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Best Famous British Poems

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Written by Henry Wadsworth Longfellow | Create an image from this poem

Paul Revere's Ride

Listen, my children, and you shall hear 
Of the midnight ride of Paul Revere, 
On the eighteenth of April, in Seventy-Five: 
Hardly a man is now alive 
Who remembers that famous day and year. 

He said to his friend, "If the British march 
By land or sea from the town to-night, 
Hang a lantern aloft in the belfry-arch 
Of the North-Church-tower, as a signal-light,-- 
One if by land, and two if by sea; 
And I on the opposite shore will be, 
Ready to ride and spread the alarm 
Through every Middlesex village and farm, 
For the country-folk to be up and to arm." 

Then he said "Good night!" and with muffled oar 
Silently rowed to the Charlestown shore, 
Just as the moon rose over the bay, 
Where swinging wide at her moorings lay 
The Somerset, British man-of-war: 
A phantom ship, with each mast and spar 
Across the moon, like a prison-bar, 
And a huge black hulk, that was magnified 
By its own reflection in the tide. 

Meanwhile, his friend, through alley and street 
Wanders and watches with eager ears, 
Till in the silence around him he hears 
The muster of men at the barrack door, 
The sound of arms, and the tramp of feet, 
And the measured tread of the grenadiers 
Marching down to their boats on the shore. 

Then he climbed to the tower of the church, 
Up the wooden stairs, with stealthy tread, 
To the belfry-chamber overhead, 
And startled the pigeons from their perch 
On the sombre rafters, that round him made 
Masses and moving shapes of shade,-- 
By the trembling ladder, steep and tall, 
To the highest window in the wall, 
Where he paused to listen and look down 
A moment on the roofs of the town, 
And the moonlight flowing over all. 

Beneath, in the churchyard, lay the dead, 
In their night-encampment on the hill, 
Wrapped in silence so deep and still 
That he could hear, like a sentinel's tread, 
The watchful night-wind, as it went 
Creeping along from tent to tent, 
And seeming to whisper, "All is well!" 
A moment only he feels the spell 
Of the place and the hour, and the secret dread 
Of the lonely belfry and the dead; 
For suddenly all his thoughts are bent 
On a shadowy something far away, 
Where the river widens to meet the bay, -- 
A line of black, that bends and floats 
On the rising tide, like a bridge of boats. 

Meanwhile, impatient to mount and ride, 
Booted and spurred, with a heavy stride, 
On the opposite shore walked Paul Revere. 
Now he patted his horse's side, 
Now gazed on the landscape far and near, 
Then impetuous stamped the earth, 
And turned and tightened his saddle-girth; 
But mostly he watched with eager search 
The belfry-tower of the old North Church, 
As it rose above the graves on the hill, 
Lonely and spectral and sombre and still. 
And lo! as he looks, on the belfry's height, 
A glimmer, and then a gleam of light! 
He springs to the saddle, the bridle he turns, 
But lingers and gazes, till full on his sight 
A second lamp in the belfry burns! 

A hurry of hoofs in a village-street, 
A shape in the moonlight, a bulk in the dark, 
And beneath from the pebbles, in passing, a spark 
Struck out by a steed that flies fearless and fleet: 
That was all! And yet, through the gloom and the light, 
The fate of a nation was riding that night; 
And the spark struck out by that steed, in his flight, 
Kindled the land into flame with its heat. 

He has left the village and mounted the steep, 
And beneath him, tranquil and broad and deep, 
Is the Mystic, meeting the ocean tides; 
And under the alders, that skirt its edge, 
Now soft on the sand, now load on the ledge, 
Is heard the tramp of his steed as he rides. 

It was twelve by the village clock 
When he crossed the bridge into Medford town. 
He heard the crowing of the cock, 
And the barking of the farmer's dog, 
And felt the damp of the river-fog, 
That rises when the sun goes down. 

It was one by the village clock, 
When he galloped into Lexington. 
He saw the gilded weathercock 
Swim in the moonlight as he passed, 
And the meeting-house windows, blank and bare, 
Gaze at him with a spectral glare, 
As if they already stood aghast 
At the bloody work they would look upon. 

It was two by the village clock, 
When be came to the bridge in Concord town. 
He heard the bleating of the flock, 
And the twitter of birds among the trees, 
And felt the breath of the morning breeze 
Blowing over the meadows brown. 
And one was safe and asleep in his bed 
Who at the bridge would be first to fall, 
Who that day would be lying dead, 
Pierced by a British musket-ball. 

You know the rest. In the books you have read, 
How the British Regulars fired and fled,-- 
How the farmers gave them ball for ball, 
From behind each fence and farmyard-wall, 
Chasing the red-coats down the lane, 
Then crossing the fields to emerge again 
Under the trees at the turn of the road, 
And only pausing to fire and load. 

So through the night rode Paul Revere; 
And so through the night went his cry of alarm 
To every Middlesex village and farm,-- 
A cry of defiance, and not of fear, 
A voice in the darkness, a knock at the door, 
And a word that shall echo forevermore! 
For, borne on the night-wind of the Past, 
Through all our history, to the last, 
In the hour of darkness and peril and need, 
The people will waken and listen to hear 
The hurrying hoof-beats of that steed, 
And the midnight message of Paul Revere. 


Written by Marilyn Hacker | Create an image from this poem

Scars on Paper

 An unwrapped icon, too potent to touch,
she freed my breasts from the camp Empire dress.
Now one of them's the shadow of a breast
with a lost object's half-life, with as much
life as an anecdotal photograph:
me, Kim and Iva, all stripped to the waist,
hiking near Russian River on June first
'79: Iva's five-and-a-half.
While she was almost twenty, wearing black
T-shirts in D.C., where we hadn't met.
You lay your palm, my love, on my flat chest.
In lines alive with what is not regret,
she takes her own path past, doesn't turn back.
Persistently, on paper, we exist.

Persistently, on paper, we exist.
You'd touch me if you could, but you're, in fact,
three thousand miles away. And my intact
body is eighteen months paper: the past
a fragile eighteen months regime of trust
in slash-and-burn, in vitamin pills, backed
by no statistics. Each day I enact
survivor's rituals, blessing the crust
I tear from the warm loaf, blessing the hours
in which I didn't or in which I did
consider my own death. I am not yet
statistically a survivor (that
is sixty months). On paper, someone flowers
and flares alive. I knew her. But she's dead.

She flares alive. I knew her. But she's dead.
I flirted with her, might have been her friend,
but transatlantic schedules intervened.
She wrote a book about her Freedom Ride,
the wary elders whom she taught to read,
— herself half-British, twenty-six, white-blonde,
with thirty years to live.
And I happened
to open up The Nation to that bad
news which I otherwise might not have known
(not breast cancer: cancer of the brain).
Words take the absent friend away again.
Alone, I think, she called, alone, upon
her courage, tried in ways she'd not have wished
by pain and fear: her courage, extinguished.

The pain and fear some courage extinguished
at disaster's denouement come back
daily, banal: is that brownish-black
mole the next chapter? Was the ache enmeshed
between my chest and armpit when I washed
rogue cells' new claw, or just a muscle ache?
I'm not yet desperate enough to take
comfort in being predeceased: the anguish
when the Harlem doctor, the Jewish dancer,
die of AIDS, the Boston seminary's
dean succumbs "after brief illness" to cancer.
I like mossed slabs in country cemeteries
with wide-paced dates, candles in jars, whose tallow
glows on summer evenings, desk-lamp yellow.

Aglow in summer evening, a desk-lamp's yellow
moonlight peruses notebooks, houseplants, texts,
while an aging woman thinks of sex
in the present tense. Desire may follow,
urgent or elegant, cut raw or mellow
with wine and ripe black figs: a proof, the next
course, a simple question, the complex
response, a burning sweetness she will swallow.
The opening mind is sexual and ready
to embrace, incarnate in its prime.
Rippling concentrically from summer's gold
disc, desire's iris expands, steady
with blood beat. Each time implies the next time.
The aging woman hopes she will grow old.

The aging woman hopes she will grow old.
A younger woman has a dazzling vision
of bleeding wrists, her own, the clean incisions
suddenly there, two open mouths. They told
their speechless secrets, witnesses not called
to what occurred with as little volition
of hers as these phantom wounds.
Intense precision
of scars, in flesh, in spirit. I'm enrolled
by mine in ranks where now I'm "being brave"
if I take off my shirt in a hot crowd
sunbathing, or demonstrating for Dyke Pride.
Her bravery counters the kitchen knives'
insinuation that the scars be made.
With, or despite our scars, we stay alive.

"With, or despite our scars, we stayed alive
until the Contras or the Government
or rebel troops came, until we were sent
to 'relocation camps' until the archives
burned, until we dug the ditch, the grave
beside the aspen grove where adolescent
boys used to cut class, until we went
to the precinct house, eager to behave
like citizens..."
I count my hours and days,
finger for luck the word-scarred table which
is not my witness, shares all innocent
objects' silence: a tin plate, a basement
door, a spade, barbed wire, a ring of keys,
an unwrapped icon, too potent to touch.
Written by Derek Walcott | Create an image from this poem

A Far Cry From Africa

 A wind is ruffling the tawny pelt
Of Africa, Kikuyu, quick as flies,
Batten upon the bloodstreams of the veldt.
Corpses are scattered through a paradise.
Only the worm, colonel of carrion, cries:
"Waste no compassion on these separate dead!"
Statistics justify and scholars seize
The salients of colonial policy.
What is that to the white child hacked in bed?
To savages, expendable as Jews?
Threshed out by beaters, the long rushes break
In a white dust of ibises whose cries
Have wheeled since civilizations dawn
>From the parched river or beast-teeming plain.
The violence of beast on beast is read
As natural law, but upright man
Seeks his divinity by inflicting pain.
Delirious as these worried beasts, his wars
Dance to the tightened carcass of a drum, 
While he calls courage still that native dread
Of the white peace contracted by the dead.

Again brutish necessity wipes its hands
Upon the napkin of a dirty cause, again
A waste of our compassion, as with Spain,
The gorilla wrestles with the superman.
I who am poisoned with the blood of both,
Where shall I turn, divided to the vein?
I who have cursed
The drunken officer of British rule, how choose
Between this Africa and the English tongue I love?
Betray them both, or give back what they give?
How can I face such slaughter and be cool?
How can I turn from Africa and live?
Written by Charlotte Bronte | Create an image from this poem

The Missionary

 Lough, vessel, plough the British main,
Seek the free ocean's wider plain; 
Leave English scenes and English skies,
Unbind, dissever English ties; 
Bear me to climes remote and strange, 
Where altered life, fast-following change,
Hot action, never-ceasing toil, 
Shall stir, turn, dig, the spirit's soil; 
Fresh roots shall plant, fresh seed shall sow, 
Till a new garden there shall grow, 
Cleared of the weeds that fill it now,­ 
Mere human love, mere selfish yearning, 
Which, cherished, would arrest me yet. 
I grasp the plough, there's no returning, 
Let me, then, struggle to forget. 

But England's shores are yet in view, 
And England's skies of tender blue 
Are arched above her guardian sea. 
I cannot yet Remembrance flee; 
I must again, then, firmly face 
That task of anguish, to retrace. 
Wedded to home­I home forsake, 
Fearful of change­I changes make; 
Too fond of ease­I plunge in toil; 
Lover of calm­I seek turmoil: 
Nature and hostile Destiny 
Stir in my heart a conflict wild; 
And long and fierce the war will be 
Ere duty both has reconciled. 

What other tie yet holds me fast
To the divorced, abandoned past?
Smouldering, on my heart's altar lies
The fire of some great sacrifice,
Not yet half quenched. The sacred steel
But lately struck my carnal will, 
My life-long hope, first joy and last, 
What I loved well, and clung to fast; 
What I wished wildly to retain, 
What I renounced with soul-felt pain; 
What­when I saw it, axe-struck, perish­ 
Left me no joy on earth to cherish; 
A man bereft­yet sternly now 
I do confirm that Jephtha vow: 
Shall I retract, or fear, or flee ? 
Did Christ, when rose the fatal tree 
Before him, on Mount Calvary ? 
'Twas a long fight, hard fought, but won, 
And what I did was justly done. 

Yet, Helen ! from thy love I turned,
When my heart most for thy heart burned;
I dared thy tears, I dared thy scorn­
Easier the death-pang had been borne.
Helen ! thou mightst not go with me,
I could not­dared not stay for thee !
I heard, afar, in bonds complain
The savage from beyond the main;
And that wild sound rose o'er the cry
Wrung out by passion's agony;
And even when, with the bitterest tear
I ever shed, mine eyes were dim,
Still, with the spirit's vision clear,
I saw Hell's empire, vast and grim,
Spread on each Indian river's shore,
Each realm of Asia covering o'er. 

There the weak, trampled by the strong,
Live but to suffer­hopeless die; 
There pagan-priests, whose creed is Wrong, 
Extortion, Lust, and Cruelty, 
Crush our lost race­and brimming fill 
The bitter cup of human ill; 
And I­who have the healing creed, 
The faith benign of Mary's Son; 
Shall I behold my brother's need 
And selfishly to aid him shun ? 
I­who upon my mother's knees, 
In childhood, read Christ's written word, 
Received his legacy of peace, 
His holy rule of action heard; 
I­in whose heart the sacred sense 
Of Jesus' love was early felt; 
Of his pure full benevolence, 
His pitying tenderness for guilt; 
His shepherd-care for wandering sheep, 
For all weak, sorrowing, trembling things, 
His mercy vast, his passion deep 
Of anguish for man's sufferings; 
I­schooled from childhood in such lore­ 
Dared I draw back or hesitate, 
When called to heal the sickness sore 
Of those far off and desolate ? 
Dark, in the realm and shades of Death, 
Nations and tribes and empires lie, 
But even to them the light of Faith 
Is breaking on their sombre sky: 
And be it mine to bid them raise 
Their drooped heads to the kindling scene, 
And know and hail the sunrise blaze 
Which heralds Christ the Nazarene. 
I know how Hell the veil will spread 
Over their brows and filmy eyes, 
And earthward crush the lifted head 
That would look up and seek the skies; 
I know what war the fiend will wage 
Against that soldier of the cross, 
Who comes to dare his demon-rage, 
And work his kingdom shame and loss. 
Yes, hard and terrible the toil 
Of him who steps on foreign soil, 
Resolved to plant the gospel vine, 
Where tyrants rule and slaves repine; 
Eager to lift Religion's light 
Where thickest shades of mental night 
Screen the false god and fiendish rite; 
Reckless that missionary blood, 
Shed in wild wilderness and wood, 
Has left, upon the unblest air, 
The man's deep moan­the martyr's prayer. 
I know my lot­I only ask 
Power to fulfil the glorious task; 
Willing the spirit, may the flesh 
Strength for the day receive afresh. 
May burning sun or deadly wind 
Prevail not o'er an earnest mind; 
May torments strange or direst death
Nor trample truth, nor baffle faith.
Though such blood-drops should fall from me
As fell in old Gethsemane,
Welcome the anguish, so it gave
More strength to work­more skill to save.
And, oh ! if brief must be my time,
If hostile hand or fatal clime
Cut short my course­still o'er my grave, 
Lord, may thy harvest whitening wave. 
So I the culture may begin,
Let others thrust the sickle in;
If but the seed will faster grow,
May my blood water what I sow ! 

What ! have I ever trembling stood,
And feared to give to God that blood ?
What ! has the coward love of life
Made me shrink from the righteous strife ?
Have human passions, human fears
Severed me from those Pioneers,
Whose task is to march first, and trace
Paths for the progress of our race ?
It has been so; but grant me, Lord,
Now to stand steadfast by thy word !
Protected by salvation's helm,
Shielded by faith­with truth begirt,
To smile when trials seek to whelm
And stand 'mid testing fires unhurt ! 
Hurling hell's strongest bulwarks down, 
Even when the last pang thrills my breast, 
When Death bestows the Martyr's crown, 
And calls me into Jesus' rest. 
Then for my ultimate reward­ 
Then for the world-rejoicing word­ 
The voice from Father­Spirit­Son: 
" Servant of God, well hast thou done !"
Written by Rudyard Kipling | Create an image from this poem

The Rhyme of the Three Captains

 This ballad appears to refer to one of the exploits of the notorious
Paul Jones, the American pirate. It is founded on fact.


 . . . At the close of a winter day,
Their anchors down, by London town, the Three Great Captains lay;
And one was Admiral of the North from Solway Firth to Skye,
And one was Lord of the Wessex coast and all the lands thereby,
And one was Master of the Thames from Limehouse to Blackwall,
And he was Captain of the Fleet -- the bravest of them all.
Their good guns guarded their great gray sides that were thirty foot in the sheer,
When there came a certain trading-brig with news of a privateer.
Her rigging was rough with the clotted drift that drives in a Northern breeze,
Her sides were clogged with the lazy weed that spawns in the Eastern seas.
Light she rode in the rude tide-rip, to left and right she rolled,
And the skipper sat on the scuttle-butt and stared at an empty hold.
"I ha' paid Port dues for your Law," quoth he, "and where is the Law ye boast
If I sail unscathed from a heathen port to be robbed on a Christian coast?
Ye have smoked the hives of the Laccadives as we burn the lice in a bunk,
We tack not now to a Gallang prow or a plunging Pei-ho junk;
I had no fear but the seas were clear as far as a sail might fare
Till I met with a lime-washed Yankee brig that rode off Finisterre.
There were canvas blinds to his bow-gun ports to screen the weight he bore,
And the signals ran for a merchantman from Sandy Hook to the Nore.
He would not fly the Rovers' flag -- the bloody or the black,
But now he floated the Gridiron and now he flaunted the Jack.
He spoke of the Law as he crimped my crew -- he swore it was only a loan;
But when I would ask for my own again, he swore it was none of my own.
He has taken my little parrakeets that nest beneath the Line,
He has stripped my rails of the shaddock-frails and the green unripened pine;
He has taken my bale of dammer and spice I won beyond the seas,
He has taken my grinning heathen gods -- and what should he want o' these?
My foremast would not mend his boom, my deckhouse patch his boats;
He has whittled the two, this Yank Yahoo, to peddle for shoe-peg oats.
I could not fight for the failing light and a rough beam-sea beside,
But I hulled him once for a clumsy crimp and twice because he lied.
Had I had guns (as I had goods) to work my Christian harm,
I had run him up from his quarter-deck to trade with his own yard-arm;
I had nailed his ears to my capstan-head, and ripped them off with a saw,
And soused them in the bilgewater, and served them to him raw;
I had flung him blind in a rudderless boat to rot in the rocking dark,
I had towed him aft of his own craft, a bait for his brother shark;
I had lapped him round with cocoa husk, and drenched him with the oil,
And lashed him fast to his own mast to blaze above my spoil;
I had stripped his hide for my hammock-side, and tasselled his beard i' the mesh,
And spitted his crew on the live bamboo that grows through the gangrened flesh;
I had hove him down by the mangroves brown, where the mud-reef sucks and draws,
Moored by the heel to his own keel to wait for the land-crab's claws!
He is lazar within and lime without, ye can nose him far enow,
For he carries the taint of a musky ship -- the reek of the slaver's dhow!"
The skipper looked at the tiering guns and the bulwarks tall and cold,
And the Captains Three full courteously peered down at the gutted hold,
And the Captains Three called courteously from deck to scuttle-butt: --
"Good Sir, we ha' dealt with that merchantman or ever your teeth were cut.
Your words be words of a lawless race, and the Law it standeth thus:
He comes of a race that have never a Law, and he never has boarded us.
We ha' sold him canvas and rope and spar -- we know that his price is fair,
And we know that he weeps for the lack of a Law as he rides off Finisterre.
And since he is damned for a gallows-thief by you and better than you,
We hold it meet that the English fleet should know that we hold him true."
The skipper called to the tall taffrail: -- "And what is that to me?
Did ever you hear of a Yankee brig that rifled a Seventy-three?
Do I loom so large from your quarter-deck that I lift like a ship o' the Line?
He has learned to run from a shotted gun and harry such craft as mine.
There is never a Law on the Cocos Keys to hold a white man in,
But we do not steal the niggers' meal, for that is a ******'s sin.
Must he have his Law as a quid to chaw, or laid in brass on his wheel?
Does he steal with tears when he buccaneers? 'Fore Gad, then, why does he steal?"
The skipper bit on a deep-sea word, and the word it was not sweet,
For he could see the Captains Three had signalled to the Fleet.
But three and two, in white and blue, the whimpering flags began: --
"We have heard a tale of a -- foreign sail, but he is a merchantman."
The skipper peered beneath his palm and swore by the Great Horn Spoon: --
"'Fore Gad, the Chaplain of the Fleet would bless my picaroon!"
By two and three the flags blew free to lash the laughing air: --
"We have sold our spars to the merchantman -- we know that his price is fair."
The skipper winked his Western eye, and swore by a China storm: --
"They ha' rigged him a Joseph's jury-coat to keep his honour warm."
The halliards twanged against the tops, the bunting bellied broad,
The skipper spat in the empty hold and mourned for a wasted cord.
Masthead -- masthead, the signal sped by the line o' the British craft;
The skipper called to his Lascar crew, and put her about and laughed: --
"It's mainsail haul, my bully boys all -- we'll out to the seas again --
Ere they set us to paint their pirate saint, or scrub at his grapnel-chain.
It's fore-sheet free, with her head to the sea, and the swing of the unbought brine --
We'll make no sport in an English court till we come as a ship o' the Line:
Till we come as a ship o' the Line, my lads, of thirty foot in the sheer,
Lifting again from the outer main with news of a privateer;
Flying his pluck at our mizzen-truck for weft of Admiralty,
Heaving his head for our dipsey-lead in sign that we keep the sea.
Then fore-sheet home as she lifts to the foam -- we stand on the outward tack,
We are paid in the coin of the white man's trade -- the bezant is hard, ay, and black.
The frigate-bird shall carry my word to the Kling and the Orang-Laut
How a man may sail from a heathen coast to be robbed in a Christian port;
How a man may be robbed in Christian port while Three Great Captains there
Shall dip their flag to a slaver's rag -- to show that his trade is fair!"


Written by David Lehman | Create an image from this poem

Wittgensteins Ladder

 "My propositions serve as elucidations in the following way: 
 anyone who understands them eventually recognizes them as 
 nonsensical, when he has used them -- as steps -- to climb 
 up beyond them. (He must, so to speak, throw away the ladder 
 after he has climbed up it.)" -- Ludwig Wittgenstein, Tractatus 

1. 

The first time I met Wittgenstein, I was 
late. "The traffic was murder," I explained. 
He spent the next forty-five minutes 
analyzing this sentence. Then he was silent. 
I wondered why he had chosen a water tower
for our meeting. I also wondered how
I would leave, since the ladder I had used 
to climb up here had fallen to the ground. 

2. 

Wittgenstein served as a machine-gunner 
in the Austrian Army in World War I. 
Before the war he studied logic in Cambridge 
with Bertrand Russell. Having inherited 
his father's fortune (iron and steel), he 
gave away his money, not to the poor, whom 
it would corrupt, but to relations so rich 
it would not thus affect them. 

3. 

On leave in Vienna in August 1918 
he assembled his notebook entries 
into the Tractatus, Since it provided 
the definitive solution to all the problems 
of philosophy, he decided to broaden 
his interests. He became a schoolteacher, 
then a gardener's assistant at a monastery 
near Vienna. He dabbled in architecture. 

4. 

He returned to Cambridge in 1929, 
receiving his doctorate for the Tractatus, 
"a work of genius," in G. E. Moore's opinion. 
Starting in 1930 he gave a weekly lecture 
and led a weekly discussion group. He spoke 
without notes amid long periods of silence. 
Afterwards, exhausted, he went to the movies 
and sat in the front row. He liked Carmen Miranda. 

5. 

He would visit Russell's rooms at midnight 
and pace back and forth "like a caged tiger. 
On arrival, he would announce that when
he left he would commit suicide. So, in spite 
of getting sleepy, I did not like to turn him out." On 
such a night, after hours of dead silence, Russell said, 
"Wittgenstein, are you thinking about logic or about 
yours sins?" "Both," he said, and resumed his silence.

6. 

Philosophy was an activity, not a doctrine. 
"Solipsism, when its implications are followed out 
strictly, coincides with pure realism," he wrote. 
Dozens of dons wondered what he meant. Asked 
how he knew that "this color is red," he smiled
and said, "because I have learnt English." There 
were no other questions. Wittgenstein let the 
silence gather. Then he said, "this itself is the answer." 

7. 

Religion went beyond the boundaries of language, 
yet the impulse to run against "the walls of our cage," 
though "perfectly, absolutely useless," was not to be 
dismissed. A. J. Ayer, one of Oxford's ablest minds, 
was puzzled. If logic cannot prove a nonsensical 
conclusion, why didn't Wittgenstein abandon it, 
"along with the rest of metaphysics, as not worth 
serious attention, except perhaps for sociologists"? 

8. 

Because God does not reveal himself in this world, and 
"the value of this work," Wittgenstein wrote, "is that 
it shows how little is achieved when these problems 
are solved." When I quoted Gertrude Stein's line 
about Oakland, "there's no there there," he nodded. 
Was there a there, I persisted. His answer: Yes and No.
It was as impossible to feel another's person's pain 
as to suffer another person's toothache.

9. 

At Cambridge the dons quoted him reverently. 
I asked them what they thought was his biggest
contribution to philosophy. "Whereof one cannot 
speak, thereof one must be silent," one said.
Others spoke of his conception of important 
nonsense. But I liked best the answer John 
Wisdom gave: "His asking of the question 
`Can one play chess without the queen?'" 

10. 

Wittgenstein preferred American detective 
stories to British philosophy. He liked lunch 
and didn't care what it was, "so long as it was 
always the same," noted Professor Malcolm 
of Cornell, a former student, in whose house 
in Ithaca Wittgenstein spent hours doing 
handyman chores. He was happy then. 
There was no need to say a word.
Written by Spike Milligan | Create an image from this poem

Teeth

 English Teeth, English Teeth! 
Shining in the sun 
A part of British heritage 
Aye, each and every one. 
English Teeth, Happy Teeth! 
Always having fun 
Clamping down on bits of fish 
And sausages half done. 
English Teeth! HEROES' Teeth! 
Hear them click! and clack! 
Let's sing a song of praise to them - 
Three Cheers for the Brown Grey and Black.
Written by Robert Burns | Create an image from this poem

112. A Dream

 GUID-MORNIN’ to our Majesty!
 May Heaven augment your blisses
On ev’ry new birth-day ye see,
 A humble poet wishes.
My bardship here, at your Levee
 On sic a day as this is,
Is sure an uncouth sight to see,
 Amang thae birth-day dresses
 Sae fine this day.


I see ye’re complimented thrang,
 By mony a lord an’ lady;
“God save the King” ’s a cuckoo sang
 That’s unco easy said aye:
The poets, too, a venal gang,
 Wi’ rhymes weel-turn’d an’ ready,
Wad gar you trow ye ne’er do wrang,
 But aye unerring steady,
 On sic a day.


For me! before a monarch’s face
 Ev’n there I winna flatter;
For neither pension, post, nor place,
 Am I your humble debtor:
So, nae reflection on your Grace,
 Your Kingship to bespatter;
There’s mony waur been o’ the race,
 And aiblins ane been better
 Than you this day.

’Tis very true, my sovereign King,
 My skill may weel be doubted;
But facts are chiels that winna ding,
 An’ downa be disputed:
Your royal nest, beneath your wing,
 Is e’en right reft and clouted,
And now the third part o’ the string,
 An’ less, will gang aboot it
 Than did ae day. 1


Far be’t frae me that I aspire
 To blame your legislation,
Or say, ye wisdom want, or fire,
 To rule this mighty nation:
But faith! I muckle doubt, my sire,
 Ye’ve trusted ministration
To chaps wha in barn or byre
 Wad better fill’d their station
 Than courts yon day.


And now ye’ve gien auld Britain peace,
 Her broken shins to plaister,
Your sair taxation does her fleece,
 Till she has scarce a tester:
For me, thank God, my life’s a lease,
 Nae bargain wearin’ faster,
Or, faith! I fear, that, wi’ the geese,
 I shortly boost to pasture
 I’ the craft some day.


I’m no mistrusting Willie Pitt,
 When taxes he enlarges,
(An’ Will’s a true guid fallow’s get,
 A name not envy spairges),
That he intends to pay your debt,
 An’ lessen a’ your charges;
But, God-sake! let nae saving fit
 Abridge your bonie barges
 An’boats this day.


Adieu, my Liege; may freedom geck
 Beneath your high protection;
An’ may ye rax Corruption’s neck,
 And gie her for dissection!
But since I’m here, I’ll no neglect,
 In loyal, true affection,
To pay your Queen, wi’ due respect,
 May fealty an’ subjection
 This great birth-day.


Hail, Majesty most Excellent!
 While nobles strive to please ye,
Will ye accept a compliment,
 A simple poet gies ye?
Thae bonie bairntime, Heav’n has lent,
 Still higher may they heeze ye
In bliss, till fate some day is sent
 For ever to release ye
 Frae care that day.


For you, young Potentate o’Wales,
 I tell your highness fairly,
Down Pleasure’s stream, wi’ swelling sails,
 I’m tauld ye’re driving rarely;
But some day ye may gnaw your nails,
 An’ curse your folly sairly,
That e’er ye brak Diana’s pales,
 Or rattl’d dice wi’ Charlie
 By night or day.


Yet aft a ragged cowt’s been known,
 To mak a noble aiver;
So, ye may doucely fill the throne,
 For a’their clish-ma-claver:
There, him 2 at Agincourt wha shone,
 Few better were or braver:
And yet, wi’ funny, ***** Sir John, 3
 He was an unco shaver
 For mony a day.


For you, right rev’rend Osnaburg,
 Nane sets the lawn-sleeve sweeter,
Altho’ a ribbon at your lug
 Wad been a dress completer:
As ye disown yon paughty dog,
 That bears the keys of Peter,
Then swith! an’ get a wife to hug,
 Or trowth, ye’ll stain the mitre
 Some luckless day!


Young, royal Tarry-breeks, I learn,
 Ye’ve lately come athwart her—
A glorious galley, 4 stem and stern,
 Weel rigg’d for Venus’ barter;
But first hang out, that she’ll discern,
 Your hymeneal charter;
Then heave aboard your grapple airn,
 An’ large upon her quarter,
 Come full that day.


Ye, lastly, bonie blossoms a’,
 Ye royal lasses dainty,
Heav’n mak you guid as well as braw,
 An’ gie you lads a-plenty!
But sneer na British boys awa!
 For kings are unco scant aye,
An’ German gentles are but sma’,
 They’re better just than want aye
 On ony day.


Gad bless you a’! consider now,
 Ye’re unco muckle dautit;
But ere the course o’ life be through,
 It may be bitter sautit:
An’ I hae seen their coggie fou,
 That yet hae tarrow’t at it.
But or the day was done, I trow,
 The laggen they hae clautit
 Fu’ clean that day.


 Note 1. The American colonies had recently been lost. [back]
Note 2. King Henry V.—R. B. [back]
Note 3. Sir John Falstaff, vid. Shakespeare.—R. B. [back]
Note 4. Alluding to the newspaper account of a certain Royal sailor’s amour.—R. B. This was Prince William Henry, third son of George III, afterward King William IV. [back]
Written by Henry Lawson | Create an image from this poem

A Song of Brave Men

 Man, is the Sea your master? Sea, and is man your slave? – 
This is the song of brave men who never know they are brave: 
Ceaselessly watching to save you, stranger from foreign lands, 
Soundly asleep in your state room, full sail for the Goodwin Sands! 
Life is a dream, they tell us, but life seems very real, 
When the lifeboat puts out from Ramsgate, and the buggers put out from Deal! 

A gun from the lightship! – a rocket! – a cry of, "Turn out, me lad!" 
"Ship on the Sands!" they're shouting, and a rush of the oilskin-clad. 
The lifeboat leaping and swooping, in the wake of the fighting tug, 
And the luggers afloat in Hell's water – Oh, "tourist", with cushion and rug! – 
Think of the freezing fury, without one minute's relief, 
When they stood all night in the blackness by the wreck of the Indian Chief! 

Lashed to their seats, and crouching, to the spray that froze as it flew, 
Twenty-six hours in midwinter! That was the lifeboat's crew. 
Twice she was swamped, and she righted, in the rush of the heavy seas, 
And her tug was mostly buried; but these were common things, these. 
And the luggers go out whenever there's a hope to get them afloat, 
And these things they do for nothing, and those fishermen say, "Oh! it's nowt!" 

(Enemy, Friend or Stranger! In every sea or land, 
And across the lives of most men run stretches of Goodwin Sand; 
And across the life of a nation, as across the track of a ship, 
Lies the hidden rock, or the iceberg, within the horizon dip. 
And wise men know them, and warn us, with lightship, or voice, or pen; 
But we strike, and the fool survivors sail on to strike again.) 

But this is a song of brave men, wherever is aught to save, 
Christian or Jew or Wowser – and I knew one who was brave; 
British or French or German, Dane or Latin or Dutch: 
"Scandies" that ignorant British reckon with "Dagoes and such" – 
(Where'er, on a wreck titanic, in a scene of wild despair, 
The officers call for assistance, a Swede or a Norse is there.) 

Tale of a wreck titanic, with the last boat over the side, 
And a brave young husband fighting his clinging, hysterical bride; 
He strikes her fair on the temple, while the decks are scarce afloat, 
And he kisses her once on the forehead, and he drops her into the boat. 
So he goes to his death to save her; and she lives to remember and lie – 
Or be true to his love and courage. But that's how brave men die. 

(I hate the slander: "Be British" – and I don't believe it, that's flat: 
No British sailor and captain would stoop to such cant as that. 
What – in the rush of cowards – of the help from before the mast – 
Of the two big Swedes and the Norse, who stood by the mate to the last? – 
In every mining disaster, in a New-World mining town, 
In one of the rescue parties an Olsen or Hans goes down.) 

Men who fought for their village, away on their country's edge: 
The priest with his cross – and a musket, and the blacksmith with his sledge; 
The butcher with cleaver and pistols, and the notary with his pike. 
And the clerk with what he laid hands on; but all were ready to strike. 
And – Tennyson notwithstanding – when the hour of danger was come, 
The shopman has struck full often with his "cheating yard-wand" home! 

This is a song of brave men, ever, the wide world o'er – 
Starved and crippled and murdered by the land they are fighting for. 
Left to freeze in the trenches, sent to drown by the Cape, 
Throttled by army contractors, and strangled bv old red-tape. 
Fighting for "Home" and "Country", or "Glory", or what you choose – 
Sacrificed for the Syndicates, and a monarch "in" with the Jews. 

Australia! your trial is coming! Down with the party strife: 
Send Your cackling, lying women back to the old Home Life. 
Brush trom your Parliament benches the legal chaff and dust: 
Make Federation perfect, as sooner or later you must. 
Scatter your crowded cities, cut up your States – and so 
Give your brave sons of the future the ghost of a White Man's show.
Written by Rudyard Kipling | Create an image from this poem

A British-Roman Song

 (A. D. 406)

"A Centurion of the Thirtieth" -- Puck of Pook's Hill

My father's father saw it not,
 And I, belike, shall never come 
To look on that so-holly spot--
 That very Rome--

Crowned by all Time, all Art, all Might,
 The equal work of Gods and Man,
City beneath whose oldest height--
 The Race began!

 Soon to send forth again a brood,
 Unshakable, we pray, that clings
 To Rome's thrice-hammered hardihood--
 In arduous things.

 Strong heart with triple armour bound,
 Beat strongly, for thy life-blood runs,
 Age after Age, the Empire round--
 In us thy Sons

 Who, distant from the Seven Hills,
 Loving and serving much, require
 Thee-thee to guard 'gainst home-born ills
 The Imperial Fire!

Book: Radiant Verses: A Journey Through Inspiring Poetry