Written by
Obi Nwakanma |
I
ICICLES fall from trees, molten with age,
without memory - they stand aloof in their
nakedness - they limber;
like the gods terrified into silence,
like tall brooding deities looming out of the
fog:
The forest hugs them
carves them into stones,
Etches them into the slow
eastern landscape: rivers, hills
the slow running water,
times broken inscapes…
The willows are burdened with ice
the white shrouds of burial spread
upon the earth's ravaged face; the eyes
unseeing, the mouth unspeaking,
a gust of wind proclaims the anger of
immemorial ages; the cycle, the
eternal ritual of mystical returns -
The cypress - whitening -
boneless; wearing her best habit,
a pale green in the forest of ghosts -
And so I walk through this windless night
through the narrow imponderable road
through the silence - the silence of trees -
I hear not even the gust of wind
I hear only the quiet earth, thawing underneath;
I hear the slow silent death of winter -
where the sun is yellowest.
But above, Monadnock looms
like some angry Moloch, her
white nipple seizing the space
drained of all milk.
.
.
A she-devil beckoning to worshippers
seductive - her arm stretching outwards -
to this lonely pilgrim
lost in the mist:
Behold the school of wild bucks
Behold the meeting of incarnate
spirits -
Behold the lost souls bearing tapers
in rags of rich damask,
Down Thomas - the saint of
unbelievers - down the road to bliss
Down to the red house, uncertain
like a beggar's bowl hanging unto the cliff
of withdrawn pledges, where the well is
deepest.
.
.
I have dared to live
beneath the great untamed.
To every good, to every
flicker of stars along the pine
shadows;
To every tussle with lucid dusk,
To every moonlit pledge, to
every turn made to outleap
silvery pollen,
I have desired to listen - to listen -
to the ripening of seasons.
.
.
.
Winter 2001
This is ONE of a continuing sequence.
|
Written by
Anne Bronte |
Oppressed with sin and woe,
A burdened heart I bear,
Opposed by many a mighty foe:
But I will not despair.
With this polluted heart
I dare to come to Thee,
Holy and mighty as Thou art;
For Thou wilt pardon me.
I feel that I am weak,
And prone to every sin:
But Thou who giv'st to those who seek,
Wilt give me strength within.
Far as this earth may be
From yonder starry skies;
Remoter still am I from Thee:
Yet Thou wilt not despise.
I need not fear my foes,
I need not yield to care,
I need not sink beneath my woes:
For Thou wilt answer prayer.
In my Redeemer's name,
I give myself to Thee;
And all unworthy as I am
My God will cherish me.
O make me wholly Thine!
Thy love to me impart,
And let Thy holy spirit shine
For ever on my heart!
|
Written by
Delmore Schwartz |
I am a poet of the Hudson River and the heights above it,
the lights, the stars, and the bridges
I am also by self-appointment the laureate of the Atlantic
-of the peoples' hearts, crossing it
to new America.
I am burdened with the truck and chimera, hope,
acquired in the sweating sick-excited passage
in steerage, strange and estranged
Hence I must descry and describe the kingdom of emotion.
For I am a poet of the kindergarten (in the city)
and the cemetery (in the city)
And rapture and ragtime and also the secret city in the
heart and mind
This is the song of the natural city self in the 20th century.
It is true but only partly true that a city is a "tyranny of
numbers"
(This is the chant of the urban metropolitan and
metaphysical self
After the first two World Wars of the 20th century)
--- This is the city self, looking from window to lighted
window
When the squares and checks of faintly yellow light
Shine at night, upon a huge dim board and slab-like tombs,
Hiding many lives.
It is the city consciousness
Which sees and says: more: more and more: always more.
|
Written by
Alexander Pushkin |
When the loud day for men who sow and reap
Grows still, and on the silence of the town
The unsubstantial veils of night and sleep,
The meed of the day's labour, settle down,
Then for me in the stillness of the night
The wasting, watchful hours drag on their course,
And in the idle darkness comes the bite
Of all the burning serpents of remorse;
Dreams seethe; and fretful infelicities
Are swarming in my over-burdened soul,
And Memory before my wakeful eyes
With noiseless hand unwinds her lengthy scroll.
Then, as with loathing I peruse the years,
I tremble, and I curse my natal day,
Wail bitterly, and bitterly shed tears,
But cannot wash the woeful script away.
|
Written by
Theodore Roethke |
I
I dream of journeys repeatedly:
Of flying like a bat deep into a narrowing tunnel
Of driving alone, without luggage, out a long peninsula,
The road lined with snow-laden second growth,
A fine dry snow ticking the windshield,
Alternate snow and sleet, no on-coming traffic,
And no lights behind, in the blurred side-mirror,
The road changing from glazed tarface to a rubble of stone,
Ending at last in a hopeless sand-rut,
Where the car stalls,
Churning in a snowdrift
Until the headlights darken.
II
At the field's end, in the corner missed by the mower,
Where the turf drops off into a grass-hidden culvert,
Haunt of the cat-bird, nesting-place of the field-mouse,
Not too far away from the ever-changing flower-dump,
Among the tin cans, tires, rusted pipes, broken machinery, --
One learned of the eternal;
And in the shrunken face of a dead rat, eaten by rain and ground-beetles
(I found in lying among the rubble of an old coal bin)
And the tom-cat, caught near the pheasant-run,
Its entrails strewn over the half-grown flowers,
Blasted to death by the night watchman.
I suffered for young birds, for young rabbits caught in the mower,
My grief was not excessive.
For to come upon warblers in early May
Was to forget time and death:
How they filled the oriole's elm, a twittering restless cloud, all one morning,
And I watched and watched till my eyes blurred from the bird shapes, --
Cape May, Blackburnian, Cerulean, --
Moving, elusive as fish, fearless,
Hanging, bunched like young fruit, bending the end branches,
Still for a moment,
Then pitching away in half-flight,
Lighter than finches,
While the wrens bickered and sang in the half-green hedgerows,
And the flicker drummed from his dead tree in the chicken-yard.
-- Or to lie naked in sand,
In the silted shallows of a slow river,
Fingering a shell,
Thinking:
Once I was something like this, mindless,
Or perhaps with another mind, less peculiar;
Or to sink down to the hips in a mossy quagmire;
Or, with skinny knees, to sit astride a wet log,
Believing:
I'll return again,
As a snake or a raucous bird,
Or, with luck, as a lion.
I learned not to fear infinity,
The far field, the windy cliffs of forever,
The dying of time in the white light of tomorrow,
The wheel turning away from itself,
The sprawl of the wave,
The on-coming water.
II
The river turns on itself,
The tree retreats into its own shadow.
I feel a weightless change, a moving forward
As of water quickening before a narrowing channel
When banks converge, and the wide river whitens;
Or when two rivers combine, the blue glacial torrent
And the yellowish-green from the mountainy upland, --
At first a swift rippling between rocks,
Then a long running over flat stones
Before descending to the alluvial plane,
To the clay banks, and the wild grapes hanging from the elmtrees.
The slightly trembling water
Dropping a fine yellow silt where the sun stays;
And the crabs bask near the edge,
The weedy edge, alive with small snakes and bloodsuckers, --
I have come to a still, but not a deep center,
A point outside the glittering current;
My eyes stare at the bottom of a river,
At the irregular stones, iridescent sandgrains,
My mind moves in more than one place,
In a country half-land, half-water.
I am renewed by death, thought of my death,
The dry scent of a dying garden in September,
The wind fanning the ash of a low fire.
What I love is near at hand,
Always, in earth and air.
IV
The lost self changes,
Turning toward the sea,
A sea-shape turning around, --
An old man with his feet before the fire,
In robes of green, in garments of adieu.
A man faced with his own immensity
Wakes all the waves, all their loose wandering fire.
The murmur of the absolute, the why
Of being born falls on his naked ears.
His spirit moves like monumental wind
That gentles on a sunny blue plateau.
He is the end of things, the final man.
All finite things reveal infinitude:
The mountain with its singular bright shade
Like the blue shine on freshly frozen snow,
The after-light upon ice-burdened pines;
Odor of basswood on a mountain-slope,
A scent beloved of bees;
Silence of water above a sunken tree :
The pure serene of memory in one man, --
A ripple widening from a single stone
Winding around the waters of the world.
|
Written by
Charles Baudelaire |
When music sounds, gone is the earth I know,
And all her lovely things even lovelier grow;
Her flowers in vision flame, her forest trees
Lift burdened branches, stilled with ecstasies.
When music sounds, out of the water rise
Naiads whose beauty dims my waking eyes,
Rapt in strange dreams burns each enchanted face,
With solemn echoing stirs their dwelling-place.
When music sounds, all that I was I am
Ere to this haunt of brooding dust I came;
And from Time's woods break into distant song
The swift-winged hours, as I hasten along.
|
Written by
Duncan Campbell Scott |
She stands full-throated and with careless pose,
This woman of a weird and waning race,
The tragic savage lurking in her face,
Where all her pagan passion burns and glows;
Her blood is mingled with her ancient foes,
And thrills with war and wildness in her veins;
Her rebel lips are dabbled with the stains
Of feuds and forays and her father's woes.
And closer in the shawl about her breast,
The latest promise of her nation's doom,
Paler than she her baby clings and lies,
The primal warrior gleaming from his eyes;
He sulks, and burdened with his infant gloom,
He draws his heavy brows and will not rest.
|
Written by
Emily Brontë |
Death! that struck when I was most confiding
In my certain faith of joy to be -
Strike again, Time's withered branch dividing
From the fresh root of Eternity!
Leaves, upon Time's branch, were growing brightly,
Full of sap, and full of silver dew;
Birds beneath its shelter gathered nightly;
Daily round its flowers the wild bees flew.
Sorrow passed, and plucked the golden blossom;
Guilt stripped off the foliage in its pride;
But, within its parent's kindly bosom,
Flowed for ever Life's restoring-tide.
Little mourned I for the parted gladness,
For the vacant nest and silent song -
Hope was there, and laughed me out of sadness;
Whispering, " Winter will not linger long!"
And, behold! with tenfold increase blessing,
Spring adorned the beauty-burdened spray;
Wind and rain and fervent heat, caressing,
Lavished glory on that second May!
High it rose - no winged grief could sweep it;
Sin was scared to distance with its shine;
Love, and its own life, had power to keep it
From all wrong - from every blight but thine!
Cruel Death! The young leaves droop and languish;
Evening's gentle air may still restore -
No! the morning sunshine mocks my anguish -
Time, for me, must never blossom more!
Strike it down, that other boughs may flourish
Where that perished sapling used to be;
Thus, at least, its mouldering corpse will nourish
That from which it sprung - Eternity.
|
Written by
Rudyard Kipling |
My garden blazes brightly with the rose-bush and the peach,
And the koil sings above it, in the siris by the well,
From the creeper-covered trellis comes the squirrel's chattering speech,
And the blue jay screams and flutters where the cheery sat-bhai dwell.
But the rose has lost its fragrance, and the koil's note is strange;
I am sick of endless sunshine, sick of blossom-burdened bough.
Give me back the leafless woodlands where the winds of Springtime range --
Give me back one day in England, for it's Spring in England now!
Through the pines the gusts are booming, o'er the brown fields blowing chill,
From the furrow of the ploughshare streams the fragrance of the loam,
And the hawk nests on the cliffside and the jackdaw in the hill,
And my heart is back in England 'mid the sights and sounds of Home.
But the garland of the sacrifice this wealth of rose and peach is,
Ah! koil, little koil, singing on the siris bough,
In my ears the knell of exile your ceaseless bell like speech is --
Can you tell me aught of England or of Spring in England now?
* koil -- Then Indian bell-bird.
sat-bhai -- Indian starlings.
|
Written by
Katharine Tynan |
Our father, ere he went
Out with his brother, Death,
Smiling and well-content
As a bridegroom goeth,
Sweetly forgiveness prayed
From man or beast whom he
Had ever injured
Or burdened needlessly.
'Verily,' then said he,
'I crave before I pass
Forgiveness full and free
Of my little brother, the ass.
Many a time and oft,
When winds and ways were hot,
He hath borne me cool and soft
And service grudged me not.
'And once did it betide
There was, unseen of me,
A gall upon his side
That suffered grievously.
And once his manger was
Empty and bare, and brown.
(Praise God for sweet, dry grass
That Bethlehem folk shook down! )
'Consider, brethren,' said he,
'Our little brother; how mild,
How patient, he will be,
Though men are fierce and wild.
His coat is gray and fine,
His eyes are kind with love;
This little brother of mine
Is gentle as the dove.
'Consider how such an one
Beheld our Saviour born,
And carried him, full-grown,
Through Eastern streets one morn.
For this the Cross is laid
Upon him for a sign.
Greatly is honourèd
This little brother of mine.
'
And even while he spake,
Down in his stable stall
His little ass 'gan shake
And turned its face to the wall.
Down fell the heavy tear;
Its gaze so mournful was,
Fra Leo, standing near,
Pitied the little ass.
That night our father died,
All night the kine did low:
The ass went heavy-eyed,
With patient tears and slow.
The very birds on wings
Made mournful cries in the air.
Amen! all living things
Our father's brethern were.
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