Written by
Jonathan Swift |
Five hours, (and who can do it less in?)
By haughty Celia spent in dressing;
The goddess from her chamber issues,
Arrayed in lace, brocades, and tissues.
Strephon, who found the room was void
And Betty otherwise employed,
Stole in and took a strict survey
Of all the litter as it lay;
Whereof, to make the matter clear,
An inventory follows here.
And first a dirty smock appeared,
Beneath the arm-pits well besmeared.
Strephon, the rogue, displayed it wide
And turned it round on every side.
On such a point few words are best,
And Strephon bids us guess the rest;
And swears how damnably the men lie
In calling Celia sweet and cleanly.
Now listen while he next produces
The various combs for various uses,
Filled up with dirt so closely fixt,
No brush could force a way betwixt.
A paste of composition rare,
Sweat, dandruff, powder, lead and hair;
A forehead cloth with oil upon't
To smooth the wrinkles on her front.
Here alum flower to stop the steams
Exhaled from sour unsavory streams;
There night-gloves made of Tripsy's hide,
Bequeath'd by Tripsy when she died,
With puppy water, beauty's help,
Distilled from Tripsy's darling whelp;
Here gallypots and vials placed,
Some filled with washes, some with paste,
Some with pomatum, paints and slops,
And ointments good for scabby chops.
Hard by a filthy basin stands,
Fouled with the scouring of her hands;
The basin takes whatever comes,
The scrapings of her teeth and gums,
A nasty compound of all hues,
For here she spits, and here she spews.
But oh! it turned poor Strephon's bowels,
When he beheld and smelt the towels,
Begummed, besmattered, and beslimed
With dirt, and sweat, and ear-wax grimed.
No object Strephon's eye escapes:
Here petticoats in frowzy heaps;
Nor be the handkerchiefs forgot
All varnished o'er with snuff and snot.
The stockings, why should I expose,
Stained with the marks of stinking toes;
Or greasy coifs and pinners reeking,
Which Celia slept at least a week in?
A pair of tweezers next he found
To pluck her brows in arches round,
Or hairs that sink the forehead low,
Or on her chin like bristles grow.
The virtues we must not let pass,
Of Celia's magnifying glass.
When frighted Strephon cast his eye on't
It shewed the visage of a giant.
A glass that can to sight disclose
The smallest worm in Celia's nose,
And faithfully direct her nail
To squeeze it out from head to tail;
(For catch it nicely by the head,
It must come out alive or dead.
)
Why Strephon will you tell the rest?
And must you needs describe the chest?
That careless wench! no creature warn her
To move it out from yonder corner;
But leave it standing full in sight
For you to exercise your spite.
In vain, the workman shewed his wit
With rings and hinges counterfeit
To make it seem in this disguise
A cabinet to vulgar eyes;
For Strephon ventured to look in,
Resolved to go through thick and thin;
He lifts the lid, there needs no more:
He smelt it all the time before.
As from within Pandora's box,
When Epimetheus oped the locks,
A sudden universal crew
Of humane evils upwards flew,
He still was comforted to find
That Hope at last remained behind;
So Strephon lifting up the lid
To view what in the chest was hid,
The vapours flew from out the vent.
But Strephon cautious never meant
The bottom of the pan to grope
And foul his hands in search of Hope.
O never may such vile machine
Be once in Celia's chamber seen!
O may she better learn to keep
"Those secrets of the hoary deep"!
As mutton cutlets, prime of meat,
Which, though with art you salt and beat
As laws of cookery require
And toast them at the clearest fire,
If from adown the hopeful chops
The fat upon the cinder drops,
To stinking smoke it turns the flame
Poisoning the flesh from whence it came;
And up exhales a greasy stench
For which you curse the careless wench;
So things which must not be exprest,
When plumpt into the reeking chest,
Send up an excremental smell
To taint the parts from whence they fell,
The petticoats and gown perfume,
Which waft a stink round every room.
Thus finishing his grand survey,
Disgusted Strephon stole away
Repeating in his amorous fits,
Oh! Celia, Celia, Celia shits!
But vengeance, Goddess never sleeping,
Soon punished Strephon for his peeping:
His foul Imagination links
Each dame he see with all her stinks;
And, if unsavory odors fly,
Conceives a lady standing by.
All women his description fits,
And both ideas jump like wits
By vicious fancy coupled fast,
And still appearing in contrast.
I pity wretched Strephon blind
To all the charms of female kind.
Should I the Queen of Love refuse
Because she rose from stinking ooze?
To him that looks behind the scene
Satira's but some pocky queen.
When Celia in her glory shows,
If Strephon would but stop his nose
(Who now so impiously blasphemes
Her ointments, daubs, and paints and creams,
Her washes, slops, and every clout
With which he makes so foul a rout),
He soon would learn to think like me
And bless his ravished sight to see
Such order from confusion sprung,
Such gaudy tulips raised from dung.
|
Written by
Thomas Hardy |
WILLIAM Dewy, Tranter Reuben, Farmer Ledlow late at plough,
Robert's kin, and John's, and Ned's,
And the Squire, and Lady Susan, lie in Mellstock churchyard now!
"Gone," I call them, gone for good, that group of local hearts and
heads;
Yet at mothy curfew-tide,
And at midnight when the noon-heat breathes it back from walls and
leads,
They've a way of whispering to me--fellow-wight who yet abide--
In the muted, measured note
Of a ripple under archways, or a lone cave's stillicide:
"We have triumphed: this achievement turns the bane to antidote,
Unsuccesses to success,
Many thought-worn eves and morrows to a morrow free of thought.
"No more need we corn and clothing, feel of old terrestrial stress;
Chill detraction stirs no sigh;
Fear of death has even bygone us: death gave all that we possess.
"
W.
D.
--"Ye mid burn the wold bass-viol that I set such vallie by.
"
Squire.
--"You may hold the manse in fee,
You may wed my spouse, my children's memory of me may decry.
"
Lady.
--"You may have my rich brocades, my laces; take each household
key;
Ransack coffer, desk, bureau;
Quiz the few poor treasures hid there, con the letters kept by me.
"
Far.
--"Ye mid zell my favorite heifer, ye mid let the charlock grow,
Foul the grinterns, give up thrift.
"
Wife.
--"If ye break my best blue china, children, I sha'n't care or
ho.
"
All--"We've no wish to hear the tidings, how the people's fortunes
shift;
What your daily doings are;
Who are wedded, born, divided; if your lives beat slow or swift.
"Curious not the least are we if our intents you make or mar,
If you quire to our old tune,
If the City stage still passes, if the weirs still roar afar.
"
Thus, with very gods' composure, freed those crosses late and soon
Which, in life, the Trine allow
(Why, none witteth), and ignoring all that haps beneath the moon,
William Dewy, Tranter Reuben, Farmer Ledlow late at plough,
Robert's kin, and John's, and Ned's,
And the Squire, and Lady Susan, murmur mildly to me now.
|
Written by
Rg Gregory |
(for matt – 15)
in the first seven years you choose your howdah
having by then bare inklings of a journey
but where or why - confusion there to cloud a
judgement no more ready than a sore knee
to enter the lists of a whole life’s tourney -
but after this howdah-do (this introduction)
what’s to carry you where - from muddy fluxion
and glimpsing that a howdah does for two
(from seven years on the stirrings can be frantic)
you start to map the high ride (define the view)
and long for gilt and pomp (a touch of tantric)
relationships at best quite sycophantic
you dream of elephants clad in rich brocades
ideas to match your own fanfaronades
at fifteen then you’re really setting out
the sun’s dressed up to let you think life’s bright
your flag’s up front to give you extra clout
the chores are borne below (and out of sight)
you’ve made a noon of every slinking midnight
the continent is yours (let no one mock it)
yours the wheel to which all else a sprocket
in sri lanka in the kandy perahera
every august in a festival procession
an elephant richly dressed (the stately bearer)
carries on its back in howdah-fashion
a casket (such the grandeur of its mission))
in which the buddha’s sacred tooth’s enshrined
an image that your journey brings to mind
that tooth’s the root of all deep human struggle
and life for each proceeds by that shrined truth
which (clearly seen) yet causes thought to boggle
in what dimension lies the total proof
that that enamelled shard is all-wise tooth
and not a figment of the brain’s rash wish
to puff dull want as in a cloud of hashish
old tooth (your truth) life’s slow (but rushing) voyage
that lonely cavalcade that buzzing dreams spell out
towards elusive man but keep you in your boy-age
a noble sense of self impugned by doubt
and yet (inside you caged) a regal shout
pomp should be there to honour your advancement
and you are right to sip from that entrancement
then be that casket the buddha’s tooth ennobles
have that howdah’s view of how dah world grows
choose your elephant well to ride your troubles
(let flag and rich brocade shine through such woes)
what others think can’t hurt what your heart knows
it’s a bumpy business this festive spirit’s trek
a well-sprung joy best cushion for your neck
|
Written by
Alan Seeger |
My spirit only lived to look on Beauty's face,
As only when they clasp the arms seem served aright;
As in their flesh inheres the impulse to embrace,
To gaze on Loveliness was my soul's appetite.
I have roamed far in search; white road and plunging bow
Were keys in the blue doors where my desire was set;
Obedient to their lure, my lips and laughing brow
The hill-showers and the spray of many seas have wet.
Hot are enamored hands, the fragrant zone unbound,
To leave no dear delight unfelt, unfondled o'er,
The will possessed my heart to girdle Earth around
With their insatiate need to wonder and adore.
The flowers in the fields, the surf upon the sands,
The sunset and the clouds it turned to blood and wine,
Were shreds of the thin veil behind whose beaded strands
A radiant visage rose, serene, august, divine.
A noise of summer wind astir in starlit trees,
A song where sensual love's delirium rose and fell,
Were rites that moved my soul more than the devotee's
When from the blazing choir rings out the altar bell.
I woke amid the pomp of a proud palace; writ
In tinted arabesque on walls that gems o'erlay,
The names of caliphs were who once held court in it,
Their baths and bowers were mine to dwell in for a day.
Their robes and rings were mine to draw from shimmering trays---
Brocades and broidered silks, topaz and tourmaline--
Their turban-cloths to wind in proud capricious ways,
And fasten plumes and pearls and pendent sapphires in.
I rose; far music drew my steps in fond pursuit
Down tessellated floors and towering peristyles:
Through groves of colonnades fair lamps were blushing fruit,
On seas of green mosaic soft rugs were flowery isles.
And there were verdurous courts that scalloped arches wreathed,
Where fountains plashed in bowls of lapis lazuli.
Through enigmatic doors voluptuous accents breathed,
And having Youth I had their Open Sesame.
I paused where shadowy walls were hung with cloths of gold,
And tinted twilight streamed through storied panes above.
In lamplit alcoves deep as flowers when they unfold
Soft cushions called to rest and fragrant fumes to love.
I hungered; at my hand delicious dainties teemed---
Fair pyramids of fruit; pastry in sugared piles.
I thirsted; in cool cups inviting vintage beamed---
Sweet syrups from the South; brown muscat from the isles.
I yearned for passionate Love; faint gauzes fell away.
Pillowed in rosy light I found my heart's desire.
Over the silks and down her florid beauty lay,
As over orient clouds the sunset's coral fire.
Joys that had smiled afar, a visionary form,
Behind the ranges hid, remote and rainbow-dyed,
Drew near unto my heart, a wonder soft and warm,
To touch, to stroke, to clasp, to sleep and wake beside.
Joy, that where summer seas and hot horizons shone
Had been the outspread arms I gave my youth to seek,
Drew near; awhile its pulse strove sweetly with my own,
Awhile I felt its breath astir upon my cheek.
I was so happy there; so fleeting was my stay,
What wonder if, assailed with vistas so divine,
I only lived to search and sample them the day
When between dawn and dusk the sultan's courts were mine !
Speak not of other worlds of happiness to be,
As though in any fond imaginary sphere
Lay more to tempt man's soul to immortality
Than ripens for his bliss abundant now and here!
Flowerlike I hope to die as flowerlike was my birth.
Rooted in Nature's just benignant law like them,
I want no better joys than those that from green Earth
My spirit's blossom drew through the sweet body's stem.
I see no dread in death, no horror to abhor.
I never thought it else than but to cease to dwell
Spectator, and resolve most naturally once more
Into the dearly loved eternal spectacle.
Unto the fields and flowers this flesh I found so fair
I yield; do you, dear friend, over your rose-crowned wine,
Murmur my name some day as though my lips were there,
And frame your mouth as though its blushing kiss were mine.
Yea, where the banquet-hall is brilliant with young men,
You whose bright youth it might have thrilled my breast to know,
Drink .
.
.
and perhaps my lips, insatiate even then
Of lips to hang upon, may find their loved ones so.
Unto the flush of dawn and evening I commend
This immaterial self and flamelike part of me,---
Unto the azure haze that hangs at the world's end,
The sunshine on the hills, the starlight on the sea,---
Unto angelic Earth, whereof the lives of those
Who love and dream great dreams and deeply feel may be
The elemental cells and nervules that compose
Its divine consciousness and joy and harmony.
|
Written by
Conrad Aiken |
What shall we talk of? Li Po? Hokusai?
You narrow your long dark eyes to fascinate me;
You smile a little.
.
.
.
Outside, the night goes by.
I walk alone in a forest of ghostly trees .
.
.
Your pale hands rest palm downwards on your knees.
'These lines—converging, they suggest such distance!
The soul is drawn away, beyond horizons.
Lured out to what? One dares not think.
Sometimes, I glimpse these infinite perspectives
In intimate talk (with such as you) and shrink .
.
.
'One feels so petty!—One feels such—emptiness!—'
You mimic horror, let fall your lifted hand,
And smile at me; with brooding tenderness .
.
.
Alone on darkened waters I fall and rise;
Slow waves above me break, faint waves of cries.
'And then these colors .
.
.
but who would dare describe them?
This faint rose-coral pink .
.
this green—pistachio?—
So insubstantial! Like the dim ghostly things
Two lovers find in love's still-twilight chambers .
.
.
Old peacock-fans, and fragrant silks, and rings .
.
.
'Rings, let us say, drawn from the hapless fingers
Of some great lady, many centuries nameless,—
Or is that too sepulchral?—dulled with dust;
And necklaces that crumble if you touch them;
And gold brocades that, breathed on, fall to rust.
'No—I am wrong .
.
.
it is not these I sought for—!
Why did they come to mind? You understand me—
You know these strange vagaries of the brain!—'
—I walk alone in a forest of ghostly trees;
Your pale hands rest palm downwards on your knees;
These strange vagaries of yours are all too plain.
'But why perplex ourselves with tedious problems
Of art or .
.
.
such things? .
.
.
while we sit here, living,
With all that's in our secret hearts to say!—'
Hearts?—Your pale hand softly strokes the satin.
You play deep music—know well what you play.
You stroke the satin with thrilling of finger-tips,
You smile, with faintly perfumed lips,
You loose your thoughts like birds,
Brushing our dreams with soft and shadowy words .
.
We know your words are foolish, yet sit here bound
In tremulous webs of sound.
'How beautiful is intimate talk like this!—
It is as if we dissolved grey walls between us,
Stepped through the solid portals, become but shadows,
To hear a hidden music .
.
.
Our own vast shadows
Lean to a giant size on the windy walls,
Or dwindle away; we hear our soft footfalls
Echo forever behind us, ghostly clear,
Music sings far off, flows suddenly near,
And dies away like rain .
.
.
We walk through subterranean caves again,—
Vaguely above us feeling
A shadowy weight of frescos on the ceiling,
Strange half-lit things,
Soundless grotesques with writhing claws and wings .
.
.
And here a beautiful face looks down upon us;
And someone hurries before, unseen, and sings .
.
.
Have we seen all, I wonder, in these chambers—
Or is there yet some gorgeous vault, arched low,
Where sleeps an amazing beauty we do not know? .
.
'
The question falls: we walk in silence together,
Thinking of that deep vault and of its secret .
.
.
This lamp, these books, this fire
Are suddenly blown away in a whistling darkness.
Deep walls crash down in the whirlwind of desire.
|