Written by
Walt Whitman |
1
TO conclude—I announce what comes after me;
I announce mightier offspring, orators, days, and then, for the present, depart.
I remember I said, before my leaves sprang at all,
I would raise my voice jocund and strong, with reference to consummations.
When America does what was promis’d,
When there are plentiful athletic bards, inland and seaboard,
When through These States walk a hundred millions of superb persons,
When the rest part away for superb persons, and contribute to them,
When breeds of the most perfect mothers denote America,
Then to me and mine our due fruition.
I have press’d through in my own right,
I have sung the Body and the Soul—War and Peace have I sung,
And the songs of Life and of Birth—and shown that there are many births:
I have offer’d my style to everyone—I have journey’d with confident step;
While my pleasure is yet at the full, I whisper, So long!
And take the young woman’s hand, and the young man’s hand, for the last time.
2
I announce natural persons to arise;
I announce justice triumphant;
I announce uncompromising liberty and equality;
I announce the justification of candor, and the justification of pride.
I announce that the identity of These States is a single identity only;
I announce the Union more and more compact, indissoluble;
I announce splendors and majesties to make all the previous politics of the earth
insignificant.
I announce adhesiveness—I say it shall be limitless, unloosen’d;
I say you shall yet find the friend you were looking for.
I announce a man or woman coming—perhaps you are the one, (So long!)
I announce the great individual, fluid as Nature, chaste, affectionate, compassionate,
fully
armed.
I announce a life that shall be copious, vehement, spiritual, bold;
I announce an end that shall lightly and joyfully meet its translation;
I announce myriads of youths, beautiful, gigantic, sweet-blooded;
I announce a race of splendid and savage old men.
3
O thicker and faster! (So long!)
O crowding too close upon me;
I foresee too much—it means more than I thought;
It appears to me I am dying.
Hasten throat, and sound your last!
Salute me—salute the days once more.
Peal the old cry once more.
Screaming electric, the atmosphere using,
At random glancing, each as I notice absorbing,
Swiftly on, but a little while alighting,
Curious envelop’d messages delivering,
Sparkles hot, seed ethereal, down in the dirt dropping,
Myself unknowing, my commission obeying, to question it never daring,
To ages, and ages yet, the growth of the seed leaving,
To troops out of me, out of the army, the war arising—they the tasks I have set
promulging,
To women certain whispers of myself bequeathing—their affection me more clearly
explaining,
To young men my problems offering—no dallier I—I the muscle of their brains
trying,
So I pass—a little time vocal, visible, contrary;
Afterward, a melodious echo, passionately bent for—(death making me really undying;)
The best of me then when no longer visible—for toward that I have been incessantly
preparing.
What is there more, that I lag and pause, and crouch extended with unshut mouth?
Is there a single final farewell?
4
My songs cease—I abandon them;
From behind the screen where I hid I advance personally, solely to you.
Camerado! This is no book;
Who touches this, touches a man;
(Is it night? Are we here alone?)
It is I you hold, and who holds you;
I spring from the pages into your arms—decease calls me forth.
O how your fingers drowse me!
Your breath falls around me like dew—your pulse lulls the tympans of my ears;
I feel immerged from head to foot;
Delicious—enough.
Enough, O deed impromptu and secret!
Enough, O gliding present! Enough, O summ’d-up past!
5
Dear friend, whoever you are, take this kiss,
I give it especially to you—Do not forget me;
I feel like one who has done work for the day, to retire awhile;
I receive now again of my many translations—from my avataras ascending—while
others
doubtless await me;
An unknown sphere, more real than I dream’d, more direct, darts awakening rays about
me—So long!
Remember my words—I may again return,
I love you—I depart from materials;
I am as one disembodied, triumphant, dead.
|
Written by
Wendell Berry |
You will be walking some night
in the comfortable dark of your yard
and suddenly a great light will shine
round about you, and behind you
will be a wall you never saw before.
It will be clear to you suddenly
that you were about to escape,
and that you are guilty: you misread
the complex instructions, you are not
a member, you lost your card
or never had one.
And you will know
that they have been there all along,
their eyes on your letters and books,
their hands in your pockets,
their ears wired to your bed.
Though you have done nothing shameful,
they will want you to be ashamed.
They will want you to kneel and weep
and say you should have been like them.
And once you say you are ashamed,
reading the page they hold out to you,
then such light as you have made
in your history will leave you.
They will no longer need to pursue you.
You will pursue them, begging forgiveness.
They will not forgive you.
There is no power against them.
It is only candor that is aloof from them,
only an inward clarity, unashamed,
that they cannot reach.
Be ready.
When their light has picked you out
and their questions are asked, say to them:
"I am not ashamed.
" A sure horizon
will come around you.
The heron will begin
his evening flight from the hilltop.
|
Written by
Walt Whitman |
1
GREAT are the myths—I too delight in them;
Great are Adam and Eve—I too look back and accept them;
Great the risen and fallen nations, and their poets, women, sages, inventors, rulers,
warriors,
and priests.
Great is Liberty! great is Equality! I am their follower;
Helmsmen of nations, choose your craft! where you sail, I sail,
I weather it out with you, or sink with you.
Great is Youth—equally great is Old Age—great are the Day and Night;
Great is Wealth—great is Poverty—great is Expression—great is Silence.
Youth, large, lusty, loving—Youth, full of grace, force, fascination!
Do you know that Old Age may come after you, with equal grace, force, fascination?
Day, full-blown and splendid—Day of the immense sun, action, ambition, laughter,
The Night follows close, with millions of suns, and sleep, and restoring darkness.
Wealth, with the flush hand, fine clothes, hospitality;
But then the Soul’s wealth, which is candor, knowledge, pride, enfolding love;
(Who goes for men and women showing Poverty richer than wealth?)
Expression of speech! in what is written or said, forget not that Silence is also
expressive,
That anguish as hot as the hottest, and contempt as cold as the coldest, may be without
words.
2
Great is the Earth, and the way it became what it is;
Do you imagine it has stopt at this? the increase abandon’d?
Understand then that it goes as far onward from this, as this is from the times when it
lay in
covering waters and gases, before man had appear’d.
Great is the quality of Truth in man;
The quality of truth in man supports itself through all changes,
It is inevitably in the man—he and it are in love, and never leave each other.
The truth in man is no dictum, it is vital as eyesight;
If there be any Soul, there is truth—if there be man or woman there is truth—if
there
be physical or moral, there is truth;
If there be equilibrium or volition, there is truth—if there be things at all upon
the
earth, there is truth.
O truth of the earth! I am determin’d to press my way toward you;
Sound your voice! I scale mountains, or dive in the sea after you.
3
Great is Language—it is the mightiest of the sciences,
It is the fulness, color, form, diversity of the earth, and of men and women, and of all
qualities and processes;
It is greater than wealth—it is greater than buildings, ships, religions, paintings,
music.
Great is the English speech—what speech is so great as the English?
Great is the English brood—what brood has so vast a destiny as the English?
It is the mother of the brood that must rule the earth with the new rule;
The new rule shall rule as the Soul rules, and as the love, justice, equality in the Soul
rule.
Great is Law—great are the few old land-marks of the law,
They are the same in all times, and shall not be disturb’d.
4
Great is Justice!
Justice is not settled by legislators and laws—it is in the Soul;
It cannot be varied by statutes, any more than love, pride, the attraction of gravity,
can;
It is immutable—it does not depend on majorities—majorities or what not, come at
last
before the same passionless and exact tribunal.
For justice are the grand natural lawyers, and perfect judges—is it in their Souls;
It is well assorted—they have not studied for nothing—the great includes the
less;
They rule on the highest grounds—they oversee all eras, states, administrations.
The perfect judge fears nothing—he could go front to front before God;
Before the perfect judge all shall stand back—life and death shall stand
back—heaven
and hell shall stand back.
5
Great is Life, real and mystical, wherever and whoever;
Great is Death—sure as life holds all parts together, Death holds all parts together.
Has Life much purport?—Ah, Death has the greatest purport.
|
Written by
Allen Ginsberg |
To Struga Festival Golden Wreath Laureates
& International Bards 1986
Stand up against governments, against God.
Stay irresponsible.
Say only what we know & imagine.
Absolutes are coercion.
Change is absolute.
Ordinary mind includes eternal perceptions.
Observe what's vivid.
Notice what you notice.
Catch yourself thinking.
Vividness is self-selecting.
If we don't show anyone, we're free to write anything.
Remember the future.
Advise only yourself.
Don't drink yourself to death.
Two molecules clanking against each other requires an observer to become
scientific data.
The measuring instrument determines the appearance of the phenomenal
world after Einstein.
The universe is subjective.
Walt Whitman celebrated Person.
We Are an observer, measuring instrument, eye, subject, Person.
Universe is person.
Inside skull vast as outside skull.
Mind is outer space.
"Each on his bed spoke to himself alone, making no sound.
"
First thought, best thought.
Mind is shapely, Art is shapely.
Maximum information, minimum number of syllables.
Syntax condensed, sound is solid.
Intense fragments of spoken idiom, best.
Consonants around vowels make sense.
Savor vowels, appreciate consonants.
Subject is known by what she sees.
Others can measure their vision by what we see.
Candor ends paranoia.
Kral Majales
June 25, 1986
Boulder, Colorado
|
Written by
Victor Hugo |
Boaz, overcome with weariness, by torchlight
made his pallet on the threshing floor
where all day he had worked, and now he slept
among the bushels of threshed wheat.
The old man owned wheatfields and barley,
and though he was rich, he was still fair-minded.
No filth soured the sweetness of his well.
No hot iron of torture whitened in his forge.
His beard was silver as a brook in April.
He bound sheaves without the strain of hate
or envy.
He saw gleaners pass, and said,
Let handfuls of the fat ears fall to them.
The man's mind, clear of untoward feeling,
clothed itself in candor.
He wore clean robes.
His heaped granaries spilled over always
toward the poor, no less than public fountains.
Boaz did well by his workers and by kinsmen.
He was generous, and moderate.
Women held him
worthier than younger men, for youth is handsome,
but to him in his old age came greatness.
An old man, nearing his first source, may find
the timelessness beyond times of trouble.
And though fire burned in young men's eyes,
to Ruth the eyes of Boaz shone clear light.
|
Written by
Delmore Schwartz |
(after Spillane)
Let us be aware of the true dark gods
Acknowledgeing the cache of the crotch
The primitive pure and pwerful pink and grey
private sensitivites
Wincing, marvelous in their sweetness, whence rises
the future.
Therefore let us praise Miss Marilyn Monroe.
She has a noble attitude marked by pride and candor
She takes a noble pride in the female nature and torso
She articualtes her pride with directness and exuberance
She is honest in her delight in womanhood and manhood.
She is not a great lady, she is more than a lady,
She continues the tradition of Dolly Madison and Clara
Bow
When she says, "any woman who claims she does not like
to be grabbed is a liar!"
Whether true or false, this colossal remark
states a dazzling intention.
.
.
It might be the birth of a new Venus among us
It atones at the very least for such as Carrie Nation
For Miss Monroe will never be a blue nose,
and perhaps we may hope
That there will be fewer blue noses because
she has flourished --
Long may she flourish in self-delight and the joy
of womanhood.
A nation haunted by Puritanism owes her homage and
gratitude.
Let us praise, to say it again, her spiritual pride
And admire one who delights in what she has and is
(Who says also: "A woman is like a motor car:
She needs a good body.
"
And: "I sun bathe in the nude, because I want
to be blonde all over.
")
This is spiritual piety and physical ebullience
This is vivd glory, spiritual and physical,
Of Miss Marilyn Monroe.
|
Written by
Philip Levine |
Out of burlap sacks, out of bearing butter,
Out of black bean and wet slate bread,
Out of the acids of rage, the candor of tar,
Out of creosote, gasoline, drive shafts, wooden dollies,
They Lion grow.
Out of the gray hills
Of industrial barns, out of rain, out of bus ride,
West Virginia to Kiss My Ass, out of buried aunties,
Mothers hardening like pounded stumps, out of stumps,
Out of the bones' need to sharpen and the muscles' to stretch,
They Lion grow.
Earth is eating trees, fence posts,
Gutted cars, earth is calling in her little ones,
"Come home, Come home!" From pig balls,
From the ferocity of pig driven to holiness,
From the furred ear and the full jowl come
The repose of the hung belly, from the purpose
They Lion grow.
From the sweet glues of the trotters
Come the sweet kinks of the fist, from the full flower
Of the hams the thorax of caves,
From "Bow Down" come "Rise Up,"
Come they Lion from the reeds of shovels,
The grained arm that pulls the hands,
They Lion grow.
From my five arms and all my hands,
From all my white sins forgiven, they feed,
From my car passing under the stars,
They Lion, from my children inherit,
From the oak turned to a wall, they Lion,
From they sack and they belly opened
And all that was hidden burning on the oil-stained earth
They feed they Lion and he comes.
|
Written by
Edwin Arlington Robinson |
In Tilbury Town did Old King Cole
A wise old age anticipate,
Desiring, with his pipe and bowl,
No Khan’s extravagant estate.
No crown annoyed his honest head,
No fiddlers three were called or needed;
For two disastrous heirs instead
Made music more than ever three did.
Bereft of her with whom his life
Was harmony without a flaw,
He took no other for a wife,
Nor sighed for any that he saw;
And if he doubted his two sons,
And heirs, Alexis and Evander,
He might have been as doubtful once
Of Robert Burns and Alexander.
Alexis, in his early youth,
Began to steal—from old and young.
Likewise Evander, and the truth
Was like a bad taste on his tongue.
Born thieves and liars, their affair
Seemed only to be tarred with evil—
The most insufferable pair
Of scamps that ever cheered the devil.
The world went on, their fame went on,
And they went on—from bad to worse;
Till, goaded hot with nothing done,
And each accoutred with a curse,
The friends of Old King Cole, by twos,
And fours, and sevens, and elevens,
Pronounced unalterable views
Of doings that were not of heaven’s.
And having learned again whereby
Their baleful zeal had come about,
King Cole met many a wrathful eye
So kindly that its wrath went out—
Or partly out.
Say what they would,
He seemed the more to court their candor;
But never told what kind of good
Was in Alexis and Evander.
And Old King Cole, with many a puff
That haloed his urbanity,
Would smoke till he had smoked enough,
And listen most attentively.
He beamed as with an inward light
That had the Lord’s assurance in it;
And once a man was there all night,
Expecting something every minute.
But whether from too little thought,
Or too much fealty to the bowl,
A dim reward was all he got
For sitting up with Old King Cole.
“Though mine,” the father mused aloud,
“Are not the sons I would have chosen,
Shall I, less evilly endowed,
By their infirmity be frozen?
“They’ll have a bad end, I’ll agree,
But I was never born to groan;
For I can see what I can see,
And I’m accordingly alone.
With open heart and open door,
I love my friends, I like my neighbors;
But if I try to tell you more,
Your doubts will overmatch my labors.
“This pipe would never make me calm,
This bowl my grief would never drown.
For grief like mine there is no balm
In Gilead, or in Tilbury Town.
And if I see what I can see,
I know not any way to blind it;
Nor more if any way may be
For you to grope or fly to find it.
“There may be room for ruin yet,
And ashes for a wasted love;
Or, like One whom you may forget,
I may have meat you know not of.
And if I’d rather live than weep
Meanwhile, do you find that surprising?
Why, bless my soul, the man’s asleep!
That’s good.
The sun will soon be rising.
”
|
Written by
Emily Dickinson |
Candor -- my tepid friend --
Come not to play with me --
The Myrrhs, and Mochas, of the Mind
Are its iniquity --
|
Written by
Victor Hugo |
("Dans l'alcôve sombre.")
{XX., November, 1831.}
In the dusky nook,
Near the altar laid,
Sleeps the child in shadow
Of his mother's bed:
Softly he reposes,
And his lid of roses,
Closed to earth, uncloses
On the heaven o'erhead.
Many a dream is with him,
Fresh from fairyland,
Spangled o'er with diamonds
Seems the ocean sand;
Suns are flaming there,
Troops of ladies fair
Souls of infants bear
In each charming hand.
Oh, enchanting vision!
Lo, a rill upsprings,
And from out its bosom
Comes a voice that sings
Lovelier there appear
Sire and sisters dear,
While his mother near
Plumes her new-born wings.
But a brighter vision
Yet his eyes behold;
Roses pied and lilies
Every path enfold;
Lakes delicious sleeping,
Silver fishes leaping,
Through the wavelets creeping
Up to reeds of gold.
Slumber on, sweet infant,
Slumber peacefully
Thy young soul yet knows not
What thy lot may be.
Like dead weeds that sweep
O'er the dol'rous deep,
Thou art borne in sleep.
What is all to thee?
Thou canst slumber by the way;
Thou hast learnt to borrow
Naught from study, naught from care;
The cold hand of sorrow
On thy brow unwrinkled yet,
Where young truth and candor sit,
Ne'er with rugged nail hath writ
That sad word, "To-morrow!"
Innocent! thou sleepest—
See the angelic band,
Who foreknow the trials
That for man are planned;
Seeing him unarmed,
Unfearing, unalarmed,
With their tears have warmed
This unconscious hand.
Still they, hovering o'er him,
Kiss him where he lies,
Hark, he sees them weeping,
"Gabriel!" he cries;
"Hush!" the angel says,
On his lip he lays
One finger, one displays
His native skies.
Foreign Quarterly Review
|