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Best Famous Bring In Poems

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Written by Charlotte Bronte | Create an image from this poem

Life

 I leave the office, take the stairs,
in time to mail a letter
before 3 in the afternoon--the last dispatch.
The red, white and blue air mail
falls past the slot for foreign mail
and hits bottom with a sound
that tells me my letter is alone.
They will have to bring in a plane
from a place of coastline and beaches,
from a climate of fresh figs and apricot,
to cradle my one letter. Up in the air
it will leave behind some of its ugly nuance,
its unpleasant habit of humanity
which wants to smear itself over others:
the spot in which it wasn't clear, perhaps,
how to take my words, which were suggestive,
the paragraph in which the names of flowers,
ostensibly to indicate travel,
make a bed for lovers,
the parts that contain spit and phlegm,
the words only a wet tongue can manage,
hissing sounds and letters of the alphabet
which can only be formed
by biting down on the bottom lip.
In the next-to-last paragraph, some hair
came off in the comb. Then clothes
were gathered from everywhere in the room
in one sentence, and the sun rose
while a door closed with sincerity.
No doubt such sincerity will be judged,
but first the investigation of the postmark.
Am I where I was expected? Did I have at hand
the right denominations of stamps,
or did I make a childish quilt of ones and sevens?
Ah yes, they will have to cancel me twice.
Once to make my words worthless.
Once more to stop me from writing.


Written by John Keats | Create an image from this poem

Fancy

EVER let the Fancy roam, 
Pleasure never is at home: 
At a touch sweet Pleasure melteth, 
Like to bubbles when rain pelteth; 
Then let wing¨¨d Fancy wander 5 
Through the thought still spread beyond her: 
Open wide the mind's cage-door, 
She'll dart forth, and cloudward soar. 
O sweet Fancy! let her loose; 
Summer's joys are spoilt by use, 10 
And the enjoying of the Spring 
Fades as does its blossoming; 
Autumn's red-lipp'd fruitage too, 
Blushing through the mist and dew, 
Cloys with tasting: What do then? 15 
Sit thee by the ingle, when 
The sear ****** blazes bright, 
Spirit of a winter's night; 
When the soundless earth is muffled, 
And the cak¨¨d snow is shuffled 20 
From the ploughboy's heavy shoon; 
When the Night doth meet the Noon 
In a dark conspiracy 
To banish Even from her sky. 
Sit thee there, and send abroad, 25 
With a mind self-overawed, 
Fancy, high-commission'd:¡ªsend her! 
She has vassals to attend her: 
She will bring, in spite of frost, 
Beauties that the earth hath lost; 30 
She will bring thee, all together, 
All delights of summer weather; 
All the buds and bells of May, 
From dewy sward or thorny spray; 
All the heap¨¨d Autumn's wealth, 35 
With a still, mysterious stealth: 
She will mix these pleasures up 
Like three fit wines in a cup, 
And thou shalt quaff it:¡ªthou shalt hear 
Distant harvest-carols clear; 40 
Rustle of the reap¨¨d corn; 
Sweet birds antheming the morn: 
And, in the same moment¡ªhark! 
'Tis the early April lark, 
Or the rooks, with busy caw, 45 
Foraging for sticks and straw. 
Thou shalt, at one glance, behold 
The daisy and the marigold; 
White-plumed lilies, and the first 
Hedge-grown primrose that hath burst; 50 
Shaded hyacinth, alway 
Sapphire queen of the mid-May; 
And every leaf, and every flower 
Pearl¨¨d with the self-same shower. 
Thou shalt see the fieldmouse peep 55 
Meagre from its cell¨¨d sleep; 
And the snake all winter-thin 
Cast on sunny bank its skin; 
Freckled nest-eggs thou shalt see 
Hatching in the hawthorn-tree, 60 
When the hen-bird's wing doth rest 
Quiet on her mossy nest; 
Then the hurry and alarm 
When the beehive casts its swarm; 
Acorns ripe down-pattering 65 
While the autumn breezes sing. 

O sweet Fancy! let her loose; 
Every thing is spoilt by use: 
Where 's the cheek that doth not fade, 
Too much gazed at? Where 's the maid 70 
Whose lip mature is ever new? 
Where 's the eye, however blue, 
Doth not weary? Where 's the face 
One would meet in every place? 
Where 's the voice, however soft, 75 
One would hear so very oft? 
At a touch sweet Pleasure melteth 
Like to bubbles when rain pelteth. 
Let, then, wing¨¨d Fancy find 
Thee a mistress to thy mind: 80 
Dulcet-eyed as Ceres' daughter, 
Ere the God of Torment taught her 
How to frown and how to chide; 
With a waist and with a side 
White as Hebe's, when her zone 85 
Slipt its golden clasp, and down 
Fell her kirtle to her feet, 
While she held the goblet sweet, 
And Jove grew languid.¡ªBreak the mesh 
Of the Fancy's silken leash; 90 
Quickly break her prison-string, 
And such joys as these she'll bring.¡ª 
Let the wing¨¨d Fancy roam, 
Pleasure never is at home. 
Written by Bliss Carman | Create an image from this poem

The Winter Scene

 I
The rutted roads are all like iron; skies
Are keen and brilliant; only the oak-leaves cling
In the bare woods, or the hardy bitter-sweet;
Drivers have put their sheepskin jackets on;
And all the ponds are sealed with sheeted ice
That rings with stroke of skate and hockey-stick,
Or in the twilight cracks with running whoop.
Bring in the logs of oak and hickory,
And make an ample blaze on the wide hearth.
Now is the time, with winter o'er the world,
For books and friends and yellow candle-light,
And timeless lingering by the settling fire.

While all the shuddering stars are keen with cold.
II

Out from the silent portal of the hours,
When frosts are come and all the hosts put on.
Their burnished gear to march across the night
And o'er a darkened earth in splendor shine,
Slowly above the world Orion wheels
His glittering square, while on the shadowy hill
And throbbing like a sea-light through the dusk,
Great Sirius rises in his flashing blue.
Lord of the winter night, august and pure,
Returning year on year untouched by time,
To hearten faith with thine unfaltering fire,
There are no hurts that beauty cannot ease,
No ills that love cannot at last repair,
In the victorious progress of the soul.
III

Russet and white and gray is the oak wood
In the great snow. Still from the North it comes,
Whispering, settling, sifting through the trees,
O'erloading branch and twig. The road is lost.
Clearing and meadow, stream and ice-bound pond
Are made once more a trackless wilderness
In the white hush where not a creature stirs;
And the pale sun is blotted from the sky.
In that strange twilight the lone traveller halts
To listen to the stealthy snowflakes fall.
And then far off toward the Stamford shore,
Where through the storm the coastwise liners go,
Faint and recurrent on the muffled air,
A foghorn booming through the Smother--hark!
IV

When the day changed and the mad wind died down,
The powdery drifts that all day long had blown
Across the meadows and the open fields,
Or whirled like diamond dust in the bright sun,
Settled to rest, and for a tranquil hour
The lengthening bluish shadows on the snow
Stole down the orchard slope, and a rose light
Flooded the earth with beauty and with peace.
Then in the west behind the cedars black
The sinking sun stained red the winter dusk
With sullen flare upon the snowy ridge,--
As in a masterpiece by Hokusai,
Where on a background gray, with flaming breath
A scarlet dragon dies in dusky gold.
Written by Li Bai | Create an image from this poem

Bringing in the Wine

See how the Yellow River's water move out of heaven.
Entering the ocean,never to return.
See how lovely locks in bright mirrors in high chambers,
Though silken-black at morning, have changed by night to snow.
... Oh, let a man of spirit venture where he pleases
And never tip his golden cup empty toward the moon!
Since heaven gave the talent, let it be employed!
Spin a thousand of pieces of silver, all of them come back!
Cook a sheep, kill a cow, whet the appetite,
And make me, of three hundred bowls, one long drink!
... To the old master, Tsen,
And the young scholar, Tan-chiu,
Bring in the wine!
Let your cups never rest!
Let me sing you a song!
Let your ears attend!
What are bell and drum, rare dishes and treasure?
Let me br forever drunk and never come to reason!
Sober men of olden days and sages are forgotten,
And only the great drinkers are famous for all time.
... Prince Chen paid at a banquet in the Palace of Perfection
Ten thousand coins for a cask of wine, with many a laugh and quip.
Why say, my host, that your money is gone?
Go and buy wine and we'll drink it together!
My flower-dappled horse,
My furs worth a thousand,
Hand them to the boy to exchange for good wine,
And we'll drown away the woes of ten thousand generation!
Written by David Lehman | Create an image from this poem

Sestina

 for Jim Cummins 

In Iowa, Jim dreamed that Della Street was Anne Sexton's
twin. Dave drew a comic strip called the "Adventures of Whitman," 
about a bearded beer-guzzler in Superman uniform. Donna dressed 
 like Wallace Stevens 
in a seersucker summer suit. To town came Ted Berrigan, 
saying, "My idea of a bad poet is Marvin Bell."
But no one has won as many prizes as Philip Levine. 

At the restaurant, people were talking about Philip Levine's
latest: the Pulitzer. A toast was proposed by Anne Sexton. 
No one saw the stranger, who said his name was Marvin Bell, 
pour something into Donna's drink. "In the Walt Whitman 
Shopping Center, there you feel free," said Ted Berrigan, 
pulling on a Chesterfield. Everyone laughed, except T. S. Eliot. 

I asked for directions. "You turn right on Gertrude Stein,
then bear left. Three streetlights down you hang a Phil Levine 
and you're there," Jim said. When I arrived I saw Ted Berrigan 
with cigarette ash in his beard. Graffiti about Anne Sexton
decorated the men's room walls. Beth had bought a quart of Walt 
 Whitman. 
Donna looked blank. "Walt who?" The name didn't ring a Marvin Bell. 

You laugh, yet there is nothing inherently funny about Marvin Bell. 
You cry, yet there is nothing inherently scary about Robert Lowell. 
You drink a bottle of Samuel Smith's Nut Brown Ale, as thirsty as 
 Walt Whitman. 
You bring in your car for an oil change, thinking, this place has the aura 
 of Philip Levine. 
Then you go home and write: "He kissed her Anne Sexton, and she 
 returned the favor, caressing his Ted Berrigan." 

Donna was candid. "When the spirit of Ted Berrigan 
comes over me, I can't resist," she told Marvin Bell, 
while he stood dejected at the xerox machine. Anne Sexton
came by to circulate the rumor that Robert Duncan 
had flung his drink on a student who had called him Philip Levine. 
The cop read him the riot act. "I don't care," he said, "if you're Walt 
 Whitman." 

Donna told Beth about her affair with Walt Whitman. 
"He was indefatigable, but he wasn't Ted Berrigan."
The Dow Jones industrials finished higher, led by Philip Levine, 
up a point and a half on strong earnings. Marvin Bell 
ended the day unchanged. Analyst Richard Howard
recommended buying May Swenson and selling Anne Sexton.

In the old days, you liked either Walt Whitman or Anne Sexton, 
not both. Ted Berrigan changed that just by going to a ballgame with 
 Marianne Moore.
And one day Philip Levine looked in the mirror and saw Marvin Bell.


Written by Ralph Waldo Emerson | Create an image from this poem

Merlin

 I
Thy trivial harp will never please 
Or fill my craving ear; 
Its chords should ring as blows the breeze, 
Free, peremptory, clear. 
No jingling serenader's art, 
Nor tinkle of piano strings, 
Can make the wild blood start 
In its mystic springs. 
The kingly bard 
Must smile the chords rudely and hard, 
As with hammer or with mace; 
That they may render back 
Artful thunder, which conveys 
Secrets of the solar track, 
Sparks of the supersolar blaze. 
Merlin's blows are strokes of fate, 
Chiming with the forest tone, 
When boughs buffet boughs in the wood; 
Chiming with the gasp and moan 
Of the ice-imprisoned hood; 
With the pulse of manly hearts; 
With the voice of orators; 
With the din of city arts; 
With the cannonade of wars; 
With the marches of the brave; 
And prayers of might from martyrs' cave.

Great is the art, 
Great be the manners, of the bard. 
He shall not his brain encumber 
With the coil of rhythm and number; 
But, leaving rule and pale forethought, 
He shall aye climb 
For his rhyme. 
"Pass in, pass in," the angels say, 
"In to the upper doors, 
Nor count compartments of the floors, 
But mount to paradise 
By the stairway of surprise." 

Blameless master of the games, 
King of sport that never shames, 
He shall daily joy dispense 
Hid in song's sweet influence. 
Forms more cheerly live and go, 
What time the subtle mind 
Sings aloud the tune whereto 
Their pulses beat, 
And march their feet, 
And their members are combined. 

By Sybarites beguiled, 
He shall no task decline; 
Merlin's mighty line 
Extremes of nature reconciled, 
Bereaved a tyrant of his will, 
And made the lion mild. 
Songs can the tempest still, 
Scattered on the stormy air, 
Mold the year to fair increase, 
And bring in poetic peace. 
He shall nor seek to weave, 
In weak, unhappy times, 
Efficacious rhymes; 
Wait his returning strength. 
Bird that from the nadir's floor 
To the zenith's top can soar, 
The roaring orbit of the muse exceeds that journey's length. 
Nor profane affect to hit 
Or compass that, by meddling wit, 
Which only the propitious mind 
Publishes when 'tis inclined. 
There are open hours 
When the God's will sallies free, 
And the dull idiot might see 
The flowing fortunes of a thousand years; 
Sudden, at unawares, 
Self-moved, fly-to the doors, 
Nor sword of angels could reveal 
What they conceal. 

II
The rhyme of the poet 
Modulates the king's affairs; 
Balance-loving Nature 
Made all things in pairs. 
To every foot its antipode; 
Each color with its counter glowed: 
To every tone beat answering tones, 
Higher or graver; 
Flavor gladly blends with flavor; 
Leaf answers leaf upon the bough; 
And match the paired cotyledons. 
Hands to hands, and feet to feet, 
In one body grooms and brides; 
Eldest rite, two married sides 
In every mortal meet. 
Light's far furnace shines, 
Smelting balls and bars, 
Forging double stars, 
Glittering twins and trines. 
The animals are sick with love, 
Lovesick with rhyme; 
Each with all propitious Time 
Into chorus wove. 

Like the dancers' ordered band, 
Thoughts come also hand in hand; 
In equal couples mated, 
Or else alternated; 
Adding by their mutual gage, 
One to other, health and age. 
Solitary fancies go 
Short-lived wandering to and ire, 
Most like to bachelors, 
Or an ungiven maid, 
Nor ancestors, 
With no posterity to make the lie afraid, 
Or keep truth undecayed. 
Perfect-paired as eagle's wings, 
Justice is the rhyme of things; 
Trade and counting use 
The self-same tuneful muse; 
And Nemesis, 
Who with even matches odd, 
Who athwart space redresses 
The partial wrong, 
Fills the just period, 
And finishes the song. 

Subtle rhymes, with ruin rife 
Murmur in the hour of life, 
Sung by the Sisters as they spin; 
In perfect time and measure they 
Build and unbuild our echoing clay. 
As the two twilights of the day 
Fold us music-drunken in.
Written by Anthony Hecht | Create an image from this poem

Lizards And Snakes

 On the summer road that ran by our front porch
 Lizards and snakes came out to sun.
It was hot as a stove out there, enough to scorch
 A buzzard's foot. Still, it was fun
To lie in the dust and spy on them. Near but remote,
 They snoozed in the carriage ruts, a smile
In the set of the jaw, a fierce pulse in the throat
Working away like Jack Doyle's after he'd run the mile.

Aunt Martha had an unfair prejudice
 Against them (as well as being cold
Toward bats.) She was pretty inflexible in this,
 Being a spinster and all, and old.
So we used to slip them into her knitting box.
 In the evening she'd bring in things to mend
And a nice surprise would slide out from under the socks.
It broadened her life, as Joe said. Joe was my friend.

But we never did it again after the day
 Of the big wind when you could hear the trees
Creak like rocking chairs. She was looking away
 Off, and kept saying, "Sweet Jesus, please
Don't let him near me. He's as like as twins.
 He can crack us like lice with his fingernail.
I can see him plain as a pikestaff. Look how he grins
And swings the scaly horror of his folded tail."
Written by Ralph Waldo Emerson | Create an image from this poem

Merlin I

 Thy trivial harp will never please
Or fill my craving ear;
Its chords should ring as blows the breeze,
Free, peremptory, clear.
No jingling serenader's art,
Nor tinkle of piano strings,
Can make the wild blood start
In its mystic springs.
The kingly bard
Must smite the chords rudely and hard,
As with hammer or with mace,
That they may render back
Artful thunder that conveys
Secrets of the solar track,
Sparks of the supersolar blaze.
Merlin's blows are strokes of fate,
Chiming with the forest-tone,
When boughs buffet boughs in the wood;
Chiming with the gasp and moan
Of the ice-imprisoned flood;
With the pulse of manly hearts,
With the voice of orators,
With the din of city arts,
With the cannonade of wars.
With the marches of the brave,
And prayers of might from martyrs' cave.

Great is the art,
Great be the manners of the bard!
He shall not his brain encumber
With the coil of rhythm and number,
But, leaving rule and pale forethought,
He shall aye climb
For his rhyme:
Pass in, pass in, the angels say,
In to the upper doors;
Nor count compartments of the floors,
But mount to Paradise
By the stairway of surprise.

Blameless master of the games,
King of sport that never shames;
He shall daily joy dispense
Hid in song's sweet influence.
Things more cheerly live and go,
What time the subtle mind
Plays aloud the tune whereto
Their pulses beat,
And march their feet,
And their members are combined.

By Sybarites beguiled
He shall no task decline;
Merlin's mighty line,
Extremes of nature reconciled,
Bereaved a tyrant of his will,
And made the lion mild.
Songs can the tempest still,
Scattered on the stormy air,
Mould the year to fair increase,
And bring in poetic peace.

He shall not seek to weave,
In weak unhappy times,
Efficacious rhymes;
Wait his returning strength,
Bird, that from the nadir's floor,
To the zenith's top could soar,
The soaring orbit of the muse exceeds that journey's length!

Nor, profane, affect to hit
Or compass that by meddling wit,
Which only the propitious mind
Publishes when 'tis inclined.
There are open hours
When the god's will sallies free,
And the dull idiot might see
The flowing fortunes of a thousand years;
Sudden, at unawares,
Self-moved fly-to the doors,
Nor sword of angels could reveal
What they conceal.
Written by A E Housman | Create an image from this poem

Bring In This Timeless Grave To Throw

 XLVI

Bring, in this timeless grave to throw
No cypress, sombre on the snow;
Snap not from the bitter yew
His leaves that live December through;
Break no rosemary, bright with rime
And sparkling to the cruel crime;
Nor plod the winter land to look
For willows in the icy brook
To cast them leafless round him: bring
To spray that ever buds in spring.


 But if the Christmas field has kept
Awns the last gleaner overstept,
Or shrivelled flax, whose flower is blue
A single season, never two;
Or if one haulm whose year is o'er
Shivers on the upland frore,
--Oh, bring from hill and stream and plain
Whatever will not flower again,
To give him comfort: he and those
Shall bide eternal bedfellows
Where low upon the couch he lies
Whence he never shall arise.
Written by Robert Herrick | Create an image from this poem

Corinnas Going A-Maying

 Get up, get up for shame! the blooming morn
Upon her wings presents the god unshorn.
See how Aurora throws her fair
Fresh-quilted colours through the air!
Get up, sweet slug-a-bed, and see
The dew bespangled herb and tree.
Each flower has wept and bowed toward the east
Above an hour since,—yet you not dressed;
Nay! not so much as out of bed?
When all the birds have matins said
And sung their thankful hymns, 'tis sin— 
Nay, profanation—to keep in,
Whenas a thousand virgins on this day
Spring sooner than the lark, to fetch in May.

Rise, and put on your foliage, and be seen
To come forth, like the springtime, fresh and green
And sweet as Flora. Take no care
For jewels for your gown or hair:
Fear not, the leaves will strew
Gems in abundance upon you:
Besides, the childhood of the day has kept,
Against you come, some orient pearls unwept.
Come, and receive them while the light
Hangs on the dew-locks of the night:
And Titan on the eastern hill
Retires himself, or else stands still
Till you come forth. Wash, dress, be brief in praying:
Few beads are best when once we go a-Maying.

Come, my Corinna, come; and coming, mark
How each field turns a street, each street a park
Made green and trimmed with trees! See how
Devotion gives each house a bough
Or branch! Each porch, each door, ere this
An ark, a tabernacle is,
Made up of whitethorn neatly interwove,
As if here were those cooler shades of love.
Can such delights be in the street
And open fields and we not see 't?
Come, we'll abroad; and let's obey
The proclamation made for May,
And sin no more, as we have done, by staying;
But, my Corinna, come, let's go a-Maying.

There's not a budding boy or girl this day
But is got up and gone to bring in May.
A deal of youth, ere this, is come
Back, and with whitethorn laden, home.
Some have dispatched their cakes and cream,
Before that we have left to dream;
And some have wept and wooed and plighted troth,
And chose their priest, ere we can cast off sloth:
Many a green-gown has been given,
Many a kiss, both odd and even;
Many a glance too has been sent
From out the eye, love's firmament;
Many a jest told of the key's betraying
This night, and locks picked: yet we're not a-Maying!

Come, let us go while we are in our prime,
And take the harmless folly of the time!
We shall grow old apace, and die
Before we know our liberty.
Our life is short, and our days run
As fast away as does the sun;
And, as a vapour or a drop of rain,
Once lost can ne'er be found again;
So when or you or I are made
A fable, song, or fleeting shade,
All love, all liking, all delight
Lies drowned with us in endless night.
Then while time serves, and we are but decaying,
Come, my Corinna, come, let's go a-Maying!

Book: Radiant Verses: A Journey Through Inspiring Poetry