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Best Famous Butting Poems

Here is a collection of the all-time best famous Butting poems. This is a select list of the best famous Butting poetry. Reading, writing, and enjoying famous Butting poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of butting poems.

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Written by Siegfried Sassoon | Create an image from this poem

Haunted

EVENING was in the wood, louring with storm. 
A time of drought had sucked the weedy pool 
And baked the channels; birds had done with song. 
Thirst was a dream of fountains in the moon, 
Or willow-music blown across the water 5 
Leisurely sliding on by weir and mill. 

Uneasy was the man who wandered, brooding, 
His face a little whiter than the dusk. 
A drone of sultry wings flicker¡¯d in his head. 
The end of sunset burning thro¡¯ the boughs 10 
Died in a smear of red; exhausted hours 
Cumber¡¯d, and ugly sorrows hemmed him in. 

He thought: ¡®Somewhere there¡¯s thunder,¡¯ as he strove 
To shake off dread; he dared not look behind him, 
But stood, the sweat of horror on his face. 15 

He blunder¡¯d down a path, trampling on thistles, 
In sudden race to leave the ghostly trees. 
And: ¡®Soon I¡¯ll be in open fields,¡¯ he thought, 
And half remembered starlight on the meadows, 
Scent of mown grass and voices of tired men, 20 
Fading along the field-paths; home and sleep 
And cool-swept upland spaces, whispering leaves, 
And far off the long churring night-jar¡¯s note. 

But something in the wood, trying to daunt him, 
Led him confused in circles through the thicket. 25 
He was forgetting his old wretched folly, 
And freedom was his need; his throat was choking. 
Barbed brambles gripped and clawed him round his legs, 
And he floundered over snags and hidden stumps. 
Mumbling: ¡®I will get out! I must get out!¡¯ 30 
Butting and thrusting up the baffling gloom, 
Pausing to listen in a space ¡¯twixt thorns, 
He peers around with peering, frantic eyes. 

An evil creature in the twilight looping, 
Flapped blindly in his face. Beating it off, 35 
He screeched in terror, and straightway something clambered 
Heavily from an oak, and dropped, bent double, 
To shamble at him zigzag, squat and bestial. 

Headlong he charges down the wood, and falls 
With roaring brain¡ªagony¡ªthe snap¡¯t spark¡ª 40 
And blots of green and purple in his eyes. 
Then the slow fingers groping on his neck, 
And at his heart the strangling clasp of death. 


Written by John Masefield | Create an image from this poem

Cargoes

 QUINQUIREME of Nineveh from distant Ophir, 
Rowing home to haven in sunny Palestine, 
With a cargo of ivory, 
And apes and peacocks, 
Sandalwood, cedarwood, and sweet white wine. 

Stately Spanish galleon coming from the Isthmus, 
Dipping through the Tropics by the palm-green shores, 
With a cargo of diamonds, 
Emeralds, amythysts, 
Topazes, and cinnamon, and gold moidores. 

Dirty British coaster with a salt-caked smoke stack, 
Butting through the Channel in the mad March days, 
With a cargo of Tyne coal, 
Road-rails, pig-lead, 
Firewood, iron-ware, and cheap tin trays.
Written by Carl Sandburg | Create an image from this poem

Boes

 I WAITED today for a freight train to pass.
Cattle cars with steers butting their horns against the
bars, went by.
And a half a dozen hoboes stood on bumpers between
cars.
Well, the cattle are respectable, I thought.
Every steer has its transportation paid for by the farmer
sending it to market,
While the hoboes are law-breakers in riding a railroad
train without a ticket.
It reminded me of ten days I spent in the Allegheny
County jail in Pittsburgh.
I got ten days even though I was a veteran of the
Spanish-American war.
Cooped in the same cell with me was an old man, a
bricklayer and a booze-fighter.
But it just happened he, too, was a veteran soldier, and
he had fought to preserve the Union and free the
niggers.
We were three in all, the other being a Lithuanian who
got drunk on pay day at the steel works and got to
fighting a policeman;
All the clothes he had was a shirt, pants and shoes--
somebody got his hat and coat and what money he
had left over when he got drunk.
Written by Vachel Lindsay | Create an image from this poem

The Santa-Fe Trail (A Humoresque)

 I asked the old *****, "What is that bird that sings so well?" He answered: "That is the Rachel-Jane." "Hasn't it another name, lark, or thrush, or the like?" "No. Jus' Rachel-Jane."


I. IN WHICH A RACING AUTO COMES FROM THE EAST

This is the order of the music of the morning: —
First, from the far East comes but a crooning.
The crooning turns to a sunrise singing.
Hark to the calm -horn, balm -horn, psalm -horn.
Hark to the faint -horn, quaint -horn, saint -horn. . . .

Hark to the pace -horn, chase -horn, race -horn. 
And the holy veil of the dawn has gone. 
Swiftly the brazen ear comes on.
It burns in the East as the sunrise burns.
I see great flashes where the far trail turns.

Its eyes are lamps like the eyes of dragons.
It drinks gasoline from big red flagons.
Butting through the delicate mists of the morning,
It comes like lightning, goes past roaring.
It will hail all the wind-mills, taunting, ringing,
Dodge the cyclones, 
Count the milestones,
On through the ranges the prairie-dog tills—
Scooting past the cattle on the thousand hills. . . . 
Ho for the tear-horn, scare-horn, dare-horn, 
Ho for the gay -horn, bark -horn, bay -horn. 
Ho for Kansas, land that restores us 
When houses choke us, and great books bore us! 
Sunrise Kansas, harvester's Kansas,
A million men have found you before us. 


II. IN WHICH MANY AUTOS PASS WESTWARD

I want live things in their pride to remain.
I will not kill one grasshopper vain 
Though he eats a hole in my shirt like a door.
I let him out, give him one chance more.
Perhaps, while he gnaws my hat in his whim,
Grasshopper lyrics occur to him.

I am a tramp by the long trail's border,
Given to squalor, rags and disorder.
I nap and amble and yawn and look,
Write fool-thoughts in my grubby book,
Recite to the children, explore at my ease,
Work when I work, beg when I please,
Give crank-drawings, that make folks stare
To the half-grown boys in the sunset glare,
And get me a place to sleep in the hay
At the end of a live-and-let-live day.

I find in the stubble of the new-cut weeds
A whisper and a feasting, all one needs:
The whisper of the strawberries, white and red
Here where the new-cut weeds lie dead.

But I would not walk all alone till I die
Without some life-drunk horns going by.
Up round this apple-earth they come
Blasting the whispers of the morning dumb:—
Cars in a plain realistic row.
And fair dreams fade
When the raw horns blow.

On each snapping pennant
A big black name:—
The careering city
Whence each car came. 
They tour from Memphis, Atlanta, Savannah, 
Tallahassee and Texarkana. 
They tour from St. Louis, Columbus, Manistee,
They tour from Peoria, Davenport, Kankakee.
Cars from Concord, Niagara, Boston,
Cars from Topeka, Emporia, and Austin.
Cars from Chicago, Hannibal, Cairo.
Cars from Alton, Oswego, Toledo.
Cars from Buffalo, Kokomo, Delphi,
Cars from Lodi, Carmi, Loami.
Ho for Kansas, land that restores us
When houses choke us, and great books bore us!
While I watch the highroad
And look at the sky,
While I watch the clouds in amazing grandeur
Roll their legions without rain
Over the blistering Kansas plain—
While I sit by the milestone
And watch the sky,
The United States
Goes by.

Listen to the iron-horns, ripping, racking. 
Listen to the quack-horns, slack and clacking.
Way down the road, trilling like a toad,
Here comes the dice -horn, here comes the vice -horn,
Here comes the snarl -horn, brawl -horn, lewd -horn,
Followed by the prude -horn, bleak and squeaking: —
(Some of them from Kansas, some of themn from Kansas.)
Here comes the hod -horn, plod -horn, sod -horn,
Nevermore-to-roam -horn, loam -horn, home -horn.

(Some of them from Kansas, some of them from Kansas.)
Far away the Rachel-Jane 
Not defeated by the horns 
Sings amid a hedge of thorns:—
"Love and life,
Eternal youth—
Sweet, sweet, sweet, sweet,
Dew and glory,
Love and truth,
Sweet, sweet, sweet, sweet."
WHILE SMOKE-BLACK FREIGHTS ON THE DOUBLE-TRACKED RAILROAD, 
DRIVEN AS THOUGH BY THE FOUL-FIEND'S OX-GOAD,
SCREAMING TO THE WEST COAST, SCREAMING TO THE EAST,
CARRY OFF A HARVEST, BRING BACK A FEAST,
HARVESTING MACHINERY AND HARNESS FOR THE BEAST. 
THE HAND-CARS WHIZ, AND RATTLE ON THE RAILS,
THE SUNLIGHT FLASHES ON THE TIN DINNER-PAILS.

And then, in an instant,
Ye modern men, 
Behold the procession once again, 
Listen to the iron-horns, ripping, racking, 
Listen to the wise -horn, desperate-to-advise horn, 
Listen to the fast -horn, kill -horn, blast -horn. . . .
Far away the Rachel-Jane 
Not defeated by the horns 
Sings amid a hedge of thorns:—
Love and life,
Eternal youth,
Sweet, sweet, sweet, sweet,
Dew and glory,
Love and truth.
Sweet, sweet, sweet, sweet.
The mufflers open on a score of cars 
With wonderful thunder, 
CRACK, CRACK, CRACK, 
CRACK-CRACK, CRACK-CRACK, 
CRACK-CRACK-CRACK, . . . 
Listen to the gold-horn . . . 
Old-horn . . . 
Cold-horn . . . 

And all of the tunes, till the night comes down
On hay-stack, and ant-hill, and wind-bitten town.
Then far in the west, as in the beginning, 
Dim in the distance, sweet in retreating, 
Hark to the faint-horn, quaint-horn, saint-horn, 
Hark to the calm-horn, balm-horn, psalm-horn. . . .

They are hunting the goals that they understand:—
San-Francisco and the brown sea-sand. 
My goal is the mystery the beggars win. 
I am caught in the web the night-winds spin.
The edge of the wheat-ridge speaks to me.
I talk with the leaves of the mulberry tree.
And now I hear, as I sit all alone
In the dusk, by another big Santa-Fe stone,
The souls of the tall corn gathering round
And the gay little souls of the grass in the ground.
Listen to the tale the cotton-wood tells.

Listen to the wind-mills, singing o'er the wells.
Listen to the whistling flutes without price
Of myriad prophets out of paradise.
Harken to the wonder
That the night-air carries. . . .
Listen . . . to . . . the . . . whisper . . . 
Of . . . the . . . prairie . . . fairies
Singing o'er the fairy plain:—
"Sweet, sweet, sweet, sweet. 
Love and glory, 
Stars and rain, 
Sweet, sweet, sweet, sweet . . . . "
Written by Carl Sandburg | Create an image from this poem

Skyscraper

 BY day the skyscraper looms in the smoke and sun and
has a soul.
Prairie and valley, streets of the city, pour people into
it and they mingle among its twenty floors and are
poured out again back to the streets, prairies and
valleys.
It is the men and women, boys and girls so poured in and
out all day that give the building a soul of dreams
and thoughts and memories.
(Dumped in the sea or fixed in a desert, who would care
for the building or speak its name or ask a policeman
the way to it?)

Elevators slide on their cables and tubes catch letters and
parcels and iron pipes carry gas and water in and
sewage out.
Wires climb with secrets, carry light and carry words,
and tell terrors and profits and loves--curses of men
grappling plans of business and questions of women
in plots of love.

Hour by hour the caissons reach down to the rock of the
earth and hold the building to a turning planet.
Hour by hour the girders play as ribs and reach out and
hold together the stone walls and floors.

Hour by hour the hand of the mason and the stuff of the
mortar clinch the pieces and parts to the shape an
architect voted.
Hour by hour the sun and the rain, the air and the rust,
and the press of time running into centuries, play
on the building inside and out and use it.

Men who sunk the pilings and mixed the mortar are laid
in graves where the wind whistles a wild song
without words
And so are men who strung the wires and fixed the pipes
and tubes and those who saw it rise floor by floor.
Souls of them all are here, even the hod carrier begging
at back doors hundreds of miles away and the brick-
layer who went to state's prison for shooting another
man while drunk.
(One man fell from a girder and broke his neck at the
end of a straight plunge--he is here--his soul has
gone into the stones of the building.)

On the office doors from tier to tier--hundreds of names
and each name standing for a face written across
with a dead child, a passionate lover, a driving
ambition for a million dollar business or a lobster's
ease of life.

Behind the signs on the doors they work and the walls
tell nothing from room to room.
Ten-dollar-a-week stenographers take letters from
corporation officers, lawyers, efficiency engineers,
and tons of letters go bundled from the building to all
ends of the earth.
Smiles and tears of each office girl go into the soul of
the building just the same as the master-men who
rule the building.

Hands of clocks turn to noon hours and each floor
empties its men and women who go away and eat
and come back to work.
Toward the end of the afternoon all work slackens and
all jobs go slower as the people feel day closing on
them.
One by one the floors are emptied. . . The uniformed
elevator men are gone. Pails clang. . . Scrubbers
work, talking in foreign tongues. Broom and water
and mop clean from the floors human dust and spit,
and machine grime of the day.
Spelled in electric fire on the roof are words telling
miles of houses and people where to buy a thing for
money. The sign speaks till midnight.

Darkness on the hallways. Voices echo. Silence
holds. . . Watchmen walk slow from floor to floor
and try the doors. Revolvers bulge from their hip
pockets. . . Steel safes stand in corners. Money
is stacked in them.
A young watchman leans at a window and sees the lights
of barges butting their way across a harbor, nets of
red and white lanterns in a railroad yard, and a span
of glooms splashed with lines of white and blurs of
crosses and clusters over the sleeping city.
By night the skyscraper looms in the smoke and the stars
and has a soul.


Written by Walter Savage Landor | Create an image from this poem

Acon and Rhodope

 The Year's twelve daughters had in turn gone by,
Of measured pace tho' varying mien all twelve,
Some froward, some sedater, some adorn'd
For festival, some reckless of attire.
The snow had left the mountain-top; fresh flowers
Had withered in the meadow; fig and prune
Hung wrinkling; the last apple glow'd amid
Its freckled leaves; and weary oxen blinkt
Between the trodden corn and twisted vine,
Under whose bunches stood the empty crate,
To creak ere long beneath them carried home.
This was the season when twelve months before,
O gentle Hamadryad, true to love!
Thy mansion, thy dim mansion in the wood
Was blasted and laid desolate: but none
Dared violate its precincts, none dared pluck
The moss beneath it, which alone remain'd
Of what was thine.

Old Thallinos sat mute
In solitary sadness. The strange tale
(Not until Rhaicos died, but then the whole)
Echion had related, whom no force
Could ever make look back upon the oaks.
The father said "Echion! thou must weigh,
Carefully, and with steady hand, enough
(Although no longer comes the store as once!)
Of wax to burn all day and night upon
That hollow stone where milk and honey lie:
So may the Gods, so may the dead, be pleas'd!"
Thallinos bore it thither in the morn,
And lighted it and left it.

First of those
Who visited upon this solemn day
The Hamadryad's oak, were Rhodope
And Acon; of one age, one hope, one trust.
Graceful was she as was the nymph whose fate
She sorrowed for: he slender, pale, and first
Lapt by the flame of love: his father's lands
Were fertile, herds lowed over them afar.
Now stood the two aside the hollow stone
And lookt with stedfast eyes toward the oak
Shivered and black and bare.

"May never we
Love as they loved!" said Acon. She at this
Smiled, for he said not what he meant to say,
And thought not of its bliss, but of its end.
He caught the flying smile, and blusht, and vow'd
Nor time nor other power, whereto the might
Of love hath yielded and may yield again,
Should alter his.

The father of the youth
Wanted not beauty for him, wanted not
Song, that could lift earth's weight from off his heart,
Discretion, that could guide him thro' the world,
Innocence, that could clear his way to heaven;
Silver and gold and land, not green before
The ancestral gate, but purple under skies
Bending far off, he wanted for his heir.

Fathers have given life, but virgin heart
They never gave; and dare they then control
Or check it harshly? dare they break a bond
Girt round it by the holiest Power on high?

Acon was grieved, he said, grieved bitterly,
But Acon had complied . . 'twas dutiful!

Crush thy own heart, Man! Man! but fear to wound
The gentler, that relies on thee alone,
By thee created, weak or strong by thee;
Touch it not but for worship; watch before
Its sanctuary; nor leave it till are closed
The temple-doors and the last lamp is spent.

Rhodope, in her soul's waste solitude,
Sate mournful by the dull-resounding sea,
Often not hearing it, and many tears
Had the cold breezes hardened on her cheek.
Meanwhile he sauntered in the wood of oaks,
Nor shun'd to look upon the hollow stone
That held the milk and honey, nor to lay
His plighted hand where recently 'twas laid
Opposite hers, when finger playfully
Advanced and pusht back finger, on each side.
He did not think of this, as she would do
If she were there alone.

The day was hot;
The moss invited him; it cool'd his cheek,
It cool'd his hands; he thrust them into it 
And sank to slumber. Never was there dream
Divine as his. He saw the Hamadryad.
She took him by the arm and led him on
Along a valley, where profusely grew
The smaller lilies with their pendent bells,
And, hiding under mint, chill drosera,
The violet shy of butting cyclamen,
The feathery fern, and, browser of moist banks,
Her offspring round her, the soft strawberry;
The quivering spray of ruddy tamarisk,
The oleander's light-hair'd progeny
Breathing bright freshness in each other's face,
And graceful rose, bending her brow, with cup
Of fragrance and of beauty, boon for Gods.
The fragrance fill'd his breast with such delight
His senses were bewildered, and he thought
He saw again the face he most had loved.
He stopt: the Hamadryad at his side
Now stood between; then drew him farther off:
He went, compliant as before: but soon
Verdure had ceast: altho' the ground was smooth,
Nothing was there delightful. At this change
He would have spoken, but his guide represt
All questioning, and said,

"Weak youth! what brought
Thy footstep to this wood, my native haunt,
My life-long residence? this bank, where first
I sate with him . . the faithful (now I know,
Too late!) the faithful Rhaicos. Haste thee home;
Be happy, if thou canst; but come no more
Where those whom death alone could sever, died."

He started up: the moss whereon he slept
Was dried and withered: deadlier paleness spread
Over his cheek; he sickened: and the sire
Had land enough; it held his only son.
Written by Robert Browning | Create an image from this poem

How They Brought The Good News From Ghent To Aix

 I sprang to the stirrup, and Joris, and he;
I galloped, Dirck galloped, we galloped all three;
"Good speed!" cried the watch, as the gate-bolts undrew;
"Speed!" echoed the wall to us galloping through;
Behind shut the postern, the lights sank to rest,
And into the midnight we galloped abreast.

Not a word to each other; we kept the great pace
Neck by neck, stride by stride, never changing our place;
I turned in my saddle and made its girths tight,
Then shortened each stirrup, and set the pique right,
Rebuckled the cheek-strap, chained slacker the bit,
Nor galloped less steadily Roland a whit.

'Twas moonset at starting; but while we drew near
Lokeren, the cocks crew and twilight dawned clear;
At Boom, a great yellow star came out to see;
At Duffeld, 'twas morning as plain as could be;
And from Mecheln church-steeple we heard the half-chime,
So Joris broke silence with, "Yet there is time!"

At Aerschot, up leaped of a sudden the sun,
And against him the cattle stood black every one,
To stare through the mist at us galloping past,
And I saw my stout galloper Roland at last,
With resolute shoulders, each butting away
The haze, as some bluff river headland its spray:

And his low head and crest, just one sharp ear bent back
For my voice, and the other pricked out on his track;
And one eye's black intelligence,—ever that glance
O'er its white edge at me, his own master, askance!
And the thick heavy spume-flakes which aye and anon
His fierce lips shook upwards in galloping on.

By Hasselt, Dirck groaned; and cried Joris, "Stay spur!
Your Roos galloped bravely, the fault's not in her,
We'll remember at Aix"—for one heard the quick wheeze
Of her chest, saw the stretched neck and staggering knees,
And sunk tail, and horrible heave of the flank,
As down on her haunches she shuddered and sank.

So, we were left galloping, Joris and I,
Past Looz and past Tongres, no cloud in the sky;
The broad sun above laughed a pitiless laugh,
'Neath our feet broke the brittle bright stubble like chaff;
Till over by Dalhem a dome-spire sprang white,
And "Gallop," gasped Joris, "for Aix is in sight!"

"How they'll greet us!"—and all in a moment his roan
Rolled neck and croup over, lay dead as a stone;
And there was my Roland to bear the whole weight
Of the news which alone could save Aix from her fate,
With his nostrils like pits full of blood to the brim,
And with circles of red for his eye-socket's rim.

Then I cast loose my buffcoat, each holster let fall,
Shook off both my jack-boots, let go belt and all,
Stood up in the stirrup, leaned, patted his ear,
Called my Roland his pet-name, my horse without peer;
Clapped my hands, laughed and sang, any noise, bad or good,
Till at length into Aix Roland galloped and stood.

And all I remember is—friends flocking round
As I sat with his head 'twixt my knees on the ground;
And no voice but was praising this Roland of mine,
As I poured down his throat our last measure of wine,
Which (the burgesses voted by common consent)
Was no more than his due who brought good news from Ghent
Written by William Butler Yeats | Create an image from this poem

The Chambermaids Second Song

 From pleasure of the bed,
Dull as a worm,
His rod and its butting head
Limp as a worm,
His spirit that has fled
Blind as a worm.

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