Written by
Robert Frost |
SHE stood against the kitchen sink, and looked
Over the sink out through a dusty window
At weeds the water from the sink made tall.
She wore her cape; her hat was in her hand.
Behind her was confusion in the room,
Of chairs turned upside down to sit like people
In other chairs, and something, come to look,
For every room a house has—parlor, bed-room,
And dining-room—thrown pell-mell in the kitchen.
And now and then a smudged, infernal face
Looked in a door behind her and addressed
Her back.
She always answered without turning.
“Where will I put this walnut bureau, lady?”
“Put it on top of something that’s on top
Of something else,” she laughed.
“Oh, put it where
You can to-night, and go.
It’s almost dark;
You must be getting started back to town.
”
Another blackened face thrust in and looked
And smiled, and when she did not turn, spoke gently,
“What are you seeing out the window, lady?”
“Never was I beladied so before.
Would evidence of having been called lady
More than so many times make me a lady
In common law, I wonder.
”
“But I ask,
What are you seeing out the window, lady?”
“What I’ll be seeing more of in the years
To come as here I stand and go the round
Of many plates with towels many times.
”
“And what is that? You only put me off.
”
“Rank weeds that love the water from the dish-pan
More than some women like the dish-pan, Joe;
A little stretch of mowing-field for you;
Not much of that until I come to woods
That end all.
And it’s scarce enough to call
A view.
”
“And yet you think you like it, dear?”
“That’s what you’re so concerned to know! You hope
I like it.
Bang goes something big away
Off there upstairs.
The very tread of men
As great as those is shattering to the frame
Of such a little house.
Once left alone,
You and I, dear, will go with softer steps
Up and down stairs and through the rooms, and none
But sudden winds that snatch them from our hands
Will ever slam the doors.
”
“I think you see
More than you like to own to out that window.
”
“No; for besides the things I tell you of,
I only see the years.
They come and go
In alternation with the weeds, the field,
The wood.
”
“What kind of years?”
“Why, latter years—
Different from early years.
”
“I see them, too.
You didn’t count them?”
“No, the further off
So ran together that I didn’t try to.
It can scarce be that they would be in number
We’d care to know, for we are not young now.
And bang goes something else away off there.
It sounds as if it were the men went down,
And every crash meant one less to return
To lighted city streets we, too, have known,
But now are giving up for country darkness.
”
“Come from that window where you see too much for me,
And take a livelier view of things from here.
They’re going.
Watch this husky swarming up
Over the wheel into the sky-high seat,
Lighting his pipe now, squinting down his nose
At the flame burning downward as he sucks it.
”
“See how it makes his nose-side bright, a proof
How dark it’s getting.
Can you tell what time
It is by that? Or by the moon? The new moon!
What shoulder did I see her over? Neither.
A wire she is of silver, as new as we
To everything.
Her light won’t last us long.
It’s something, though, to know we’re going to have her
Night after night and stronger every night
To see us through our first two weeks.
But, Joe,
The stove! Before they go! Knock on the window;
Ask them to help you get it on its feet.
We stand here dreaming.
Hurry! Call them back!”
“They’re not gone yet.
”
“We’ve got to have the stove,
Whatever else we want for.
And a light.
Have we a piece of candle if the lamp
And oil are buried out of reach?”
Again
The house was full of tramping, and the dark,
Door-filling men burst in and seized the stove.
A cannon-mouth-like hole was in the wall,
To which they set it true by eye; and then
Came up the jointed stovepipe in their hands,
So much too light and airy for their strength
It almost seemed to come ballooning up,
Slipping from clumsy clutches toward the ceiling.
“A fit!” said one, and banged a stovepipe shoulder.
“It’s good luck when you move in to begin
With good luck with your stovepipe.
Never mind,
It’s not so bad in the country, settled down,
When people ’re getting on in life, You’ll like it.
”
Joe said: “You big boys ought to find a farm,
And make good farmers, and leave other fellows
The city work to do.
There’s not enough
For everybody as it is in there.
”
“God!” one said wildly, and, when no one spoke:
“Say that to Jimmy here.
He needs a farm.
”
But Jimmy only made his jaw recede
Fool-like, and rolled his eyes as if to say
He saw himself a farmer.
Then there was a French boy
Who said with seriousness that made them laugh,
“Ma friend, you ain’t know what it is you’re ask.
”
He doffed his cap and held it with both hands
Across his chest to make as ’twere a bow:
“We’re giving you our chances on de farm.
”
And then they all turned to with deafening boots
And put each other bodily out of the house.
“Goodby to them! We puzzle them.
They think—
I don’t know what they think we see in what
They leave us to: that pasture slope that seems
The back some farm presents us; and your woods
To northward from your window at the sink,
Waiting to steal a step on us whenever
We drop our eyes or turn to other things,
As in the game ‘Ten-step’ the children play.
”
“Good boys they seemed, and let them love the city.
All they could say was ‘God!’ when you proposed
Their coming out and making useful farmers.
”
“Did they make something lonesome go through you?
It would take more than them to sicken you—
Us of our bargain.
But they left us so
As to our fate, like fools past reasoning with.
They almost shook me.
”
“It’s all so much
What we have always wanted, I confess
It’s seeming bad for a moment makes it seem
Even worse still, and so on down, down, down.
It’s nothing; it’s their leaving us at dusk.
I never bore it well when people went.
The first night after guests have gone, the house
Seems haunted or exposed.
I always take
A personal interest in the locking up
At bedtime; but the strangeness soon wears off.
”
He fetched a dingy lantern from behind
A door.
“There’s that we didn’t lose! And these!”—
Some matches he unpocketed.
“For food—
The meals we’ve had no one can take from us.
I wish that everything on earth were just
As certain as the meals we’ve had.
I wish
The meals we haven’t had were, anyway.
What have you you know where to lay your hands on?”
“The bread we bought in passing at the store.
There’s butter somewhere, too.
”
“Let’s rend the bread.
I’ll light the fire for company for you;
You’ll not have any other company
Till Ed begins to get out on a Sunday
To look us over and give us his idea
Of what wants pruning, shingling, breaking up.
He’ll know what he would do if he were we,
And all at once.
He’ll plan for us and plan
To help us, but he’ll take it out in planning.
Well, you can set the table with the loaf.
Let’s see you find your loaf.
I’ll light the fire.
I like chairs occupying other chairs
Not offering a lady—”
“There again, Joe!
You’re tired.
”
“I’m drunk-nonsensical tired out;
Don’t mind a word I say.
It’s a day’s work
To empty one house of all household goods
And fill another with ’em fifteen miles away,
Although you do no more than dump them down.
”
“Dumped down in paradise we are and happy.
”
“It’s all so much what I have always wanted,
I can’t believe it’s what you wanted, too.
”
“Shouldn’t you like to know?”
“I’d like to know
If it is what you wanted, then how much
You wanted it for me.
”
“A troubled conscience!
You don’t want me to tell if I don’t know.
”
“I don’t want to find out what can’t be known.
But who first said the word to come?”
“My dear,
It’s who first thought the thought.
You’re searching, Joe,
For things that don’t exist; I mean beginnings.
Ends and beginnings—there are no such things.
There are only middles.
”
“What is this?”
“This life?
Our sitting here by lantern-light together
Amid the wreckage of a former home?
You won’t deny the lantern isn’t new.
The stove is not, and you are not to me,
Nor I to you.
”
“Perhaps you never were?”
“It would take me forever to recite
All that’s not new in where we find ourselves.
New is a word for fools in towns who think
Style upon style in dress and thought at last
Must get somewhere.
I’ve heard you say as much.
No, this is no beginning.
”
“Then an end?”
“End is a gloomy word.
”
“Is it too late
To drag you out for just a good-night call
On the old peach trees on the knoll to grope
By starlight in the grass for a last peach
The neighbors may not have taken as their right
When the house wasn’t lived in? I’ve been looking:
I doubt if they have left us many grapes.
Before we set ourselves to right the house,
The first thing in the morning, out we go
To go the round of apple, cherry, peach,
Pine, alder, pasture, mowing, well, and brook.
All of a farm it is.
”
“I know this much:
I’m going to put you in your bed, if first
I have to make you build it.
Come, the light.
”
When there was no more lantern in the kitchen,
The fire got out through crannies in the stove
And danced in yellow wrigglers on the ceiling,
As much at home as if they’d always danced there.
|
Written by
Sylvia Plath |
Lady, your room is lousy with flowers.
When you kick me out, that's what I'll remember,
Me, sitting here bored as a loepard
In your jungle of wine-bottle lamps,
Velvet pillows the color of blood pudding
And the white china flying fish from Italy.
I forget you, hearing the cut flowers
Sipping their liquids from assorted pots,
Pitchers and Coronation goblets
Like Monday drunkards.
The milky berries
Bow down, a local constellation,
Toward their admirers in the tabletop:
Mobs of eyeballs looking up.
Are those petals of leaves you've paried with them ---
Those green-striped ovals of silver tissue?
The red geraniums I know.
Friends, friends.
They stink of armpits
And the invovled maladies of autumn,
Musky as a lovebed the morning after.
My nostrils prickle with nostalgia.
Henna hags:cloth of your cloth.
They tow old water thick as fog.
The roses in the Toby jug
Gave up the ghost last night.
High time.
Their yellow corsets were ready to split.
You snored, and I heard the petals unlatch,
Tapping and ticking like nervous fingers.
You should have junked them before they died.
Daybreak discovered the bureau lid
Littered with Chinese hands.
Now I'm stared at
By chrysanthemums the size
Of Holofernes' head, dipped in the same
Magenta as this fubsy sofa.
In the mirror their doubles back them up.
Listen: your tenant mice
Are rattling the cracker packets.
Fine flour
Muffles their bird feet: they whistle for joy.
And you doze on, nose to the wall.
This mizzle fits me like a sad jacket.
How did we make it up to your attic?
You handed me gin in a glass bud vase.
We slept like stones.
Lady, what am I doing
With a lung full of dust and a tongue of wood,
Knee-deep in the cold swamped by flowers?
|
Written by
Wystan Hugh (W H) Auden |
He was found by the Bureau of Statistics to be
One against whom there was no official complaint,
And all the reports on his conduct agree
That, in the modern sense of an old-fashioned word, he was a
saint,
For in everything he did he served the Greater Community.
Except for the War till the day he retired
He worked in a factory and never got fired,
But satisfied his employers, Fudge Motors Inc.
Yet he wasn't a scab or odd in his views,
For his Union reports that he paid his dues,
(Our report on his Union shows it was sound)
And our Social Psychology workers found
That he was popular with his mates and liked a drink.
The Press are convinced that he bought a paper every day
And that his reactions to advertisements were normal in every way.
Policies taken out in his name prove that he was fully insured,
And his Health-card shows he was once in hospital but left it cured.
Both Producers Research and High-Grade Living declare
He was fully sensible to the advantages of the Instalment Plan
And had everything necessary to the Modern Man,
A phonograph, a radio, a car and a frigidaire.
Our researchers into Public Opinion are content
That he held the proper opinions for the time of year;
When there was peace, he was for peace: when there was war, he went.
He was married and added five children to the population,
Which our Eugenist says was the right number for a parent of his
generation.
And our teachers report that he never interfered with their
education.
Was he free? Was he happy? The question is absurd:
Had anything been wrong, we should certainly have heard.
|
Written by
Carolyn Kizer |
For Ann London
As you described your mastectomy in calm detail
and bared your chest so I might see
the puckered scar,
"They took a hatchet to your breast!" I said.
"What an
Amazon you are.
"
When we were girls we climbed Mt.
Tamalpais
chewing bay leaves we had plucked
along the way;
we got high all right, from animal pleasure in each other,
shouting to the sky.
On your houseboat we tried to ignore the impossible guy
you had married to enrage your family,
a typical ploy.
We were great fools let loose in the No Name bar
on Sausalito's bay.
In San Francisco we'd perch on a waterfront pier
chewing sourdough and cheese, swilling champagne,
kicking our heels;
crooning lewd songs, hooting like seagulls,
we bayed with the seals.
Then you married someone in Mexico,
broke up in two weeks, didn't bother to divorce,
claimed it didn't count.
You dumped number three, fled to Albany
to become a pedant.
Averse to domesticity, you read for your Ph.
D.
Your four-year-old looked like a miniature
John Lennon.
You fed him peanut butter from your jar and raised him
on Beowulf and Grendal.
Much later in New York we reunited;
in an elevator at Sak's a woman asked for
your autograph.
You glowed like a star, like Anouk Aimee
at forty, close enough.
Your pedantry found its place in the Women's Movement.
You rose fast, seen suddenly as the morning star;
wrote the ERA
found the right man at last, a sensitive artist;
flying too high
not to crash.
When the cancer caught you
you went on talk shows to say you had no fear
or faith.
In Baltimore we joked on your bed as you turned into
a witty wraith.
When you died I cleaned out your bureau drawers:
your usual disorder; an assortment of gorgeous wigs
and prosthetic breasts
tossed in garbage bags, to spare your gentle spouse.
Then the bequests
you had made to every friend you had!
For each of us a necklace or a ring.
A snapshot for me:
We two, barefoot in chiffon, laughing amid blossoms
your last wedding day.
|
Written by
Robert William Service |
In Paris on a morn of May
I sent a radio transalantic
To catch a steamer on the way,
But oh the postal fuss was frantic;
They sent me here, they sent me there,
They were so courteous yet so canny;
Then as I wilted in despair
A Frenchman flipped me on the fanny.
'Twas only juts a gentle pat,
Yet oh what sympathy behind it!
I don't let anyone do that,
But somehow then I didn't mind it.
He seemed my worry to divine,
With kindly smile, that foreign mannie,
And as we stood in waiting line
With tender touch he tapped my fanny.
It brought a ripple of romance
Into that postal bureau dreary;
He gave me such a smiling glance
That somehow I felt gay and cheery.
For information on my case
The postal folk searched nook and cranny;
He gently tapped, with smiling face,
His reassurance on my fanny.
So I'll go back to Tennessee,
And they will ask: "How have you spent your
Brief holiday in gay Paree?"
But I'll not speak of my adventure.
Oh say I'm spectacled and grey,
Oh say I'm sixty and a grannie -
But say that morn of May
A Frenchman flipped me on the fanny!
|
Written by
Kenneth Patchen |
As we are so wonderfully done with each other
We can walk into our separate sleep
on floors of music where the milkwhite cloak of childhood
lies
oh my love, my golden lark, my soft long doll
Your lips have splashed my dull house with print of flowers
My hands are crooked where they spilled over your dear
curving
It is good to be weary from that brilliant work
It is being God to feel your breathing under me
A waterglass on the bureau fills with morning.
.
.
.
.
Don't let anyone in to wake us
|
Written by
Thomas Hardy |
WILLIAM Dewy, Tranter Reuben, Farmer Ledlow late at plough,
Robert's kin, and John's, and Ned's,
And the Squire, and Lady Susan, lie in Mellstock churchyard now!
"Gone," I call them, gone for good, that group of local hearts and
heads;
Yet at mothy curfew-tide,
And at midnight when the noon-heat breathes it back from walls and
leads,
They've a way of whispering to me--fellow-wight who yet abide--
In the muted, measured note
Of a ripple under archways, or a lone cave's stillicide:
"We have triumphed: this achievement turns the bane to antidote,
Unsuccesses to success,
Many thought-worn eves and morrows to a morrow free of thought.
"No more need we corn and clothing, feel of old terrestrial stress;
Chill detraction stirs no sigh;
Fear of death has even bygone us: death gave all that we possess.
"
W.
D.
--"Ye mid burn the wold bass-viol that I set such vallie by.
"
Squire.
--"You may hold the manse in fee,
You may wed my spouse, my children's memory of me may decry.
"
Lady.
--"You may have my rich brocades, my laces; take each household
key;
Ransack coffer, desk, bureau;
Quiz the few poor treasures hid there, con the letters kept by me.
"
Far.
--"Ye mid zell my favorite heifer, ye mid let the charlock grow,
Foul the grinterns, give up thrift.
"
Wife.
--"If ye break my best blue china, children, I sha'n't care or
ho.
"
All--"We've no wish to hear the tidings, how the people's fortunes
shift;
What your daily doings are;
Who are wedded, born, divided; if your lives beat slow or swift.
"Curious not the least are we if our intents you make or mar,
If you quire to our old tune,
If the City stage still passes, if the weirs still roar afar.
"
Thus, with very gods' composure, freed those crosses late and soon
Which, in life, the Trine allow
(Why, none witteth), and ignoring all that haps beneath the moon,
William Dewy, Tranter Reuben, Farmer Ledlow late at plough,
Robert's kin, and John's, and Ned's,
And the Squire, and Lady Susan, murmur mildly to me now.
|
Written by
Elizabeth Bishop |
The moon in the bureau mirror
looks out a million miles
(and perhaps with pride, at herself,
but she never, never smiles)
far and away beyond sleep, or
perhaps she's a daytime sleeper.
By the Universe deserted,
she'd tell it to go to hell,
and she'd find a body of water,
or a mirror, on which to dwell.
So wrap up care in a cobweb
and drop it down the well
into that world inverted
where left is always right,
where the shadows are really the body,
where we stay awake all night,
where the heavens are shallow as the sea
is now deep, and you love me.
|
Written by
T S (Thomas Stearns) Eliot |
The Rum Tum Tugger is a Curious Cat:
If you offer him pheasant he would rather have grouse.
If you put him in a house he would much prefer a flat,
If you put him in a flat then he'd rather have a house.
If you set him on a mouse then he only wants a rat,
If you set him on a rat then he'd rather chase a mouse.
Yes the Rum Tum Tugger is a Curious Cat--
And there isn't any call for me to shout it:
For he will do
As he do do
And there's no doing anything about it!
The Rum Tum Tugger is a terrible bore:
When you let him in, then he wants to be out;
He's always on the wrong side of every door,
And as soon as he's at home, then he'd like to get about.
He likes to lie in the bureau drawer,
But he makes such a fuss if he can't get out.
Yes the Rum Tum Tugger is a Curious Cat--
And there isn't any use for you to doubt it:
For he will do
As he do do
And there's no doing anything about it!
The Rum Tum Tugger is a curious beast:
His disobliging ways are a matter of habit.
If you offer him fish then he always wants a feast;
When there isn't any fish then he won't eat rabbit.
If you offer him cream then he sniffs and sneers,
For he only likes what he finds for himself;
So you'll catch him in it right up to the ears,
If you put it away on the larder shelf.
The Rum Tum Tugger is artful and knowing,
The Rum Tum Tugger doesn't care for a cuddle;
But he'll leap on your lap in the middle of your sewing,
For there's nothing he enjoys like a horrible muddle.
Yes the Rum Tum Tugger is a Curious Cat--
And there isn't any need for me to spout it:
For he will do
As he do do
And theres no doing anything about it!
|
Written by
Stevie Smith |
Deeply morbid deeply morbid was the girl who typed the letters
Always out of office hours running with her social betters
But when daylight and the darkness of the office closed about her
Not for this ah not for this her office colleagues came to doubt her
It was that look within her eye
Why did it always seem to say goodbye?
Joan her name was and at lunchtime
Solitary solitary
She would go and watch the pictures In the National Gallery
All alone all alone
This time with no friend beside her
She would go and watch the pictures
All alone.
Will she leave her office colleagues
Will she leave her evening pleasures
Toil within a friendly bureau
Running later in her leisure?
All alone all alone
Before the pictures she seemed turned to stone.
Close upon the Turner pictures
Closer than a thought may go
Hangs her eye and all the colours
Leap into a special glow
All for her, all alone
All for her, all for Joan.
First the canvas where the ocean
Like a mighty animal
With a wicked motion
Leaps for sailors' funeral
Holds her painting.
Oh the creature
Oh the wicked virile thing
With its skin of fleck and shadow
Stretching tightening over him.
Wild yet caputured wild yet caputured
By the painter, Joan is quite enraptured.
Now she edges from the canvas
To another loved more dearly
Where the awful light of purest
Sunshine falls across the spray,
There the burning coasts of fancy
Open to her pleasure lay.
All alone all alone
Come away come away
All alone.
Lady Mary, Lady Kitty
The Honourable Featherstonehaugh
Polly Tommy from the office
Which of these shall hold her now?
Come away come away
All alone.
The spray reached out and sucked her in
It was hardly a noticed thing
That Joan was there and is not now
(Oh go and tell young Featherstonehaugh)
Gone away, gone away
All alone.
She stood up straight
The sun fell down
There was no more of London Town
She went upon the painted shore
And there she walks for ever more
Happy quite
Beaming bright
In a happy happy light
All alone.
They say she was a morbid girl, no doubt of it
And what befell her clearly grew out of it
But I say she's a lucky one
To walk for ever in that sun
And as I bless sweet Turner's name
I wish that I could do the same.
|