Written by
D. H. Lawrence |
On he goes, the little one,
Bud of the universe,
Pediment of life.
Setting off somewhere, apparently.
Whither away, brisk egg?
His mother deposited him on the soil as if he were no more than droppings,
And now he scuffles tinily past her as if she were an old rusty tin.
A mere obstacle,
He veers round the slow great mound of her --
Tortoises always foresee obstacles.
It is no use my saying to him in an emotional voice:
"This is your Mother, she laid you when you were an egg.
"
He does not even trouble to answer: "Woman, what have I to do with thee?"
He wearily looks the other way,
And she even more wearily looks another way still,
Each with the utmost apathy,
Incognisant,
Unaware,
Nothing.
As for papa,
He snaps when I offer him his offspring,
Just as he snaps when I poke a bit of stick at him,
Because he is irascible this morning, an irascible tortoise
Being touched with love, and devoid of fatherliness.
Father and mother,
And three little brothers,
And all rambling aimless, like little perambulating pebbles scattered in the garden,
Not knowing each other from bits of earth or old tins.
Except that papa and mama are old acquaintances, of course,
Though family feeling there is none, not even the beginnings.
Fatherless, motherless, brotherless, sisterless
Little tortoise.
Row on then, small pebble,
Over the clods of the autumn, wind-chilled sunshine,
Young gaiety.
Does he look for a companion?
No, no, don't think it.
He doesn't know he is alone;
Isolation is his birthright,
This atom.
To row forward, and reach himself tall on spiny toes,
To travel, to burrow into a little loose earth, afraid of the night,
To crop a little substance,
To move, and to be quite sure that he is moving:
Basta!
To be a tortoise!
Think of it, in a garden of inert clods
A brisk, brindled little tortoise, all to himself --
Adam!
In a garden of pebbles and insects
To roam, and feel the slow heart beat
Tortoise-wise, the first bell sounding
From the warm blood, in the dark-creation morning.
Moving, and being himself,
Slow, and unquestioned,
And inordinately there, O stoic!
Wandering in the slow triumph of his own existence,
Ringing the soundless bell of his presence in chaos,
And biting the frail grass arrogantly,
Decidedly arrogantly.
|
Written by
Emily Dickinson |
A Field of Stubble, lying sere
Beneath the second Sun --
Its Toils to Brindled People thrust --
Its Triumphs -- to the Bin --
Accosted by a timid Bird
Irresolute of Alms --
Is often seen -- but seldom felt,
On our New England Farms --
|
Written by
Andrew Barton Paterson |
No soft-skinned Durham steers are they,
No Devons plump and red,
But brindled, black and iron-grey
That mark the mountain-bred;
For mountain-bred and mountain-broke,
With sullen eyes agleam,
No stranger's hand could put a yoke
On old Black Harry's team.
Pull out, pull out, at break of morn
The creeks are running white,
And Tiger, Spot and Snailey-horn
Must bend their bows by night;
And axles, wheels, and flooring boards
Are swept with flying spray
As shoulder-deep, through mountain fords
The leaders feel their way.
He needs no sign of cross or kirn
To guide him as he goes,
For every twist and every turn
That old black leader knows.
Up mountains steep they heave and strain
Where never wheel has rolled,
And what the toiling leaders gain
The body-bullocks hold.
Where eagle-hawks their eyries make,
On sidlings steep and blind,
He rigs the good old-fashioned brake---
A tree tied on behind.
Up mountains, straining to the full,
Each poler plays his part---
The sullen, stubborn, bullock-pull
That breaks a horse's heart.
Beyond the farthest bridle track
His wheels have blazed the way;
The forest giants, burnt and black,
Are ear-marked by his dray.
Through belts of scrub, where messmates grow
His juggernaut has rolled,
For stumps and saplings have to go
When Harry's team takes hold.
On easy grade and rubber tyre
The tourist car goes through,
They halt a moment to admire
The far-flung mountain view.
The tourist folk would be amazed
If they could get to know
They take the track Black Harry blazed
A Hundred Years Ago.
|
Written by
D. H. Lawrence |
The acrid scents of autumn,
Reminiscent of slinking beasts, make me fear
Everything, tear-trembling stars of autumn
And the snore of the night in my ear.
For suddenly, flush-fallen,
All my life, in a rush
Of shedding away, has left me
Naked, exposed on the bush.
I, on the bush of the globe,
Like a newly-naked berry, shrink
Disclosed: but I also am prowling
As well in the scents that slink
Abroad: I in this naked berry
Of flesh that stands dismayed on the bush;
And I in the stealthy, brindled odours
Prowling about the lush
And acrid night of autumn;
My soul, along with the rout,
Rank and treacherous, prowling,
Disseminated out.
For the night, with a great breath intaken,
Has taken my spirit outside
Me, till I reel with disseminated consciousness,
Like a man who has died.
At the same time I stand exposed
Here on the bush of the globe,
A newly-naked berry of flesh
For the stars to probe.
|
Written by
Walt Whitman |
IN a faraway northern county, in the placid, pastoral region,
Lives my farmer friend, the theme of my recitative, a famous Tamer of Oxen:
There they bring him the three-year-olds and the four-year-olds, to break them;
He will take the wildest steer in the world, and break him and tame him;
He will go, fearless, without any whip, where the young bullock chafes up and down the
yard;
The bullock’s head tosses restless high in the air, with raging eyes;
Yet, see you! how soon his rage subsides—how soon this Tamer tames him:
See you! on the farms hereabout, a hundred oxen, young and old—and he is the man who
has
tamed them;
They all know him—all are affectionate to him;
See you! some are such beautiful animals—so lofty looking!
Some are buff color’d—some mottled—one has a white line running along his
back—some are brindled,
Some have wide flaring horns (a good sign)—See you! the bright hides;
See, the two with stars on their foreheads—See, the round bodies and broad backs;
See, how straight and square they stand on their legs—See, what fine, sagacious eyes;
See, how they watch their Tamer—they wish him near them—how they turn to look
after
him!
What yearning expression! how uneasy they are when he moves away from them:
—Now I marvel what it can be he appears to them, (books, politics, poems
depart—all
else departs;)
I confess I envy only his fascination—my silent, illiterate friend,
Whom a hundred oxen love, there in his life on farms,
In the northern county far, in the placid, pastoral region.
|
Written by
May Swenson |
The binocular owl,
fastened to a limb
like a lantern
all night long,
sees where all
the other birds sleep:
towhee under leaves,
titmouse deep
in a twighouse,
sapsucker gripped
to a knothole lip,
redwing in the reeds,
swallow in the willow,
flicker in the oak -
but cannot see poor
whippoorwill
under the hill
in deadbrush nest,
who's awake, too -
with stricken eye
flayed by the moon
her brindled breast
repeats, repeats, repeats its plea
for cruelty.
|
Written by
Rg Gregory |
yesterday the man was pleased
the sun sat in the tree and all
upon the land held to the harmony
his coming then expected
his gun in his arm
his dog at his heels
a blackbird sang on a high branch
a white horse ambled by the hedge
a brindled cow munched grass - the man
shared his heartbeat with them
his gun in his arm
his dog at his heels
today he was disturbed - a mist
obscured what grew inside and out
a tree loomed upon him like a threat
his walk had nothing safe about it
a gun in his arm
a dog at his heels
a huge crow shrieked from the tree
its wings churning the mist
its beak sharpening for attack
its claws reaching for the man's eyes
shoot said the gun
the dog stayed at his heels
the man shot - once - and the crow
reared backwards from the blast
a thunder cloud dripping red rain
and fell to earth a muted blackbird
good said the gun
the dog stayed at his heels
an elephant (but white as leprosy)
with trunk and tusks upraised crashed
through the hedge trumpeting and causing
earth and man to shudder violently
shoot shoot said the gun
the dog stayed at his heels
the man shot - twice - and the beast
bellowing with a disbelieving pain
exploded (staining the mist deep red)
and fell to earth an old white horse
good good said the gun
the dog stayed at his heels
a mammoth buffalo brindled and bristling
a taste for death snorting from its snout
hurtled towards the man - with flecks
of flesh still hanging from its jaws
shoot shoot shoot said the gun
the dog stayed at his heels
the man shot - thrice - and the monster
spun round with the savagest of roars
drenching the landscape in a hot red spray
then fell to earth a gentle brindled cow
good good good said the gun
the dog barked once
the man stood stunned in the thick mist
alien to the fields he had known
from his first breath - he comprehended
nothing but the gun in his hand
shoot shoot shoot shoot said the gun
the dog barked twice
the man shot - four times - and the dog
with not a sound fell to earth
and rolled on its back - its four
legs sticking stiffly in the air
good good good good said the gun
as the dog lay still
the man looked hard at the dog and saw
an upside down reflection of himself
he hurled the gun (bereft of bullets)
into a pond - it stuck stock-upwards
the gun reverted to the tree
its wood had come from
the dog was lifted skywards
by invisible cords
the man went on walking - for days the man stood stunned in the thick mist
alien to the fields he had known
from his first breath - he comprehended
nothing but the gun in his hand
shoot shoot shoot shoot said the gun
the dog barked twice
the man shot - four times - and the dog
with not a sound fell to earth
and rolled on its back - its four
legs sticking stiffly in the air
good good good good said the gun
as the dog lay still
the man looked hard at the dog and saw
an upside down reflection of himself
he hurled the gun (bereft of bullets)
into a pond - it stuck stock-upwards
the gun reverted to the tree
its wood had come from
the dog was lifted skywards
by invisible cords
the man went on walking - for days
weeks months even till the sun returned -
loving the mist (its near wisdom
its light uncompromising touch)
now he is free of the gun
he understands the dog
a blackbird sings in a high branch
a white horse ambles by the hedge
a brindled cow munches grass - the man
shares his heartbeat with them
|
Written by
D. H. Lawrence |
A yellow leaf from the darkness
Hops like a frog before me.
Why should I start and stand still?
I was watching the woman that bore me
Stretched in the brindled darkness
Of the sick-room, rigid with will
To die: and the quick leaf tore me
Back to this rainy swill
Of leaves and lamps and traffic mingled before me.
|
Written by
Andrew Barton Paterson |
Now look, you see, it’s this way like,
You cross the broken bridge
And run the crick down till you strike
The second right-hand ridge.
The track is hard to see in parts,
But still it’s pretty clear;
There’s been two Injin hawkers’ carts
Along that road this year.
Well, run that right-hand ridge along—
It ain’t, to say, too steep—
There’s two fresh tracks might put you wrong
Where blokes went out with sheep.
But keep the crick upon your right,
And follow pretty straight
Along the spur, until you sight
A wire and sapling gate.
Well, that’s where Hogan’s old grey mare
Fell off and broke her back;
You’ll see her carcase layin’ there,
Jist down below the track.
And then you drop two mile, or three,
It’s pretty steep and blind;
You want to go and fall a tree
And tie it on behind.
And then you pass a broken cart
Below a granite bluff;
And that is where you strike the part
They reckon pretty rough.
But by the time you’ve got that far
It’s either cure or kill,
So turn your horses round the spur
And face ’em up the hill.
For look, if you should miss the slope
And get below the track,
You haven’t got the whitest hope
Of ever gettin’ back.
An’ half way up you’ll see the hide
Of Hogan’s brindled bull;
Well, mind and keep the right-hand side,
The left’s too steep a pull.
And both the banks is full of cracks;
An’ just about at dark
You’ll see the last year’s bullock tracks
Where Hogan drew the bark.
The marks is old and pretty faint—
And grown with scrub and such;
Of course the track to Hogan’s ain’t
A road that’s travelled much.
But turn and run the tracks along
For half a mile or more,
And then, of course, you can’t go wrong—
You’re right at Hogan’s door.
When first you come to Hogan’s gate
He mightn’t show, perhaps;
He’s pretty sure to plant and wait
To see it ain’t the traps.
I wouldn’t call it good enough
To let your horses out;
There’s some that’s pretty extra rough
Is livin’ round about.
It’s likely if your horses did
Get feedin’ near the track,
It’s goin’ to cost at least a quid
Or more to get them back.
So, if you find they’re off the place,
It’s up to you to go
And flash a quid in Hogan’s face—
He’ll know the blokes that know.
But listen—if you’re feelin’ dry,
Just see there’s no one near,
And go and wink the other eye
And ask for ginger beer.
The blokes come in from near and far
To sample Hogan’s pop;
They reckon once they breast the bar
They stay there till they drop.
On Sundays you can see them spread
Like flies around the tap.
It’s like that song “The Livin’ Dead”
Up there at Hogan’s Gap.
They like to make it pretty strong
Whenever there’s a charnce;
So when a stranger comes along
They always holds a dance.
There’s recitations, songs, and fights—
A willin’ lot you’ll meet.
There’s one long bloke up there recites,
I tell you—he’s a treat.
They’re lively blokes all right up there,
It’s never dull a day.
I’d go meself if I could spare
The time to get away.
.
.
.
.
.
The stranger turned his horses quick.
He didn’t cross the bridge;
He didn’t go along the crick
To strike the second ridge;
He didn’t make the trip, because
He wasn’t feeling fit.
His business up at Hogan’s was
To serve him with a writ.
He reckoned if he faced the pull
And climbed the rocky stair,
The next to come might find his hide
A land-mark on the mountain side,
Along with Hogan’s brindled bull
And Hogan’s old grey mare!
|