by
Shel Silverstein
Well, my daddy left home when I was three,
and he didn't leave much to Ma and me,
just this old guitar and a bottle of booze.
Now I don't blame him because he run and hid,
but the meanest thing that he ever did was
before he left he went and named me Sue.
Well, he must have thought it was quite a joke,
and it got lots of laughs from a lot of folks,
it seems I had to fight my whole life through.
Some gal would giggle and I'd get red
and some guy would laugh and I'd bust his head,
I tell you, life ain't easy for a boy named Sue.
Well, I grew up quick and I grew up mean.
My fist got hard and my wits got keen.
Roamed from town to town to hide my shame,
but I made me a vow to the moon and the stars,
I'd search the honky tonks and bars and kill
that man that gave me that awful name.
But it was Gatlinburg in mid July and I had
just hit town and my throat was dry.
I'd thought i'd stop and have myself a brew.
At an old saloon in a street of mud
and at a table dealing stud sat the dirty,
mangy dog that named me Sue.
Well, I knew that snake was my own sweet dad
from a worn-out picture that my mother had
and I knew the scar on his cheek and his evil eye.
He was big and bent and gray and old
and I looked at him and my blood ran cold,
and I said, "My name is Sue. How do you do?
Now you're gonna die." Yeah, that's what I told him.
Well, I hit him right between the eyes and he went down
but to my surprise he came up with a knife
and cut off a piece of my ear. But I busted a chair
right across his teeth. And we crashed through
the wall and into the street kicking and a-gouging
in the mud and the blood and the beer.
I tell you I've fought tougher men but I really can't remember when.
He kicked like a mule and bit like a crocodile.
I heard him laughin' and then I heard him cussin',
he went for his gun and I pulled mine first.
He stood there looking at me and I saw him smile.
And he said, "Son, this world is rough and if
a man's gonna make it, he's gotta be tough
and I knew I wouldn't be there to help you along.
So I gave you that name and I said 'Goodbye'.
I knew you'd have to get tough or die. And it's
that name that helped to make you strong."
Yeah, he said, "Now you have just fought one
helluva fight, and I know you hate me and you've
got the right to kill me now and I wouldn't blame you
if you do. But you ought to thank me
before I die for the gravel in your guts and the spit
in your eye because I'm the nut that named you Sue."
Yeah, what could I do? What could I do?
I got all choked up and I threw down my gun,
called him pa and he called me a son,
and I came away with a different point of view
and I think about him now and then.
Every time I tried, every time I win and if I
ever have a son I think I am gonna name him
Bill or George - anything but Sue.
|
by
Wendell Berry
I.
I dream of you walking at night along the streams
of the country of my birth, warm blooms and the nightsongs
of birds opening around you as you walk.
You are holding in your body the dark seed of my sleep.
II.
This comes after silence. Was it something I said
that bound me to you, some mere promise
or, worse, the fear of loneliness and death?
A man lost in the woods in the dark, I stood
still and said nothing. And then there rose in me,
like the earth's empowering brew rising
in root and branch, the words of a dream of you
I did not know I had dreamed. I was a wanderer
who feels the solace of his native land
under his feet again and moving in his blood.
I went on, blind and faithful. Where I stepped
my track was there to steady me. It was no abyss
that lay before me, but only the level ground.
III.
Sometimes our life reminds me
of a forest in which there is a graceful clearing
and in that opening a house,
an orchard and garden,
comfortable shades, and flowers
red and yellow in the sun, a pattern
made in the light for the light to return to.
The forest is mostly dark, its ways
to be made anew day after day, the dark
richer than the light and more blessed,
provided we stay brave
enough to keep on going in.
IV.
How many times have I come to you out of my head
with joy, if ever a man was,
for to approach you I have given up the light
and all directions. I come to you
lost, wholly trusting as a man who goes
into the forest unarmed. It is as though I descend
slowly earthward out of the air. I rest in peace
in you, when I arrive at last.
V.
Our bond is no little economy based on the exchange
of my love and work for yours, so much for so much
of an expendable fund. We don't know what its limits are--
that puts us in the dark. We are more together
than we know, how else could we keep on discovering
we are more together than we thought?
You are the known way leading always to the unknown,
and you are the known place to which the unknown is always
leading me back. More blessed in you than I know,
I possess nothing worthy to give you, nothing
not belittled by my saying that I possess it.
Even an hour of love is a moral predicament, a blessing
a man may be hard up to be worthy of. He can only
accept it, as a plant accepts from all the bounty of the light
enough to live, and then accepts the dark,
passing unencumbered back to the earth, as I
have fallen tine and again from the great strength
of my desire, helpless, into your arms.
VI.
What I am learning to give you is my death
to set you free of me, and me from myself
into the dark and the new light. Like the water
of a deep stream, love is always too much. We
did not make it. Though we drink till we burst
we cannot have it all, or want it all.
In its abundance it survives our thirst.
In the evening we come down to the shore
to drink our fill, and sleep, while it
flows through the regions of the dark.
It does not hold us, except we keep returning
to its rich waters thirsty. We enter,
willing to die, into the commonwealth of its joy.
VII.
I give you what is unbounded, passing from dark to dark,
containing darkness: a night of rain, an early morning.
I give you the life I have let live for the love of you:
a clump of orange-blooming weeds beside the road,
the young orchard waiting in the snow, our own life
that we have planted in the ground, as I
have planted mine in you. I give you my love for all
beautiful and honest women that you gather to yourself
again and again, and satisfy--and this poem,
no more mine than any man's who has loved a woman.
|
by
Robert William Service
I envy not those gay galoots
Who count on dying in their boots;
For that, to tell the sober truth
Sould be the privilege of youth;
But aged bones are better sped
To heaven from a downy bed.
So prop me up with pillows two,
And serve me with the barley brew;
And put a pencil in my hand,
A copy book at my command;
And let my final effort be
To ring a rhyme of homely glee.
For since I've loved it oh so long,
Let my last labour be in song;
And when my pencil falters down,
Oh may a final couplet crown
The years of striving I have made
To justify the jinglers trade.
Let me surrender with a rhyme
My long and lovely lease of time;
Let me be grateful for the gift
To couple words in lyric lift;
Let me song-build with humble hod,
My last brick dedicate to God.
|
by
Anne Sexton
Inside many of us
is a small old man
who wants to get out.
No bigger than a two-year-old
whom you'd call lamb chop
yet this one is old and malformed.
His head is okay
but the rest of him wasn't Sanforized?
He is a monster of despair.
He is all decay.
He speaks up as tiny as an earphone
with Truman's asexual voice:
I am your dwarf.
I am the enemy within.
I am the boss of your dreams.
No. I am not the law in your mind,
the grandfather of watchfulness.
I am the law of your members,
the kindred of blackness and impulse.
See. Your hand shakes.
It is not palsy or booze.
It is your Doppelganger
trying to get out.
Beware . . . Beware . . .
There once was a miller
with a daughter as lovely as a grape.
He told the king that she could
spin gold out of common straw.
The king summoned the girl
and locked her in a room full of straw
and told her to spin it into gold
or she would die like a criminal.
Poor grape with no one to pick.
Luscious and round and sleek.
Poor thing.
To die and never see Brooklyn.
She wept,
of course, huge aquamarine tears.
The door opened and in popped a dwarf.
He was as ugly as a wart.
Little thing, what are you? she cried.
With his tiny no-sex voice he replied:
I am a dwarf.
I have been exhibited on Bond Street
and no child will ever call me Papa.
I have no private life.
If I'm in my cups the whole town knows by breakfast
and no child will ever call me Papa
I am eighteen inches high.
I am no bigger than a partridge.
I am your evil eye
and no child will ever call me Papa.
Stop this Papa foolishness,
she cried. Can you perhaps
spin straw into gold?
Yes indeed, he said,
that I can do.
He spun the straw into gold
and she gave him her necklace
as a small reward.
When the king saw what she had done
he put her in a bigger room of straw
and threatened death once more.
Again she cried.
Again the dwarf came.
Again he spun the straw into gold.
She gave him her ring
as a small reward.
The king put her in an even bigger room
but this time he promised
to marry her if she succeeded.
Again she cried.
Again the dwarf came.
But she had nothing to give him.
Without a reward the dwarf would not spin.
He was on the scent of something bigger.
He was a regular bird dog.
Give me your first-born
and I will spin.
She thought: Piffle!
He is a silly little man.
And so she agreed.
So he did the trick.
Gold as good as Fort Knox.
The king married her
and within a year
a son was born.
He was like most new babies,
as ugly as an artichoke
but the queen thought him in pearl.
She gave him her dumb lactation,
delicate, trembling, hidden,
warm, etc.
And then the dwarf appeared
to claim his prize.
Indeed! I have become a papa!
cried the little man.
She offered him all the kingdom
but he wanted only this -
a living thing
to call his own.
And being mortal
who can blame him?
The queen cried two pails of sea water.
She was as persistent
as a Jehovah's Witness.
And the dwarf took pity.
He said: I will give you
three days to guess my name
and if you cannot do it
I will collect your child.
The queen sent messengers
throughout the land to find names
of the most unusual sort.
When he appeared the next day
she asked: Melchior?
Balthazar?
But each time the dwarf replied:
No! No! That's not my name.
The next day she asked:
Spindleshanks? Spiderlegs?
But it was still no-no.
On the third day the messenger
came back with a strange story.
He told her:
As I came around the corner of the wood
where the fox says good night to the hare
I saw a little house with a fire
burning in front of it.
Around that fire a ridiculous little man
was leaping on one leg and singing:
Today I bake.
Tomorrow I brew my beer.
The next day the queen's only child will be mine.
Not even the census taker knows
that Rumpelstiltskin is my name . . .
The queen was delighted.
She had the name!
Her breath blew bubbles.
When the dwarf returned
she called out:
Is your name by any chance Rumpelstiltskin?
He cried: The devil told you that!
He stamped his right foot into the ground
and sank in up to his waist.
Then he tore himself in two.
Somewhat like a split broiler.
He laid his two sides down on the floor,
one part soft as a woman,
one part a barbed hook,
one part papa,
one part Doppelganger.
|
by
John Dryden
Consecrated to the Glorious Memory of His
Most Serene and Renowned Highness, Oliver,
Late Lord Protector of This Commonwealth, etc.
(Oliver Cromwell)
Written After the Celebration of his Funeral
1
And now 'tis time; for their officious haste,
Who would before have borne him to the sky,
Like eager Romans ere all rites were past
Did let too soon the sacred eagle fly.
2
Though our best notes are treason to his fame
Join'd with the loud applause of public voice;
Since Heav'n, what praise we offer to his name,
Hath render'd too authentic by its choice;
3
Though in his praise no arts can liberal be,
Since they whose Muses have the highest flown
Add not to his immortal memory,
But do an act of friendship to their own;
4
Yet 'tis our duty and our interest too
Such monuments as we can build to raise,
Lest all the world prevent what we should do
And claim a title in him by their praise.
5
How shall I then begin, or where conclude
To draw a fame so truly circular?
For in a round what order can be shew'd,
Where all the parts so equal perfect are?
6
His grandeur he deriv'd from Heav'n alone,
For he was great ere fortune made him so,
And wars like mists that rise against the sun
Made him but greater seem, not greater grown.
7
No borrow'd bays his temples did adorn,
But to our crown he did fresh jewels bring.
Nor was his virtue poison'd soon as born
With the too early thoughts of being king.
8
Fortune (that easy mistress of the young
But to her ancient servant coy and hard)
Him at that age her favorites rank'd among
When she her best-lov'd Pompey did discard.
9
He, private, mark'd the faults of others' sway,
And set as sea-marks for himself to shun,
Not like rash monarchs who their youth betray
By acts their age too late would wish undone.
10
And yet dominion was not his design;
We owe that blessing not to him but Heaven,
Which to fair acts unsought rewards did join,
Rewards that less to him than us were given.
11
Our former chiefs like sticklers of the war
First sought t'inflame the parties, then to poise,
The quarrel lov'd, but did the cause abhor,
And did not strike to hurt but make a noise.
12
War, our consumption, was their gainfull trade;
We inward bled whilst they prolong'd our pain;
He fought to end our fighting and assay'd
To stanch the blood by breathing of the vein.
13
Swift and resistless through the land he pass'd
Like that bold Greek who did the east subdue,
And made to battles such heroic haste
As if on wings of victory he flew.
14
He fought secure of fortune as of fame,
Till by new maps the island might be shown,
Of conquests which he strew'd where'er he came
Thick as a galaxy with stars is sown.
15
His palms, though under weights they did not stand,
Still thriv'd; no winter could his laurels fade;
Heav'n in his portrait shew'd a workman's hand
And drew it perfect yet without a shade.
16
Peace was the prize of all his toils and care,
Which war had banish'd and did now restore;
Bologna's walls thus mounted in the air
To seat themselves more surely than before.
17
Her safety rescu'd Ireland to him owes,
And treacherous Scotland, to no int'rest true,
Yet bless'd that fate which did his arms dispose
Her land to civilize as to subdue.
18
Nor was he like those stars which only shine
When to pale mariners they storms portend;
He had his calmer influence, and his mien
Did love and majesty together blend.
19
'Tis true, his count'nance did imprint an awe,
And naturally all souls to his did bow,
As wands of divination downward draw
And points to beds where sov'reign gold doth grow.
20
When past all offerings to Feretrian Jove,
He Mars depos'd and arms to gowns made yield;
Successful councils did him soon approve
As fit for close intrigues as open field.
21
To suppliant Holland he vouchsaf'd a peace,
Our once bold rival in the British main,
Now tamely glad her unjust claim to cease
And buy our friendship with her idol, gain.
22
Fame of th' asserted sea through Europe blown
Made France and Spain ambitious of his love;
Each knew that side must conquer he would own,
And for him fiercely as for empire strove.
23
No sooner was the Frenchman's cause embrac'd
Than the light monsieur the grave don outweigh'd;
His fortune turn'd the scale where it was cast,
Though Indian mines were in the other laid.
24
When absent, yet we conquer'd in his right,
For though some meaner artist's skill were shown
In mingling colours, or in placing light,
Yet still the fair designment was his own.
25
For from all tempers he could service draw;
The worth of each with its alloy he knew,
And as the confidant of Nature saw
How she complexions did divide and brew.
26
Or he their single virtues did survey
By intuition in his own large breast,
Where all the rich ideas of them lay,
That were the rule and measure to the rest.
27
When such heroic virtue Heav'n sets out,
The stars like Commons sullenly obey,
Because it drains them when it comes about,
And therefore is a tax they seldom pay.
28
From this high spring our foreign conquests flow,
Which yet more glorious triumphs do portend,
Since their commencement to his arms they owe,
If springs as high as fountains may ascend.
29
He made us freemen of the continent
Whom Nature did like captives treat before,
To nobler preys the English lion sent,
And taught him first in Belgian walks to roar.
30
That old unquestion'd pirate of the land,
Proud Rome, with dread the fate of Dunkirk heard,
And trembling wish'd behind more Alps to stand,
Although an Alexander were here guard.
31
By his command we boldly cross'd the line
And bravely fought where southern stars arise,
We trac'd the far-fetch'd gold unto the mine
And that which brib'd our fathers made our prize.
32
Such was our prince; yet own'd a soul above
The highest acts it could produce to show:
Thus poor mechanic arts in public move
Whilst the deep secrets beyond practice go.
33
Nor di'd he when his ebbing fame went less,
But when fresh laurels courted him to live;
He seem'd but to prevent some new success,
As if above what triumphs earth could give.
34
His latest victories still thickest came,
As near the center motion does increase,
Till he, press'd down by his own weighty name,
Did, like the vestal, under spoils decrease.
35
But first the ocean as a tribute sent
That giant prince of all her watery herd,
And th' isle when her protecting genius went
Upon his obsequies loud sighs conferr'd.
36
No civil broils have since his death arose,
But faction now by habit does obey,
And wars have that respect for his repose,
As winds for halycons when they breed at sea.
37
His ashes in a peaceful urn shall rest;
His name a great example stands to show
How strangely high endeavours may be blest,
Where piety and valour jointly go.
|
by
Robert William Service
You want me to tell you a story, a yarn of the firin' line,
Of our thin red kharki 'eroes, out there where the bullets whine;
Out there where the bombs are bustin',
and the cannons like 'ell-doors slam --
Just order another drink, boys, and I'll tell you of Soulful Sam.
Oh, Sam, he was never 'ilarious, though I've 'ad some mates as was wus;
He 'adn't C. B. on his programme, he never was known to cuss.
For a card or a skirt or a beer-mug he 'adn't a friendly word;
But when it came down to Scriptures, say! Wasn't he just a bird!
He always 'ad tracts in his pocket, the which he would haste to present,
And though the fellers would use them in ways that they never was meant,
I used to read 'em religious, and frequent I've been impressed
By some of them bundles of 'oly dope he carried around in his vest.
For I -- and oh, 'ow I shudder at the 'orror the word conveys!
'Ave been -- let me whisper it 'oarsely -- a gambler 'alf of me days;
A gambler, you 'ear -- a gambler. It makes me wishful to weep,
And yet 'ow it's true, my brethren! -- I'd rather gamble than sleep.
I've gambled the 'ole world over, from Monte Carlo to Maine;
From Dawson City to Dover, from San Francisco to Spain.
Cards! They 'ave been me ruin. They've taken me pride and me pelf,
And when I'd no one to play with -- why, I'd go and I'd play by meself.
And Sam 'e would sit and watch me, as I shuffled a greasy deck,
And 'e'd say: "You're bound to Perdition,"
And I'd answer: "Git off me neck!"
And that's 'ow we came to get friendly, though built on a different plan,
Me wot's a desprite gambler, 'im sich a good young man.
But on to me tale. Just imagine . . . Darkness! The battle-front!
The furious 'Uns attackin'! Us ones a-bearin' the brunt!
Me crouchin' be'ind a sandbag, tryin' 'ard to keep calm,
When I 'ears someone singin' a 'ymn toon; be'old! it is Soulful Sam.
Yes; right in the crash of the combat, in the fury of flash and flame,
'E was shootin' and singin' serenely as if 'e enjoyed the same.
And there in the 'eat of the battle, as the 'ordes of demons attacked,
He dipped down into 'is tunic, and 'e 'anded me out a tract.
Then a star-shell flared, and I read it: Oh, Flee From the Wrath to Come!
Nice cheerful subject, I tell yer, when you're 'earin' the bullets 'um.
And before I 'ad time to thank 'im, just one of them bits of lead
Comes slingin' along in a 'urry, and it 'its my partner. . . . Dead?
No, siree! not by a long sight! For it plugged 'im 'ard on the chest,
Just where 'e'd tracts for a army corps stowed away in 'is vest.
On its mission of death that bullet 'ustled along, and it caved
A 'ole in them tracts to 'is 'ide, boys -- but the life o' me pal was saved.
And there as 'e showed me in triumph, and 'orror was chokin' me breath,
On came another bullet on its 'orrible mission of death;
On through the night it cavorted, seekin' its 'aven of rest,
And it zipped through a crack in the sandbags, and it wolloped me bang on the breast.
Was I killed, do you ask? Oh no, boys. Why am I sittin' 'ere
Gazin' with mournful vision at a mug long empty of beer?
With a throat as dry as a -- oh, thanky! I don't much mind if I do.
Beer with a dash of 'ollands, that's my particular brew.
Yes, that was a terrible moment. It 'ammered me 'ard o'er the 'eart;
It bowled me down like a nine-pin, and I looked for the gore to start;
And I saw in the flash of a moment, in that thunder of hate and strife,
Me wretched past like a pitchur -- the sins of a gambler's life.
For I 'ad no tracts to save me, to thwart that mad missile's doom;
I 'ad no pious pamphlets to 'elp me to cheat the tomb;
I 'ad no 'oly leaflets to baffle a bullet's aim;
I'd only -- a deck of cards, boys, but . . . it seemed to do just the same.
|
by
Robert William Service
Although the Preacher be a bore,
The Atheist is even more.
I ain't religious worth a damn;
My views are reckoned to be broad;
And yet I shut up like a clam
When folks get figgerin' on God;
I'd hate my kids to think like me,
And though they leave me in the lurch,
I'm always mighty glad to see
My fam'ly trot to Church.
Although of books I have a shelf
Of skeptic stuff, I must confess
I keep their knowledge to myself:
Doubt doesn't help to happiness.
I never scoff at Holy Writ,
But envy those who hold it true,
And though I've never been in it
I'm proud to own a pew.
I always was a doubting Tom;
I guess some lads are born that way.
I couldn't stick religion from
The time I broke the Sabbath Day.
Yet unbelief's a bitter brew,
And this in arid ways I've learned;
If you believe a thing, it's true
As far as your concerned.
I'm sentimental, I agree,
For how it always makes me glad
To turn from Ingersoll and see
My little girls Communion-clad.
And as to church my people plod
I cry to them with simple glee:
"Say, folks, if you should talk to God,
Put in a word for me."
|
by
Chris Tusa
after Sue Owen
Born from flour anointed with oil,
from a roux dark and mean as a horse’s breath,
you remind me of some strange, mystical stew
spawned from a muddy version of Macbeth.
Only someone’s replaced the spells with spices,
the witches with a Cajun chef.
Maybe you’re a recipe torn from Satan’s Cookbook,
a kind of dumb-downed devil’s brew
where evil stirs its wicked spoon
in a swampy sacrificial hue.
Maybe God damned the okra that thickens
your soup, the muddy bones that haunt your stew.
Maybe this is why, when we smell the cayenne,
we’re struck dumb as a moth.
Maybe this is why everything that crawls or flies
seems to find its way into your swampy broth.
|
by
Robert William Service
Heigh ho! to sleep I vainly try;
Since twelve I haven't closed an eye,
And now it's three, and as I lie,
From Notre Dame to St. Denis
The bells of Paris chime to me;
"You're young," they say, "and strong and free."
I do not turn with sighs and groans
To ease my limbs, to rest my bones,
As if my bed were stuffed with stones,
No peevish murmur tips my tongue --
Ah no! for every sound upflung
Says: "Lad, you're free and strong and young."
And so beneath the sheet's caress
My body purrs with happiness;
Joy bubbles in my veins. . . . Ah yes,
My very blood that leaps along
Is chiming in a joyous song,
Because I'm young and free and strong.
Maybe it is the springtide. I am so happy I am afraid.
The sense of living fills me with exultation. I want to sing,
to dance; I am dithyrambic with delight.
I think the moon must be to blame:
It fills the room with fairy flame;
It paints the wall, it seems to pour
A dappled flood upon the floor.
I rise and through the window stare . . .
Ye gods! how marvelously fair!
From Montrouge to the Martyr's Hill,
A silver city rapt and still;
Dim, drowsy deeps of opal haze,
And spire and dome in diamond blaze;
The little lisping leaves of spring
Like sequins softly glimmering;
Each roof a plaque of argent sheen,
A gauzy gulf the space between;
Each chimney-top a thing of grace,
Where merry moonbeams prank and chase;
And all that sordid was and mean,
Just Beauty, deathless and serene.
O magic city of a dream!
From glory unto glory gleam;
And I will gaze and pity those
Who on their pillows drowse and doze . . .
And as I've nothing else to do,
Of tea I'll make a rousing brew,
And coax my pipes until they croon,
And chant a ditty to the moon.
There! my tea is black and strong. Inspiration comes with
every sip. Now for the moon.
The moon peeped out behind the hill
As yellow as an apricot;
Then up and up it climbed until
Into the sky it fairly got;
The sky was vast and violet;
The poor moon seemed to faint in fright,
And pale it grew and paler yet,
Like fine old silver, rinsed and bright.
And yet it climbed so bravely on
Until it mounted heaven-high;
Then earthward it serenely shone,
A silver sovereign of the sky,
A bland sultana of the night,
Surveying realms of lily light.
|
by
Robert William Service
You make it in your mess-tin by the brazier's rosy gleam;
You watch it cloud, then settle amber clear;
You lift it with your bay'nit, and you sniff the fragrant steam;
The very breath of it is ripe with cheer.
You're awful cold and dirty, and a-cursin' of your lot;
You scoff the blushin' 'alf of it, so rich and rippin' 'ot;
It bucks you up like anythink, just seems to touch the spot:
God bless the man that first discovered Tea!
Since I came out to fight in France, which ain't the other day,
I think I've drunk enough to float a barge;
All kinds of fancy foreign dope, from caffy and doo lay,
To rum they serves you out before a charge.
In back rooms of estaminays I've gurgled pints of cham;
I've swilled down mugs of cider till I've felt a bloomin' dam;
But 'struth! they all ain't in it with the vintage of Assam:
God bless the man that first invented Tea!
I think them lazy lumps o' gods wot kips on asphodel
Swigs nectar that's a flavour of Oolong;
I only wish them sons o' guns a-grillin' down in 'ell
Could 'ave their daily ration of Suchong.
Hurrah! I'm off to battle, which is 'ell and 'eaven too;
And if I don't give some poor bloke a sexton's job to do,
To-night, by Fritz's campfire, won't I 'ave a gorgeous brew
(For fightin' mustn't interfere with Tea).
To-night we'll all be tellin' of the Boches that we slew,
As we drink the giddy victory in Tea.
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