Written by
Billy Collins |
In most self-portraits it is the face that dominates:
Cezanne is a pair of eyes swimming in brushstrokes,
Van Gogh stares out of a halo of swirling darkness,
Rembrant looks relieved as if he were taking a breather
from painting The Blinding of Sampson.
But in this one Goya stands well back from the mirror
and is seen posed in the clutter of his studio
addressing a canvas tilted back on a tall easel.
He appears to be smiling out at us as if he knew
we would be amused by the extraordinary hat on his head
which is fitted around the brim with candle holders,
a device that allowed him to work into the night.
You can only wonder what it would be like
to be wearing such a chandelier on your head
as if you were a walking dining room or concert hall.
But once you see this hat there is no need to read
any biography of Goya or to memorize his dates.
To understand Goya you only have to imagine him
lighting the candles one by one, then placing
the hat on his head, ready for a night of work.
Imagine him surprising his wife with his new invention,
the laughing like a birthday cake when she saw the glow.
Imagine him flickering through the rooms of his house
with all the shadows flying across the walls.
Imagine a lost traveler knocking on his door
one dark night in the hill country of Spain.
"Come in, " he would say, "I was just painting myself,"
as he stood in the doorway holding up the wand of a brush,
illuminated in the blaze of his famous candle hat.
|
Written by
Charles Bukowski |
there is always that space there
just before they get to us
that space
that fine relaxer
the breather
while say
flopping on a bed
thinking of nothing
or say
pouring a glass of water from the
spigot
while entranced by
nothing
that
gentle pure
space
it's worth
centuries of
existence
say
just to scratch your neck
while looking out the window at
a bare branch
that space
there
before they get to us
ensures
that
when they do
they won't
get it all
ever.
|
Written by
Marriott Edgar |
I'll tell you a seafaring story,
Of a lad who won honour and fame
Wi' Nelson at Battle 'Trafalgar,
Joe Moggeridge, that were his name.
He were one of the crew of the Victory,
His job when a battle begun
Was to take cannon balls out o' basket
And shove 'em down front end o' gun.
One day him and Nelson were boxing,
The compass, like sailor lads do.
When 'Ardy comes up wi' a spyglass,
And pointing, says "'Ere, take a screw!"
They looked to were 'Ardy were pointing,
And saw lots o' ships in a row.
Joe says abrupt like but respectful,
"'Oratio lad, yon's the foe.
"
'What say we attack 'em?' says Nelson,
Says Joe 'Nay lad, not today.
'
And 'Ardy says, 'Aye, well let's toss up.
'
'Oratio answers 'Okay.
'
They tossed.
.
.
it were heads for attacking,
And tails for t'other way 'bout.
Joe lent them his two-headed penny,
So the answer was never in doubt.
When penny came down 'ead side uppards,
They was in for a do it were plain,
And Joe murmered 'Shiver me timbers.
'
And Nelson kissed 'Ardy again.
And then, taking flags out o' locker,
'E strung out a message on high.
'T were all about England and duty,
Crew thought they was 'ung out to dry.
They got the guns ready for action,
And that gave 'em trouble enough.
They 'adn't been fired all the summer,
And touch-holes were bunged up wi' fluff.
Joe's cannon, it weren't 'alf a corker,
The cannon balls went three foot round.
They wasn't no toy balloons either,
They weighed close on sixty-five pound.
Joe, selecting two of the largest,
Was going to load double for luck.
When a hot shot came in thro' the porthole,
And a gunpowder barrel got struck.
By gum! there weren't 'alf an explosion,
The gun crew were filled with alarm.
As out of the porthole went Joseph,
Wi' a cannon ball under each arm.
At that moment up came the 'Boat-swine'
He says 'Where's Joe?' Gunner replied.
.
.
'E's taken two cannon balls with 'im,
And gone for a breather outside.
'
'Do y' think he'll be long?' said the 'Boat-swine'
The gunner replied, 'If as 'ow,
'E comes back as quick as 'e left us,
'E should be 'ere any time now.
And all this time Joe, treading water,
Was trying 'is 'ardest to float.
'E shouted thro' turmoil of battle,
'Tell someone to lower a boat.
'
'E'd come to the top for assistance,
Then down to the bottom he'd go;
This up and down kind of existence,
Made everyone laugh.
.
.
except Joe.
At last 'e could stand it no longer,
And next time 'e came to the top.
'E said 'If you don't come and save me,
I'll let these 'ere cannon balls drop.
'
'T were Nelson at finish who saved him,
And 'e said Joe deserved the V.
C.
But finding 'e 'adn't one 'andy,
'E gave Joe an egg for 'is tea.
And after the battle was over,
And vessel was safely in dock.
The sailors all saved up their coupons,
And bought Joe a nice marble clock.
|
Written by
Robert William Service |
Me and Ed and a stretcher
Out on the nootral ground.
(If there's one dead corpse, I'll betcher
There's a 'undred smellin' around.
)
Me and Eddie O'Brian,
Both of the R.
A.
M.
C.
"It'as a 'ell of a night
For a soul to take flight,"
As Eddie remarks to me.
Me and Ed crawlin' 'omeward,
Thinkin' our job is done,
When sudden and clear,
Wot do we 'ear:
'Owl of a wounded 'Un.
"Got to take 'im," snaps Eddy;
"Got to take all we can.
'E may be a Germ
Wiv the 'eart of a worm,
But, blarst 'im! ain't 'e a man?"
So 'e sloshes out fixin' a dressin'
('E'd always a medical knack),
When that wounded 'Un
'E rolls to 'is gun,
And 'e plugs me pal in the back.
Now what would you do? I arst you.
There was me slaughtered mate.
There was that 'Un
(I'd collered 'is gun),
A-snarlin' 'is 'ymn of 'ate.
Wot did I do? 'Ere, whisper .
.
.
'E'd a shiny bald top to 'is 'ead,
But when I got through,
Between me and you,
It was 'orrid and jaggy and red.
"'Ang on like a limpet, Eddy.
Thank Gord! you ain't dead after all.
"
It's slow and it's sure and it's steady
(Which is 'ard, for 'e's big and I'm small).
The rockets are shootin' and shinin',
It's rainin' a perishin' flood,
The bullets are buzzin' and whinin',
And I'm up to me stern in the mud.
There's all kinds of 'owlin' and 'ootin';
It's black as a bucket of tar;
Oh, I'm doin' my bit,
But I'm 'avin' a fit,
And I wish I was 'ome wiv Mar.
"Stick on like a plaster, Eddy.
Old sport, you're a-slackin' your grip.
"
Gord! But I'm crocky already;
My feet, 'ow they slither and slip!
There goes the biff of a bullet.
The Boches have got us for fair.
Another one -- WHUT!
The son of a ****!
'E managed to miss by a 'air.
'Ow! Wot was it jabbed at me shoulder?
Gave it a dooce of a wrench.
Is it Eddy or me
Wot's a-bleedin' so free?
Crust! but it's long to the trench.
I ain't just as strong as a Sandow,
And Ed ain't a flapper by far;
I'm blamed if I understand 'ow
We've managed to get where we are.
But 'ere's for a bit of a breather.
"Steady there, Ed, 'arf a mo'.
Old pal, it's all right;
It's a 'ell of a fight,
But are we down-'earted? No-o-o.
"
Now war is a funny thing, ain't it?
It's the rummiest sort of a go.
For when it's most real,
It's then that you feel
You're a-watchin' a cinema show.
'Ere's me wot's a barber's assistant.
Hey, presto! It's somewheres in France,
And I'm 'ere in a pit
Where a coal-box 'as 'it,
And it's all like a giddy romance.
The ruddy quick-firers are spittin',
The 'eavies are bellowin' 'ate,
And 'ere I am cashooly sittin',
And 'oldin' the 'ead of me mate.
Them gharstly green star-shells is beamin',
'Ot shrapnel is poppin' like rain,
And I'm sayin': "Bert 'Iggins, you're dreamin',
And you'll wake up in 'Ampstead again.
You'll wake up and 'ear yourself sayin':
`Would you like, sir, to 'ave a shampoo?'
'Stead of sheddin' yer blood
In the rain and the mud,
Which is some'ow the right thing to do;
Which is some'ow yer 'oary-eyed dooty,
Wot you're doin' the best wot you can,
For 'Ampstead and 'ome and beauty,
And you've been and you've slaughtered a man.
A feller wot punctured your partner;
Oh, you 'ammered 'im 'ard on the 'ead,
And you still see 'is eyes
Starin' bang at the skies,
And you ain't even sorry 'e's dead.
But you wish you was back in your diggin's
Asleep on your mouldy old stror.
Oh, you're doin' yer bit, 'Erbert 'Iggins,
But you ain't just enjoyin' the war.
"
"'Ang on like a hoctopus, Eddy.
It's us for the bomb-belt again.
Except for the shrap
Which 'as 'it me a tap,
I'm feelin' as right as the rain.
It's my silly old feet wot are slippin',
It's as dark as a 'ogs'ead o' sin,
But don't be oneasy, my pippin,
I'm goin' to pilot you in.
It's my silly old 'ead wot is reelin'.
The bullets is buzzin' like bees.
Me shoulder's red-'ot,
And I'm bleedin' a lot,
And me legs is on'inged at the knees.
But we're staggerin' nearer and nearer.
Just stick it, old sport, play the game.
I make 'em out clearer and clearer,
Our trenches a-snappin' with flame.
Oh, we're stumblin' closer and closer.
'Ang on there, lad! Just one more try.
Did you say: Put you down? Damn it, no, sir!
I'll carry you in if I die.
By cracky! old feller, they've seen us.
They're sendin' out stretchers for two.
Let's give 'em the hoorah between us
('Anged lucky we aren't booked through).
My flipper is mashed to a jelly.
A bullet 'as tickled your spleen.
We've shed lots of gore
And we're leakin' some more,
But -- wot a hoccasion it's been!
Ho! 'Ere comes the rescuin' party.
They're crawlin' out cautious and slow.
Come! Buck up and greet 'em, my 'earty,
Shoulder to shoulder -- so.
They mustn't think we was down-'earted.
Old pal, we was never down-'earted.
If they arsts us if we was down-'earted
We'll 'owl in their fyces: 'No-o-o!'"
|
Written by
Edna St Vincent Millay |
(Nicola Sacco -- Bartolomeo Vanzetti)
Executed August 23, 1927
I
As men have loved their lovers in times past
And sung their wit, their virtue and their grace,
So have we loved sweet Justice to the last,
That now lies here in an unseemly place.
The child will quit the cradle and grow wise
And stare on beauty till his senses drown;
Yet shall be seen no more by mortal eyes
Such beauty as here walked and here went down.
Like birds that hear the winter crying plain
Her courtiers leave to seek the clement south;
Many have praised her, we alone remain
To break a fist against the lying mouth
Of any man who says this was not so:
Though she be dead now, as indeed we know.
II
Where can the heart be hidden in the ground
And be at peace, and be at peace forever,
Under the world, untroubled by the sound
Of mortal tears, that cease from pouring never?
Well for the heart, by stern compassion harried,
If death be deeper than the churchmen say, --
Gone from this world indeed what's graveward carried,
And laid to rest indeed what's laid away.
Anguish enough while yet the indignant breather
Have blood to spurt upon the oppressor's hand;
Who would eternal be, and hang in ether
A stuffless ghost above his struggling land,
Retching in vain to render up the groan
That is not there, being aching dust's alone?
|
Written by
James Henry Leigh Hunt |
Amazing monster! that, for aught I know,
With the first sight of thee didst make our race
For ever stare! O flat and shocking face,
Grimly divided from the breast below!
Thou that on dry land horribly dost go
With a split body and most ridiculous pace,
Prong after prong, disgracer of all grace,
Long-useless-finned, haired, upright, unwet, slow!
O breather of unbreathable, sword-sharp air,
How canst exist? How bear thyself, thou dry
And dreary sloth? WHat particle canst share
Of the only blessed life, the watery?
I sometimes see of ye an actual pair
Go by! linked fin by fin! most odiously.
|
Written by
Walt Whitman |
1
CHANTING the square deific, out of the One advancing, out of the sides;
Out of the old and new—out of the square entirely divine,
Solid, four-sided, (all the sides needed).
.
.
from this side JEHOVAH am I,
Old Brahm I, and I Saturnius am;
Not Time affects me—I am Time, old, modern as any;
Unpersuadable, relentless, executing righteous judgments;
As the Earth, the Father, the brown old Kronos, with laws,
Aged beyond computation—yet ever new—ever with those mighty laws rolling,
Relentless, I forgive no man—whoever sins, dies—I will have that man’s
life;
Therefore let none expect mercy—Have the seasons, gravitation, the appointed days,
mercy?—No more have I;
But as the seasons, and gravitation—and as all the appointed days, that forgive not,
I dispense from this side judgments inexorable, without the least remorse.
2
Consolator most mild, the promis’d one advancing,
With gentle hand extended—the mightier God am I,
Foretold by prophets and poets, in their most rapt prophecies and poems;
From this side, lo! the Lord CHRIST gazes—lo! Hermes I—lo! mine is
Hercules’
face;
All sorrow, labor, suffering, I, tallying it, absorb in myself;
Many times have I been rejected, taunted, put in prison, and crucified—and many times
shall be again;
All the world have I given up for my dear brothers’ and sisters’ sake—for
the
soul’s sake;
Wending my way through the homes of men, rich or poor, with the kiss of affection;
For I am affection—I am the cheer-bringing God, with hope, and all-enclosing Charity;
(Conqueror yet—for before me all the armies and soldiers of the earth shall yet
bow—and all the weapons of war become impotent:)
With indulgent words, as to children—with fresh and sane words, mine only;
Young and strong I pass, knowing well I am destin’d myself to an early death:
But my Charity has no death—my Wisdom dies not, neither early nor late,
And my sweet Love, bequeath’d here and elsewhere, never dies.
3
Aloof, dissatisfied, plotting revolt,
Comrade of criminals, brother of slaves,
Crafty, despised, a drudge, ignorant,
With sudra face and worn brow, black, but in the depths of my heart, proud as any;
Lifted, now and always, against whoever, scorning, assumes to rule me;
Morose, full of guile, full of reminiscences, brooding, with many wiles,
(Though it was thought I was baffled and dispell’d, and my wiles done—but that
will
never be;)
Defiant, I, SATAN, still live—still utter words—in new lands duly appearing,
(and old
ones also;)
Permanent here, from my side, warlike, equal with any, real as any,
Nor time, nor change, shall ever change me or my words.
4
Santa SPIRITA, breather, life,
Beyond the light, lighter than light,
Beyond the flames of hell—joyous, leaping easily above hell;
Beyond Paradise—perfumed solely with mine own perfume;
Including all life on earth—touching, including God—including Saviour and Satan;
Ethereal, pervading all, (for without me, what were all? what were God?)
Essence of forms—life of the real identities, permanent, positive, (namely the
unseen,)
Life of the great round world, the sun and stars, and of man—I, the general Soul,
Here the square finishing, the solid, I the most solid,
Breathe my breath also through these songs.
|
Written by
George William Russell |
WHO would think this quiet breather
From the world had taken flight?
Yet within the form we see there
Wakes the Golden King to-night.
Out upon the face of faces
He looked forth before his sleep:
Now he knows the starry races
Haunters of the ancient deep.
On the Bird of Diamond Glory
Floats in mystic floods of song:
As he lists Time’s triple story
Seems but as a day is long.
From the mightier Adam falling
To his image dwarfed in clay,
He will at our voices calling
Come to this side of the day.
When he wakes, the dreamy-hearted,
He will know not whence he came,
And the light from which he parted
Be the seraph’s sword of flame,
And behind it hosts supernal
Guarding the lost paradise,
And the tree of life eternal
From the weeping human eyes.
|