Written by
Edward Field |
The monster has escaped from the dungeon
where he was kept by the Baron,
who made him with knobs sticking out from each side of his neck
where the head was attached to the body
and stitching all over
where parts of cadavers were sewed together.
He is pursued by the ignorant villagers,
who think he is evil and dangerous because he is ugly
and makes ugly noises.
They wave firebrands at him and cudgels and rakes,
but he escapes and comes to the thatched cottage
of an old blind man playing on the violin Mendelssohn's "Spring Song.
"
Hearing him approach, the blind man welcomes him:
"Come in, my friend," and takes him by the arm.
"You must be weary," and sits him down inside the house.
For the blind man has long dreamed of having a friend
to share his lonely life.
The monster has never known kindness ‹ the Baron was cruel --
but somehow he is able to accept it now,
and he really has no instincts to harm the old man,
for in spite of his awful looks he has a tender heart:
Who knows what cadaver that part of him came from?
The old man seats him at table, offers him bread,
and says, "Eat, my friend.
" The monster
rears back roaring in terror.
"No, my friend, it is good.
Eat -- gooood"
and the old man shows him how to eat,
and reassured, the monster eats
and says, "Eat -- gooood,"
trying out the words and finding them good too.
The old man offers him a glass of wine,
"Drink, my friend.
Drink -- gooood.
"
The monster drinks, slurping horribly, and says,
"Drink -- gooood," in his deep nutty voice
and smiles maybe for the first time in his life.
Then the blind man puts a cigar in the monster's mouth
and lights a large wooden match that flares up in his face.
The monster, remembering the torches of the villagers,
recoils, grunting in terror.
"No, my friend, smoke -- gooood,"
and the old man demonstrates with his own cigar.
The monster takes a tentative puff
and smiles hugely, saying, "Smoke -- gooood,"
and sits back like a banker, grunting and puffing.
Now the old man plays Mendelssohn's "Spring Song" on the violin
while tears come into our dear monster s eyes
as he thinks of the stones of the mob the pleasures of meal-time,
the magic new words he has learned
and above all of the friend he has found.
It is just as well that he is unaware --
being simple enough to believe only in the present --
that the mob will find him and pursue him
for the rest of his short unnatural life,
until trapped at the whirlpool's edge
he plunges to his death.
|
Written by
Craig Raine |
Divorced, but friends again at last,
we walk old ground together
in bright blue uncomplicated weather.
We laugh and pause
to hack to bits these tiny dinosaurs,
prehistoric, crenelated, cast
between the tractor ruts in mud.
On the green, a junior Douglas Fairbanks,
swinging on the chestnut's unlit chandelier,
defies the corporation spears--
a single rank around the bole,
rusty with blood.
Green, tacky phalluses curve up, romance
A gust--the old flag blazes on its pole.
In the village bakery
the pastry babies pass
from milky slump to crusty cadaver,
from crib to coffin--without palaver.
All's over in a flash,
too silently.
.
.
Tonight the arum lilies fold
back napkins monogrammed in gold,
crisp and laundered fresh.
Those crustaceous gladioli, on the sly,
reveal the crimson flower-flesh
inside their emerald armor plate.
The uncooked herrings blink a tearful eye.
The candles palpitate.
The Oistrakhs bow and scrape
in evening dress, on Emi-tape.
Outside the trees are bending over backwards
to please the wind : the shining sword
grass flattens on its belly.
The white-thorn's frillies offer no resistance.
In the fridge, a heart-shaped jelly
strives to keep a sense of balance.
I slice up the onions.
You sew up a dress.
This is the quiet echo--flesh--
white muscle on white muscle,
intimately folded skin,
finished with a satin rustle.
One button only to undo, sewn up with shabby thread.
It is the onion, memory,
that makes me cry.
Because there's everything and nothing to be said,
the clock with hands held up before its face,
stammers softly on, trying to complete a phrase--
while we, together and apart,
repeat unfinished festures got by heart.
And afterwards, I blunder with the washing on the line--
headless torsos, faceless lovers, friends of mine.
|
Written by
Howard Nemerov |
Here at the Super Duper, in a glass tank
Supplied by a rill of cold fresh water
Running down a glass washboard at one end
And siphoned off at the other, and so
Perpetually renewed, a herd of lobster
Is made available to the customer
Who may choose whichever one he wants
To carry home and drop into boiling water
And serve with a sauce of melted butter.
Meanwhile, the beauty of strangeness marks
These creatures, who move (when they do)
With a slow, vague wavering of claws,
The somnambulist¹s effortless clambering
As he crawls over the shell of a dream
Resembling himself.
Their velvet colors,
Mud red, bruise purple, cadaver green
Speckled with black, their camouflage at home,
Make them conspicuous here in the strong
Day-imitating light, the incommensurable
Philosophers and at the same time victims
Herded together in the marketplace, asleep
Except for certain tentative gestures
Of their antennae, or their imperial claws
Pegged shut with a whittled stick at the wrist.
We inlanders, buying our needful food,
Pause over these slow, gigantic spiders
That spin not.
We pause and are bemused,
And sometimes it happens that a mind sinks down
To the blind abyss in a swirl of sand, goes cold
And archaic in a carapace of horn,
Thinking: There's something underneath the world.
The flame beneath the pot that boils the water.
|
Written by
Dylan Thomas |
When, like a running grave, time tracks you down,
Your calm and cuddled is a scythe of hairs,
Love in her gear is slowly through the house,
Up naked stairs, a turtle in a hearse,
Hauled to the dome,
Comes, like a scissors stalking, tailor age,
Deliver me who timid in my tribe,
Of love am barer than Cadaver's trap
Robbed of the foxy tongue, his footed tape
Of the bone inch
Deliver me, my masters, head and heart,
Heart of Cadaver's candle waxes thin,
When blood, spade-handed, and the logic time
Drive children up like bruises to the thumb,
From maid and head,
For, sunday faced, with dusters in my glove,
Chaste and the chaser, man with the cockshut eye,
I, that time's jacket or the coat of ice
May fail to fasten with a virgin o
In the straight grave,
Stride through Cadaver's country in my force,
My pickbrain masters morsing on the stone
Despair of blood faith in the maiden's slime,
Halt among eunuchs, and the nitric stain
On fork and face.
Time is a foolish fancy, time and fool.
No, no, you lover skull, descending hammer
Descends, my masters, on the entered honour.
You hero skull, Cadaver in the hangar
Tells the stick, 'fail.
'
Joy is no knocking nation, sir and madam,
The cancer's fashion, or the summer feather
Lit on the cuddled tree, the cross of fever,
Not city tar and subway bored to foster
Man through macadam.
I dump the waxlights in your tower dome.
Joy is the knock of dust, Cadaver's shoot
Of bud of Adam through his boxy shift,
Love's twilit nation and the skull of state,
Sir, is your doom.
Everything ends, the tower ending and,
(Have with the house of wind), the leaning scene,
Ball of the foot depending from the sun,
(Give, summer, over), the cemented skin,
The actions' end.
All, men my madmen, the unwholesome wind
With whistler's cough contages, time on track
Shapes in a cinder death; love for his trick,
Happy Cadaver's hunger as you take
The kissproof world.
|
Written by
Sylvia Plath |
(1)
The day she visited the dissecting room
They had four men laid out, black as burnt turkey,
Already half unstrung.
A vinegary fume
Of the death vats clung to them;
The white-smocked boys started working.
The head of his cadaver had caved in,
And she could scarcely make out anything
In that rubble of skull plates and old leather.
A sallow piece of string held it together.
In their jars the snail-nosed babies moon and glow.
He hands her the cut-out heart like a cracked heirloom.
(2)
In Brueghel's panorama of smoke and slaughter
Two people only are blind to the carrion army:
He, afloat in the sea of her blue satin
Skirts, sings in the direction
Of her bare shoulder, while she bends,
Finger a leaflet of music, over him,
Both of them deaf to the fiddle in the hands
Of the death's-head shadowing their song.
These Flemish lovers flourish;not for long.
Yet desolation, stalled in paint, spares the little country
Foolish, delicate, in the lower right hand corner.
|
Written by
Anne Sexton |
After I wrote this, a friend scrawled on this page, "Yes.
"
And I said, merely to myself, "I wish it could be for a
different seizure--as with Molly Bloom and her ‘and
yes I said yes I will Yes.
"
It is not a turtle
hiding in its little green shell.
It is not a stone
to pick up and put under your black wing.
It is not a subway car that is obsolete.
It is not a lump of coal that you could light.
It is a dead heart.
It is inside of me.
It is a stranger
yet once it was agreeable,
opening and closing like a clam.
What it has cost me you can't imagine,
shrinks, priests, lovers, children, husbands,
friends and all the lot.
An expensive thing it was to keep going.
It gave back too.
Don't deny it!
I half wonder if April would bring it back to life?
A tulip? The first bud?
But those are just musings on my part,
the pity one has when one looks at a cadaver.
How did it die?
I called it EVIL.
I said to it, your poems stink like vomit.
I didn't stay to hear the last sentence.
It died on the word EVIL.
It did it with my tongue.
The tongue, the Chinese say,
is like a sharp knife:
it kills
without drawing blood.
|
Written by
Carl Sandburg |
To the Williamson Brothers
HIGH noon.
White sun flashes on the Michigan Avenue
asphalt.
Drum of hoofs and whirr of motors.
Women trapsing along in flimsy clothes catching
play of sun-fire to their skin and eyes.
Inside the playhouse are movies from under the sea.
From the heat of pavements and the dust of sidewalks,
passers-by go in a breath to be witnesses of
large cool sponges, large cool fishes, large cool valleys
and ridges of coral spread silent in the soak of
the ocean floor thousands of years.
A naked swimmer dives.
A knife in his right hand
shoots a streak at the throat of a shark.
The tail
of the shark lashes.
One swing would kill the swimmer.
.
.
Soon the knife goes into the soft under-
neck of the veering fish.
.
.
Its mouthful of teeth,
each tooth a dagger itself, set row on row, glistens
when the shuddering, yawning cadaver is hauled up
by the brothers of the swimmer.
Outside in the street is the murmur and singing of life
in the sun--horses, motors, women trapsing along
in flimsy clothes, play of sun-fire in their blood.
|
Written by
Algernon Charles Swinburne |
In a vision Liberty stood
By the childless charm-stricken bed
Where, barren of glory and good,
Knowing nought if she would not or would,
England slept with her dead.
Her face that the foam had whitened,
Her hands that were strong to strive,
Her eyes whence battle had lightened,
Over all was a drawn shroud tightened
To bind her asleep and alive.
She turned and laughed in her dream
With grey lips arid and cold;
She saw not the face as a beam
Burn on her, but only a gleam
Through her sleep as of new-stamped gold.
But the goddess, with terrible tears
In the light of her down-drawn eyes,
Spake fire in the dull sealed ears;
"Thou, sick with slumbers and fears,
Wilt thou sleep now indeed or arise?
"With dreams and with words and with light
Memories and empty desires
Thou hast wrapped thyself round all night;
Thou hast shut up thine heart from the right,
And warmed thee at burnt-out fires.
"Yet once if I smote at thy gate,
Thy sons would sleep not, but heard;
O thou that wast found so great,
Art thou smitten with folly or fate
That thy sons have forgotten my word?
O Cromwell's mother, O breast
That suckled Milton! thy name
That was beautiful then, that was blest,
Is it wholly discrowned and deprest,
Trodden under by sloth into shame?
"Why wilt thou hate me and die?
For none can hate me and live.
What ill have I done to thee? why
Wilt thou turn from me fighting, and fly,
Who would follow thy feet and forgive?
"Thou hast seen me stricken, and said,
What is it to me? I am strong:
Thou hast seen me bowed down on my dead
And laughed and lifted thine head,
And washed thine hands of my wrong.
"Thou hast put out the soul of thy sight;
Thou hast sought to my foemen as friend,
To my traitors that kiss me and smite,
To the kingdoms and empires of night
That begin with the darkness, and end.
"Turn thee, awaken, arise,
With the light that is risen on the lands,
With the change of the fresh-coloured skies;
Set thine eyes on mine eyes,
Lay thy hands in my hands.
"
She moved and mourned as she heard,
Sighed and shifted her place,
As the wells of her slumber were stirred
By the music and wind of the word,
Then turned and covered her face.
"Ah," she said in her sleep,
"Is my work not done with and done?
Is there corn for my sickle to reap?
And strange is the pathway, and steep,
And sharp overhead is the sun.
"I have done thee service enough,
Loved thee enough in my day;
Now nor hatred nor love
Nor hardly remembrance thereof
Lives in me to lighten my way.
"And is it not well with us here?
Is change as good as is rest?
What hope should move me, or fear,
That eye should open or ear,
Who have long since won what is best?
"Where among us are such things
As turn men's hearts into hell?
Have we not queens without stings,
Scotched princes, and fangless kings?
Yea," she said, "we are well.
"We have filed the teeth of the snake
Monarchy, how should it bite?
Should the slippery slow thing wake,
It will not sting for my sake;
Yea," she said, "I do right.
"
So spake she, drunken with dreams,
Mad; but again in her ears
A voice as of storm-swelled streams
Spake; "No brave shame then redeems
Thy lusts of sloth and thy fears?
"Thy poor lie slain of thine hands,
Their starved limbs rot in thy sight;
As a shadow the ghost of thee stands
Among men living and lands,
And stirs not leftward or right.
"Freeman he is not, but slave,
Who stands not out on my side;
His own hand hollows his grave,
Nor strength is in me to save
Where strength is none to abide.
"Time shall tread on his name
That was written for honour of old,
Who hath taken in change for fame
Dust, and silver, and shame,
Ashes, and iron, and gold.
"
|
Written by
John Berryman |
Something black somewhere in the vistas of his heart.
Tulips from Tates teazed Henry in the mood
to be a tulip and desire no more
but water, but light, but air.
Yet his nerves rattled blackly, unsubdued,
& suffocation called, dream-whiskey'd pour
sirening.
Rosy there
too fly my Phil & Ellen roses, pal.
Flesh-coloured men & women come & punt
under my windows.
I rave
or grunt against it, from a flowerless land.
For timeless hours wind most, or not at all.
I wind
my clock before I shave.
Soon it will fall dark.
Soon you'll see stars
you fevered after, child, man, & did nothing,—
compass live to the pencil-torch!
As still as his cadaver, Henry mars
this surface of an earth or other, feet south
eyes bleared west, waking to march.
|