Written by
Allen Ginsberg |
I walked on the banks of the tincan banana dock and sat down under the huge shade of a Southern Pacific locomotive to look for the sunset over the box house hills and cry.
Jack Kerouac sat beside me on a busted rusty iron pole, companion, we thought the same thoughts of the soul, bleak and blue and sad-eyed, surrounded by the gnarled steel roots of trees of machinery.
The only water on the river mirrored the red sky, sun sank on top of final Frisco peaks, no fish in that stream, no hermit in those mounts, just ourselves rheumy-eyed and hung-over like old bums on the riverbank, tired and wily.
Look at the Sunflower, he said, there was a dead gray shadow against the sky, big as a man, sitting dry on top of a pile of ancient sawdust--
--I rushed up enchanted--it was my first sunflower, memories of Blake--my visions--Harlem
and Hells of the Eastern rivers, bridges clanking Joes greasy Sandwiches, dead baby carriages, black treadless tires forgotten and unretreaded, the poem of the riverbank, condoms & pots, steel knives, nothing stainless, only the dank muck and the razor-sharp artifacts passing into the past--
and the gray Sunflower poised against the sunset, crackly bleak and dusty with the smut and smog and smoke of olden locomotives in its eye--
corolla of bleary spikes pushed down and broken like a battered crown, seeds fallen out of its face, soon-to-be-toothless mouth of sunny air, sunrays obliterated on its hairy head like a dried wire spiderweb,
leaves stuck out like arms out of the stem, gestures from the sawdust root, broke pieces of plaster fallen out of the black twigs, a dead fly in its ear,
Unholy battered old thing you were, my sunflower O my soul, I loved you then!
The grime was no man's grime but death and human locomotives,
all that dress of dust, that veil of darkened railroad skin, that smog of cheek, that eyelid of black mis'ry, that sooty hand or phallus or protuberance of artificial worse-than-dirt--industrial-- modern--all that civilization spotting your crazy golden crown--
and those blear thoughts of death and dusty loveless eyes and ends and withered roots below, in the home-pile of sand and sawdust, rubber dollar bills, skin of machinery, the guts and innards of the weeping coughing car, the empty lonely tincans with their rusty tongues alack, what more could I name, the smoked ashes of some cock cigar, the cunts of wheelbarrows and the milky breasts of cars, wornout asses out of chairs & sphincters of dynamos--all these
entangled in your mummied roots--and you standing before me in the sunset, all your glory in your form!
A perfect beauty of a sunflower! a perfect excellent lovely sunflower existence! a sweet natural eye to the new hip moon, woke up alive and excited grasping in the sunset shadow sunrise golden monthly breeze!
How many flies buzzed round you innocent of your grime, while you cursed the heavens of your railroad and your flower soul?
Poor dead flower? when did you forget you were a flower? when did you look at your skin and decide you were an impotent dirty old locomotive? the ghost of a locomotive? the specter and shade of a once powerful mad American locomotive?
You were never no locomotive, Sunflower, you were a sunflower!
And you Locomotive, you are a locomotive, forget me not!
So I grabbed up the skeleton thick sunflower and stuck it at my side like a scepter,
and deliver my sermon to my soul, and Jack's soul too, and anyone who'll listen,
--We're not our skin of grime, we're not our dread bleak dusty imageless locomotive, we're all golden sunflowers inside, blessed by our own seed & hairy naked accomplishment-bodies growing into mad black formal sunflowers in the sunset, spied on by our eyes under the shadow of the mad locomotive riverbank sunset Frisco hilly tincan evening sitdown vision.
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Written by
Peter Orlovsky |
A rainbow comes pouring into my window, I am electrified.
Songs burst from my breast, all my crying stops, mistory fills
the air.
I look for my shues under my bed.
A fat colored woman becomes my mother.
I have no false teeth yet. Suddenly ten children sit on my lap.
I grow a beard in one day.
I drink a hole bottle of wine with my eyes shut.
I draw on paper and I feel I am two again. I want everybody to
talk to me.
I empty the garbage on the tabol.
I invite thousands of bottles into my room, June bugs I call them.
I use the typewritter as my pillow.
A spoon becomes a fork before my eyes.
Bums give all their money to me.
All I need is a mirror for the rest of my life.
My frist five years I lived in chicken coups with not enough
bacon.
My mother showed her witch face in the night and told stories of
blue beards.
My dreams lifted me right out of my bed.
I dreamt I jumped into the nozzle of a gun to fight it out with a
bullet.
I met Kafka and he jumped over a building to get away from me.
My body turned into sugar, poured into tea I found the meaning
of life
All I needed was ink to be a black boy.
I walk on the street looking for eyes that will caress my face.
I sang in the elevators believing I was going to heaven.
I got off at the 86th floor, walked down the corridor looking for
fresh butts.
My comes turns into a silver dollar on the bed.
I look out the window and see nobody, I go down to the street,
look up at my window and see nobody.
So I talk to the fire hydrant, asking "Do you have bigger tears
then I do?"
Nobody around, I piss anywhere.
My Gabriel horns, my Gabriel horns: unfold the cheerfulies,
my gay jubilation.
Nov. 24th, 1957, Paris
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Written by
Rg Gregory |
18
if you want a revolution attack
symbols not systems - the simple forms
that (blithely) give the truth away
tying down millions to their terms
quietly with no one answering back
where the stage is makes the play
keeps actors (meanings) to those norms
stability requires - change tack
(remove the stage) violent storms
will sweep the old regime away
eventually there'll be no going back
once new symbols breed new germs
and strange hopes redesign the day
29
fresh hope stems from a dead conclusion
high art is a fraud - a provider of pap
for suckers happy to give up their own
longings to beauty in a cellophane wrap
spending their rights for a rich illusion
people demean themselves before a throne
but sooner or later have to let the sap
earthed in them rise to a new extrusion
art's not in the show (a lovely touch of clap)
but in the tough fusion of blood and bone
dreams may be soured in the drab confusion
but everywhere's the making of a map
charting today's unimaginable zone
42
what appals me daily is the unintelligence of those
who sit on the commodes of power debowelling scented ****
public- and grammar-school yokels wet-nursed oxbridge bums
(meet them where your own world breathes you'd have the urge to spit)
their great debates are full of puff their insights comatose
but they concoct the standards in their painted kingdom-comes
they pass down the judgments draped in tongues of holy writ
the people are a mass disease an untissued runny nose
disdained (but somehow soared above) as they subscribe their wit
to the culture of the stately tree (and to pilfering its plums)
they've got there by a rancid myth - that a nation's wisdom blows
from the arseholes of the clever (the odiferously fit)
as they guzzle in their spotlit windows tossing off the crumbs
65
far deeper than the wounds on egdon heath
its proud moroseness scales across the time
tinting all after-thought - where hardy gloomed
(wringing ironic bloodtones from sublime)
a host of worms have nibbled through belief
faith-riddled souls have other faiths exhumed
a pagan dissonance has reached for rhyme
a void (dismissed) has sprouted from the wreath
that science laid - a self-inflicted crime
unknifes itself and bleaker hope has bloomed
what hardy touched on sombre egdon heath
the wasted world now touches - midnights prime
the last condition be frugal or be doomed
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Written by
Charles Bukowski |
Making love in the sun, in the morning sun
in a hotel room
above the alley
where poor men poke for bottles;
making love in the sun
making love by a carpet redder than our blood,
making love while the boys sell headlines
and Cadillacs,
making love by a photograph of Paris
and an open pack of Chesterfields,
making love while other men- poor folks-
work.
That moment- to this. . .
may be years in the way they measure,
but it's only one sentence back in my mind-
there are so many days
when living stops and pulls up and sits
and waits like a train on the rails.
I pass the hotel at 8
and at 5; there are cats in the alleys
and bottles and bums,
and I look up at the window and think,
I no longer know where you are,
and I walk on and wonder where
the living goes
when it stops.
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Written by
David Lehman |
The last Campbell's tomato soup can
of the twentieth century is going to
the Andy Warhol Museum in Pittsburgh
That is an example of a sentence
Another is this from a CEO in Fortune
"You die in either case, but this way you get
to do it proactively," where the adverb
makes the sentence I'm walking amid
the tourists on Bleecker Street the riffraff
the students with backpacks the bums and
a good old-fashioned New York feeling
hits me from head to toe a misanthropic snarl
the urge to kick a stranger in the pants,
and if you don't smoke you feel as if you do
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Written by
William Henry Davies |
A week ago I had a fire
To warm my feet, my hands and face;
Cold winds, that never make a friend,
Crept in and out of every place.
Today the fields are rich in grass,
And buttercups in thousands grow;
I'll show the world where I have been--
With gold-dust seen on either shoe.
Till to my garden back I come,
Where bumble-bees for hours and hours
Sit on their soft, fat, velvet bums,
To wriggle out of hollow flowers.
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Written by
James Wright |
Lured by the wall, and drawn
To stare below the roof,
Where pigeons nest aloof
From prowling cats and men,
I count the sash and bar
Secured to granite stone,
And note the daylight gone,
Supper and silence near.
Close to the wall inside,
Immured, empty of love,
A man I have wondered of
Lies patient, vacant-eye.
A month and a day ago
He stopped his car and found
A girl on the darkening ground,
And killed her in the snow.
Beside his cell, I am told,
Hardy perennial bums
Complain till twilight comes
For hunger and for cold.
They hardly know of a day
That saw their hunger pass.
Bred to the dark, their flesh
Peacefully withers away.
The man who sits alone,
He is the one for wonder,
Who sways his fingers under
The cleanly shaven chin,
Who sees, in the shaving mirror
Pinned to the barren wall,
The uprooted ghost of all:
The simple, easy terror.
Caught between sky and earth,
Poor stupid animal,
Stripped naked to the wall,
He saw the blundered birth
Of daemons beyond sound.
Sick of the dark, he rose
For love, and now he goes
Back to the broken ground.
Now, as he grips the chain
And holds the wall, to bear
What no man ever bore,
He hears the bums complain;
But I mourn no soul but his,
Not even the bums who die,
Nor the homely girl whose cry
Crumbled his pleading kiss.
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Written by
David Wagoner |
He would leave early and walk slowly
As if balancing books
On the way to school, already expecting
To be tardy once again and heavy
With numbers, the unfashionably rounded
Toes of his shoes invisible beyond
The slope of his corporation. He would pause
At his favorite fundamentally sound
Park bench, which had been the birthplace
Of paeans and ruminations on other mornings,
And would turn his back to it, having gauged the distance
Between his knees and the edge of the hardwood
Almost invariably unoccupied
At this enlightened hour by the bums of nighttime
(For whom the owlish eye of the moon
Had been closed by daylight), and would give himself wholly over
Backwards and trustingly downwards
And be well seated there. He would remove
From his sinister jacket pocket a postcard
And touch it and retouch it with the point
Of the fountain he produced at his fingertips
And fill it with his never-before-uttered
Runes and obbligatos and pellucidly cryptic
Duets from private pageants, from broken ends
Of fandangos with the amoeba chaos chaos
Couchant and rampant. Then he would rise
With an effort as heartfelt as a decision
To get out of bed on Sunday and carefully
Relocate his center of gravity
Above and beyond an imaginary axis
Between his feet and carry the good news
Along the path and the sidewalk, well on his way
To readjusting the business of the earth.
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Written by
Barry Tebb |
How I love the working-class girls of Leeds,
Their mile-wide smiles, eyes bright as beads,
Their young breasts bobbing as they run,
Hands quick as darting fish, lithe legs
Bare as they scramble over the Hollows
With brown-soled feet and dimpled bums
Half-covered with knickers, and short frocks
Full of flowers and their delicate ears,
Perfect teeth and flickering tongues, the
Fragile bones of their cheeks, the soft
Sweetness of their soprano voices dying
Away into the unforgotten magenta and
Yellow-ochre of innumerable twilights.
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