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Best Famous Burn Up Poems

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Written by Algernon Charles Swinburne | Create an image from this poem

Mater Triumphalis

 Mother of man's time-travelling generations,
Breath of his nostrils, heartblood of his heart,
God above all Gods worshipped of all nations,
Light above light, law beyond law, thou art.

Thy face is as a sword smiting in sunder
Shadows and chains and dreams and iron things;
The sea is dumb before thy face, the thunder
Silent, the skies are narrower than thy wings.

Angels and Gods, spirit and sense, thou takest
In thy right hand as drops of dust or dew;
The temples and the towers of time thou breakest,
His thoughts and words and works, to make them new.

All we have wandered from thy ways, have hidden
Eyes from thy glory and ears from calls they heard;
Called of thy trumpets vainly, called and chidden,
Scourged of thy speech and wounded of thy word.

We have known thee and have not known thee; stood beside thee,
Felt thy lips breathe, set foot where thy feet trod,
Loved and renounced and worshipped and denied thee,
As though thou wert but as another God,

"One hour for sleep," we said, "and yet one other;
All day we served her, and who shall serve by night?"
Not knowing of thee, thy face not knowing, O mother,
O light wherethrough the darkness is as light.

Men that forsook thee hast thou not forsaken,
Races of men that knew not hast thou known;
Nations that slept thou hast doubted not to waken,
Worshippers of strange Gods to make thine own.

All old grey histories hiding thy clear features,
O secret spirit and sovereign, all men's tales,
Creeds woven of men thy children and thy creatures,
They have woven for vestures of thee and for veils.

Thine hands, without election or exemption,
Feed all men fainting from false peace or strife,
O thou, the resurrection and redemption,
The godhead and the manhood and the life.

Thy wings shadow the waters; thine eyes lighten
The horror of the hollows of the night;
The depths of the earth and the dark places brighten
Under thy feet, whiter than fire is white.

Death is subdued to thee, and hell's bands broken;
Where thou art only is heaven; who hears not thee,
Time shall not hear him; when men's names are spoken,
A nameless sign of death shall his name be.

Deathless shall be the death, the name be nameless;
Sterile of stars his twilight time of breath;
With fire of hell shall shame consume him shameless,
And dying, all the night darken his death.

The years are as thy garments, the world's ages
As sandals bound and loosed from thy swift feet;
Time serves before thee, as one that hath for wages
Praise or shame only, bitter words or sweet.

Thou sayest "Well done," and all a century kindles;
Again thou sayest "Depart from sight of me,"
And all the light of face of all men dwindles,
And the age is as the broken glass of thee.

The night is as a seal set on men's faces,
On faces fallen of men that take no light,
Nor give light in the deeps of the dark places,
Blind things, incorporate with the body of night.

Their souls are serpents winterbound and frozen,
Their shame is as a tame beast, at their feet
Couched; their cold lips deride thee and thy chosen,
Their lying lips made grey with dust for meat.

Then when their time is full and days run over,
The splendour of thy sudden brow made bare
Darkens the morning; thy bared hands uncover
The veils of light and night and the awful air.

And the world naked as a new-born maiden
Stands virginal and splendid as at birth,
With all thine heaven of all its light unladen,
Of all its love unburdened all thine earth.

For the utter earth and the utter air of heaven
And the extreme depth is thine and the extreme height;
Shadows of things and veils of ages riven
Are as men's kings unkingdomed in thy sight.

Through the iron years, the centuries brazen-gated,
By the ages' barred impenetrable doors,
From the evening to the morning have we waited,
Should thy foot haply sound on the awful floors.

The floors untrodden of the sun's feet glimmer,
The star-unstricken pavements of the night;
Do the lights burn inside? the lights wax dimmer
On festal faces withering out of sight.

The crowned heads lose the light on them; it may be
Dawn is at hand to smite the loud feast dumb;
To blind the torch-lit centuries till the day be,
The feasting kingdoms till thy kingdom come.

Shall it not come? deny they or dissemble,
Is it not even as lightning from on high
Now? and though many a soul close eyes and tremble,
How should they tremble at all who love thee as I?

I am thine harp between thine hands, O mother!
All my strong chords are strained with love of thee.
We grapple in love and wrestle, as each with other
Wrestle the wind and the unreluctant sea.

I am no courtier of thee sober-suited,
Who loves a little for a little pay.
Me not thy winds and storms nor thrones disrooted
Nor molten crowns nor thine own sins dismay.

Sinned hast thou sometime, therefore art thou sinless;
Stained hast thou been, who art therefore without stain;
Even as man's soul is kin to thee, but kinless
Thou, in whose womb Time sows the all-various grain.

I do not bid thee spare me, O dreadful mother!
I pray thee that thou spare not, of thy grace.
How were it with me then, if ever another
Should come to stand before thee in this my place?

I am the trumpet at thy lips, thy clarion
Full of thy cry, sonorous with thy breath;
The graves of souls born worms and creeds grown carrion
Thy blast of judgment fills with fires of death.

Thou art the player whose organ-keys are thunders,
And I beneath thy foot the pedal prest;
Thou art the ray whereat the rent night sunders,
And I the cloudlet borne upon thy breast.

I shall burn up before thee, pass and perish,
As haze in sunrise on the red sea-line;
But thou from dawn to sunsetting shalt cherish
The thoughts that led and souls that lighted mine.

Reared between night and noon and truth and error,
Each twilight-travelling bird that trills and screams
Sickens at midday, nor can face for terror
The imperious heaven's inevitable extremes.

I have no spirit of skill with equal fingers
At sign to sharpen or to slacken strings;
I keep no time of song with gold-perched singers
And chirp of linnets on the wrists of kings.

I am thy storm-thrush of the days that darken,
Thy petrel in the foam that bears thy bark
To port through night and tempest; if thou hearken,
My voice is in thy heaven before the lark.

My song is in the mist that hides thy morning,
My cry is up before the day for thee;
I have heard thee and beheld thee and give warning,
Before thy wheels divide the sky and sea.

Birds shall wake with thee voiced and feathered fairer,
To see in summer what I see in spring;
I have eyes and heart to endure thee, O thunder-bearer,
And they shall be who shall have tongues to sing.

I have love at least, and have not fear, and part not
From thine unnavigable and wingless way;
Thou tarriest, and I have not said thou art not,
Nor all thy night long have denied thy day.

Darkness to daylight shall lift up thy paean,
Hill to hill thunder, vale cry back to vale,
With wind-notes as of eagles AEschylean,
And Sappho singing in the nightingale.

Sung to by mighty sons of dawn and daughters,
Of this night's songs thine ear shall keep but one;
That supreme song which shook the channelled waters,
And called thee skyward as God calls the sun.

Come, though all heaven again be fire above thee;
Though death before thee come to clear thy sky;
Let us but see in his thy face who love thee;
Yea, though thou slay us, arise and let us die.


Written by Charles Baudelaire | Create an image from this poem

The Eyes Of Beauty

 YOU are a sky of autumn, pale and rose; 
But all the sea of sadness in my blood 
Surges, and ebbing, leaves my lips morose, 
Salt with the memory of the bitter flood. 

In vain your hand glides my faint bosom o'er, 
That which you seek, beloved, is desecrate 
By woman's tooth and talon; ah, no more 
Seek in me for a heart which those dogs ate. 

It is a ruin where the jackals rest, 
And rend and tear and glut themselves and slay-- 
A perfume swims about your naked breast! 

Beauty, hard scourge of spirits, have your way! 
With flame-like eyes that at bright feasts have flared 
Burn up these tatters that the beasts have spared!
Written by Robert Browning | Create an image from this poem

A Pretty Woman

 I

That fawn-skin-dappled hair of hers,
And the blue eye
Dear and dewy,
And that infantine fresh air of hers!

II

To think men cannot take you, Sweet,
And enfold you,
Ay, and hold you,
And so keep you what they make you, Sweet!

III

You like us for a glance, you know— 
For a word's sake,
Or a sword's sake,
All's the same, whate'er the chance, you know.

IV

And in turn we make you ours, we say— 
You and youth too,
Eyes and mouth too,
All the face composed of flowers, we say.

V

All's our own, to make the most of, Sweet— 
Sing and say for,
Watch and pray for,
Keep a secret or go boast of, Sweet.

VI

But for loving, why, you would not, Sweet,
Though we prayed you,
Paid you, brayed you
In a mortar—for you could not, Sweet.

VII

So, we leave the sweet face fondly there— 
Be its beauty
Its sole duty!
Let all hope of grace beyond, lie there!

VIII

And while the face lies quiet there,
Who shall wonder
That I ponder
A conclusion? I will try it there.

IX

As,—why must one, for the love forgone,
Scout mere liking?
Thunder-striking
Earth,—the heaven, we looked above for, gone!

X

Why with beauty, needs there money be— 
Love with liking?
Crush the fly-king
In his gauze, because no honey bee?

XI

May not liking be so simple-sweet,
If love grew there
'Twould undo there
All that breaks the cheek to dimples sweet?

XII

Is the creature too imperfect, say?
Would you mend it
And so end it?
Since not all addition perfects aye!

XIII

Or is it of its kind, perhaps,
Just perfection— 
Whence, rejection
Of a grace not to its mind, perhaps?

XIV

Shall we burn up, tread that face at once
Into tinder
And so hinder
Sparks from kindling all the place at once?

XV

Or else kiss away one's soul on her?
Your love-fancies!— 
A sick man sees
Truer, when his hot eyes roll on her!

XVI

Thus the craftsman thinks to grace the rose,— 
Plucks a mould-flower
For his gold flower,
Uses fine things that efface the rose.

XVII

Rosy rubies make its cup more rose,
Precious metals
Ape the petals,— 
Last, some old king locks it up, morose!

XVIII

Then, how grace a rose? I know a way!
Leave it rather.
Must you gather?
Smell, kiss, wear it—at last, throw away!
Written by Aleister Crowley | Create an image from this poem

Happy Dust

 For Margot


Snow that fallest from heaven, bear me aloft on thy wings
To the domes of the star-girdled Seven, the abode of
ineffable things,
Quintessence of joy and of strength, that, abolishing
future and past,
Mak'st the Present an infinite length, my soul all-One
with the Vast,
The Lone, the Unnameable God, that is ice of His
measureless cold,
Without being or form or abode, without motion or
matter, the fold
Where the shepherded Universe sleeps, with nor sense
nor delusion nor dream,
No spirit that wantons or weeps, no thought in its silence
supreme.
I sit, and am utterly still; in mine eyes is my fathomless
lust
Ablaze to annihilate Will, to crumble my being to dust,
To calcine the dust to an ash, to burn up the ash to an air,
To abolish the air with a flash of the final, the fulminant
flare.
All this I have done, and dissolved the primordial germ
of my thought;
I have rolled myself up, and revolved the wheel of my
being to Naught.
Is there even the memory left? That I was, that I am?
It is lost.
As I utter the Word, I am cleft by the last swift spear of
the frost.
Snow! I am nothing at last; I sit, and am utterly still;
They are perished, the phantoms, and past; they were
born of my weariness-will
When I craved, craved being and form, when the con-
sciousness-cloud was a mist
Precurser of stupor and storm, when I and my shadow
had kissed,
And brought into life all the shapes that confused the
clear space with their marks,
Vain spectres whose vapour escapes, a whirlwind of
ruinous sparks,
No substance have any of these; I have dreamed them in
sickness of lust,
Delirium born of disease-ah, whence was the master,
the "must"
Imposed on the All? is it true, then, that
something in me
Is subject to fate? Are there two, after all,
that can be?
I have brought all that is to an end; for myself am suffic-
ient and sole.
Do I trick myself now? Shall I rend once again this
homologous Whole?
I have stripped every garment from space; I have
strangled the secre of Time,
All being is fled from my face, with Motion's inhibited
rime.
Stiller and stiller I sit, till even Infinity fades;
'Tis an idol-'tis weakness of wit that breeds, in inanity,
shades!
Yet the fullness of Naught I become, the deepest and
steadiest Naught,
Contains in its nature the sum of the functions of being
and thought.
Still as I sit, and destroy all possible trace of the past,
All germ of the future, nor joy nor knowledge alive at the
last,
It is vain, for the Silence is dowered with a nature, the
seed of a name:
Necessity, fearfully flowered with the blossom of possible
Aim.
I am Necessity? Scry Necessity mother of Fate!
And Fate determines me "I"; and I have the Will to create.
Vast is the sphere, but it turns on itself like the pettiest
star.
And I am the looby that learns that all things equally are.
Inscrutable Nothing, the Gods, the cosmos of Fire and
of Mist.
Suns,atoms, the clouds and the clouds ineluctably dare
to exist-
I have made the Voyage of Thought, the Voyage of Vision,
I swam
To the heart of the Ocean of Naught from the source of
the Spring of I am:
I know myself wholly the brother alike of the All and the
One;
I know that all things are each other, that their sum and
their substance is None;
But the knowledge itself can excel, its fulness hath broken
its bond;
All's Truth, and all's falsehood as well, and-what of the
region beyond?
So, still though I sit, as for ever, I stab to the heart of my
spine;
I destroy the last seed of endeavour to seal up my soul
in the shrine
Of Silence, Eternity, Peace; I abandon the Here and the
Now;
I cease from the effort to cease; I absolve the dead I from
its Vow,
I am wholly content to be dust, whether that be a mote
or a star,
To live and to love and to lust, acknowledge what seem
for what are,
Not to care what I am, if I be, whence I came, whither go,
how I thrive,
If my spirit be bound or be free, save as Nature contrive.
What I am, that I am, 'tis enough. I am part of a glorious
game.
Am I cast for madness or love? I am cast to esteem them
the same.
Am I only a dream in the sleep of some butterfly?
Phantom of fright
Conceived, who knows how, or how deep, in the measure-
less womb of the night?
I imagine impossible thought, metaphysical voids that
beget
Ideas intagible wrought to things less conceivable yet.
It may be. Little I reck -but, assume the existence of
earth.
Am I born to be hanged by the neck, a curse from the
hour of my birth?
Am I born to abolish man's guilt? His horrible heritage,
awe? 
Or a seed in his wantoness spilt by a jester? I care not
a straw,
For I understand Do what thou wilt; and that is the whole
of the Law.
Written by Algernon Charles Swinburne | Create an image from this poem

To Walt Whitman In America

 Send but a song oversea for us,
Heart of their hearts who are free,
Heart of their singer, to be for us
More than our singing can be;
Ours, in the tempest at error,
With no light but the twilight of terror;
Send us a song oversea!

Sweet-smelling of pine-leaves and grasses,
And blown as a tree through and through
With the winds of the keen mountain-passes,
And tender as sun-smitten dew;
Sharp-tongued as the winter that shakes
The wastes of your limitless lakes,
Wide-eyed as the sea-line's blue.

O strong-winged soul with prophetic
Lips hot with the bloodheats of song,
With tremor of heartstrings magnetic,
With thoughts as thunders in throng,
With consonant ardours of chords
That pierce men's souls as with swords
And hale them hearing along,

Make us too music, to be with us
As a word from a world's heart warm,
To sail the dark as a sea with us,
Full-sailed, outsinging the storm,
A song to put fire in our ears
Whose burning shall burn up tears,
Whose sign bid battle reform;

A note in the ranks of a clarion,
A word in the wind of cheer,
To consume as with lightning the carrion
That makes time foul for us here;
In the air that our dead things infest
A blast of the breath of the west,
Till east way as west way is clear.

Out of the sun beyond sunset,
From the evening whence morning shall be,
With the rollers in measureless onset,
With the van of the storming sea,
With the world-wide wind, with the breath
That breaks ships driven upon death,
With the passion of all things free,

With the sea-steeds footless and frantic,
White myriads for death to bestride
In the charge of the ruining Atlantic
Where deaths by regiments ride,
With clouds and clamours of waters,
With a long note shriller than slaughter's
On the furrowless fields world-wide,

With terror, with ardour and wonder,
With the soul of the season that wakes
When the weight of a whole year's thunder
In the tidestream of autumn breaks,
Let the flight of the wide-winged word
Come over, come in and be heard,
Take form and fire for our sakes.

For a continent bloodless with travail
Here toils and brawls as it can,
And the web of it who shall unravel
Of all that peer on the plan;
Would fain grow men, but they grow not,
And fain be free, but they know not
One name for freedom and man?

One name, not twain for division;
One thing, not twain, from the birth;
Spirit and substance and vision,
Worth more than worship is worth;
Unbeheld, unadored, undivined,
The cause, the centre, the mind,
The secret and sense of the earth.

Here as a weakling in irons,
Here as a weanling in bands,
As a prey that the stake-net environs,
Our life that we looked for stands;
And the man-child naked and dear,
Democracy, turns on us here
Eyes trembling with tremulous hands

It sees not what season shall bring to it
Sweet fruit of its bitter desire;
Few voices it hears yet sing to it,
Few pulses of hearts reaspire;
Foresees not time, nor forehears
The noises of imminent years,
Earthquake, and thunder, and fire:

When crowned and weaponed and curbless
It shall walk without helm or shield
The bare burnt furrows and herbless
Of war's last flame-stricken field,
Till godlike, equal with time,
It stand in the sun sublime,
In the godhead of man revealed.

Round your people and over them
Light like raiment is drawn,
Close as a garment to cover them
Wrought not of mail nor of lawn;
Here, with hope hardly to wear,
Naked nations and bare
Swim, sink, strike out for the dawn.

Chains are here, and a prison,
Kings, and subjects, and shame;
If the God upon you be arisen,
How should our songs be the same?
How, in confusion of change,
How shall we sing, in a strange
Land, songs praising his name?

God is buried and dead to us,
Even the spirit of earth,
Freedom; so have they said to us,
Some with mocking and mirth,
Some with heartbreak and tears;
And a God without eyes, without ears,
Who shall sing of him, dead in the birth?

The earth-god Freedom, the lonely
Face lightening, the footprint unshod,
Not as one man crucified only
Nor scourged with but one life's rod;
The soul that is substance of nations,
Reincarnate with fresh generations;
The great god Man, which is God.

But in weariest of years and obscurest
Doth it live not at heart of all things,
The one God and one spirit, a purest
Life, fed from unstanchable springs?
Within love, within hatred it is,
And its seed in the stripe as the kiss,
And in slaves is the germ, and in kings.

Freedom we call it, for holier
Name of the soul's there is none;
Surelier it labours if slowlier,
Than the metres of star or of sun;
Slowlier than life into breath,
Surelier than time into death,
It moves till its labour be done.

Till the motion be done and the measure
Circling through season and clime,
Slumber and sorrow and pleasure,
Vision of virtue and crime;
Till consummate with conquering eyes,
A soul disembodied, it rise
From the body transfigured of time.

Till it rise and remain and take station
With the stars of the worlds that rejoice;
Till the voice of its heart's exultation
Be as theirs an invariable voice;
By no discord of evil estranged,
By no pause, by no breach in it changed,
By no clash in the chord of its choice.

It is one with the world's generations,
With the spirit, the star, and the sod;
With the kingless and king-stricken nations,
With the cross, and the chain, and the rod;
The most high, the most secret, most lonely,
The earth-soul Freedom, that only
Lives, and that only is God.


Written by Rg Gregory | Create an image from this poem

advice to a young sylv-i-an dragon on going to school

 when you step out of the wood and go first time to school
you have to be so specially careful if you're really a dragon
to put the most innocent expression on your face you can find
and not flip your flappers (unless the others don't mind)
you must be very strict with yourself - be sure not to act the fool
you'd be far happier i think to get your mother to tie a tag on

saying - this dragon is sweet no matter how fierce she seems
and letting everyone know you were born in a wood (well at least
a sylv-i-an creature) and not used to clatterings and bangings
that can set a dragon's scales on edge with their thwangings
schools never are you know the paradise of your dreams
they have a tendency in everyone to bring out the beast

or maybe when you get there you should do a dragon-dance
and get everyone hopping around the place breathing fire
or burn up a prince or two - to show how that game is played
taking their minds off the fact you have a back like a saw-blade
and a tail so fierce it would keep the bravest child at a distance
but whatever else you do dear dragon definitely do not perspire

a perspiring dragon will have the whole school holding its noses
dainty dragons do not sweat - the first lesson to be deeply learned
in any dragon's book of school-etiquette - a proper dragon-daughter
must always carry with her a large supply of odour-cologne-water
(for use ten times a day) to keep her sweeter than a bunch of roses -
so advised (o young sylv-i-an dragon) you will never be spurned
Written by Robert Browning | Create an image from this poem

The Laboratory

 ANCIEN REGIME

I

Now that I, tying thy glass mask tightly,
May gaze through these faint smokes curling whitely,
As thou pliest thy trade in this devil's-smithy— 
Which is the poison to poison her, prithee?

II

He is with her; and they know that I know
Where they are, what they do: they believe my tears flow
While they laugh, laugh at me, at me fled to the drear
Empty church, to pray God in, for them!—I am here.

III

Grind away, moisten and mash up thy paste,
Pound at thy powder,—I am not in haste!
Better sit thus, and observe thy strange things,
Than go where men wait me and dance at the King's.

IV

That in the mortar—you call it a gum?
Ah, the brave tree whence such gold oozings come!
And yonder soft phial, the exquisite blue,
Sure to taste sweetly,—is that poison too?

V

Had I but all of them, thee and thy treasures,
What a wild crowd of invisible pleasures!
To carry pure death in an earring, a casket,
A signet, a fan-mount, a filigree-basket!

VI

Soon, at the King's, a mere lozenge to give,
And Pauline should have just thirty minutes to live!
But to light a pastille, and Elise, with her head,
And her breast, and her arms, and her hands, should drop dead!

VII

Quick—is it finished? The colour's too grim!
Why not soft like the phial's, enticing and dim?
Let it brighten her drink, let her turn it and stir,
And try it and taste, ere she fix and prefer!

VIII

What a drop! She's not little, no minion like me— 
That's why she ensnared him: this never will free
The soul from those strong, great eyes,—say, "No!"
To that pulse's magnificent come-and-go.

IX

For only last night, as they whispered, I brought
My own eyes to bear on her so, that I thought
Could I keep them one-half minute fixed, she would fall,
Shrivelled; she fell not; yet this does it all!

X

Not that I bid you spare her the pain!
Let death be felt and the proof remain;
Brand, burn up, bite into its grace— 
He is sure to remember her dying face!

XI

Is it done? Take my mask off! Nay, be not morose,
It kills her, and this prevents seeing it close:
The delicate droplet, my whole fortune's fee— 
If it hurts her, beside, can it ever hurt me?

XII

Now, take all my jewels, gorge gold to your fill,
You may kiss me, old man, on my mouth if you will!
But brush this dust off me, lest horror it brings
Ere I know it—next moment I dance at the King's!

Book: Radiant Verses: A Journey Through Inspiring Poetry