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Best Famous Brooms Poems

Here is a collection of the all-time best famous Brooms poems. This is a select list of the best famous Brooms poetry. Reading, writing, and enjoying famous Brooms poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of brooms poems.

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Written by John Keats | Create an image from this poem

Song of the Indian Maid

Song of the Indian Maid 

O SORROW! 
Why dost borrow 
The natural hue of health, from vermeil lips?¡ª 
To give maiden blushes 
To the white rose bushes? 5 
Or is it thy dewy hand the daisy tips? 

O Sorrow! 
Why dost borrow 
The lustrous passion from a falcon-eye?¡ª 
To give the glow-worm light? 10 
Or, on a moonless night, 
To tinge, on siren shores, the salt sea-spry? 

O Sorrow! 
Why dost borrow 
The mellow ditties from a mourning tongue?¡ª 15 
To give at evening pale 
Unto the nightingale, 
That thou mayst listen the cold dews among? 

O Sorrow! 
Why dost borrow 20 
Heart's lightness from the merriment of May?¡ª 
A lover would not tread 
A cowslip on the head, 
Though he should dance from eve till peep of day¡ª 
Nor any drooping flower 25 
Held sacred for thy bower, 
Wherever he may sport himself and play.
To Sorrow I bade good morrow, And thought to leave her far away behind; 30 But cheerly, cheerly, She loves me dearly; She is so constant to me, and so kind: I would deceive her And so leave her, 35 But ah! she is so constant and so kind.
Beneath my palm-trees, by the river side, I sat a-weeping: in the whole world wide There was no one to ask me why I wept,¡ª And so I kept 40 Brimming the water-lily cups with tears Cold as my fears.
Beneath my palm-trees, by the river side, I sat a-weeping: what enamour'd bride, Cheated by shadowy wooer from the clouds, 45 But hides and shrouds Beneath dark palm-trees by a river side? And as I sat, over the light blue hills There came a noise of revellers: the rills Into the wide stream came of purple hue¡ª 50 'Twas Bacchus and his crew! The earnest trumpet spake, and silver thrills From kissing cymbals made a merry din¡ª 'Twas Bacchus and his kin! Like to a moving vintage down they came, 55 Crown'd with green leaves, and faces all on flame; All madly dancing through the pleasant valley, To scare thee, Melancholy! O then, O then, thou wast a simple name! And I forgot thee, as the berried holly 60 By shepherds is forgotten, when in June Tall chestnuts keep away the sun and moon:¡ª I rush'd into the folly! Within his car, aloft, young Bacchus stood, Trifling his ivy-dart, in dancing mood, 65 With sidelong laughing; And little rills of crimson wine imbrued His plump white arms and shoulders, enough white For Venus' pearly bite; And near him rode Silenus on his ass, 70 Pelted with flowers as he on did pass Tipsily quaffing.
'Whence came ye, merry Damsels! whence came ye, So many, and so many, and such glee? Why have ye left your bowers desolate, 75 Your lutes, and gentler fate?'¡ª 'We follow Bacchus! Bacchus on the wing, A-conquering! Bacchus, young Bacchus! good or ill betide, We dance before him thorough kingdoms wide:¡ª 80 Come hither, lady fair, and join¨¨d be To our wild minstrelsy!' 'Whence came ye, jolly Satyrs! whence came ye, So many, and so many, and such glee? Why have ye left your forest haunts, why left 85 Your nuts in oak-tree cleft?'¡ª 'For wine, for wine we left our kernel tree; For wine we left our heath, and yellow brooms, And cold mushrooms; For wine we follow Bacchus through the earth; 90 Great god of breathless cups and chirping mirth! Come hither, lady fair, and join¨¨d be To our mad minstrelsy!' Over wide streams and mountains great we went, And, save when Bacchus kept his ivy tent, 95 Onward the tiger and the leopard pants, With Asian elephants: Onward these myriads¡ªwith song and dance, With zebras striped, and sleek Arabians' prance, Web-footed alligators, crocodiles, 100 Bearing upon their scaly backs, in files, Plump infant laughers mimicking the coil Of seamen, and stout galley-rowers' toil: With toying oars and silken sails they glide, Nor care for wind and tide.
105 Mounted on panthers' furs and lions' manes, From rear to van they scour about the plains; A three days' journey in a moment done; And always, at the rising of the sun, About the wilds they hunt with spear and horn, 110 On spleenful unicorn.
I saw Osirian Egypt kneel adown Before the vine-wreath crown! I saw parch'd Abyssinia rouse and sing To the silver cymbals' ring! 115 I saw the whelming vintage hotly pierce Old Tartary the fierce! The kings of Ind their jewel-sceptres vail, And from their treasures scatter pearl¨¨d hail; Great Brahma from his mystic heaven groans, 120 And all his priesthood moans, Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him, Sick-hearted, weary¡ªso I took a whim To stray away into these forests drear, 125 Alone, without a peer: And I have told thee all thou mayest hear.
Young Stranger! I've been a ranger In search of pleasure throughout every clime; 130 Alas! 'tis not for me! Bewitch'd I sure must be, To lose in grieving all my maiden prime.
Come then, Sorrow, Sweetest Sorrow! 135 Like an own babe I nurse thee on my breast: I thought to leave thee, And deceive thee, But now of all the world I love thee best.
There is not one, 140 No, no, not one But thee to comfort a poor lonely maid; Thou art her mother, And her brother, Her playmate, and her wooer in the shade.
145


Written by Emily Dickinson | Create an image from this poem

A Lady red -- amid the Hill

 A Lady red -- amid the Hill
Her annual secret keeps!
A Lady white, within the Field
In placid Lily sleeps!

The tidy Breezes, with their Brooms --
Sweep vale -- and hill -- and tree!
Prithee, My pretty Housewives!
Who may expected be?

The Neighbors do not yet suspect!
The Woods exchange a smile!
Orchard, and Buttercup, and Bird --
In such a little while!

And yet, how still the Landscape stands!
How nonchalant the Hedge!
As if the "Resurrection"
Were nothing very strange!
Written by Erica Jong | Create an image from this poem

Smoke

 Smoke, it is all smoke
in the throat of eternity.
.
.
.
For centuries, the air was full of witches Whistling up chimneys on their spiky brooms cackling or singing more sweetly than Circe, as they flew over rooftops blessing & cursing their kind.
We banished & burned them making them smoke in the throat of god; we declared ourselves "enlightened.
" "The dark age of horrors is past," said my mother to me in 1952, seven years after our people went up in smoke, leaving a few teeth, a pile of bones.
The smoke curls and beckons.
It is blue & lavender & green as the undersea world.
It will take us, too.
O let us not go sheepishly clinging to our nakedness.
But let us go like witches sucked heavenward by the Goddess' powerful breath & whistling, whistling, whistling on our beautiful brooms.
Written by John Keats | Create an image from this poem

Song of the Indian Maid from Endymion

 O SORROW! 
 Why dost borrow 
 The natural hue of health, from vermeil lips?-- 
 To give maiden blushes 
 To the white rose bushes? 
 Or is it thy dewy hand the daisy tips? 

 O Sorrow! 
 Why dost borrow 
 The lustrous passion from a falcon-eye?-- 
 To give the glow-worm light? 
 Or, on a moonless night, 
 To tinge, on siren shores, the salt sea-spry? 

 O Sorrow! 
 Why dost borrow 
 The mellow ditties from a mourning tongue?-- 
 To give at evening pale 
 Unto the nightingale, 
 That thou mayst listen the cold dews among? 

 O Sorrow! 
 Why dost borrow 
 Heart's lightness from the merriment of May?-- 
 A lover would not tread 
 A cowslip on the head, 
 Though he should dance from eve till peep of day-- 
 Nor any drooping flower 
 Held sacred for thy bower, 
 Wherever he may sport himself and play.
To Sorrow I bade good morrow, And thought to leave her far away behind; But cheerly, cheerly, She loves me dearly; She is so constant to me, and so kind: I would deceive her And so leave her, But ah! she is so constant and so kind.
Beneath my palm-trees, by the river side, I sat a-weeping: in the whole world wide There was no one to ask me why I wept,-- And so I kept Brimming the water-lily cups with tears Cold as my fears.
Beneath my palm-trees, by the river side, I sat a-weeping: what enamour'd bride, Cheated by shadowy wooer from the clouds, But hides and shrouds Beneath dark palm-trees by a river side? And as I sat, over the light blue hills There came a noise of revellers: the rills Into the wide stream came of purple hue-- 'Twas Bacchus and his crew! The earnest trumpet spake, and silver thrills From kissing cymbals made a merry din-- 'Twas Bacchus and his kin! Like to a moving vintage down they came, Crown'd with green leaves, and faces all on flame; All madly dancing through the pleasant valley, To scare thee, Melancholy! O then, O then, thou wast a simple name! And I forgot thee, as the berried holly By shepherds is forgotten, when in June Tall chestnuts keep away the sun and moon:-- I rush'd into the folly! Within his car, aloft, young Bacchus stood, Trifling his ivy-dart, in dancing mood, With sidelong laughing; And little rills of crimson wine imbrued His plump white arms and shoulders, enough white For Venus' pearly bite; And near him rode Silenus on his ass, Pelted with flowers as he on did pass Tipsily quaffing.
'Whence came ye, merry Damsels! whence came ye, So many, and so many, and such glee? Why have ye left your bowers desolate, Your lutes, and gentler fate?'-- 'We follow Bacchus! Bacchus on the wing, A-conquering! Bacchus, young Bacchus! good or ill betide, We dance before him thorough kingdoms wide:-- Come hither, lady fair, and joined be To our wild minstrelsy!' 'Whence came ye, jolly Satyrs! whence came ye, So many, and so many, and such glee? Why have ye left your forest haunts, why left Your nuts in oak-tree cleft?'-- 'For wine, for wine we left our kernel tree; For wine we left our heath, and yellow brooms, And cold mushrooms; For wine we follow Bacchus through the earth; Great god of breathless cups and chirping mirth! Come hither, lady fair, and joined be To our mad minstrelsy!' Over wide streams and mountains great we went, And, save when Bacchus kept his ivy tent, Onward the tiger and the leopard pants, With Asian elephants: Onward these myriads--with song and dance, With zebras striped, and sleek Arabians' prance, Web-footed alligators, crocodiles, Bearing upon their scaly backs, in files, Plump infant laughers mimicking the coil Of seamen, and stout galley-rowers' toil: With toying oars and silken sails they glide, Nor care for wind and tide.
Mounted on panthers' furs and lions' manes, From rear to van they scour about the plains; A three days' journey in a moment done; And always, at the rising of the sun, About the wilds they hunt with spear and horn, On spleenful unicorn.
I saw Osirian Egypt kneel adown Before the vine-wreath crown! I saw parch'd Abyssinia rouse and sing To the silver cymbals' ring! I saw the whelming vintage hotly pierce Old Tartary the fierce! The kings of Ind their jewel-sceptres vail, And from their treasures scatter pearled hail; Great Brahma from his mystic heaven groans, And all his priesthood moans, Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him, Sick-hearted, weary--so I took a whim To stray away into these forests drear, Alone, without a peer: And I have told thee all thou mayest hear.
Young Stranger! I've been a ranger In search of pleasure throughout every clime; Alas! 'tis not for me! Bewitch'd I sure must be, To lose in grieving all my maiden prime.
Come then, Sorrow, Sweetest Sorrow! Like an own babe I nurse thee on my breast: I thought to leave thee, And deceive thee, But now of all the world I love thee best.
There is not one, No, no, not one But thee to comfort a poor lonely maid; Thou art her mother, And her brother, Her playmate, and her wooer in the shade.
Written by John Keats | Create an image from this poem

Song of the Indian Maid from Endymion

 O SORROW! 
 Why dost borrow 
 The natural hue of health, from vermeil lips?-- 
 To give maiden blushes 
 To the white rose bushes? 
 Or is it thy dewy hand the daisy tips? 

 O Sorrow! 
 Why dost borrow 
 The lustrous passion from a falcon-eye?-- 
 To give the glow-worm light? 
 Or, on a moonless night, 
 To tinge, on siren shores, the salt sea-spry? 

 O Sorrow! 
 Why dost borrow 
 The mellow ditties from a mourning tongue?-- 
 To give at evening pale 
 Unto the nightingale, 
 That thou mayst listen the cold dews among? 

 O Sorrow! 
 Why dost borrow 
 Heart's lightness from the merriment of May?-- 
 A lover would not tread 
 A cowslip on the head, 
 Though he should dance from eve till peep of day-- 
 Nor any drooping flower 
 Held sacred for thy bower, 
 Wherever he may sport himself and play.
To Sorrow I bade good morrow, And thought to leave her far away behind; But cheerly, cheerly, She loves me dearly; She is so constant to me, and so kind: I would deceive her And so leave her, But ah! she is so constant and so kind.
Beneath my palm-trees, by the river side, I sat a-weeping: in the whole world wide There was no one to ask me why I wept,-- And so I kept Brimming the water-lily cups with tears Cold as my fears.
Beneath my palm-trees, by the river side, I sat a-weeping: what enamour'd bride, Cheated by shadowy wooer from the clouds, But hides and shrouds Beneath dark palm-trees by a river side? And as I sat, over the light blue hills There came a noise of revellers: the rills Into the wide stream came of purple hue-- 'Twas Bacchus and his crew! The earnest trumpet spake, and silver thrills From kissing cymbals made a merry din-- 'Twas Bacchus and his kin! Like to a moving vintage down they came, Crown'd with green leaves, and faces all on flame; All madly dancing through the pleasant valley, To scare thee, Melancholy! O then, O then, thou wast a simple name! And I forgot thee, as the berried holly By shepherds is forgotten, when in June Tall chestnuts keep away the sun and moon:-- I rush'd into the folly! Within his car, aloft, young Bacchus stood, Trifling his ivy-dart, in dancing mood, With sidelong laughing; And little rills of crimson wine imbrued His plump white arms and shoulders, enough white For Venus' pearly bite; And near him rode Silenus on his ass, Pelted with flowers as he on did pass Tipsily quaffing.
'Whence came ye, merry Damsels! whence came ye, So many, and so many, and such glee? Why have ye left your bowers desolate, Your lutes, and gentler fate?'-- 'We follow Bacchus! Bacchus on the wing, A-conquering! Bacchus, young Bacchus! good or ill betide, We dance before him thorough kingdoms wide:-- Come hither, lady fair, and joined be To our wild minstrelsy!' 'Whence came ye, jolly Satyrs! whence came ye, So many, and so many, and such glee? Why have ye left your forest haunts, why left Your nuts in oak-tree cleft?'-- 'For wine, for wine we left our kernel tree; For wine we left our heath, and yellow brooms, And cold mushrooms; For wine we follow Bacchus through the earth; Great god of breathless cups and chirping mirth! Come hither, lady fair, and joined be To our mad minstrelsy!' Over wide streams and mountains great we went, And, save when Bacchus kept his ivy tent, Onward the tiger and the leopard pants, With Asian elephants: Onward these myriads--with song and dance, With zebras striped, and sleek Arabians' prance, Web-footed alligators, crocodiles, Bearing upon their scaly backs, in files, Plump infant laughers mimicking the coil Of seamen, and stout galley-rowers' toil: With toying oars and silken sails they glide, Nor care for wind and tide.
Mounted on panthers' furs and lions' manes, From rear to van they scour about the plains; A three days' journey in a moment done; And always, at the rising of the sun, About the wilds they hunt with spear and horn, On spleenful unicorn.
I saw Osirian Egypt kneel adown Before the vine-wreath crown! I saw parch'd Abyssinia rouse and sing To the silver cymbals' ring! I saw the whelming vintage hotly pierce Old Tartary the fierce! The kings of Ind their jewel-sceptres vail, And from their treasures scatter pearled hail; Great Brahma from his mystic heaven groans, And all his priesthood moans, Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him, Sick-hearted, weary--so I took a whim To stray away into these forests drear, Alone, without a peer: And I have told thee all thou mayest hear.
Young Stranger! I've been a ranger In search of pleasure throughout every clime; Alas! 'tis not for me! Bewitch'd I sure must be, To lose in grieving all my maiden prime.
Come then, Sorrow, Sweetest Sorrow! Like an own babe I nurse thee on my breast: I thought to leave thee, And deceive thee, But now of all the world I love thee best.
There is not one, No, no, not one But thee to comfort a poor lonely maid; Thou art her mother, And her brother, Her playmate, and her wooer in the shade.


Written by C K Williams | Create an image from this poem

Tar

 The first morning of Three Mile Island: those first disquieting, uncertain, 
mystifying hours.
All morning a crew of workmen have been tearing the old decrepit roof off our building, and all morning, trying to distract myself, I've been wandering out to watch them as they hack away the leaden layers of asbestos paper and disassemble the disintegrating drains.
After half a night of listening to the news, wondering how to know a hundred miles downwind if and when to make a run for it and where, then a coming bolt awake at seven when the roofers we've been waiting for since winter sent their ladders shrieking up our wall, we still know less than nothing: the utility company continues making little of the accident, the slick federal spokesmen still have their evasions in some semblance of order.
Surely we suspect now we're being lied to, but in the meantime, there are the roofers, setting winch-frames, sledging rounds of tar apart, and there I am, on the curb across, gawking.
I never realized what brutal work it is, how matter-of-factly and harrow- ingly dangerous.
The ladders flex and quiver, things skid from the edge, the materials are bulky and recalcitrant.
When the rusty, antique nails are levered out, their heads pull off; the underroofing crumbles.
Even the battered little furnace, roaring along as patient as a donkey, chokes and clogs, a dense, malignant smoke shoots up, and someone has to fiddle with a cock, then hammer it, before the gush and stench will deintensify, the dark, Dantean broth wearily subside.
In its crucible, the stuff looks bland, like licorice, spill it, though, on your boots or coveralls, it sears, and everything is permeated with it, the furnace gunked with burst and half-burst bubbles, the men themselves so completely slashed and mucked they seem almost from another realm, like trolls.
When they take their break, they leave their brooms standing at attention in the asphalt pails, work gloves clinging like Br'er Rabbit to the bitten shafts, and they slouch along the precipitous lip, the enormous sky behind them, the heavy noontime air alive with shim- mers and mirages.
Sometime in the afternoon I had to go inside: the advent of our vigil was upon us.
However much we didn't want to, however little we would do about it, we'd understood: we were going to perish of all this, if not now, then soon, if not soon, then someday.
Someday, some final generation, hysterically aswarm beneath an at- mosphere as unrelenting as rock, would rue us all, anathematize our earthly comforts, curse our surfeits and submissions.
I think I know, though I might rather not, why my roofers stay so clear to me and why the rest, the terror of that time, the reflexive disbelief and distancing, all we should hold on to, dims so.
I remember the president in his absurd protective booties, looking absolutely unafraid, the fool.
I remember a woman on the front page glaring across the misty Sus- quehanna at those looming stacks.
But, more vividly, the men, silvered with glitter from the shingles, cling- ing like starlings beneath the eaves.
Even the leftover carats of tar in the gutter, so black they seemed to suck the light out of the air.
By nightfall kids had come across them: every sidewalk on the block was scribbled with obscenities and hearts.
Written by Barry Tebb | Create an image from this poem

TO FOUR PSYCHOANALYSTS

 Richard Chessick, John Gedo, James Grotstein and Vamik Voltan



What darknesses have you lit up for me

What depths of infinite space plumbed

With your finely honed probes

What days of unending distress lightened 

With your wisdom, skills and jouissance?

Conquistadores of the unconscious

For three decades how often have I come to you

And from your teachings gathered the manna

Of meaning eluding me alone in my northern eyrie?

Chance or God’s guidance – being a poet I chose the latter – 

Brought me to dip my ankle like an amah’s blessing

Into the Holy Ganges of prelude and grosse fuge 

Of ego and unconscious, wandering alone

In uncharted waters and faltering

Until I raised my hand and found it grasped

By your firm fingers pulling inexorably shoreward.
Did I know, how could I know, madness Would descend on my family, first a sad grandfather Who had wrought destruction on three generations Including our children’s? I locked with the horns of madness, Trusted my learning, won from you at whose feet I sat Alone and in spirit; yet not once did you let me down, In ward rounds, staying on after the other visitors – How few and lost – had gone, chatting to a charge nurse While together we made our case To the well meaning but unenlightened psychiatrist, Chair of the department no less, grumbling good-naturedly At our fumbling formulations of splitting as a diagnostic aid.
When Cyril’s nightmare vision of me in a white coat Leading a posse of nurses chasing him round his flat With a flotilla of ambulances on witches’ brooms Bringing his psychotic core to the fore and The departmental chairman finally signing the form.
Cyril discharged on Largactil survived two years To die on a dual carriageway ‘high on morphine’ And I learned healing is caring as much as knowing, The slow hard lesson of a lifetime, the concentration Of a chess master, the footwork of a dancer, The patience of a scholar and a saint’s humility, While I have only a poet’s quickness, a journalist’s Ability to speed-read and the clumsiness Of a circus clown.
Written by Robert Herrick | Create an image from this poem

THE FAIRY TEMPLE; OR OBERONS CHAPEL

 THE FAIRY TEMPLE; OR, OBERON'S CHAPEL

DEDICATED TO MR JOHN MERRIFIELD,
COUNSELLOR AT LAW

RARE TEMPLES THOU HAST SEEN, I KNOW,
AND RICH FOR IN AND OUTWARD SHOW;
SURVEY THIS CHAPEL BUILT, ALONE,
WITHOUT OR LIME, OR WOOD, OR STONE.
THEN SAY, IF ONE THOU'ST SEEN MORE FINE THAN THIS, THE FAIRIES' ONCE, NOW THINE.
THE TEMPLE A way enchaced with glass and beads There is, that to the Chapel leads; Whose structure, for his holy rest, Is here the Halcyon's curious nest; Into the which who looks, shall see His Temple of Idolatry; Where he of god-heads has such store, As Rome's Pantheon had not more.
His house of Rimmon this he calls, Girt with small bones, instead of walls.
First in a niche, more black than jet, His idol-cricket there is set; Then in a polish'd oval by There stands his idol-beetle-fly; Next, in an arch, akin to this, His idol-canker seated is.
Then in a round, is placed by these His golden god, Cantharides.
So that where'er ye look, ye see No capital, no cornice free, Or frieze, from this fine frippery.
Now this the Fairies would have known, Theirs is a mixt religion: And some have heard the elves it call Part Pagan, part Papistical.
If unto me all tongues were granted, I could not speak the saints here painted.
Saint Tit, Saint Nit, Saint Is, Saint Itis, Who 'gainst Mab's state placed here right is.
Saint Will o' th' Wisp, of no great bigness, But, alias, call'd here FATUUS IGNIS.
Saint Frip, Saint Trip, Saint Fill, Saint Filly;-- Neither those other saint-ships will I Here go about for to recite Their number, almost infinite; Which, one by one, here set down are In this most curious calendar.
First, at the entrance of the gate, A little puppet-priest doth wait, Who squeaks to all the comers there, 'Favour your tongues, who enter here.
'Pure hands bring hither, without stain.
' A second pules, 'Hence, hence, profane!' Hard by, i' th' shell of half a nut, The holy-water there is put; A little brush of squirrels' hairs, Composed of odd, not even pairs, Stands in the platter, or close by, To purge the fairy family.
Near to the altar stands the priest, There offering up the holy-grist; Ducking in mood and perfect tense, With (much good do't him) reverence.
The altar is not here four-square, Nor in a form triangular; Nor made of glass, or wood, or stone, But of a little transverse bone; Which boys and bruckel'd children call (Playing for points and pins) cockall.
Whose linen-drapery is a thin, Sub|ile, and ductile codling's skin; Which o'er the board is smoothly spread With little seal-work damasked.
The fringe that circumbinds it, too, Is spangle-work of trembling dew, Which, gently gleaming, makes a show, Like frost-work glitt'ring on the snow.
Upon this fetuous board doth stand Something for shew-bread, and at hand (Just in the middle of the altar) Upon an end, the Fairy-psalter, Graced with the trout-flies' curious wings, Which serve for watchet ribbonings.
Now, we must know, the elves are led Right by the Rubric, which they read: And if report of them be true, They have their text for what they do; Ay, and their book of canons too.
And, as Sir Thomas Parson tells, They have their book of articles; And if that Fairy knight not lies They have their book of homilies; And other Scriptures, that design A short, but righteous discipline.
The bason stands the board upon To take the free-oblation; A little pin-dust, which they hold More precious than we prize our gold; Which charity they give to many Poor of the parish, if there's any.
Upon the ends of these neat rails, Hatch'd with the silver-light of snails, The elves, in formal manner, fix Two pure and holy candlesticks, In either which a tall small bent Burns for the altar's ornament.
For sanctity, they have, to these, Their curious copes and surplices Of cleanest cobweb, hanging by In their religious vestery.
They have their ash-pans and their brooms, To purge the chapel and the rooms; Their many mumbling mass-priests here, And many a dapper chorister.
Their ush'ring vergers here likewise, Their canons and their chaunteries; Of cloister-monks they have enow, Ay, and their abbey-lubbers too:-- And if their legend do not lie, They much affect the papacy; And since the last is dead, there's hope Elve Boniface shall next be Pope.
They have their cups and chalices, Their pardons and indulgences, Their beads of nits, bells, books, and wax- Candles, forsooth, and other knacks; Their holy oil, their fasting-spittle, Their sacred salt here, not a little.
Dry chips, old shoes, rags, grease, and bones, Beside their fumigations.
Many a trifle, too, and trinket, And for what use, scarce man would think it.
Next then, upon the chanter's side An apple's-core is hung up dried, With rattling kernels, which is rung To call to morn and even-song.
The saint, to which the most he prays And offers incense nights and days, The lady of the lobster is, Whose foot-pace he doth stroke and kiss, And, humbly, chives of saffron brings For his most cheerful offerings.
When, after these, he's paid his vows, He lowly to the altar bows; And then he dons the silk-worm's shed, Like a Turk's turban on his head, And reverently departeth thence, Hid in a cloud of frankincense; And by the glow-worm's light well guided, Goes to the Feast that's now provided.
Written by Tadeusz Rozewicz | Create an image from this poem

Pigtail

 When all the women in the transport
had their heads shaved
four workmen with brooms made of birch twigs
swept up
and gathered up the hair

Behind clean glass
the stiff hair lies
of those suffocated in gas chambers
there are pins and side combs
in this hair

The hair is not shot through with light
is not parted by the breeze
is not touched by any hand
or rain or lips

In huge chests
clouds of dry hair
of those suffocated
and a faded plait
a pigtail with a ribbon
pulled at school
by naughty boys.
Written by Robert Louis Stevenson | Create an image from this poem

The Bour-Tree Den

 CLINKUM-CLANK in the rain they ride,
Down by the braes and the grey sea-side;
Clinkum-clank by stane and cairn,
Weary fa' their horse-shoe-airn!

Loud on the causey, saft on the sand,
Round they rade by the tail of the land;
Round and up by the Bour-Tree Den,
Weary fa' the red-coat men!

Aft hae I gane where they hae rade
And straigled in the gowden brooms -
Aft hae I gane, a saikless maid,
And O! sae bonny as the bour-tree blooms!

Wi' swords and guns they wanton there,
Wi' red, red coats and braw, braw plumes.
But I gaed wi' my gowden hair, And O! sae bonny as the bour-tree blooms! I ran, a little hempie lass, In the sand and the bent grass, Or took and kilted my small coats To play in the beached fisher-boats.
I waded deep and I ran fast, I was as lean as a lugger's mast, I was as brown as a fisher's creel, And I liked my life unco weel.
They blew a trumpet at the cross, Some forty men, both foot and horse.
A'body cam to hear and see, And wha, among the rest, but me.
My lips were saut wi' the saut air, My face was brown, my feet were bare The wind had ravelled my tautit hair, And I thought shame to be standing there.
Ae man there in the thick of the throng Sat in his saddle, straight and strong.
I looked at him and he at me, And he was a master-man to see.
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And who is this yin? and who is yon That has the bonny lendings on? That sits and looks sae braw and crouse? .
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Mister Frank o' the Big House! I gaed my lane beside the sea; The wind it blew in bush and tree, The wind blew in bush and bent: Muckle I saw, and muckle kent! Between the beach and the sea-hill I sat my lane and grat my fill - I was sae clarty and hard and dark, And like the kye in the cow park! There fell a battle far in the north; The evil news gaed back and forth, And back and forth by brae and bent Hider and hunter cam and went: The hunter clattered horse-shoe-airn By causey-crest and hill-top cairn; The hider, in by shag and shench, Crept on his wame and little lench.
The eastland wind blew shrill and snell, The stars arose, the gloaming fell, The firelight shone in window and door When Mr.
Frank cam here to shore.
He hirpled up by the links and the lane, And chappit laigh in the back-door-stane.
My faither gaed, and up wi' his han'! .
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Is this Mr.
Frank, or a beggarman? I have mistrysted sair, he said, But let me into fire and bed; Let me in, for auld lang syne, And give me a dram of the brandy wine.
They hid him in the Bour-Tree Den, And I thought it strange to gang my lane; I thought it strange, I thought it sweet, To gang there on my naked feet.
In the mirk night, when the boats were at sea, I passed the burn abune the knee; In the mirk night, when the folks were asleep, I had a tryst in the den to keep.
Late and air', when the folks were asleep, I had a tryst, a tryst to keep, I had a lad that lippened to me, And bour-tree blossom is fair to see! O' the bour-tree leaves I busked his bed, The mune was siller, the dawn was red: Was nae man there but him and me - And bour-tree blossom is fair to see! Unco weather hae we been through: The mune glowered, and the wind blew, And the rain it rained on him and me, And bour-tree blossom is fair to see! Dwelling his lane but house or hauld, Aft he was wet and aft was cauld; I warmed him wi' my briest and knee - And bour-tree blossom is fair to see! There was nae voice of beast ae man, But the tree soughed and the burn ran, And we heard the ae voice of the sea: Bour-tree blossom is fair to see!

Book: Shattered Sighs