Written by
T S (Thomas Stearns) Eliot |
I
In my beginning is my end.
In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth
Which is already flesh, fur and faeces,
Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building
And a time for living and for generation
And a time for the wind to break the loosened pane
And to shake the wainscot where the field-mouse trots
And to shake the tattered arras woven with a silent motto.
In my beginning is my end.
Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon,
Where you lean against a bank while a van passes,
And the deep lane insists on the direction
Into the village, in the electric heat
Hypnotised.
In a warm haze the sultry light
Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.
In that open field
If you do not come too close, if you do not come too close,
On a summer midnight, you can hear the music
Of the weak pipe and the little drum
And see them dancing around the bonfire
The association of man and woman
In daunsinge, signifying matrimonie—
A dignified and commodiois sacrament.
Two and two, necessarye coniunction,
Holding eche other by the hand or the arm
Whiche betokeneth concorde.
Round and round the fire
Leaping through the flames, or joined in circles,
Rustically solemn or in rustic laughter
Lifting heavy feet in clumsy shoes,
Earth feet, loam feet, lifted in country mirth
Mirth of those long since under earth
Nourishing the corn.
Keeping time,
Keeping the rhythm in their dancing
As in their living in the living seasons
The time of the seasons and the constellations
The time of milking and the time of harvest
The time of the coupling of man and woman
And that of beasts.
Feet rising and falling.
Eating and drinking.
Dung and death.
Dawn points, and another day
Prepares for heat and silence.
Out at sea the dawn wind
Wrinkles and slides.
I am here
Or there, or elsewhere.
In my beginning.
II
What is the late November doing
With the disturbance of the spring
And creatures of the summer heat,
And snowdrops writhing under feet
And hollyhocks that aim too high
Red into grey and tumble down
Late roses filled with early snow?
Thunder rolled by the rolling stars
Simulates triumphal cars
Deployed in constellated wars
Scorpion fights against the Sun
Until the Sun and Moon go down
Comets weep and Leonids fly
Hunt the heavens and the plains
Whirled in a vortex that shall bring
The world to that destructive fire
Which burns before the ice-cap reigns.
That was a way of putting it—not very satisfactory:
A periphrastic study in a worn-out poetical fashion,
Leaving one still with the intolerable wrestle
With words and meanings.
The poetry does not matter.
It was not (to start again) what one had expected.
What was to be the value of the long looked forward to,
Long hoped for calm, the autumnal serenity
And the wisdom of age? Had they deceived us
Or deceived themselves, the quiet-voiced elders,
Bequeathing us merely a receipt for deceit?
The serenity only a deliberate hebetude,
The wisdom only the knowledge of dead secrets
Useless in the darkness into which they peered
Or from which they turned their eyes.
There is, it seems to us,
At best, only a limited value
In the knowledge derived from experience.
The knowledge imposes a pattern, and falsifies,
For the pattern is new in every moment
And every moment is a new and shocking
Valuation of all we have been.
We are only undeceived
Of that which, deceiving, could no longer harm.
In the middle, not only in the middle of the way
But all the way, in a dark wood, in a bramble,
On the edge of a grimpen, where is no secure foothold,
And menaced by monsters, fancy lights,
Risking enchantment.
Do not let me hear
Of the wisdom of old men, but rather of their folly,
Their fear of fear and frenzy, their fear of possession,
Of belonging to another, or to others, or to God.
The only wisdom we can hope to acquire
Is the wisdom of humility: humility is endless.
The houses are all gone under the sea.
The dancers are all gone under the hill.
III
O dark dark dark.
They all go into the dark,
The vacant interstellar spaces, the vacant into the vacant,
The captains, merchant bankers, eminent men of letters,
The generous patrons of art, the statesmen and the rulers,
Distinguished civil servants, chairmen of many committees,
Industrial lords and petty contractors, all go into the dark,
And dark the Sun and Moon, and the Almanach de Gotha
And the Stock Exchange Gazette, the Directory of Directors,
And cold the sense and lost the motive of action.
And we all go with them, into the silent funeral,
Nobody's funeral, for there is no one to bury.
I said to my soul, be still, and let the dark come upon you
Which shall be the darkness of God.
As, in a theatre,
The lights are extinguished, for the scene to be changed
With a hollow rumble of wings, with a movement of darkness on darkness,
And we know that the hills and the trees, the distant panorama
And the bold imposing façade are all being rolled away—
Or as, when an underground train, in the tube, stops too long between stations
And the conversation rises and slowly fades into silence
And you see behind every face the mental emptiness deepen
Leaving only the growing terror of nothing to think about;
Or when, under ether, the mind is conscious but conscious of nothing—
I said to my soul, be still, and wait without hope
For hope would be hope for the wrong thing; wait without love,
For love would be love of the wrong thing; there is yet faith
But the faith and the love and the hope are all in the waiting.
Wait without thought, for you are not ready for thought:
So the darkness shall be the light, and the stillness the dancing.
Whisper of running streams, and winter lightning.
The wild thyme unseen and the wild strawberry,
The laughter in the garden, echoed ecstasy
Not lost, but requiring, pointing to the agony
Of death and birth.
You say I am repeating
Something I have said before.
I shall say it again.
Shall I say it again? In order to arrive there,
To arrive where you are, to get from where you are not,
You must go by a way wherein there is no ecstasy.
In order to arrive at what you do not know
You must go by a way which is the way of ignorance.
In order to possess what you do not possess
You must go by the way of dispossession.
In order to arrive at what you are not
You must go through the way in which you are not.
And what you do not know is the only thing you know
And what you own is what you do not own
And where you are is where you are not.
IV
The wounded surgeon plies the steel
That questions the distempered part;
Beneath the bleeding hands we feel
The sharp compassion of the healer's art
Resolving the enigma of the fever chart.
Our only health is the disease
If we obey the dying nurse
Whose constant care is not to please
But to remind of our, and Adam's curse,
And that, to be restored, our sickness must grow worse.
The whole earth is our hospital
Endowed by the ruined millionaire,
Wherein, if we do well, we shall
Die of the absolute paternal care
That will not leave us, but prevents us everywhere.
The chill ascends from feet to knees,
The fever sings in mental wires.
If to be warmed, then I must freeze
And quake in frigid purgatorial fires
Of which the flame is roses, and the smoke is briars.
The dripping blood our only drink,
The bloody flesh our only food:
In spite of which we like to think
That we are sound, substantial flesh and blood—
Again, in spite of that, we call this Friday good.
V
So here I am, in the middle way, having had twenty years—
Twenty years largely wasted, the years of l'entre deux guerres
Trying to use words, and every attempt
Is a wholly new start, and a different kind of failure
Because one has only learnt to get the better of words
For the thing one no longer has to say, or the way in which
One is no longer disposed to say it.
And so each venture
Is a new beginning, a raid on the inarticulate
With shabby equipment always deteriorating
In the general mess of imprecision of feeling,
Undisciplined squads of emotion.
And what there is to conquer
By strength and submission, has already been discovered
Once or twice, or several times, by men whom one cannot hope
To emulate—but there is no competition—
There is only the fight to recover what has been lost
And found and lost again and again: and now, under conditions
That seem unpropitious.
But perhaps neither gain nor loss.
For us, there is only the trying.
The rest is not our business.
Home is where one starts from.
As we grow older
The world becomes stranger, the pattern more complicated
Of dead and living.
Not the intense moment
Isolated, with no before and after,
But a lifetime burning in every moment
And not the lifetime of one man only
But of old stones that cannot be deciphered.
There is a time for the evening under starlight,
A time for the evening under lamplight
(The evening with the photograph album).
Love is most nearly itself
When here and now cease to matter.
Old men ought to be explorers
Here or there does not matter
We must be still and still moving
Into another intensity
For a further union, a deeper communion
Through the dark cold and the empty desolation,
The wave cry, the wind cry, the vast waters
Of the petrel and the porpoise.
In my end is my beginning.
|
Written by
Anne Sexton |
Consider
a girl who keeps slipping off,
arms limp as old carrots,
into the hypnotist's trance,
into a spirit world
speaking with the gift of tongues.
She is stuck in the time machine,
suddenly two years old sucking her thumb,
as inward as a snail,
learning to talk again.
She's on a voyage.
She is swimming further and further back,
up like a salmon,
struggling into her mother's pocketbook.
Little doll child,
come here to Papa.
Sit on my knee.
I have kisses for the back of your neck.
A penny for your thoughts, Princess.
I will hunt them like an emerald.
Come be my snooky
and I will give you a root.
That kind of voyage,
rank as a honeysuckle.
Once
a king had a christening
for his daughter Briar Rose
and because he had only twelve gold plates
he asked only twelve fairies
to the grand event.
The thirteenth fairy,
her fingers as long and thing as straws,
her eyes burnt by cigarettes,
her uterus an empty teacup,
arrived with an evil gift.
She made this prophecy:
The princess shall prick herself
on a spinning wheel in her fifteenth year
and then fall down dead.
Kaputt!
The court fell silent.
The king looked like Munch's Scream
Fairies' prophecies,
in times like those,
held water.
However the twelfth fairy
had a certain kind of eraser
and thus she mitigated the curse
changing that death
into a hundred-year sleep.
The king ordered every spinning wheel
exterminated and exorcised.
Briar Rose grew to be a goddess
and each night the king
bit the hem of her gown
to keep her safe.
He fastened the moon up
with a safety pin
to give her perpetual light
He forced every male in the court
to scour his tongue with Bab-o
lest they poison the air she dwelt in.
Thus she dwelt in his odor.
Rank as honeysuckle.
On her fifteenth birthday
she pricked her finger
on a charred spinning wheel
and the clocks stopped.
Yes indeed.
She went to sleep.
The king and queen went to sleep,
the courtiers, the flies on the wall.
The fire in the hearth grew still
and the roast meat stopped crackling.
The trees turned into metal
and the dog became china.
They all lay in a trance,
each a catatonic
stuck in a time machine.
Even the frogs were zombies.
Only a bunch of briar roses grew
forming a great wall of tacks
around the castle.
Many princes
tried to get through the brambles
for they had heard much of Briar Rose
but they had not scoured their tongues
so they were held by the thorns
and thus were crucified.
In due time
a hundred years passed
and a prince got through.
The briars parted as if for Moses
and the prince found the tableau intact.
He kissed Briar Rose
and she woke up crying:
Daddy! Daddy!
Presto! She's out of prison!
She married the prince
and all went well
except for the fear --
the fear of sleep.
Briar Rose
was an insomniac.
.
.
She could not nap
or lie in sleep
without the court chemist
mixing her some knock-out drops
and never in the prince's presence.
If if is to come, she said,
sleep must take me unawares
while I am laughing or dancing
so that I do not know that brutal place
where I lie down with cattle prods,
the hole in my cheek open.
Further, I must not dream
for when I do I see the table set
and a faltering crone at my place,
her eyes burnt by cigarettes
as she eats betrayal like a slice of meat.
I must not sleep
for while I'm asleep I'm ninety
and think I'm dying.
Death rattles in my throat
like a marble.
I wear tubes like earrings.
I lie as still as a bar of iron.
You can stick a needle
through my kneecap and I won't flinch.
I'm all shot up with Novocain.
This trance girl
is yours to do with.
You could lay her in a grave,
an awful package,
and shovel dirt on her face
and she'd never call back: Hello there!
But if you kissed her on the mouth
her eyes would spring open
and she'd call out: Daddy! Daddy!
Presto!
She's out of prison.
There was a theft.
That much I am told.
I was abandoned.
That much I know.
I was forced backward.
I was forced forward.
I was passed hand to hand
like a bowl of fruit.
Each night I am nailed into place
and forget who I am.
Daddy?
That's another kind of prison.
It's not the prince at all,
but my father
drunkeningly bends over my bed,
circling the abyss like a shark,
my father thick upon me
like some sleeping jellyfish.
What voyage is this, little girl?
This coming out of prison?
God help --
this life after death?
|
Written by
William Carlos (WCW) Williams |
The whole process is a lie,
unless,
crowned by excess,
It break forcefully,
one way or another,
from its confinement—
or find a deeper well.
Antony and Cleopatra
were right;
they have shown
the way.
I love you
or I do not live
at all.
Daffodil time
is past.
This is
summer, summer!
the heart says,
and not even the full of it.
No doubts
are permitted—
though they will come
and may
before our time
overwhelm us.
We are only mortal
but being mortal
can defy our fate.
We may
by an outside chance
even win! We do not
look to see
jonquils and violets
come again
but there are,
still,
the roses!
Romance has no part in it.
The business of love is
cruelty which,
by our wills,
we transform
to live together.
It has its seasons,
for and against,
whatever the heart
fumbles in the dark
to assert
toward the end of May.
Just as the nature of briars
is to tear flesh,
I have proceeded
through them.
Keep
the briars out,
they say.
You cannot live
and keep free of
briars.
Children pick flowers.
Let them.
Though having them
in hand
they have no further use for them
but leave them crumpled
at the curb's edge.
At our age the imagination
across the sorry facts
lifts us
to make roses
stand before thorns.
Sure
love is cruel
and selfish
and totally obtuse—
at least, blinded by the light,
young love is.
But we are older,
I to love
and you to be loved,
we have,
no matter how,
by our wills survived
to keep
the jeweled prize
always
at our finger tips.
We will it so
and so it is
past all accident.
|
Written by
Anne Sexton |
I knew you forever and you were always old,
soft white lady of my heart.
Surely you would scold
me for sitting up late, reading your letters,
as if these foreign postmarks were meant for me.
You posted them first in London, wearing furs
and a new dress in the winter of eighteen-ninety.
I read how London is dull on Lord Mayor's Day,
where you guided past groups of robbers, the sad holes
of Whitechapel, clutching your pocketbook, on the way
to Jack the Ripper dissecting his famous bones.
This Wednesday in Berlin, you say, you will
go to a bazaar at Bismarck's house.
And I
see you as a young girl in a good world still,
writing three generations before mine.
I try
to reach into your page and breathe it back.
.
.
but life is a trick, life is a kitten in a sack.
This is the sack of time your death vacates.
How distant your are on your nickel-plated skates
in the skating park in Berlin, gliding past
me with your Count, while a military band
plays a Strauss waltz.
I loved you last,
a pleated old lady with a crooked hand.
Once you read Lohengrin and every goose
hung high while you practiced castle life
in Hanover.
Tonight your letters reduce
history to a guess.
The count had a wife.
You were the old maid aunt who lived with us.
Tonight I read how the winter howled around
the towers of Schloss Schwobber, how the tedious
language grew in your jaw, how you loved the sound
of the music of the rats tapping on the stone
floors.
When you were mine you wore an earphone.
This is Wednesday, May 9th, near Lucerne,
Switzerland, sixty-nine years ago.
I learn
your first climb up Mount San Salvatore;
this is the rocky path, the hole in your shoes,
the yankee girl, the iron interior
of her sweet body.
You let the Count choose
your next climb.
You went together, armed
with alpine stocks, with ham sandwiches
and seltzer wasser.
You were not alarmed
by the thick woods of briars and bushes,
nor the rugged cliff, nor the first vertigo
up over Lake Lucerne.
The Count sweated
with his coat off as you waded through top snow.
He held your hand and kissed you.
You rattled
down on the train to catch a steam boat for home;
or other postmarks: Paris, verona, Rome.
This is Italy.
You learn its mother tongue.
I read how you walked on the Palatine among
the ruins of the palace of the Caesars;
alone in the Roman autumn, alone since July.
When you were mine they wrapped you out of here
with your best hat over your face.
I cried
because I was seventeen.
I am older now.
I read how your student ticket admitted you
into the private chapel of the Vatican and how
you cheered with the others, as we used to do
on the fourth of July.
One Wednesday in November
you watched a balloon, painted like a silver abll,
float up over the Forum, up over the lost emperors,
to shiver its little modern cage in an occasional
breeze.
You worked your New England conscience out
beside artisans, chestnut vendors and the devout.
Tonight I will learn to love you twice;
learn your first days, your mid-Victorian face.
Tonight I will speak up and interrupt
your letters, warning you that wars are coming,
that the Count will die, that you will accept
your America back to live like a prim thing
on the farm in Maine.
I tell you, you will come
here, to the suburbs of Boston, to see the blue-nose
world go drunk each night, to see the handsome
children jitterbug, to feel your left ear close
one Friday at Symphony.
And I tell you,
you will tip your boot feet out of that hall,
rocking from its sour sound, out onto
the crowded street, letting your spectacles fall
and your hair net tangle as you stop passers-by
to mumble your guilty love while your ears die.
|
Written by
Sir Thomas Wyatt |
MY mother's maids, when they did sew and spin,
They sang sometime a song of the field mouse,
That for because her livelood was but thin [livelihood]
Would needs go seek her townish sister's house.
She thought herself endured to much pain:
The stormy blasts her cave so sore did souse
That when the furrows swimmed with the rain
She must lie cold and wet in sorry plight,
And, worse than that, bare meat there did remain
To comfort her when she her house had dight:
Sometime a barleycorn, sometime a bean,
For which she labored hard both day and night
In harvest time, whilst she might go and glean.
And when her store was 'stroyed with the flood,
Then well away, for she undone was clean.
Then was she fain to take, instead of food,
Sleep if she might, her hunger to beguile.
"My sister," qoth she, "hath a living good,
And hence from me she dwelleth not a mile.
In cold and storm she lieth warm and dry
In bed of down, and dirt doth not defile
Her tender foot, she laboreth not as I.
Richly she feedeth and at the rich man's cost,
And for her meat she needs not crave nor cry.
By sea, by land, of the delicates the most
Her cater seeks and spareth for no peril.
She feedeth on boiled, baken meat, and roast,
And hath thereof neither charge nor travail.
And, when she list, the liquor of the grape
Doth goad her heart till that her belly swell.
"
And at this journey she maketh but a jape: [joke]
So forth she goeth, trusting of all this wealth
With her sister her part so for to shape
That, if she might keep herself in health,
To live a lady while her life doth last.
And to the door now is she come by stealth,
And with her foot anon she scrapeth full fast.
The other for fear durst not well scarce appear,
Of every noise so was the wretch aghast.
"Peace," quoth the town mouse, "why speakest thou so loud?"
And by the hand she took her fair and well.
"Welcome," quoth she, "my sister, by the rood.
"
She feasted her that joy is was to tell
The fare they had; they drank the wine so clear;
And as to purpose now and then it fell
She cheered her with: "How, sister, what cheer?"
Amids this joy there fell a sorry chance,
That, wellaway, the stranger bought full dear
The fare she had.
For as she looks, askance,
Under a stool she spied two steaming eyes
In a round head with sharp ears.
In France
was never mouse so feared, for though the unwise [afraid]
Had not yseen such a beast before,
Yet had nature taught her after her guise
To know her foe and dread him evermore.
The town mouse fled; she knew whither to go.
The other had no shift, but wondrous sore
Feared of her life, at home she wished her, though.
And to the door, alas, as she did skip
(Th' heaven it would, lo, and eke her chance was so)
At the threshold her silly foot did trip,
And ere she might recover it again
The traitor cat had caught her by the hip
And made her there against her will remain
That had forgotten her poor surety, and rest,
For seeming wealth wherein she thought to reign.
Alas, my Poynz, how men do seek the best [a friend of Wyatt]
And find the worst, by error as they stray.
And no marvel, when sight is so opprest
And blind the guide.
Anon out of the way
Goeth guide and all in seeking quiet life.
O wretched minds, there is no gold that may
Grant that ye seek, no war, no peace, no strife,
No, no, although thy head was hoopt with gold, [crowned]
Sergeant with mace, haubert, sword, nor knife
Cannot repulse the care that follow should.
Each kind of life hath with him his disease:
Live in delight even as thy lust would, [as you would desire]
And thou shalt find when lust doth most thee please
It irketh strait and by itself doth fade.
A small thing it is that may thy mind appease.
None of ye all there is that is so mad
To seek grapes upon brambles or breers, [briars]
Not none I trow that hath his wit so bad
To set his hay for conies over rivers, [snares for rabbits]
Ne ye set not a drag net for an hare.
[nor]
And yet the thing that most is your desire
Ye do misseek with more travail and care.
Make plain thine heart, that it be not notted
With hope or dread, and see thy will be bare
>From all effects whom vice hath ever spotted.
Thyself content with that is thee assigned,
And use it well that is to thee allotted,
Then seek no more out of thyself to find
The thing that thou hast sought so long before,
For thou shalt find it sitting in thy mind.
Mad, if ye list to continue your sore,
Let present pass, and gape on time to come,
And deep yourself in travail more and more.
Henceforth, my Poynz, this shall be all and some:
These wretched fools shall have nought else of me.
But to the great God and to His high doom* [judgment]
None other pain pray I for them to be
But, when the rage doth lead them from the right,
That, looking backward, Virtue they may see
Even as She is, so goodly fair and bright.
And whilst they clasp their lusts in arms across
Grant them, good Lord, as Thou mayst of Thy might,
To fret inward for losing such a loss.
|
Written by
William Allingham |
Doleful was the land,
Dull on, every side,
Neither soft n'or grand,
Barren, bleak, and wide;
Nothing look'd with love;
All was dingy brown;
The very skies above
Seem'd to sulk and frown.
Plodding sick and sad,
Weary day on day;
Searching, never glad,
Many a miry way;
Poor existence lagg'd
In this barren place;
While the seasons dragg'd
Slowly o'er its face.
Spring, to sky and ground,
Came before I guess'd;
Then one day I found
A valley, like a nest!
Guarded with a spell
Sure it must have been,
This little fairy dell
Which I had never seen.
Open to the blue,
Green banks hemm'd it round
A rillet wander'd through
With a tinkling sound;
Briars among the rocks
Tangled arbours made;
Primroses in flocks
Grew beneath their shade.
Merry birds a few,
Creatures wildly tame,
Perch'd and sung and flew;
Timid field-mice came;
Beetles in the moss
Journey'd here and there;
Butterflies across
Danced through sunlit air.
There I often read,
Sung alone, or dream'd;
Blossoms overhead,
Where the west wind stream'd;
Small horizon-line,
Smoothly lifted up,
Held this world of mine
In a grassy cup.
The barren land to-day
Hears my last adieu:
Not an hour I stay;
Earth is wide and new.
Yet, farewell, farewell!
May the sun and show'rs
Bless that Little Dell
Of safe and tranquil hours!
|
Written by
William Browne |
Now as an angler melancholy standing
Upon a green bank yielding room for landing,
A wriggling yellow worm thrust on his hook,
Now in the midst he throws, then in a nook:
Here pulls his line, there throws it in again,
Mendeth his cork and bait, but all in vain,
He long stands viewing of the curled stream;
At last a hungry pike, or well-grown bream
Snatch at the worm, and hasting fast away,
He knowing it a fish of stubborn sway,
Pulls up his rod, but soft, as having skill,
Wherewith the hook fast holds the fish's gill;
Then all his line he freely yieldeth him,
Whilst furiously all up and down doth swim
Th' insnared fish, here on the top doth scud,
There underneath the banks, then in the mud,
And with his frantic fits so scares the shoal,
That each one takes his hide, or starting hole:
By this the pike, clean wearied, underneath
A willow lies, and pants (if fishes breathe)
Wherewith the angler gently pulls him to him,
And lest his haste might happen to undo him,
Lays down his rod, then takes his line in hand,
And by degrees getting the fish to land,
Walks to another pool: at length is winner
Of such a dish as serves him for his dinner:
So when the climber half the way had got,
Musing he stood, and busily 'gan plot
How (since the mount did always steeper tend)
He might with steps secure his journey end.
At last (as wand'ring boys to gather nuts)
A hooked pole he from a hazel cuts;
Now throws it here, then there to take some hold,
But bootless and in vain, the rocky mould
Admits no cranny where his hazel hook
Might promise him a step, till in a nook
Somewhat above his reach he hath espied
A little oak, and having often tried
To catch a bough with standing on his toe,
Or leaping up, yet not prevailing so,
He rolls a stone towards the little tree,
Then gets upon it, fastens warily
His pole unto a bough, and at his drawing
The early-rising crow with clam'rous cawing,
Leaving the green bough, flies about the rock,
Whilst twenty twenty couples to him flock:
And now within his reach the thin leaves wave,
With one hand only then he holds his stave,
And with the other grasping first the leaves,
A pretty bough he in his fist receives;
Then to his girdle making fast the hook,
His other hand another bough hath took;
His first, a third, and that, another gives,
To bring him to the place where his root lives.
Then, as a nimble squirrel from the wood,
Ranging the hedges for his filberd-food,
Sits peartly on a bough his brown nuts cracking,
And from the shell the sweet white kernel taking,
Till with their crooks and bags a sort of boys,
To share with him, come with so great a noise,
That he is forc'd to leave a nut nigh broke,
And for his life leap to a neighbour oak,
Thence to a beech, thence to a row of ashes;
Whilst through the quagmires, and red water plashes,
The boys run dabbling thorough thick and thin;
One tears his hose, another breaks his shin,
This, torn and tatter'd, hath with much ado
Got by the briars; and that hath lost his shoe;
This drops his band; that headlong falls for haste;
Another cries behind for being last;
With sticks and stones, and many a sounding holloa,
The little fool, with no small sport, they follow,
Whilst he, from tree to tree, from spray to spray,
Gets to the wood, and hides him in his dray:
Such shift made Riot ere he could get up,
And so from bough to bough he won the top,
Though hindrances, for ever coming there,
Were often thrust upon him by Despair.
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Written by
Mary Darby Robinson |
Swift, o'er the wild and dreary waste
A NUT-BROWN GIRL was seen to haste;
Wide waving was her unbound hair,
And sun-scorch'd was her bosom bare;
For Summer's noon had shed its beams
While she lay wrapp'd in fev'rish dreams;
While, on the wither'd hedge-row's side,
By turns she slept, by turns she cried,
"Ah ! where lies hid the balsam sweet,
"To heal the wounds of MARGUERITE?"
Dark was her large and sunken eye
Which wildly gaz'd upon the sky;
And swiftly down her freckled face
The chilling dews began to pace:
For she was lorn, and many a day,
Had, all alone, been doom'd to stray,
And, many a night, her bosom warm,
Had throbb'd, beneath the pelting storm,
And still she cried, "the rain falls sweet,
"It bathes the wounds of MARGUERITE.
"
Her garments were by briars torn,
And on them hung full many a thorn;
A thistle crown, she mutt'ring twin'd,
Now darted on,--now look'd behind--
And here, and there, her arm was seen
Bleeding the tatter'd folds between;
Yet, on her breast she oft display'd
A faded branch, that breast to shade:
For though her senses were astray,
She felt the burning beams of day:
She felt the wintry blast of night,
And smil'd to see the morning light,
For then she cried, "I soon shall meet
"The plighted love of MARGUERITE.
"
Across the waste of printless snow,
All day the NUT-BROWN GIRL would go;
And when the winter moon had shed
Its pale beams on the mountain's head,
She on a broomy pillow lay
Singing the lonely hours away;
While the cold breath of dawnlight flew
Across the fields of glitt'ring dew:--
Swift o'er the frozen lake she past
Unmindful of the driving blast,
And then she cried "the air is sweet--
"It fans the breast of MARGUERITE.
"
The weedy lane she Iov'd to tread
When stars their twinkling lustre shed;
While from the lone and silent Cot
The watchful Cur assail'd her not,
Though at the beggar he would fly,
And fright the Trav'ller passing by:
But she, so kind and gentle seem'd,
Such sorrow in her dark eyes beam'd,
That savage fierceness could not greet
With less than love,--POOR MARGUERITE!
Oft, by the splashy brook she stood
And sung her Song to the waving wood;
The waving wood, in murmurs low,
Fill'd up the pause of weary woe;
Oft, to the Forest tripp'd along
And inly humm'd her frantic Song;
Oft danc'd mid shadows Ev'ning spread
Along the whisp'ring willow-bed.
And wild was her groan,
When she climb'd, alone--
The rough rock's side,
While the foaming tide,
Dash'd rudely against the sandy shore,
And the lightning flash'd mid the thunder's roar.
And many a time she chac'd the fly,
And mock'd the Beetle, humming by;
And then, with loud fantastic tone
She sang her wild strain, sad--alone.
And if a stranger wander'd near
Or paus'd the frantic Song to hear,
The burthen she would soft repeat,
"Who comes to soothe POOR MARGUERITE?
And why did she with sun-burnt breast,
So wander, and so scorn to rest?
Why did the NUT-BROWN MAIDEN go
O'er burning plains and wastes of snow?
What bade her fev'rish bosom sigh,
And dimm'd her large and hazle eye?
What taught her o'er the hills to stray
Fearless by night, and wild by day?
What stole the hour of slumber sweet--
From the scorch'd brain of MARGUERITE.
Soon shalt thou know; for see how lorn
She climbs the steep of shaggy thorn--
Now on the jutting cliff she stands,
And clasps her cold,--but snow-white hands.
And now aloud she chaunts her strain
While fiercely roars the troublous main.
Now the white breakers curling shew
The dread abyss that yawns below,
And still she sighs, "the sound is sweet,
"It seems to say, POOR MARGUERITE!"
"Here will I build a rocky shed,
"And here I'll make my sea-weed bed;
"Here gather, with unwearied hands--
"The orient shells that deck the sands.
"And here will I skim o'er the billows so high,
"And laugh at the moon and the dark frowning sky.
"And the Sea-birds, that hover across the wide main,
"Shall sweep with their pinions, the white bounding plain.
--
"And the shivering sail shall the fierce tempest meet,
"Like the storm, in the bosom of POOR MARGUERITE!
"The setting Sun, with golden ray,
"Shall warm my breast, and make me gay.
"The clamours of the roaring Sea
"My midnight serenade shall be!
"The Cliff that like a Tyrant stands
"Exulting o'er the wave lash'd sands,
"With its weedy crown, and its flinty crest,
"Shall, on its hard bosom, rock me to rest;
"And I'll watch for the Eagle's unfledg'd brood,
"And I'll scatter their nest, and I'll drink their blood;
"And under the crag I will kneel and pray
"And silver my robe, with the moony ray:
"And who shall scorn the lone retreat
"Which Heaven has chose, for MARGUERITE?
"Here, did the exil'd HENRY stray
"Forc'd from his native land, away;
"Here, here upon a foreign shore,
"His parents, lost, awhile deplore;
"Here find, that pity's holy tear
"Could not an alien wand'rer chear;
"And now, in fancy, he would view,
"Shouting aloud, the rabble crew--
"The rabble crew, whose impious hands
"Tore asunder nature's bands!--
"I see him still,--He waves me on!
"And now to the dark abyss he's gone--
"He calls--I hear his voice, so sweet,--
"It seems to say--POOR MARGUERITE!"
Thus, wild she sung! when on the sand
She saw her long lost HENRY, stand:
Pale was his cheek, and on his breast
His icy hand he, silent, prest;
And now the Twilight shadows spread
Around the tall cliff's weedy head;
Far o'er the main the moon shone bright,
She mark'd the quiv'ring stream of light--
It danc'd upon the murm'ring wave
It danc'd upon--her HENRY'S Grave!
It mark'd his visage, deathly pale,--
His white shroud floating in the gale;
His speaking eyes--his smile so sweet
That won the love--of MARGUERITE!
And now he beckon'd her along
The curling moonlight waves among;
No footsteps mark'd the slanting sand
Where she had seen her HENRY stand!
She saw him o'er the billows go--
She heard the rising breezes blow;
She shriek'd aloud ! The echoing steep
Frown'd darkness on the troubled deep;
The moon in cloudy veil was seen,
And louder howl'd the night blast keen!--
And when the morn, in splendour dress'd,
Blush'd radiance on the Eagle's nest,
That radiant blush was doom'd to greet--
The lifeless form --of MARGUERITE!
|
Written by
William Blake |
I went to the Garden of Love.
And saw what I never had seen:
A Chapel was built in the midst,
Where I used to play on the green.
And the gates of this Chapel were shut,
And Thou shalt not, writ over the door;
So I turn'd to the Garden of Love,
That so many sweet flowers bore,
And I saw it was filled with graves,
And tomb-stones where flowers should be:
And priests in black gowns, were walking their rounds,
And binding with briars, my joys & desires.
|
Written by
Seamus Heaney |
Late August, given heavy rain and sun
For a full week, the blackberries would ripen.
At first, just one, a glossy purple clot
Among others, red, green, hard as a knot.
You ate that first one and its flesh was sweet
Like thickened wine: summer's blood was in it
Leaving stains upon the tongue and lust for
Picking.
Then red ones inked up and that hunger
Sent us out with milk cans, pea tins, jam-pots
Where briars scratched and wet grass bleached our boots.
Round hayfields, cornfields and potato-drills
We trekked and picked until the cans were full
Until the tinkling bottom had been covered
With green ones, and on top big dark blobs burned
Like a plate of eyes.
Our hands were peppered
With thorn pricks, our palms sticky as Bluebeard's.
We hoarded the fresh berries in the byre.
But when the bath was filled we found a fur,
A rat-grey fungus, glutting on our cache.
The juice was stinking too.
Once off the bush
The fruit fermented, the sweet flesh would turn sour.
I always felt like crying.
It wasn't fair
That all the lovely canfuls smelt of rot.
Each year I hoped they'd keep, knew they would not.
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