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Best Famous Caliban Poems

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Written by Ezra Pound | Create an image from this poem

Hugh Selwyn Mauberly (Part I)

 "Vocat aestus in umbram" 
Nemesianus Es. IV. 

E. P. Ode pour l'élection de son sépulchre 

For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense. Wrong from the start --

No, hardly, but, seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait:

"Idmen gar toi panth, os eni Troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.

His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe's hair
Rather than the mottoes on sun-dials.

Unaffected by "the march of events",
He passed from men's memory in l'an trentiesme
De son eage; the case presents
No adjunct to the Muses' diadem.

II.

The age demanded an image
Of its accelerated grimace,
Something for the modern stage,
Not, at any rate, an Attic grace;

Not, not certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!

The "age demanded" chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the "sculpture" of rhyme.

III. 

The tea-rose, tea-gown, etc.
Supplants the mousseline of Cos,
The pianola "replaces"
Sappho's barbitos.

Christ follows Dionysus,
Phallic and ambrosial
Made way for macerations;
Caliban casts out Ariel.

All things are a flowing,
Sage Heracleitus says;
But a tawdry cheapness
Shall reign throughout our days.

Even the Christian beauty
Defects -- after Samothrace;
We see to kalon
Decreed in the market place.

Faun's flesh is not to us,
Nor the saint's vision.
We have the press for wafer;
Franchise for circumcision.

All men, in law, are equals.
Free of Peisistratus,
We choose a knave or an eunuch
To rule over us.

A bright Apollo,

tin andra, tin eroa, tina theon,
What god, man, or hero
Shall I place a tin wreath upon?

IV. 

These fought, in any case,
and some believing, pro domo, in any case ..

Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later ...

some in fear, learning love of slaughter;
Died some pro patria, non dulce non et decor" ..

walked eye-deep in hell
believing in old men's lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;

usury age-old and age-thick
and liars in public places.

Daring as never before, wastage as never before.
Young blood and high blood,
Fair cheeks, and fine bodies;

fortitude as never before 

frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.


V. 

There died a myriad,
And of the best, among them,
For an old ***** gone in the teeth,
For a botched civilization.

Charm, smiling at the good mouth,
Quick eyes gone under earth's lid,

For two gross of broken statues,
For a few thousand battered books.

Yeux Glauques

Gladstone was still respected,
When John Ruskin produced
"Kings Treasuries"; Swinburne
And Rossetti still abused.

Fœtid Buchanan lifted up his voice
When that faun's head of hers
Became a pastime for
Painters and adulterers.

The Burne-Jones cartons
Have preserved her eyes;
Still, at the Tate, they teach
Cophetua to rhapsodize;

Thin like brook-water,
With a vacant gaze.
The English Rubaiyat was still-born
In those days.

The thin, clear gaze, the same
Still darts out faun-like from the half-ruin'd face,
Questing and passive ....
"Ah, poor Jenny's case" ...

Bewildered that a world
Shows no surprise
At her last maquero's 
Adulteries.

"Siena Mi Fe', Disfecemi Maremma" 

Among the pickled fœtuses and bottled bones,
Engaged in perfecting the catalogue,
I found the last scion of the
Senatorial families of Strasbourg, Monsieur Verog.

For two hours he talked of Gallifet;
Of Dowson; of the Rhymers' Club;
Told me how Johnson (Lionel) died
By falling from a high stool in a pub ...

But showed no trace of alcohol
At the autopsy, privately performed --
Tissue preserved -- the pure mind
Arose toward Newman as the whiskey warmed.

Dowson found harlots cheaper than hotels;
Headlam for uplift; Image impartially imbued
With raptures for Bacchus, Terpsichore and the Church.
So spoke the author of "The Dorian Mood",

M. Verog, out of step with the decade,
Detached from his contemporaries,
Neglected by the young,
Because of these reveries.

Brennbaum. 

The sky-like limpid eyes,
The circular infant's face,
The stiffness from spats to collar
Never relaxing into grace;

The heavy memories of Horeb, Sinai and the forty years,
Showed only when the daylight fell
Level across the face
Of Brennbaum "The Impeccable".

Mr. Nixon 

In the cream gilded cabin of his steam yacht
Mr. Nixon advised me kindly, to advance with fewer
Dangers of delay. "Consider
Carefully the reviewer.

"I was as poor as you are;
"When I began I got, of course,
"Advance on royalties, fifty at first", said Mr. Nixon,
"Follow me, and take a column,
"Even if you have to work free.

"Butter reviewers. From fifty to three hundred
"I rose in eighteen months;
"The hardest nut I had to crack
"Was Dr. Dundas.

"I never mentioned a man but with the view
"Of selling my own works.
"The tip's a good one, as for literature
"It gives no man a sinecure."

And no one knows, at sight a masterpiece.
And give up verse, my boy,
There's nothing in it."

* * * 

Likewise a friend of Bloughram's once advised me:
Don't kick against the pricks,
Accept opinion. The "Nineties" tried your game
And died, there's nothing in it.

X. 

Beneath the sagging roof
The stylist has taken shelter,
Unpaid, uncelebrated,
At last from the world's welter

Nature receives him,
With a placid and uneducated mistress
He exercises his talents
And the soil meets his distress.

The haven from sophistications and contentions
Leaks through its thatch;
He offers succulent cooking;
The door has a creaking latch.

XI. 

"Conservatrix of Milésien"
Habits of mind and feeling,
Possibly. But in Ealing
With the most bank-clerkly of Englishmen?

No, "Milésian" is an exaggeration.
No instinct has survived in her
Older than those her grandmother
Told her would fit her station.

XII. 

"Daphne with her thighs in bark
Stretches toward me her leafy hands", --
Subjectively. In the stuffed-satin drawing-room
I await The Lady Valentine's commands,

Knowing my coat has never been
Of precisely the fashion
To stimulate, in her,
A durable passion;

Doubtful, somewhat, of the value
Of well-gowned approbation
Of literary effort,
But never of The Lady Valentine's vocation:

Poetry, her border of ideas,
The edge, uncertain, but a means of blending
With other strata
Where the lower and higher have ending;

A hook to catch the Lady Jane's attention,
A modulation toward the theatre,
Also, in the case of revolution,
A possible friend and comforter.

* * * 

Conduct, on the other hand, the soul
"Which the highest cultures have nourished"
To Fleet St. where
Dr. Johnson flourished;

Beside this thoroughfare
The sale of half-hose has
Long since superseded the cultivation
Of Pierian roses.


Written by Jorge Luis Borges | Create an image from this poem

Browning Decides To Be A Poet

 in these red labyrinths of London
I find that I have chosen
the strangest of all callings,
save that, in its way, any calling is strange.
Like the alchemist
who sought the philosopher's stone
in quicksilver,
I shall make everyday words--
the gambler's marked cards, the common coin--
give off the magic that was their
when Thor was both the god and the din,
the thunderclap and the prayer.
In today's dialect
I shall say, in my fashion, eternal things:
I shall try to be worthy
of the great echo of Byron.
This dust that I am will be invulnerable.
If a woman shares my love
my verse will touch the tenth sphere of the concentric heavens;
if a woman turns my love aside
I will make of my sadness a music,
a full river to resound through time.
I shall live by forgetting myself.
I shall be the face I glimpse and forget,
I shall be Judas who takes on
the divine mission of being a betrayer,
I shall be Caliban in his bog,
I shall be a mercenary who dies
without fear and without faith,
I shall be Polycrates, who looks in awe
upon the seal returned by fate.
I will be the friend who hates me.
The persian will give me the nightingale, and Rome the sword.
Masks, agonies, resurrections
will weave and unweave my life,
and in time I shall be Robert Browning.
Written by Alec Derwent (A D) Hope | Create an image from this poem

The Commination

 He that is filthy let him be filthy still. 
Rev. 22.11 

Like John on Patmos, brooding on the Four 
Last Things, I meditate the ruin of friends 
Whose loss, Lord, brings this grand new curse to mind 
Now send me foes worth cursing, or send more 
- Since means should be proportionate to ends - 
For mine are few and of the piddling kind: 

Drivellers, snivellers, writers of bad verse, 
Backbiting bitches, snipers from a pew, 
Small turds from the great **** of self-esteem; 
On such as these I would not waste my curse. 
God send me soon the enemy or two 
Fit for the wrath of God, of whom I dream: 

Some Caliban of Culture, some absurd 
Messiah of the Paranoiac State, 
Some Educator wallowing in his slime, 
Some Prophet of the Uncreating Word 
Monsters a man might reasonably hate, 
Masters of Progress, Leaders of our Time; 

But chiefly the Suborners: Common Tout 
And Punk, the Advertiser, him I mean 
And his smooth hatchet-man, the Technocrat. 
Them let my malediction single out, 
These modern Dives with their talking screen 
Who lick the sores of Lazarus and grow fat, 

Licensed to pimp, solicit and procure 
Here in my house, to foul my feast, to bawl 
Their wares while I am talking with my friend, 
To pour into my ears a public sewer 
Of all the Strumpet Muses sell and all 
That prostituted science has to vend. 

In this great Sodom of a world, which turns 
The treasure of the Intellect to dust 
And every gift to some perverted use, 
What wonder if the human spirit learns 
Recourses of despair or of disgust, 
Abortion, suicide and self-abuse. 

But let me laugh, Lord; let me crack and strain 
The belly of this derision till it burst; 
For I have seen too much, have lived too long 
A citizen of Sodom to refrain, 
And in the stye of Science, from the first, 
Have watched the pearls of Circe drop on dung. 

Let me not curse my children, nor in rage 
Mock at the just, the helpless and the poor, 
Foot-fast in Sodom's rat-trap; make me bold 
To turn on the Despoilers all their age 
Invents: damnations never felt before 
And hells more horrible than hot and cold. 

And, since in Heaven creatures purified 
Rational, free, perfected in their kinds 
Contemplate God and see Him face to face 
In Hell, for sure, spirits transmogrified, 
Paralysed wills and parasitic minds 
Mirror their own corruption and disgrace. 

Now let this curse fall on my enemies 
My enemies, Lord, but all mankind's as well 
Prophets and panders of their golden calf; 
Let Justice fit them all in their degrees; 
Let them, still living, know that state of hell, 
And let me see them perish, Lord, and laugh. 

Let them be glued to television screens 
Till their minds fester and the trash they see 
Worm their dry hearts away to crackling shells; 
Let ends be so revenged upon their means 
That all that once was human grows to be 
A flaccid mass of phototropic cells; 

Let the dog love his vomit still, the swine 
Squelch in the slough; and let their only speech 
Be Babel; let the specious lies they bred 
Taste on their tongues like intellectual wine 
Let sung commercials surfeit them, till each 
Goggles with nausea in his nauseous bed. 

And, lest with them I learn to gibber and gloat, 
Lead me, for Sodom is my city still, 
To seek those hills in which the heart finds ease; 
Give Lot his leave; let Noah build his boat, 
And me and mine, when each has laughed his fill, 
View thy damnation and depart in peace.
Written by Alec Derwent (A D) Hope | Create an image from this poem

Commination

 He that is filthy let him be filthy still. 
Rev. 22.11 

Like John on Patmos, brooding on the Four 
Last Things, I meditate the ruin of friends 
Whose loss, Lord, brings this grand new curse to mind 
Now send me foes worth cursing, or send more 
- Since means should be proportionate to ends - 
For mine are few and of the piddling kind: 

Drivellers, snivellers, writers of bad verse, 
Backbiting bitches, snipers from a pew, 
Small turds from the great **** of self-esteem; 
On such as these I would not waste my curse. 
God send me soon the enemy or two 
Fit for the wrath of God, of whom I dream: 

Some Caliban of Culture, some absurd 
Messiah of the Paranoiac State, 
Some Educator wallowing in his slime, 
Some Prophet of the Uncreating Word 
Monsters a man might reasonably hate, 
Masters of Progress, Leaders of our Time; 

But chiefly the Suborners: Common Tout 
And Punk, the Advertiser, him I mean 
And his smooth hatchet-man, the Technocrat. 
Them let my malediction single out, 
These modern Dives with their talking screen 
Who lick the sores of Lazarus and grow fat, 

Licensed to pimp, solicit and procure 
Here in my house, to foul my feast, to bawl 
Their wares while I am talking with my friend, 
To pour into my ears a public sewer 
Of all the Strumpet Muses sell and all 
That prostituted science has to vend. 

In this great Sodom of a world, which turns 
The treasure of the Intellect to dust 
And every gift to some perverted use, 
What wonder if the human spirit learns 
Recourses of despair or of disgust, 
Abortion, suicide and self-abuse. 

But let me laugh, Lord; let me crack and strain 
The belly of this derision till it burst; 
For I have seen too much, have lived too long 
A citizen of Sodom to refrain, 
And in the stye of Science, from the first, 
Have watched the pearls of Circe drop on dung. 

Let me not curse my children, nor in rage 
Mock at the just, the helpless and the poor, 
Foot-fast in Sodom's rat-trap; make me bold 
To turn on the Despoilers all their age 
Invents: damnations never felt before 
And hells more horrible than hot and cold. 

And, since in Heaven creatures purified 
Rational, free, perfected in their kinds 
Contemplate God and see Him face to face 
In Hell, for sure, spirits transmogrified, 
Paralysed wills and parasitic minds 
Mirror their own corruption and disgrace. 

Now let this curse fall on my enemies 
My enemies, Lord, but all mankind's as well 
Prophets and panders of their golden calf; 
Let Justice fit them all in their degrees; 
Let them, still living, know that state of hell, 
And let me see them perish, Lord, and laugh. 

Let them be glued to television screens 
Till their minds fester and the trash they see 
Worm their dry hearts away to crackling shells; 
Let ends be so revenged upon their means 
That all that once was human grows to be 
A flaccid mass of phototropic cells; 

Let the dog love his vomit still, the swine 
Squelch in the slough; and let their only speech 
Be Babel; let the specious lies they bred 
Taste on their tongues like intellectual wine 
Let sung commercials surfeit them, till each 
Goggles with nausea in his nauseous bed. 

And, lest with them I learn to gibber and gloat, 
Lead me, for Sodom is my city still, 
To seek those hills in which the heart finds ease; 
Give Lot his leave; let Noah build his boat, 
And me and mine, when each has laughed his fill, 
View thy damnation and depart in peace.
Written by Willa Cather | Create an image from this poem

Paradox

 I KNEW them both upon Miranda's isle, 
Which is of youth a sea-bound seigniory: 
Misshapen Caliban, so seeming vile, 
And Ariel, proud prince of minstrelsy, 
Who did forsake the sunset for my tower 
And like a star above my slumber burned. 
The night was held in silver chains by power 
Of melody, in which all longings yearned-- 
Star-grasping youth in one wild strain expressed, 
Tender as dawn, insistent as the tide; 
The heart of night and summer stood confessed. 
I rose aglow and flung the lattice wide-- 
Ah, jest of art, what mockery and pang! 
Alack, it was poor Caliban who sang.


Written by Ezra Pound | Create an image from this poem

E.P. Ode Pour Lelection De Son Sepulchre

 For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense. Wrong from the start--

No, hardly, but seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait;

Idmen gar toi panth, hos eni troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.

His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe's hair
Rather than the mottoes on sun-dials.

Unaffected by "the march of events,"
He passed from men's memory in l'an trentuniesme
de son eage;the case presents
No adjunct to the Muses' diadem.

II
The age demanded an image
Of its accelerated grimace,
Something for the modern stage
Not, at any rate, an Attic grace;

Not, certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!

The "age demanded" chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the "sculpture" of rhyme.

III
The tea-rose tea-gown, etc.
Supplants the mousseline of Cos,
The pianola "replaces"
Sappho's barbitos.

Christ follows Dionysus,
Phallic and ambrosial
Made way for macerations;
Caliban casts out Ariel.

All things are a flowing
Sage Heracleitus say;
But a tawdry cheapness
Shall outlast our days.

Even the Christian beauty
Defects--after Samothrace;
We see to kalon
Decreed in the market place.

Faun's flesh is not to us,
Nor the saint's vision.
We have the press for wafer;
Franchise for circumcision.

All men, in law, are equals.
Free of Pisistratus,
We choose a knave or an eunuch
To rule over us.

O bright Apollo,
Tin andra, tin heroa, tina theon,
What god, man or hero
Shall I place a tin wreath upon!

IV
These fought in any case,
And some believing,
 pro domo, in any case...

Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later...
some in fear, learning love of slaughter;

Died some, pro patria,
 non "dulce" not "et decor"...
walked eye-deep in hell
believing old men's lies, then unbelieving
came home, home to a lie, 
home to many deceits,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.

Daring as never before, wastage as never before.
Young blood and high blood,
fair cheeks, and fine bodies;

fortitude as never before

frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.

V
There died a myriad,
And of the best, among them,
For an old ***** gone in the teeth,
For a botched civilization,

Charm, smiling at the good mouth,
Quick eyes gone under earth's lid,

For two gross of broken statues,
For a few thousand battered books.
Written by Edwin Arlington Robinson | Create an image from this poem

Theophilus

 By what serene malevolence of names 
Had you the gift of yours, Theophilus? 
Not even a smeared young Cyclops at his games 
Would have you long,—and you are one of us. 

Told of your deeds I shudder for your dream
And they, no doubt, are few and innocent. 
Meanwhile, I marvel; for in you, it seems, 
Heredity outshines environment. 

What lingering bit of Belial, unforeseen, 
Survives and amplifies itself in you?
What manner of devilry has ever been 
That your obliquity may never do? 

Humility befits a father’s eyes, 
But not a friend of us would have him weep. 
Admiring everything that lives and dies,
Theophilus, we like you best asleep. 

Sleep—sleep; and let us find another man 
To lend another name less hazardous: 
Caligula, maybe, or Caliban, 
Or Cain,—but surely not Theophilus.
Written by Hilaire Belloc | Create an image from this poem

On Two Ministers of State

 Lump says that Caliban's of gutter breed,
And Caliban says Lump's a fool indeed,
And Caliban and Lump and I are all agreed.
Written by Robert William Service | Create an image from this poem

Fleurette

 (The Wounded Canadian Speaks)

My leg? It's off at the knee.
Do I miss it? Well, some. You see
 I've had it since I was born;
 And lately a devilish corn.
(I rather chuckle with glee
 To think how I've fooled that corn.)

But I'll hobble around all right.
 It isn't that, it's my face.
Oh I know I'm a hideous sight,
 Hardly a thing in place;
Sort of gargoyle, you'd say.
 Nurse won't give me a glass,
 But I see the folks as they pass
Shudder and turn away;
 Turn away in distress . . .
 Mirror enough, I guess.

I'm gay! You bet I AM gay;
 But I wasn't a while ago.
If you'd seen me even to-day,
 The darndest picture of woe,
With this Caliban mug of mine,
 So ravaged and raw and red,
Turned to the wall -- in fine,
 Wishing that I was dead. . . .
What has happened since then,
 Since I lay with my face to the wall,
The most despairing of men?
 Listen! I'll tell you all.

That poilu across the way,
 With the shrapnel wound in his head,
Has a sister: she came to-day
 To sit awhile by his bed.
All morning I heard him fret:
 "Oh, when will she come, Fleurette?"

Then sudden, a joyous cry;
 The tripping of little feet,
The softest, tenderest sigh,
 A voice so fresh and sweet;
Clear as a silver bell,
 Fresh as the morning dews:
"C'est toi, c'est toi, Marcel!
 Mon frère, comme je suis heureuse!"

So over the blanket's rim
 I raised my terrible face,
And I saw -- how I envied him!
 A girl of such delicate grace;
Sixteen, all laughter and love;
 As gay as a linnet, and yet
As tenderly sweet as a dove;
 Half woman, half child -- Fleurette.

Then I turned to the wall again.
 (I was awfully blue, you see),
And I thought with a bitter pain:
 "Such visions are not for me."
So there like a log I lay,
 All hidden, I thought, from view,
When sudden I heard her say:
 "Ah! Who is that malheureux?"
Then briefly I heard him tell
 (However he came to know)
How I'd smothered a bomb that fell
 Into the trench, and so
None of my men were hit,
 Though it busted me up a bit.

Well, I didn't quiver an eye,
 And he chattered and there she sat;
And I fancied I heard her sigh --
 But I wouldn't just swear to that.
And maybe she wasn't so bright,
 Though she talked in a merry strain,
And I closed my eyes ever so tight,
 Yet I saw her ever so plain:
Her dear little tilted nose,
 Her delicate, dimpled chin,
Her mouth like a budding rose,
 And the glistening pearls within;
Her eyes like the violet:
Such a rare little queen -- Fleurette.

And at last when she rose to go,
 The light was a little dim,
And I ventured to peep, and so
 I saw her, graceful and slim,
And she kissed him and kissed him, and oh
 How I envied and envied him!

So when she was gone I said
 In rather a dreary voice
To him of the opposite bed:
 "Ah, friend, how you must rejoice!
But me, I'm a thing of dread.
 For me nevermore the bliss,
 The thrill of a woman's kiss."

Then I stopped, for lo! she was there,
 And a great light shone in her eyes;
And me! I could only stare,
 I was taken so by surprise,
When gently she bent her head:
 "May I kiss you, Sergeant?" she said.

Then she kissed my burning lips
 With her mouth like a scented flower,
And I thrilled to the finger-tips,
 And I hadn't even the power
To say: "God bless you, dear!"
And I felt such a precious tear
 Fall on my withered cheek,
 And darn it! I couldn't speak.

And so she went sadly away,
 And I knew that my eyes were wet.
Ah, not to my dying day
 Will I forget, forget!
Can you wonder now I am gay?
 God bless her, that little Fleurette!

Book: Radiant Verses: A Journey Through Inspiring Poetry