Never again will he hoo-doo you,
Never again will he hoo-doo you."
Then along that river, a thousand miles
With growing deliberation and joy.
The vine-snared trees fell down in files.
Pioneer angels cleared the way
For a Congo paradise, for babes at play,
For sacred capitals, for temples clean.
Gone were the skull-faced witch-men lean.
There, where the wild ghost-gods had wailed
In a rather high key -- as delicately as possible.
A million boats of the angels sailed
With oars of silver, and prows of blue
And silken pennants that the sun shone through.
'Twas a land transfigured, 'twas a new creation.
Oh, a singing wind swept the ***** nation
And on through the backwoods clearing flew: --
"Mumbo-Jumbo is dead in the jungle.
To the tune of "Hark, ten thousand harps and voices."
Never again will he hoo-doo you.
Never again will he hoo-doo you.
Redeemed were the forests, the beasts and the men,
And only the vulture dared again
By the far, lone mountains of the moon
To cry, in the silence, the Congo tune: --
"Mumbo-Jumbo will hoo-doo you,
Dying down into a penetrating, terrified whisper.
"Mumbo-Jumbo will hoo-doo you.
Mumbo ... Jumbo ... will ... hoo-doo ... you."
|
Written by
Nazim Hikmet |
Taut, thick fingers punch
the teeth of my typewriter.
Three words are down on paper
in capitals:
SPRING
SPRING
SPRING...
And me -- poet, proofreader,
the man who's forced to read
two thousand bad lines
every day
for two liras--
why,
since spring
has come, am I
still sitting here
like a ragged
black chair?
My head puts on its cap by itself,
I fly out of the printer's,
I'm on the street.
The lead dirt of the composing room
on my face,
seventy-five cents in my pocket.
SPRING IN THE AIR...
In the barbershops
they're powdering
the sallow cheeks
of the pariah of Publishers Row.
And in the store windows
three-color bookcovers
flash like sunstruck mirrors.
But me,
I don't have even a book of ABC's
that lives on this street
and carries my name on its door!
But what the hell...
I don't look back,
the lead dirt of the composing room
on my face,
seventy-five cents in my pocket,
SPRING IN THE AIR...
*
The piece got left in the middle.
It rained and swamped the lines.
But oh! what I would have written...
The starving writer sitting on his three-thousand-page
three-volume manuscript
wouldn't stare at the window of the kebab joint
but with his shining eyes would take
the Armenian bookseller's dark plump daughter by storm...
The sea would start smelling sweet.
Spring would rear up
like a sweating red mare
and, leaping onto its bare back,
I'd ride it
into the water.
Then
my typewriter would follow me
every step of the way.
I'd say:
"Oh, don't do it!
Leave me alone for an hour..."
then
my head-my hair failing out--
would shout into the distance:
"I AM IN LOVE..."
*
I'm twenty-seven,
she's seventeen.
"Blind Cupid,
lame Cupid,
both blind and lame Cupid
said, Love this girl,"
I was going to write;
I couldn't say it
but still can!
But if
it rained,
if the lines I wrote got swamped,
if I have twenty-five cents left in my pocket,
what the hell...
Hey, spring is here spring is here spring
spring is here!
My blood is budding inside me!
20 and 21 April 1929
|
Written by
D. H. Lawrence |
Look at them standing there in authority
The pale-faces,
As if it could have any effect any more.
Pale-face authority,
Caryatids,
Pillars of white bronze standing rigid, lest the skies fall.
What a job they've got to keep it up.
Their poor, idealist foreheads naked capitals
To the entablature of clouded heaven.
When the skies are going to fall, fall they will
In a great chute and rush of d?b?cle downwards.
Oh and I wish the high and super-gothic heavens would come down now,
The heavens above, that we yearn to and aspire to.
I do not yearn, nor aspire, for I am a blind Samson.
And what is daylight to me that I should look skyward?
Only I grope among you, pale-faces, caryatids, as among a forest of pillars that hold up the dome of high ideal heaven
Which is my prison,
And all these human pillars of loftiness, going stiff, metallic-stunned with the weight of their responsibility
I stumble against them.
Stumbling-blocks, painful ones.
To keep on holding up this ideal civilisation
Must be excruciating: unless you stiffen into metal, when it is easier to stand stock rigid than to move.
This is why I tug at them, individually, with my arm round their waist
The human pillars.
They are not stronger than I am, blind Samson.
The house sways.
I shall be so glad when it comes down.
I am so tired of the limitations of their Infinite.
I am so sick of the pretensions of the Spirit.
I am so weary of pale-face importance.
Am I not blind, at the round-turning mill?
Then why should I fear their pale faces?
Or love the effulgence of their holy light,
The sun of their righteousness?
To me, all faces are dark,
All lips are dusky and valved.
Save your lips, O pale-faces,
Which are slips of metal,
Like slits in an automatic-machine, you columns of give-and-take.
To me, the earth rolls ponderously, superbly
Coming my way without forethought or afterthought.
To me, men's footfalls fall with a dull, soft rumble, ominous and lovely,
Coming my way.
But not your foot-falls, pale-faces,
They are a clicketing of bits of disjointed metal
Working in motion.
To me, men are palpable, invisible nearnesses in the dark
Sending out magnetic vibrations of warning, pitch-dark throbs of invitation.
But you, pale-faces,
You are painful, harsh-surfaced pillars that give off nothing except rigidity,
And I jut against you if I try to move, for you are everywhere, and I am blind,
Sightless among all your visuality,
You staring caryatids.
See if I don't bring you down, and all your high opinion
And all your ponderous roofed-in ******** of right and wrong
Your particular heavens,
With a smash.
See if your skies aren't falling!
And my head, at least, is thick enough to stand it, the smash.
See if I don't move under a dark and nude, vast heaven
When your world is in ruins, under your fallen skies.
Caryatids, pale-faces.
See if I am not Lord of the dark and moving hosts
Before I die.
|
Written by
Lewis Carroll |
"How shall I be a poet?
How shall I write in rhyme?
You told me once the very wish
Partook of the sublime:
Then tell me how. Don't put me off
With your 'another time'."
The old man smiled to see him,
To hear his sudden sally;
He liked the lad to speak his mind
Enthusiastically,
And thought, "There's no hum-drum in him,
Nor any shilly-shally."
"And would you be a poet
Before you've been to school?
Ah well! I hardly thought you
So absolute a fool.
First learn to be spasmodic—
A very simple rule.
"For first you write a sentence,
And then you chop it small!
Then mix the bits, and sort them out
Just as they chance to fall:
The order of the phrases makes
No difference at all.
"Then, if you'd be impressive,
Remember what I say,
The abstract qualities begin
With capitals alway:
The True, the Good, the Beautiful,
These are the things that pay!
"Next, when you are describing
A shape, or sound, or tint,
Don't state the matter plainly,
But put it in a hint;
And learn to look at all things
With a sort of mental squint."
"For instance, if I wished, Sir,
Of mutton-pies to tell,
Should I say 'Dreams of fleecy flocks
Pent in a wheaten cell'?"
"Why, yes," the old man said: "that phrase
Would answer very well.
"Then, fourthly, there are epithets
That suit with any word—
As well as Harvey's Reading Sauce
With fish, or flesh, or bird—
Of these 'wild,' 'lonely,' 'weary,' 'strange,'
Are much to be preferred."
"And will it do, O will it do
To take them in a lump—
As 'the wild man went his weary way
To a strange and lonely pump'?"
"Nay, nay! You must not hastily
To such conclusions jump.
"Such epithets, like pepper,
Give zest to what you write,
And, if you strew them sparely,
They whet the appetite:
But if you lay them on too thick,
You spoil the matter quite!
"Last, as to the arrangement;
Your reader, you should show him,
Must take what information he
Can get, and look for no im-
mature disclosure of the drift
And purpose of your poem.
"Therefore, to test his patience—
How much he can endure—
Mention no places, names, nor dates,
And evermore be sure
Throughout the poem to be found
Consistently obscure.
"First fix upon the limit
To which it shall extend:
Then fill it up with 'padding',
(Beg some of any friend):
Your great sensation-stanza
You place towards the end.
Now try your hand, ere Fancy
Have lost its present glow—"
"And then," his grandson added,
"We'll publish it, you know:
Green cloth—gold-lettered at the back,
In duodecimo!"
Then proudly smiled the old man
To see the eager lad
Rush madly for his pen and ink
And for his blotting-pad—
But when he thought of publishing,
His face grew stern and sad.
|
Written by
Henry Van Dyke |
June 22, 1611
THE SHALLOP ON HUDSON BAY
One sail in sight upon the lonely sea
And only one, God knows! For never ship
But mine broke through the icy gates that guard
These waters, greater grown than any since
We left the shores of England. We were first,
My men, to battle in between the bergs
And floes to these wide waves. This gulf is mine;
I name it! and that flying sail is mine!
And there, hull-down below that flying sail,
The ship that staggers home is mine, mine, mine!
My ship Discoverie!
The sullen dogs
Of mutineers, the bitches' whelps that snatched
Their food and bit the hand that nourished them,
Have stolen her. You ingrate Henry Greene,
I picked you from the gutter of Houndsditch,
And paid your debts, and kept you in my house,
And brought you here to make a man of you!
You Robert Juet, ancient, crafty man,
Toothless and tremulous, how many times
Have I employed you as a master's mate
To give you bread? And you Abacuck Prickett,
You sailor-clerk, you salted puritan,
You knew the plot and silently agreed,
Salving your conscience with a pious lie!
Yes, all of you -- hounds, rebels, thieves! Bring back
My ship!
Too late, -- I rave, -- they cannot hear
My voice: and if they heard, a drunken laugh
Would be their answer; for their minds have caught
The fatal firmness of the fool's resolve,
That looks like courage but is only fear.
They'll blunder on, and lose my ship, and drown, --
Or blunder home to England and be hanged.
Their skeletons will rattle in the chains
Of some tall gibbet on the Channel cliffs,
While passing mariners look up and say:
"Those are the rotten bones of Hudson's men
"Who left their captain in the frozen North!"
O God of justice, why hast Thou ordained
Plans of the wise and actions of the brave
Dependent on the aid of fools and cowards?
Look, -- there she goes, -- her topsails in the sun
Gleam from the ragged ocean edge, and drop
Clean out of sight! So let the traitors go
Clean out of mind! We'll think of braver things!
Come closer in the boat, my friends. John King,
You take the tiller, keep her head nor'west.
You Philip Staffe, the only one who chose
Freely to share our little shallop's fate,
Rather than travel in the hell-bound ship, --
Too good an English seaman to desert
These crippled comrades, -- try to make them rest
More easy on the thwarts. And John, my son,
My little shipmate, come and lean your head
Against your father's knee. Do you recall
That April morn in Ethelburga's church,
Five years ago, when side by side we kneeled
To take the sacrament with all our men,
Before the Hopewell left St. Catherine's docks
On our first voyage? It was then I vowed
My sailor-soul and years to search the sea
Until we found the water-path that leads
From Europe into Asia.
I believe
That God has poured the ocean round His world,
Not to divide, but to unite the lands.
And all the English captains that have dared
In little ships to plough uncharted waves, --
Davis and Drake, Hawkins and Frobisher,
Raleigh and Gilbert, -- all the other names, --
Are written in the chivalry of God
As men who served His purpose. I would claim
A place among that knighthood of the sea;
And I have earned it, though my quest should fail!
For, mark me well, the honour of our life
Derives from this: to have a certain aim
Before us always, which our will must seek
Amid the peril of uncertain ways.
Then, though we miss the goal, our search is crowned
With courage, and we find along our path
A rich reward of unexpected things.
Press towards the aim: take fortune as it fares!
I know not why, but something in my heart
Has always whispered, "Westward seek your goal!"
Three times they sent me east, but still I turned
The bowsprit west, and felt among the floes
Of ruttling ice along the Gröneland coast,
And down the rugged shore of Newfoundland,
And past the rocky capes and wooded bays
Where Gosnold sailed, -- like one who feels his way
With outstretched hand across a darkened room, --
I groped among the inlets and the isles,
To find the passage to the Land of Spice.
I have not found it yet, -- but I have found
Things worth the finding!
Son, have you forgot
Those mellow autumn days, two years ago,
When first we sent our little ship Half-Moon, --
The flag of Holland floating at her peak, --
Across a sandy bar, and sounded in
Among the channels, to a goodly bay
Where all the navies of the world could ride?
A fertile island that the redmen called
Manhattan, lay above the bay: the land
Around was bountiful and friendly fair.
But never land was fair enough to hold
The seaman from the calling of the sea.
And so we bore to westward of the isle,
Along a mighty inlet, where the tide
Was troubled by a downward-flowing flood
That seemed to come from far away, -- perhaps
From some mysterious gulf of Tartary?
Inland we held our course; by palisades
Of naked rock where giants might have built
Their fortress; and by rolling hills adorned
With forests rich in timber for great ships;
Through narrows where the mountains shut us in
With frowning cliffs that seemed to bar the stream;
And then through open reaches where the banks
Sloped to the water gently, with their fields
Of corn and lentils smiling in the sun.
Ten days we voyaged through that placid land,
Until we came to shoals, and sent a boat
Upstream to find, -- what I already knew, --
We travelled on a river, not a strait.
But what a river! God has never poured
A stream more royal through a land more rich.
Even now I see it flowing in my dream,
While coming ages people it with men
Of manhood equal to the river's pride.
I see the wigwams of the redmen changed
To ample houses, and the tiny plots
Of maize and green tobacco broadened out
To prosperous farms, that spread o'er hill and dale
The many-coloured mantle of their crops;
I see the terraced vineyard on the slope
Where now the fox-grape loops its tangled vine;
And cattle feeding where the red deer roam;
And wild-bees gathered into busy hives,
To store the silver comb with golden sweet;
And all the promised land begins to flow
With milk and honey. Stately manors rise
Along the banks, and castles top the hills,
And little villages grow populous with trade,
Until the river runs as proudly as the Rhine, --
The thread that links a hundred towns and towers!
And looking deeper in my dream, I see
A mighty city covering the isle
They call Manhattan, equal in her state
To all the older capitals of earth, --
The gateway city of a golden world, --
A city girt with masts, and crowned with spires,
And swarming with a host of busy men,
While to her open door across the bay
The ships of all the nations flock like doves.
My name will be remembered there, for men
Will say, "This river and this isle were found
By Henry Hudson, on his way to seek
The Northwest Passage into Farthest Inde."
Yes! yes! I sought it then, I seek it still, --
My great adventure and my guiding star!
For look ye, friends, our voyage is not done;
We hold by hope as long as life endures!
Somewhere among these floating fields of ice,
Somewhere along this westward widening bay,
Somewhere beneath this luminous northern night,
The channel opens to the Orient, --
I know it, -- and some day a little ship
Will push her bowsprit in, and battle through!
And why not ours, -- to-morrow, -- who can tell?
The lucky chance awaits the fearless heart!
These are the longest days of all the year;
The world is round and God is everywhere,
And while our shallop floats we still can steer.
So point her up, John King, nor'west by north.
We 'l1 keep the honour of a certain aim
Amid the peril of uncertain ways,
And sail ahead, and leave the rest to God.
|
Written by
Victor Hugo |
("Non, l'avenir n'est à personne!")
{V. ii., August, 1832.}
Sire, beware, the future's range
Is of God alone the power,
Naught below but augurs change,
E'en with ev'ry passing hour.
Future! mighty mystery!
All the earthly goods that be,
Fortune, glory, war's renown,
King or kaiser's sparkling crown,
Victory! with her burning wings,
Proud ambition's covetings,—
These may our grasp no more detain
Than the free bird who doth alight
Upon our roof, and takes its flight
High into air again.
Nor smile, nor tear, nor haughtiest lord's command,
Avails t' unclasp the cold and closèd hand.
Thy voice to disenthrall,
Dumb phantom, shadow ever at our side!
Veiled spectre, journeying with us stride for stride,
Whom men "To-morrow" call.
Oh, to-morrow! who may dare
Its realities to scan?
God to-morrow brings to bear
What to-day is sown by man.
'Tis the lightning in its shroud,
'Tis the star-concealing cloud,
Traitor, 'tis his purpose showing,
Engine, lofty tow'rs o'erthrowing,
Wand'ring star, its region changing,
"Lady of kingdoms," ever ranging.
To-morrow! 'Tis the rude display
Of the throne's framework, blank and cold,
That, rich with velvet, bright with gold,
Dazzles the eye to-day.
To-morrow! 'tis the foaming war-horse falling;
To-morrow! thy victorious march appalling,
'Tis the red fires from Moscow's tow'rs that wave;
'Tis thine Old Guard strewing the Belgian plain;
'Tis the lone island in th' Atlantic main:
To-morrow! 'tis the grave!
Into capitals subdued
Thou mayst ride with gallant rein,
Cut the knots of civil feud
With the trenchant steel in twain;
With thine edicts barricade
Haughty Thames' o'er-freighted trade;
Fickle Victory's self enthrall,
Captive to thy trumpet call;
Burst the stoutest gates asunder;
Leave the names of brightest wonder,
Pale and dim, behind thee far;
And to exhaustless armies yield
Thy glancing spur,—o'er Europe's field
A glory-guiding star.
God guards duration, if lends space to thee,
Thou mayst o'er-range mundane immensity,
Rise high as human head can rise sublime,
Snatch Europe from the stamp of Charlemagne,
Asia from Mahomet; but never gain
Power o'er the Morrow from the Lord of Time!
Fraser's Magazine.
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