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Written by John Wilmot | Create an image from this poem

A Satyre Against Mankind

 Were I - who to my cost already am
One of those strange, prodigious creatures, man -
A spirit free to choose for my own share
What sort of flesh and blood I pleased to wear,
I'd be a dog, a monkey, or a bear,
Or anything but that vain animal,
Who is so proud of being rational.
His senses are too gross; and he'll contrive A sixth, to contradict the other five; And before certain instinct will prefer Reason, which fifty times for one does err.
Reason, an ignis fatuus of the mind, Which leaving light of nature, sense, behind, Pathless and dangerous wand'ring ways it takes, Through Error's fenny bogs and thorny brakes; Whilst the misguided follower climbs with pain Mountains of whimsey's, heaped in his own brain; Stumbling from thought to thought, falls headlong down, Into Doubt's boundless sea where, like to drown, Books bear him up awhile, and make him try To swim with bladders of Philosophy; In hopes still to o'ertake the escaping light; The vapour dances, in his dancing sight, Till spent, it leaves him to eternal night.
Then old age and experience, hand in hand, Lead him to death, make him to understand, After a search so painful, and so long, That all his life he has been in the wrong: Huddled In dirt the reasoning engine lies, Who was so proud, so witty, and so wise.
Pride drew him in, as cheats their bubbles catch, And made him venture; to be made a wretch.
His wisdom did has happiness destroy, Aiming to know that world he should enjoy; And Wit was his vain, frivolous pretence Of pleasing others, at his own expense.
For wits are treated just like common whores, First they're enjoyed, and then kicked out of doors; The pleasure past, a threatening doubt remains, That frights th' enjoyer with succeeding pains: Women and men of wit are dangerous tools, And ever fatal to admiring fools.
Pleasure allures, and when the fops escape, 'Tis not that they're beloved, but fortunate, And therefore what they fear, at heart they hate: But now, methinks some formal band and beard Takes me to task; come on sir, I'm prepared: "Then by your Favour, anything that's writ Against this jibing, jingling knack called Wit Likes me abundantly: but you take care Upon this point not to be too severe.
Perhaps my Muse were fitter for this part, For I profess I can be very smart On Wit, which I abhor with all my heart; I long to lash it in some sharp essay, But your grand indiscretion bids me stay, And turns my tide of ink another way.
What rage Torments in your degenerate mind, To make you rail at reason, and mankind Blessed glorious man! To whom alone kind heaven An everlasting soul hath freely given; Whom his great maker took such care to make, That from himself he did the image take; And this fair frame in shining reason dressed, To dignify his nature above beast.
Reason, by whose aspiring influence We take a flight beyond material sense, Dive into mysteries, then soaring pierce The flaming limits of the universe, Search heaven and hell, Find out what's acted there, And give the world true grounds of hope and fear.
" Hold mighty man, I cry, all this we know, From the pathetic pen of Ingelo; From Patrlck's Pilgrim, Sibbes' Soliloquies, And 'tis this very reason I despise, This supernatural gift that makes a mite Think he's an image of the infinite; Comparing his short life, void of all rest, To the eternal, and the ever-blessed.
This busy, pushing stirrer-up of doubt, That frames deep mysteries, then finds them out; Filling with frantic crowds of thinking fools The reverend bedlam's, colleges and schools; Borne on whose wings each heavy sot can pierce The limits of the boundless universe; So charming ointments make an old witch fly, And bear a crippled carcass through the sky.
'Tis the exalted power whose business lies In nonsense and impossibilities.
This made a whimsical philosopher Before the spacious world his tub prefer, And we have modern cloistered coxcombs, who Retire to think 'cause they have nought to do.
But thoughts are given for action's government; Where action ceases, thought's impertinent: Our sphere of action is life's happiness, And he that thinks beyond thinks like an ass.
Thus, whilst against false reasoning I inveigh.
I own right reason, which I would obey: That reason which distinguishes by sense, And gives us rules of good and ill from thence; That bounds desires.
with a reforming will To keep 'em more in vigour, not to kill.
- Your reason hinders, mine helps to enjoy, Renewing appetites yours would destroy.
My reason is my friend, yours is a cheat, Hunger calls out, my reason bids me eat; Perversely.
yours your appetite does mock: This asks for food, that answers, 'what's o'clock' This plain distinction, sir, your doubt secures, 'Tis not true reason I despise, but yours.
Thus I think reason righted, but for man, I'll ne'er recant, defend him if you can: For all his pride, and his philosophy, 'Tis evident: beasts are in their own degree As wise at least, and better far than he.
Those creatures are the wisest who attain.
- By surest means.
the ends at which they aim.
If therefore Jowler finds and kills the hares, Better than Meres supplies committee chairs; Though one's a statesman, th' other but a hound, Jowler in justice would be wiser found.
You see how far man's wisdom here extends.
Look next if human nature makes amends; Whose principles are most generous and just, - And to whose morals you would sooner trust: Be judge yourself, I'll bring it to the test, Which is the basest creature, man or beast Birds feed on birds, beasts on each other prey, But savage man alone does man betray: Pressed by necessity; they kill for food, Man undoes man, to do himself no good.
With teeth and claws, by nature armed, they hunt Nature's allowance, to supply their want.
But man, with smiles, embraces.
friendships.
Praise, Inhumanely his fellow's life betrays; With voluntary pains works his distress, Not through necessity, but wantonness.
For hunger or for love they bite, or tear, Whilst wretched man is still in arms for fear.
For fear he arms, and is of arms afraid: From fear, to fear, successively betrayed.
Base fear, the source whence his best passions came.
His boasted honour, and his dear-bought fame.
The lust of power, to whom he's such a slave, And for the which alone he dares be brave; To which his various projects are designed, Which makes him generous, affable, and kind.
For which he takes such pains to be thought wise, And screws his actions, in a forced disguise; Leads a most tedious life in misery, Under laborious, mean hypocrisy.
Look to the bottom of his vast design, Wherein man's wisdom, power, and glory join: The good he acts.
the ill he does endure.
'Tis all from fear, to make himself secure.
Merely for safety after fame they thirst, For all men would be cowards if they durst.
And honesty's against all common sense, Men must be knaves, 'tis in their own defence.
Mankind's dishonest: if you think it fair Among known cheats to play upon the square, You'll be undone.
Nor can weak truth your reputation save, The knaves will all agree to call you knave.
Wronged shall he live, insulted o'er, oppressed, Who dares be less a villain than the rest.
Thus sir, you see what human nature craves, Most men are cowards, all men should be knaves; The difference lies, as far as I can see.
Not in the thing itself, but the degree; And all the subject matter of debate Is only, who's a knave of the first rate All this with indignation have I hurled At the pretending part of the proud world, Who, swollen with selfish vanity, devise, False freedoms, holy cheats, and formal lies, Over their fellow slaves to tyrannise.
But if in Court so just a man there be, (In Court, a just man - yet unknown to me) Who does his needful flattery direct Not to oppress and ruin, but protect: Since flattery, which way soever laid, Is still a tax: on that unhappy trade.
If so upright a statesman you can find, Whose passions bend to his unbiased mind, Who does his arts and policies apply To raise his country, not his family; Nor while his pride owned avarice withstands, Receives close bribes, from friends corrupted hands.
Is there a churchman who on God relies Whose life, his faith and doctrine justifies Not one blown up, with vain prelatic pride, Who for reproofs of sins does man deride; Whose envious heart makes preaching a pretence With his obstreperous, saucy eloquence, To chide at kings, and rail at men of sense; Who from his pulpit vents more peevlsh lies, More bitter railings, scandals, calumnies, Than at a gossiping are thrown about When the good wives get drunk, and then fall out.
None of that sensual tribe, whose talents lie In avarice, pride, sloth, and gluttony.
Who hunt good livings; but abhor good lives, Whose lust exalted, to that height arrives, They act adultery with their own wives.
And ere a score of years completed be, Can from the loftiest pulpit proudly see, Half a large parish their own progeny.
Nor doting bishop, who would be adored For domineering at the Council board; A greater fop, in business at fourscore, Fonder of serious toys, affected more, Than the gay, glittering fool at twenty proves, With all his noise, his tawdry clothes and loves.
But a meek, humble man, of honest sense, Who preaching peace does practise continence; Whose pious life's a proof he does believe Mysterious truths which no man can conceive.
If upon Earth there dwell such god-like men, I'll here recant my paradox to them, Adores those shrines of virtue, homage pay, And with the rabble world their laws obey.
If such there are, yet grant me this at least, Man differs more from man than man from beast.


Written by William Wordsworth | Create an image from this poem

THE TABLES TURNED;

An Evening Scene, on the same Subject,

  Up! up! my friend, and clear your looks,
  Why all this toil and trouble?
  Up! up! my friend, and quit your books,
  Or surely you'll grow double.

  The sun, above the mountain's head,
  A freshening lustre mellow
  Through all the long green fields has spread,
  His first sweet evening yellow.

  Books! 'tis dull and endless strife,
  Come, here the woodland linnet,
  How sweet his music; on my life
  There's more of wisdom in it.

  And hark! how blithe the throstle sings!
  And he is no mean preacher;
  Come forth into the light of things,
  Let Nature be your teacher.

  She has a world of ready wealth,
  Our minds and hearts to bless—
  Spontaneous wisdom breathed by health,
  Truth breathed by chearfulness.

  One impulse from a vernal wood
  May teach you more of man;
  Of moral evil and of good,
  Than all the sages can.

  Sweet is the lore which nature brings;
  Our meddling intellect
  Mishapes the beauteous forms of things;
  —We murder to dissect.

  Enough of science and of art;
  Close up these barren leaves;
  Come forth, and bring with you a heart
  That watches and receives.

ANIMAL TRANQUILLITY & DECAY

A SKETCH.

                  The little hedge-row birds
  That peck along the road, regard him not.
  He travels on, and in his face, his step,
  His gait, is one expression; every limb,
  His look and bending figure, all bespeak
  A man who does not move with pain, but moves
  With thought—He is insensibly subdued
  To settled quiet: he is one by whom
  All effort seems forgotten, one to whom
  Long patience has such mild composure given,
  That patience now doth seem a thing, of which
  He hath no need.
He is by nature led
  To peace so perfect, that the young behold
  With envy, what the old man hardly feels.
  —I asked him whither he was bound, and what
  The object of his journey; he replied
  That he was going many miles to take
  A last leave of his son, a mariner,
  Who from a sea-fight had been brought to Falmouth,
  And there was lying in an hospital.

Written by Dejan Stojanovic | Create an image from this poem

Dancing of Sounds

There is a moonlight note
In the Moonlight Sonata; 
There is a thunder note
In an angry sky.
Sound unbound by nature Becomes bounded by art.
There is no competition of sounds Between a nightingale and a violin.
Nature rewards and punishes By offering unpredictable ways; Art is apotheosis; Often, the complaint of beauty.
Nature is an outcry, Unpolished truth; The art—a euphemism— Tamed wilderness.
Written by Robert Herrick | Create an image from this poem

AMBITION

 In man, ambition is the common'st thing;
Each one by nature loves to be a king.
Written by Jonathan Swift | Create an image from this poem

To Stella Who Collected and Transcribed His Poems

 As, when a lofty pile is raised,
We never hear the workmen praised,
Who bring the lime, or place the stones;
But all admire Inigo Jones:
So, if this pile of scattered rhymes
Should be approved in aftertimes;
If it both pleases and endures,
The merit and the praise are yours.
Thou, Stella, wert no longer young, When first for thee my harp was strung, Without one word of Cupid's darts, Of killing eyes, or bleeding hearts; With friendship and esteem possest, I ne'er admitted Love a guest.
In all the habitudes of life, The friend, the mistress, and the wife, Variety we still pursue, In pleasure seek for something new; Or else, comparing with the rest, Take comfort that our own is best; The best we value by the worst, As tradesmen show their trash at first; But his pursuits are at an end, Whom Stella chooses for a friend.
A poet starving in a garret, Invokes his mistress and his Muse, And stays at home for want of shoes: Should but his Muse descending drop A slice of bread and mutton-chop; Or kindly, when his credit's out, Surprise him with a pint of stout; Or patch his broken stocking soles; Or send him in a peck of coals; Exalted in his mighty mind, He flies and leaves the stars behind; Counts all his labours amply paid, Adores her for the timely aid.
Or, should a porter make inquiries For Chloe, Sylvia, Phillis, Iris; Be told the lodging, lane, and sign, The bowers that hold those nymphs divine; Fair Chloe would perhaps be found With footmen tippling under ground; The charming Sylvia beating flax, Her shoulders marked with bloody tracks; Bright Phyllis mending ragged smocks: And radiant Iris in the pox.
These are the goddesses enrolled In Curll's collection, new and old, Whose scoundrel fathers would not know 'em, If they should meet them in a poem.
True poets can depress and raise, Are lords of infamy and praise; They are not scurrilous in satire, Nor will in panegyric flatter.
Unjustly poets we asperse; Truth shines the brighter clad in verse, And all the fictions they pursue Do but insinuate what is true.
Now, should my praises owe their truth To beauty, dress, or paint, or youth, What stoics call without our power, They could not be ensured an hour; 'Twere grafting on an annual stock, That must our expectation mock, And, making one luxuriant shoot, Die the next year for want of root: Before I could my verses bring, Perhaps you're quite another thing.
So Maevius, when he drained his skull To celebrate some suburb trull, His similes in order set, And every crambo he could get; Had gone through all the common-places Worn out by wits, who rhyme on faces; Before he could his poem close, The lovely nymph had lost her nose.
Your virtues safely I commend; They on no accidents depend: Let malice look with all her eyes, She dare not say the poet lies.
Stella, when you these lines transcribe, Lest you should take them for a bribe, Resolved to mortify your pride, I'll here expose your weaker side.
Your spirits kindle to a flame, Moved by the lightest touch of blame; And when a friend in kindness tries To show you where your error lies, Conviction does but more incense; Perverseness is your whole defence; Truth, judgment, wit, give place to spite, Regardless both of wrong and right; Your virtues all suspended wait, Till time has opened reason's gate; And, what is worse, your passion bends Its force against your nearest friends, Which manners, decency, and pride, Have taught from you the world to hide; In vain; for see, your friend has brought To public light your only fault; And yet a fault we often find Mixed in a noble, generous mind: And may compare to Etna's fire, Which, though with trembling, all admire; The heat that makes the summit glow, Enriching all the vales below.
Those who, in warmer climes, complain From Phoebus' rays they suffer pain, Must own that pain is largely paid By generous wines beneath a shade.
Yet, when I find your passions rise, And anger sparkling in your eyes, I grieve those spirits should be spent, For nobler ends by nature meant.
One passion, with a different turn, Makes wit inflame, or anger burn: So the sun's heat, with different powers, Ripens the grape, the liquor sours: Thus Ajax, when with rage possest, By Pallas breathed into his breast, His valour would no more employ, Which might alone have conquered Troy; But, blinded be resentment, seeks For vengeance on his friends the Greeks.
You think this turbulence of blood From stagnating preserves the flood, Which, thus fermenting by degrees, Exalts the spirits, sinks the lees.
Stella, for once your reason wrong; For, should this ferment last too long, By time subsiding, you may find Nothing but acid left behind; From passion you may then be freed, When peevishness and spleen succeed.
Say, Stella, when you copy next, Will you keep strictly to the text? Dare you let these reproaches stand, And to your failing set your hand? Or, if these lines your anger fire, Shall they in baser flames expire? Whene'er they burn, if burn they must, They'll prove my accusation just.


Written by Rg Gregory | Create an image from this poem

eight roundels

 (roundel: variation of the rondeau
consisting of three stanzas of three
lines each, linked together with but
two rhymes and a refrain at the end
of the first and third group)



1.
the blind rose today's fullness is tomorrow's gone (the next day after no one knows) last year's dream now feeds upon what blindly grows imagine if you like a rose on which no likely sun has shone a darkness chokes it (just suppose) the die though's cast - a marathon of hopes endeavours then bestows dawn's right to spill its colours on what blindly grows 2.
squeaking there are so few words left now to grow green on - my vocabulary's stumped for a hard-edged phrase to let you know my truth's not been gazumped love itself of course is blandly thumped each time it suits you to imagine no fruits are guilty for their being scrumped if you can't be honest with me - better go if dumped is what you wish then i'll be dumped excuse me if i go on squeaking though my truth's not been gazumped 3.
ease of mind the world spins - today i have migraine the peace i seek is never less than ill striving's no answer to the bumptious pain that is love's overspill wanting warmth encourages the chill relaxation breeds its bitter strain the worst of all crimes is - i love you still hope itself by nature is inane i squat in a box dismembered from such will to let me find the ease of mind again that is love's overspill 4.
a roundel for ptolemy the earth is not the system's centre- so ok heliocentric - well our sun's a midget spawning galaxies blow our minds away space then equal to a digit the mightiest telescope's a widget science at best hard guessing gone astray no genius stretch beyond a second's fidget ptolemy discarded yet may have his say infinity takes a hologram to bridge it each shard of us contains the cosmos - space then equal to a digit 5.
reflection everything you do is my reflection the hurts you cause are my pain inside out blame's no matter for a close inspection your guilt turns mine about love itself is many hands of doubt it cannot be without it breeds rejection its silences result in one big shout i am left with nothing but dejection what's gold in me has nowhere to get out love's pride is fatal to correction my guilt turns yours about 6.
the round the round understands the fluidity of order how the thing lit up and the shadow can't compete how the centre is that version of the border the moment makes complete notice each face around a space at times replete with insights given to no one else as warder but not condemned when those insights retreat impermanence is eternity's recorder - with an intricate sense of pattern power can't delete the round honours those cracks in the divine disorder the moment makes complete 7.
the actor acting is not the true self's dissipation but not its preening either - outside the role it honours it best fights shy of reputation - being what prometheus stole it is a distant spark of that first live coal a conscious glimpse of human desperation rekindled as a longing to console the waning spirit or the shattered dedication actors are allies of the delphic hole for good or ill they echo human expectation being what prometheus stole 8.
roundels in honour of the round (i) when energy was born it asked this question which way dear parents do i go from here mum fluttered indifferently (i blame exhaustion) dad pointed with his sexual gear so energy thrust straight ahead and fostered fear at once its dreaded source became a bastion too holy to be doubted - mum flipped a gear she sought revenge on dad for his lewd suggestion taking too long of course - things went nuclear the scale of the damage was too much to ingest when dad pointed with his sexual gear (ii) she sat with her flowing skirt spread out on the earth and tore the garment into strips from toe to waist laying them to point around the wide world's girth my way the truth flows best dad laughed his head off at the pointless waste and energy itself was seized by powerful mirth perhaps mum's petalled skirt was not well placed in time mishandled plenty breeds its dearth dad's roisterous one-way-ism was disgraced energy began to sense what mum was worth her way the truth flows best
Written by John Wilmot | Create an image from this poem

An Allusion to Horace

 Well Sir, 'tis granted, I said Dryden's Rhimes, 
Were stoln, unequal, nay dull many times: 
What foolish Patron, is there found of his, 
So blindly partial, to deny me this? 
But that his Plays, Embroider'd up and downe, 
With Witt, and Learning, justly pleas'd the Towne, 
In the same paper, I as freely owne: 
Yet haveing this allow'd, the heavy Masse, 
That stuffs up his loose Volumes must not passe: 
For by that Rule, I might as well admit, 
Crownes tedious Scenes, for Poetry, and Witt.
'Tis therefore not enough, when your false Sense Hits the false Judgment of an Audience Of Clapping-Fooles, assembling a vast Crowd 'Till the throng'd Play-House, crack with the dull Load; Tho' ev'n that Tallent, merrits in some sort, That can divert the Rabble and the Court: Which blundring Settle, never cou'd attaine, And puzling Otway, labours at in vaine.
But within due proportions, circumscribe What e're you write; that with a flowing Tyde, The Stile, may rise, yet in its rise forbeare, With uselesse Words, t'oppresse the wearyed Eare: Here be your Language lofty, there more light, Your Rethorick, with your Poetry, unite: For Elegance sake, sometimes alay the force Of Epethets; 'twill soften the discourse; A Jeast in Scorne, poynts out, and hits the thing, More home, than the Morosest Satyrs Sting.
Shakespeare, and Johnson, did herein excell, And might in this be Immitated well; Whom refin'd Etheridge, Coppys not at all, But is himself a Sheere Originall: Nor that Slow Drudge, in swift Pindarique straines, Flatman, who Cowley imitates with paines, And rides a Jaded Muse, whipt with loose Raines.
When Lee, makes temp'rate Scipio, fret and Rave, And Haniball, a whineing Am'rous Slave; I laugh, and wish the hot-brain'd Fustian Foole, In Busbys hands, to be well lasht at Schoole.
Of all our Moderne Witts, none seemes to me, Once to have toucht upon true Comedy, But hasty Shadwell, and slow Witcherley.
Shadwells unfinisht workes doe yet impart, Great proofes of force of Nature, none of Art.
With just bold Stroakes, he dashes here and there, Shewing great Mastery with little care; And scornes to varnish his good touches o're, To make the Fooles, and Women, praise 'em more.
But Witcherley, earnes hard, what e're he gaines, He wants noe Judgment, nor he spares noe paines; He frequently excells, and at the least, Makes fewer faults, than any of the best.
Waller, by Nature for the Bayes design'd, With force, and fire, and fancy unconfin'd, In Panigericks does Excell Mankind: He best can turne, enforce, and soften things, To praise great Conqu'rours, or to flatter Kings.
For poynted Satyrs, I wou'd Buckhurst choose, The best good Man, with the worst Natur'd Muse: For Songs, and Verses, Mannerly Obscene, That can stirr Nature up, by Springs unseene, And without forceing blushes, warme the Queene: Sidley, has that prevailing gentle Art, That can with a resistlesse Charme impart, The loosest wishes to the Chastest Heart, Raise such a Conflict, kindle such a ffire Betwixt declineing Virtue, and desire, Till the poor Vanquisht Maid, dissolves away, In Dreames all Night, in Sighs, and Teares, all Day.
Dryden, in vaine, try'd this nice way of Witt, For he, to be a tearing Blade thought fit, But when he wou'd be sharp, he still was blunt, To friske his frollique fancy, hed cry ****; Wou'd give the Ladyes, a dry Bawdy bob, And thus he got the name of Poet Squab: But to be just, twill to his praise be found, His Excellencies, more than faults abound.
Nor dare I from his Sacred Temples teare, That Lawrell, which he best deserves to weare.
But does not Dryden find ev'n Johnson dull? Fletcher, and Beaumont, uncorrect, and full Of Lewd lines as he calls em? Shakespeares Stile Stiffe, and Affected? To his owne the while Allowing all the justnesse that his Pride, Soe Arrogantly, had to these denyd? And may not I, have leave Impartially To search, and Censure, Drydens workes, and try, If those grosse faults, his Choyce Pen does Commit Proceed from want of Judgment, or of Witt.
Of if his lumpish fancy does refuse, Spirit, and grace to his loose slatterne Muse? Five Hundred Verses, ev'ry Morning writ, Proves you noe more a Poet, than a Witt.
Such scribling Authors, have beene seene before, Mustapha, the English Princesse, Forty more, Were things perhaps compos'd in Half an Houre.
To write what may securely stand the test Of being well read over Thrice oat least Compare each Phrase, examin ev'ry Line, Weigh ev'ry word, and ev'ry thought refine; Scorne all Applause the Vile Rout can bestow, And be content to please those few, who know.
Canst thou be such a vaine mistaken thing To wish thy Workes might make a Play-house ring, With the unthinking Laughter, and poor praise Of Fopps, and Ladys, factious for thy Plays? Then send a cunning Friend to learne thy doome, From the shrew'd Judges in the Drawing-Roome.
I've noe Ambition on that idle score, But say with Betty Morice, heretofore When a Court-Lady, call'd her Buckleys Whore, I please one Man of Witt, am proud on't too, Let all the Coxcombs, dance to bed to you.
Shou'd I be troubled when the Purblind Knight Who squints more in his Judgment, than his sight, Picks silly faults, and Censures what I write? Or when the poor-fed Poets of the Towne For Scrapps, and Coach roome cry my Verses downe? I loath the Rabble, 'tis enough for me, If Sidley, Shadwell, Shepherd, Witcherley, Godolphin, Buttler, Buckhurst, Buckingham, And some few more, whom I omit to name Approve my Sense, I count their Censure Fame.
Written by Percy Bysshe Shelley | Create an image from this poem

Julian and Maddalo (excerpt)

 I rode one evening with Count Maddalo 
Upon the bank of land which breaks the flow
Of Adria towards Venice: a bare strand
Of hillocks, heap'd from ever-shifting sand,
Matted with thistles and amphibious weeds,
Such as from earth's embrace the salt ooze breeds,
Is this; an uninhabited sea-side,
Which the lone fisher, when his nets are dried,
Abandons; and no other object breaks
The waste, but one dwarf tree and some few stakes
Broken and unrepair'd, and the tide makes
A narrow space of level sand thereon,
Where 'twas our wont to ride while day went down.
This ride was my delight.
I love all waste And solitary places; where we taste The pleasure of believing what we see Is boundless, as we wish our souls to be: And such was this wide ocean, and this shore More barren than its billows; and yet more Than all, with a remember'd friend I love To ride as then I rode; for the winds drove The living spray along the sunny air Into our faces; the blue heavens were bare, Stripp'd to their depths by the awakening north; And, from the waves, sound like delight broke forth Harmonizing with solitude, and sent Into our hearts aëreal merriment.
So, as we rode, we talk'd; and the swift thought, Winging itself with laughter, linger'd not, But flew from brain to brain--such glee was ours, Charg'd with light memories of remember'd hours, None slow enough for sadness: till we came Homeward, which always makes the spirit tame.
This day had been cheerful but cold, and now The sun was sinking, and the wind also.
Our talk grew somewhat serious, as may be Talk interrupted with such raillery As mocks itself, because it cannot scorn The thoughts it would extinguish: 'twas forlorn, Yet pleasing, such as once, so poets tell, The devils held within the dales of Hell Concerning God, freewill and destiny: Of all that earth has been or yet may be, All that vain men imagine or believe, Or hope can paint or suffering may achieve, We descanted, and I (for ever still Is it not wise to make the best of ill?) Argu'd against despondency, but pride Made my companion take the darker side.
The sense that he was greater than his kind Had struck, methinks, his eagle spirit blind By gazing on its own exceeding light.
Meanwhile the sun paus'd ere it should alight, Over the horizon of the mountains--Oh, How beautiful is sunset, when the glow Of Heaven descends upon a land like thee, Thou Paradise of exiles, Italy! Thy mountains, seas, and vineyards, and the towers Of cities they encircle! It was ours To stand on thee, beholding it: and then, Just where we had dismounted, the Count's men Were waiting for us with the gondola.
As those who pause on some delightful way Though bent on pleasant pilgrimage, we stood Looking upon the evening, and the flood Which lay between the city and the shore, Pav'd with the image of the sky.
.
.
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The hoar And aëry Alps towards the North appear'd Through mist, an heaven-sustaining bulwark rear'd Between the East and West; and half the sky Was roof'd with clouds of rich emblazonry Dark purple at the zenith, which still grew Down the steep West into a wondrous hue Brighter than burning gold, even to the rent Where the swift sun yet paus'd in his descent Among the many-folded hills: they were Those famous Euganean hills, which bear, As seen from Lido thro' the harbour piles, The likeness of a clump of peakèd isles-- And then--as if the Earth and Sea had been Dissolv'd into one lake of fire, were seen Those mountains towering as from waves of flame Around the vaporous sun, from which there came The inmost purple spirit of light, and made Their very peaks transparent.
"Ere it fade," Said my companion, "I will show you soon A better station"--so, o'er the lagune We glided; and from that funereal bark I lean'd, and saw the city, and could mark How from their many isles, in evening's gleam, Its temples and its palaces did seem Like fabrics of enchantment pil'd to Heaven.
I was about to speak, when--"We are even Now at the point I meant," said Maddalo, And bade the gondolieri cease to row.
"Look, Julian, on the west, and listen well If you hear not a deep and heavy bell.
" I look'd, and saw between us and the sun A building on an island; such a one As age to age might add, for uses vile, A windowless, deform'd and dreary pile; And on the top an open tower, where hung A bell, which in the radiance sway'd and swung; We could just hear its hoarse and iron tongue: The broad sun sunk behind it, and it toll'd In strong and black relief.
"What we behold Shall be the madhouse and its belfry tower," Said Maddalo, "and ever at this hour Those who may cross the water, hear that bell Which calls the maniacs, each one from his cell, To vespers.
" "As much skill as need to pray In thanks or hope for their dark lot have they To their stern Maker," I replied.
"O ho! You talk as in years past," said Maddalo.
" 'Tis strange men change not.
You were ever still Among Christ's flock a perilous infidel, A wolf for the meek lambs--if you can't swim Beware of Providence.
" I look'd on him, But the gay smile had faded in his eye.
"And such," he cried, "is our mortality, And this must be the emblem and the sign Of what should be eternal and divine! And like that black and dreary bell, the soul, Hung in a heaven-illumin'd tower, must toll Our thoughts and our desires to meet below Round the rent heart and pray--as madmen do For what? they know not--till the night of death, As sunset that strange vision, severeth Our memory from itself, and us from all We sought and yet were baffled.
" I recall The sense of what he said, although I mar The force of his expressions.
The broad star Of day meanwhile had sunk behind the hill, And the black bell became invisible, And the red tower look'd gray, and all between The churches, ships and palaces were seen Huddled in gloom;--into the purple sea The orange hues of heaven sunk silently.
We hardly spoke, and soon the gondola Convey'd me to my lodgings by the way.
The following morn was rainy, cold and dim: Ere Maddalo arose, I call'd on him, And whilst I waited with his child I play'd; A lovelier toy sweet Nature never made, A serious, subtle, wild, yet gentle being, Graceful without design and unforeseeing, With eyes--Oh speak not of her eyes!--which seem Twin mirrors of Italian Heaven, yet gleam With such deep meaning, as we never see But in the human countenance: with me She was a special favourite: I had nurs'd Her fine and feeble limbs when she came first To this bleak world; and she yet seem'd to know On second sight her ancient playfellow, Less chang'd than she was by six months or so; For after her first shyness was worn out We sate there, rolling billiard balls about, When the Count enter'd.
Salutations past-- "The word you spoke last night might well have cast A darkness on my spirit--if man be The passive thing you say, I should not see Much harm in the religions and old saws (Though I may never own such leaden laws) Which break a teachless nature to the yoke: Mine is another faith"--thus much I spoke And noting he replied not, added: "See This lovely child, blithe, innocent and free; She spends a happy time with little care, While we to such sick thoughts subjected are As came on you last night.
It is our will That thus enchains us to permitted ill.
We might be otherwise.
We might be all We dream of happy, high, majestical.
Where is the love, beauty, and truth we seek But in our mind? and if we were not weak Should we be less in deed than in desire?" "Ay, if we were not weak--and we aspire How vainly to be strong!" said Maddalo: "You talk Utopia.
" "It remains to know," I then rejoin'd, "and those who try may find How strong the chains are which our spirit bind; Brittle perchance as straw.
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We are assur'd Much may be conquer'd, much may be endur'd, Of what degrades and crushes us.
We know That we have power over ourselves to do And suffer--what, we know not till we try; But something nobler than to live and die: So taught those kings of old philosophy Who reign'd, before Religion made men blind; And those who suffer with their suffering kind Yet feel their faith, religion.
" "My dear friend," Said Maddalo, "my judgement will not bend To your opinion, though I think you might Make such a system refutation-tight As far as words go.
I knew one like you Who to this city came some months ago, With whom I argu'd in this sort, and he Is now gone mad--and so he answer'd me-- Poor fellow! but if you would like to go We'll visit him, and his wild talk will show How vain are such aspiring theories.
" "I hope to prove the induction otherwise, And that a want of that true theory, still, Which seeks a 'soul of goodness' in things ill Or in himself or others, has thus bow'd His being.
There are some by nature proud, Who patient in all else demand but this-- To love and be belov'd with gentleness; And being scorn'd, what wonder if they die Some living death? this is not destiny But man's own wilful ill.
" As thus I spoke Servants announc'd the gondola, and we Through the fast-falling rain and high-wrought sea Sail'd to the island where the madhouse stands.
Written by Friedrich von Schiller | Create an image from this poem

Honor To Woman

 Honor to woman! To her it is given
To garden the earth with the roses of heaven!
All blessed, she linketh the loves in their choir
In the veil of the graces her beauty concealing,
She tends on each altar that's hallowed to feeling,
And keeps ever-living the fire!

From the bounds of truth careering,
Man's strong spirit wildly sweeps,
With each hasty impulse veering
Down to passion's troubled deeps.
And his heart, contented never, Greeds to grapple with the far, Chasing his own dream forever, On through many a distant star! But woman with looks that can charm and enchain, Lureth back at her beck the wild truant again, By the spell of her presence beguiled-- In the home of the mother her modest abode, And modest the manners by Nature bestowed On Nature's most exquisite child! Bruised and worn, but fiercely breasting, Foe to foe, the angry strife; Man, the wild one, never resting, Roams along the troubled life; What he planneth, still pursuing; Vainly as the Hydra bleeds, Crest the severed crest renewing-- Wish to withered wish succeeds.
But woman at peace with all being, reposes, And seeks from the moment to gather the roses-- Whose sweets to her culture belong.
Ah! richer than he, though his soul reigneth o'er The mighty dominion of genius and lore, And the infinite circle of song.
Strong, and proud, and self-depending, Man's cold bosom beats alone; Heart with heart divinely blending, In the love that gods have known, Soul's sweet interchange of feeling, Melting tears--he never knows, Each hard sense the hard one steeling, Arms against a world of foes.
Alive, as the wind-harp, how lightly soever If wooed by the zephyr, to music will quiver, Is woman to hope and to fear; All, tender one! still at the shadow of grieving, How quiver the chords--how thy bosom is heaving-- How trembles thy glance through the tear! Man's dominion, war and labor; Might to right the statue gave; Laws are in the Scythian's sabre; Where the Mede reigned--see the slave! Peace and meekness grimly routing, Prowls the war-lust, rude and wild; Eris rages, hoarsely shouting, Where the vanished graces smiled.
But woman, the soft one, persuasively prayeth-- Of the life that she charmeth, the sceptre she swayeth; She lulls, as she looks from above, The discord whose bell for its victims is gaping, And blending awhile the forever escaping, Whispers hate to the image of love!
Written by Elizabeth Barrett Browning | Create an image from this poem

Patience Taught By Nature

 'O DREARY life,' we cry, ' O dreary life ! '
And still the generations of the birds
Sing through our sighing, and the flocks and herds
Serenely live while we are keeping strife
With Heaven's true purpose in us, as a knife
Against which we may struggle ! Ocean girds
Unslackened the dry land, savannah-swards
Unweary sweep, hills watch unworn, and rife
Meek leaves drop year]y from the forest-trees
To show, above, the unwasted stars that pass
In their old glory: O thou God of old,
Grant me some smaller grace than comes to these !--
But so much patience as a blade of grass
Grows by, contented through the heat and cold.

Book: Shattered Sighs