Written by
Elizabeth Barrett Browning |
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of every day's
Most quiet need, by sun and candlelight.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love with a passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints, I love thee with the breath,
Smiles, tears, of all my life! and, if God choose,
I shall but love thee better after death.
|
Written by
Allen Ginsberg |
I
What new element before us unborn in nature? Is there
a new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,
Scientific theme
First penned unmindful by Doctor Seaborg with poison-
ous hand, named for Death's planet through the
sea beyond Uranus
whose chthonic ore fathers this magma-teared Lord of
Hades, Sire of avenging Furies, billionaire Hell-
King worshipped once
with black sheep throats cut, priests's face averted from
underground mysteries in single temple at Eleusis,
Spring-green Persephone nuptialed to his inevitable
Shade, Demeter mother of asphodel weeping dew,
her daughter stored in salty caverns under white snow,
black hail, grey winter rain or Polar ice, immemor-
able seasons before
Fish flew in Heaven, before a Ram died by the starry
bush, before the Bull stamped sky and earth
or Twins inscribed their memories in clay or Crab'd
flood
washed memory from the skull, or Lion sniffed the
lilac breeze in Eden--
Before the Great Year began turning its twelve signs,
ere constellations wheeled for twenty-four thousand
sunny years
slowly round their axis in Sagittarius, one hundred
sixty-seven thousand times returning to this night
Radioactive Nemesis were you there at the beginning
black dumb tongueless unsmelling blast of Disil-
lusion?
I manifest your Baptismal Word after four billion years
I guess your birthday in Earthling Night, I salute your
dreadful presence last majestic as the Gods,
Sabaot, Jehova, Astapheus, Adonaeus, Elohim, Iao,
Ialdabaoth, Aeon from Aeon born ignorant in an
Abyss of Light,
Sophia's reflections glittering thoughtful galaxies, whirl-
pools of starspume silver-thin as hairs of Einstein!
Father Whitman I celebrate a matter that renders Self
oblivion!
Grand Subject that annihilates inky hands & pages'
prayers, old orators' inspired Immortalities,
I begin your chant, openmouthed exhaling into spacious
sky over silent mills at Hanford, Savannah River,
Rocky Flats, Pantex, Burlington, Albuquerque
I yell thru Washington, South Carolina, Colorado,
Texas, Iowa, New Mexico,
Where nuclear reactors creat a new Thing under the
Sun, where Rockwell war-plants fabricate this death
stuff trigger in nitrogen baths,
Hanger-Silas Mason assembles the terrified weapon
secret by ten thousands, & where Manzano Moun-
tain boasts to store
its dreadful decay through two hundred forty millenia
while our Galaxy spirals around its nebulous core.
I enter your secret places with my mind, I speak with
your presence, I roar your Lion Roar with mortal
mouth.
One microgram inspired to one lung, ten pounds of
heavy metal dust adrift slow motion over grey
Alps
the breadth of the planet, how long before your radiance
speeds blight and death to sentient beings?
Enter my body or not I carol my spirit inside you,
Unnaproachable Weight,
O heavy heavy Element awakened I vocalize your con-
sciousness to six worlds
I chant your absolute Vanity.
Yeah monster of Anger
birthed in fear O most
Ignorant matter ever created unnatural to Earth! Delusion
of metal empires!
Destroyer of lying Scientists! Devourer of covetous
Generals, Incinerator of Armies & Melter of Wars!
Judgement of judgements, Divine Wind over vengeful
nations, Molester of Presidents, Death-Scandal of
Capital politics! Ah civilizations stupidly indus-
trious!
Canker-Hex on multitudes learned or illiterate! Manu-
factured Spectre of human reason! O solidified
imago of practicioner in Black Arts
I dare your reality, I challenge your very being! I
publish your cause and effect!
I turn the wheel of Mind on your three hundred tons!
Your name enters mankind's ear! I embody your
ultimate powers!
My oratory advances on your vaunted Mystery! This
breath dispels your braggart fears! I sing your
form at last
behind your concrete & iron walls inside your fortress
of rubber & translucent silicon shields in filtered
cabinets and baths of lathe oil,
My voice resounds through robot glove boxes & ignot
cans and echoes in electric vaults inert of atmo-
sphere,
I enter with spirit out loud into your fuel rod drums
underground on soundless thrones and beds of
lead
O density! This weightless anthem trumpets transcendent
through hidden chambers and breaks through
iron doors into the Infernal Room!
Over your dreadful vibration this measured harmony
floats audible, these jubilant tones are honey and
milk and wine-sweet water
Poured on the stone black floor, these syllables are
barley groats I scatter on the Reactor's core,
I call your name with hollow vowels, I psalm your Fate
close by, my breath near deathless ever at your
side
to Spell your destiny, I set this verse prophetic on your
mausoleum walls to seal you up Eternally with
Diamond Truth! O doomed Plutonium.
II
The Bar surveys Plutonian history from midnight
lit with Mercury Vapor streetlamps till in dawn's
early light
he contemplates a tranquil politic spaced out between
Nations' thought-forms proliferating bureaucratic
& horrific arm'd, Satanic industries projected sudden
with Five Hundred Billion Dollar Strength
around the world same time this text is set in Boulder,
Colorado before front range of Rocky Mountains
twelve miles north of Rocky Flats Nuclear Facility in
United States of North America, Western Hemi-
sphere
of planet Earth six months and fourteen days around
our Solar System in a Spiral Galaxy
the local year after Dominion of the last God nineteen
hundred seventy eight
Completed as yellow hazed dawn clouds brighten East,
Denver city white below
Blue sky transparent rising empty deep & spacious to a
morning star high over the balcony
above some autos sat with wheels to curb downhill
from Flatiron's jagged pine ridge,
sunlit mountain meadows sloped to rust-red sandstone
cliffs above brick townhouse roofs
as sparrows waked whistling through Marine Street's
summer green leafed trees.
III
This ode to you O Poets and Orators to come, you
father Whitman as I join your side, you Congress
and American people,
you present meditators, spiritual friends & teachers,
you O Master of the Diamond Arts,
Take this wheel of syllables in hand, these vowels and
consonants to breath's end
take this inhalation of black poison to your heart, breath
out this blessing from your breast on our creation
forests cities oceans deserts rocky flats and mountains
in the Ten Directions pacify with exhalation,
enrich this Plutonian Ode to explode its empty thunder
through earthen thought-worlds
Magnetize this howl with heartless compassion, destroy
this mountain of Plutonium with ordinary mind
and body speech,
thus empower this Mind-guard spirit gone out, gone
out, gone beyond, gone beyond me, Wake space,
so Ah!
July 14, 1978
|
Written by
Rudyard Kipling |
Oh, East is East, and West is West, and never the twain shall meet,
Till Earth and Sky stand presently at God's great Judgment Seat;
But there is neither East nor West, Border, nor Breed, nor Birth,
When two strong men stand face to face, tho' they come from the ends of the earth!
Kamal is out with twenty men to raise the Border-side,
And he has lifted the Colonel's mare that is the Colonel's pride:
He has lifted her out of the stable-door between the dawn and the day,
And turned the calkins upon her feet, and ridden her far away.
Then up and spoke the Colonel's son that led a troop of the Guides:
"Is there never a man of all my men can say where Kamal hides?"
Then up and spoke Mahommed Khan, the son of the Ressaldar:
"If ye know the track of the morning-mist, ye know where his pickets are.
At dusk he harries the Abazai -- at dawn he is into Bonair,
But he must go by Fort Bukloh to his own place to fare,
So if ye gallop to Fort Bukloh as fast as a bird can fly,
By the favour of God ye may cut him off ere he win to the Tongue of Jagai.
But if he be past the Tongue of Jagai, right swiftly turn ye then,
For the length and the breadth of that grisly plain is sown with Kamal's men.
There is rock to the left, and rock to the right, and low lean thorn between,
And ye may hear a breech-bolt snick where never a man is seen.
"
The Colonel's son has taken a horse, and a raw rough dun was he,
With the mouth of a bell and the heart of Hell
and the head of the gallows-tree.
The Colonel's son to the Fort has won, they bid him stay to eat --
Who rides at the tail of a Border thief, he sits not long at his meat.
He's up and away from Fort Bukloh as fast as he can fly,
Till he was aware of his father's mare in the gut of the Tongue of Jagai,
Till he was aware of his father's mare with Kamal upon her back,
And when he could spy the white of her eye, he made the pistol crack.
He has fired once, he has fired twice, but the whistling ball went wide.
"Ye shoot like a soldier," Kamal said.
"Show now if ye can ride.
"
It's up and over the Tongue of Jagai, as blown dustdevils go,
The dun he fled like a stag of ten, but the mare like a barren doe.
The dun he leaned against the bit and slugged his head above,
But the red mare played with the snaffle-bars, as a maiden plays with a glove.
There was rock to the left and rock to the right, and low lean thorn between,
And thrice he heard a breech-bolt snick tho' never a man was seen.
They have ridden the low moon out of the sky, their hoofs drum up the dawn,
The dun he went like a wounded bull, but the mare like a new-roused fawn.
The dun he fell at a water-course -- in a woful heap fell he,
And Kamal has turned the red mare back, and pulled the rider free.
He has knocked the pistol out of his hand -- small room was there to strive,
"'Twas only by favour of mine," quoth he, "ye rode so long alive:
There was not a rock for twenty mile, there was not a clump of tree,
But covered a man of my own men with his rifle cocked on his knee.
If I had raised my bridle-hand, as I have held it low,
The little jackals that flee so fast were feasting all in a row:
If I had bowed my head on my breast, as I have held it high,
The kite that whistles above us now were gorged till she could not fly.
"
Lightly answered the Colonel's son: "Do good to bird and beast,
But count who come for the broken meats before thou makest a feast.
If there should follow a thousand swords to carry my bones away,
Belike the price of a jackal's meal were more than a thief could pay.
They will feed their horse on the standing crop,
their men on the garnered grain,
The thatch of the byres will serve their fires when all the cattle are slain.
But if thou thinkest the price be fair, -- thy brethren wait to sup,
The hound is kin to the jackal-spawn, -- howl, dog, and call them up!
And if thou thinkest the price be high, in steer and gear and stack,
Give me my father's mare again, and I'll fight my own way back!"
Kamal has gripped him by the hand and set him upon his feet.
"No talk shall be of dogs," said he, "when wolf and gray wolf meet.
May I eat dirt if thou hast hurt of me in deed or breath;
What dam of lances brought thee forth to jest at the dawn with Death?"
Lightly answered the Colonel's son: "I hold by the blood of my clan:
Take up the mare for my father's gift -- by God, she has carried a man!"
The red mare ran to the Colonel's son, and nuzzled against his breast;
"We be two strong men," said Kamal then, "but she loveth the younger best.
So she shall go with a lifter's dower, my turquoise-studded rein,
My broidered saddle and saddle-cloth, and silver stirrups twain.
"
The Colonel's son a pistol drew and held it muzzle-end,
"Ye have taken the one from a foe," said he;
"will ye take the mate from a friend?"
"A gift for a gift," said Kamal straight; "a limb for the risk of a limb.
Thy father has sent his son to me, I'll send my son to him!"
With that he whistled his only son, that dropped from a mountain-crest --
He trod the ling like a buck in spring, and he looked like a lance in rest.
"Now here is thy master," Kamal said, "who leads a troop of the Guides,
And thou must ride at his left side as shield on shoulder rides.
Till Death or I cut loose the tie, at camp and board and bed,
Thy life is his -- thy fate it is to guard him with thy head.
So, thou must eat the White Queen's meat, and all her foes are thine,
And thou must harry thy father's hold for the peace of the Border-line,
And thou must make a trooper tough and hack thy way to power --
Belike they will raise thee to Ressaldar when I am hanged in Peshawur.
"
They have looked each other between the eyes, and there they found no fault,
They have taken the Oath of the Brother-in-Blood on leavened bread and salt:
They have taken the Oath of the Brother-in-Blood on fire and fresh-cut sod,
On the hilt and the haft of the Khyber knife, and the Wondrous Names of God.
The Colonel's son he rides the mare and Kamal's boy the dun,
And two have come back to Fort Bukloh where there went forth but one.
And when they drew to the Quarter-Guard, full twenty swords flew clear --
There was not a man but carried his feud with the blood of the mountaineer.
"Ha' done! ha' done!" said the Colonel's son.
"Put up the steel at your sides!
Last night ye had struck at a Border thief --
to-night 'tis a man of the Guides!"
Oh, East is East, and West is West, and never the twain shall meet,
Till Earth and Sky stand presently at God's great Judgment Seat;
But there is neither East nor West, Border, nor Breed, nor Birth,
When two strong men stand face to face, tho' they come from the ends of the earth!
|
Written by
Henry Van Dyke |
I
Thou who hast made thy dwelling fair
With flowers beneath, above with starry lights,
And set thine altars everywhere,--
On mountain heights,
In woodlands dim with many a dream,
In valleys bright with springs,
And on the curving capes of every stream:
Thou who hast taken to thyself the wings
Of morning, to abide
Upon the secret places of the sea,
And on far islands, where the tide
Visits the beauty of untrodden shores,
Waiting for worshippers to come to thee
In thy great out-of-doors!
To thee I turn, to thee I make my prayer,
God of the open air.
II
Seeking for thee, the heart of man
Lonely and longing ran,
In that first, solitary hour,
When the mysterious power
To know and love the wonder of the morn
Was breathed within him, and his soul was born;
And thou didst meet thy child,
Not in some hidden shrine,
But in the freedom of the garden wild,
And take his hand in thine,--
There all day long in Paradise he walked,
And in the cool of evening with thee talked.
III
Lost, long ago, that garden bright and pure,
Lost, that calm day too perfect to endure,
And lost the childlike love that worshipped and was sure!
For men have dulled their eyes with sin,
And dimmed the light of heaven with doubt,
And built their temple walls to shut thee in,
And framed their iron creeds to shut thee out.
But not for thee the closing of the door,
O Spirit unconfined!
Thy ways are free
As is the wandering wind,
And thou hast wooed thy children, to restore
Their fellowship with thee,
In peace of soul and simpleness of mind.
IV
Joyful the heart that, when the flood rolled by,
Leaped up to see the rainbow in the sky;
And glad the pilgrim, in the lonely night,
For whom the hills of Haran, tier on tier,
Built up a secret stairway to the height
Where stars like angel eyes were shining clear.
From mountain-peaks, in many a land and age,
Disciples of the Persian seer
Have hailed the rising sun and worshipped thee;
And wayworn followers of the Indian sage
Have found the peace of God beneath a spreading tree.
But One, but One,--ah, child most dear,
And perfect image of the Love Unseen,--
Walked every day in pastures green,
And all his life the quiet waters by,
Reading their beauty with a tranquil eye.
To him the desert was a place prepared
For weary hearts to rest;
The hillside was a temple blest;
The grassy vale a banquet-room
Where he could feed and comfort many a guest.
With him the lily shared
The vital joy that breathes itself in bloom;
And every bird that sang beside the nest
Told of the love that broods o'er every living thing.
He watched the shepherd bring
His flock at sundown to the welcome fold,
The fisherman at daybreak fling
His net across the waters gray and cold,
And all day long the patient reaper swing
His curving sickle through the harvest-gold.
So through the world the foot-path way he trod,
Drawing the air of heaven in every breath;
And in the evening sacrifice of death
Beneath the open sky he gave his soul to God.
Him will I trust, and for my Master take;
Him will I follow; and for his dear sake,
God of the open air,
To thee I make my prayer.
V
>From the prison of anxious thought that greed has builded,
>From the fetters that envy has wrought and pride has gilded,
>From the noise of the crowded ways and the fierce confusion,
>From the folly that wastes its days in a world of illusion,
(Ah, but the life is lost that frets and languishes there!)
I would escape and be free in the joy of the open air.
By the breadth of the blue that shines in silence o'er me,
By the length of the mountain-lines that stretch before me,
By the height of the cloud that sails, with rest in motion,
Over the plains and the vales to the measureless ocean,
(Oh, how the sight of the things that are great enlarges the eyes!)
Lead me out of the narrow life, to the peace of the hills
and the skies.
While the tremulous leafy haze on the woodland is spreading,
And the bloom on the meadow betrays where May has been treading;
While the birds on the branches above, and the brooks flowing under,
Are singing together of love in a world full of wonder,
(Lo, in the marvel of Springtime, dreams are changed into truth!)
Quicken my heart, and restore the beautiful hopes of youth.
By the faith that the flowers show when they bloom unbidden,
By the calm of the river's flow to a goal that is hidden,
By the trust of the tree that clings to its deep foundation,
By the courage of wild birds' wings on the long migration,
(Wonderful secret of peace that abides in Nature's breast!)
Teach me how to confide, and live my life, and rest.
For the comforting warmth of the sun that my body embraces,
For the cool of the waters that run through the shadowy places,
For the balm of the breezes that brush my face with their fingers,
For the vesper-hymn of the thrush when the twilight lingers,
For the long breath, the deep breath, the breath
of a heart without care,--
I will give thanks and adore thee, God of the open air!
VI
These are the gifts I ask
Of thee, Spirit serene:
Strength for the daily task,
Courage to face the road,
Good cheer to help me bear the traveller's load,
And, for the hours of rest that come between,
An inward joy in all things heard and seen.
These are the sins I fain
Would have thee take away:
Malice, and cold disdain,
Hot anger, sullen hate,
Scorn of the lowly, envy of the great,
And discontent that casts a shadow gray
On all the brightness of the common day.
These are the things I prize
And hold of dearest worth:
Light of the sapphire skies,
Peace of the silent hills,
Shelter of forests, comfort of the grass,
Music of birds, murmur of little rills,
Shadow of clouds that swiftly pass,
And, after showers,
The smell of flowers
And of the good brown earth,--
And best of all, along the way, friendship and mirth.
So let me keep
These treasures of the humble heart
In true possession, owning them by love;
And when at last I can no longer move
Among them freely, but must part
From the green fields and from the waters clear,
Let me not creep
Into some darkened room and hide
From all that makes the world so bright and dear;
But throw the windows wide
To welcome in the light;
And while I clasp a well-beloved hand,
Let me once more have sight
Of the deep sky and the far-smiling land,--
Then gently fall on sleep,
And breathe my body back to Nature's care,
My spirit out to thee, God of the open air.
|
Written by
W. E. B. Du Bois |
I was a little boy, at home with strangers.
I liked my playmates, and knew well,
Whence all their parents came;
From England, Scotland, royal France
From Germany and oft by chance
The humble Emerald Isle.
But my brown skin and close-curled hair
Was alien, and how it grew, none knew;
Few tried to say, some dropped a wonderful word or stray;
Some laughed and stared.
And then it came: I dreamed.
I placed together all I knew
All hints and slurs together drew.
I dreamed.
I made one picture of what nothing seemed
I shuddered in dumb terror
In silence screamed,
For now it seemed this I had dreamed;
How up from Hell, a land had leaped
A wretched land, all scorched and seamed
Covered with ashes, chained with pain
Streaming with blood, in horror lain
Its very air a shriek of death
And agony of hurt.
Anon I woke, but in one corner of my soul
I stayed asleep.
Forget I could not,
But never would I remember
That hell-hoist ghost
Of slavery and woe.
I lived and grew, I worked and hoped
I planned and wandered, gripped and coped
With every doubt but one that slept
Yet clamoured to awaken.
I became old; old, worn and gray;
Along my hard and weary way
Rolled war and pestilence, war again;
I looked on Poverty and foul Disease
I walked with Death and yet I knew
There stirred a doubt: Were all dreams true?
And what in truth was Africa?
One cloud-swept day a Seer appeared,
All closed and veiled as me he hailed
And bid me make three journeys to the world
Seeking all through their lengthened links
The endless Riddle of the Sphinx.
I went to Moscow; Ignorance grown wise taught me Wisdom;
I went to Peking: Poverty grown rich
Showed me the wealth of Work
I came to Accra.
Here at last, I looked back on my Dream;
I heard the Voice that loosed
The Long-looked dungeons of my soul
I sensed that Africa had come
Not up from Hell, but from the sum of Heaven’s glory.
I lifted up mine eyes to Ghana
And swept the hills with high Hosanna;
Above the sun my sight took flight
Till from that pinnacle of light
I saw dropped down this earth of crimson, green and gold
Roaring with color, drums and song.
Happy with dreams and deeds worth more than doing
Around me velvet faces loomed
Burnt by the kiss of everlasting suns
Under great stars of midnight glory
Trees danced, and foliage sang;
The lilies hallelujah rang
Where robed with rule on Golden Stool
The gold-crowned Priests with duty done
Pour high libations to the sun
And danced to gods.
Red blood flowed rare ’neath close-clung hair
While subtle perfume filled the air
And whirls and whirls of tiny curls
Crowned heads.
Yet Ghana shows its might and power
Not in its color nor its flower
But in its wondrous breadth of soul
Its Joy of Life
Its selfless role
Of giving.
School and clinic, home and hall
Road and garden bloom and call
Socialism blossoms bold
On Communism centuries old.
I lifted my last voice and cried
I cried to heaven as I died:
O turn me to the Golden Horde
Summon all western nations
Toward the Rising Sun.
From reeking West whose day is done,
Who stink and stagger in their dung
Toward Africa, China, India’s strand
Where Kenya and Himalaya stand
And Nile and Yang-tze roll:
Turn every yearning face of man.
Come with us, dark America:
The scum of Europe battened here
And drowned a dream
Made fetid swamp a refuge seem:
Enslaved the Black and killed the Red
And armed the Rich to loot the Dead;
Worshipped the whores of Hollywood
Where once the Virgin Mary stood
And lynched the Christ.
Awake, awake, O sleeping world
Honor the sun;
Worship the stars, those vaster suns
Who rule the night
Where black is bright
And all unselfish work is right
And Greed is Sin.
And Africa leads on:
Pan Africa!
|
Written by
Emily Dickinson |
A Coffin -- is a small Domain,
Yet able to contain
A Citizen of Paradise
In it diminished Plane.
A Grave -- is a restricted Breadth --
Yet ampler than the Sun --
And all the Seas He populates
And Lands He looks upon
To Him who on its small Repose
Bestows a single Friend --
Circumference without Relief --
Or Estimate -- or End --
|
Written by
Elizabeth Barrett Browning |
She has laughed as softly as if she sighed,
She has counted six, and over,
Of a purse well filled, and a heart well tried -
Oh, each a worthy lover!
They "give her time"; for her soul must slip
Where the world has set the grooving;
She will lie to none with her fair red lip:
But love seeks truer loving.
She trembles her fan in a sweetness dumb,
As her thoughts were beyond recalling;
With a glance for one, and a glance for some,
From her eyelids rising and falling;
Speaks common words with a blushful air,
Hears bold words, unreproving;
But her silence says - what she never will swear -
And love seeks better loving.
Go, lady! lean to the night-guitar,
And drop a smile to the bringer;
Then smile as sweetly, when he is far,
At the voice of an in-door singer.
Bask tenderly beneath tender eyes;
Glance lightly, on their removing;
And join new vows to old perjuries -
But dare not call it loving!
Unless you can think, when the song is done,
No other is soft in the rhythm;
Unless you can feel, when left by One,
That all men else go with him;
Unless you can know, when unpraised by his breath,
That your beauty itself wants proving;
Unless you can swear "For life, for death!" -
Oh, fear to call it loving!
Unless you can muse in a crowd all day
On the absent face that fixed you;
Unless you can love, as the angels may,
With the breadth of heaven betwixt you;
Unless you can dream that his faith is fast,
Through behoving and unbehoving;
Unless you can die when the dream is past -
Oh, never call it loving!
|
Written by
A R Ammons |
When you consider the radiance, that it does not withhold
itself but pours its abundance without selection into every
nook and cranny not overhung or hidden; when you consider
that birds' bones make no awful noise against the light but
lie low in the light as in a high testimony; when you consider
the radiance, that it will look into the guiltiest
swervings of the weaving heart and bear itself upon them,
not flinching into disguise or darkening; when you consider
the abundance of such resource as illuminates the glow-blue
bodies and gold-skeined wings of flies swarming the dumped
guts of a natural slaughter or the coil of **** and in no
way winces from its storms of generosity; when you consider
that air or vacuum, snow or shale, squid or wolf, rose or lichen,
each is accepted into as much light as it will take, then
the heart moves roomier, the man stands and looks about, the
leaf does not increase itself above the grass, and the dark
work of the deepest cells is of a tune with May bushes
and fear lit by the breadth of such calmly turns to praise.
|
Written by
Robert Browning |
I.
Your ghost will walk, you lover of trees,
(If our loves remain)
In an English lane,
By a cornfield-side a-flutter with poppies.
Hark, those two in the hazel coppice---
A boy and a girl, if the good fates please,
Making love, say,---
The happier they!
Draw yourself up from the light of the moon,
And let them pass, as they will too soon,
With the bean-flowers' boon,
And the blackbird's tune,
And May, and June!
II.
What I love best in all the world
Is a castle, precipice-encurled,
In a gash of the wind-grieved Apennine
Or look for me, old fellow of mine,
(If I get my head from out the mouth
O' the grave, and loose my spirit's bands,
And come again to the land of lands)---
In a sea-side house to the farther South,
Where the baked cicala dies of drouth,
And one sharp tree---'tis a cypress---stands,
By the many hundred years red-rusted,
Rough iron-spiked, ripe fruit-o'ercrusted,
My sentinel to guard the sands
To the water's edge.
For, what expands
Before the house, but the great opaque
Blue breadth of sea without a break?
While, in the house, for ever crumbles
Some fragment of the frescoed walls,
From blisters where a scorpion sprawls.
A girl bare-footed brings, and tumbles
Down on the pavement, green-flesh melons,
And says there's news to-day---the king
Was shot at, touched in the liver-wing,
Goes with his Bourbon arm in a sling:
---She hopes they have not caught the felons.
Italy, my Italy!
Queen Mary's saying serves for me---
(When fortune's malice
Lost her---Calais)---
Open my heart and you will see
Graved inside of it, ``Italy.
''
Such lovers old are I and she:
So it always was, so shall ever be!
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Written by
Lewis Carroll |
PREFACE
If---and the thing is wildly possible---the charge of writing
nonsense were ever brought against the author of this brief but
instructive poem, it would be based, I feel convinced, on the line
``Then the bowsprit got mixed with the rudder sometimes''
In view of this painful possibility, I will not (as I might) appeal
indignantly to my other writings as a proof that I am incapable of
such a deed: I will not (as I might) point to the strong moral
purpose of this poem itself, to the arithmetical principles so
cautiously inculcated in it, or to its noble teachings in Natural
History---I will take the more prosaic course of simply explaining
how it happened.
The Bellman, who was almost morbidly sensitive about appearances,
used to have the bowsprit unshipped once or twice a week to be
revarnished, and it more than once happened, when the time came for
replacing it, that no one on board could remember which end of the
ship it belonged to.
They knew it was not of the slightest use to
appeal to the Bellman about it---he would only refer to his Naval
Code, and read out in pathetic tones Admiralty Instructions which
none of them had ever been able to understand---so it generally ended
in its being fastened on, anyhow, across the rudder.
The helmsman
used to stand by with tears in his eyes: he knew it was all wrong,
but alas! Rule 42 of the Code, ``No one shall speak to the Man at the
Helm'', had been completed by the Bellman himself with the words
``and the Man at the Helm shall speak to no one''.
So remonstrance
was impossible, and no steering could be done till the next
varnishing day.
During these bewildering intervals the ship usually
sailed backwards.
This office was usually undertaken by the Boots, who found in it
a refuge from the Baker's constant complaints about the insufficient
blacking of his three pairs of boots.
As this poem is to some extent connected with the lay of the
Jabberwock, let me take this opportunity of answering a question that
has often been asked me, how to pronounce ``slithy toves''.
The
``i'' in ``slithy'' is long, as in ``writhe''; and ``toves'' is
pronounced so as to rhyme with ``groves''.
Again, the first ``o'' in
``borogoves'' is pronounced like the ``o'' in ``borrow''.
I have
heard people try to give it the sound of the ``o'' in ``worry''.
Such is Human Perversity.
This also seems a fitting occasion to notice the other hard words in
that poem.
Humpty-Dumpty's theory, of two meanings packed into one
word like a portmanteau, seems to me the right explanation for all.
For instance, take the two words ``fuming'' and ``furious''.
Make up
your mind that you will say both words, but leave it unsettled which
you will say first.
Now open your mouth and speak.
If your thoughts
incline ever so little towards ``fuming'', you will say
``fuming-furious''; if they turn, by even a hair's breadth, towards
``furious'', you will say ``furious-fuming''; but if you have that
rarest of gifts, a perfectly balanced mind, you will say
``frumious''.
Supposing that, when Pistol uttered the well-known words---
``Under which king, Bezonian? Speak or die!''
Justice Shallow had felt certain that it was either William or
Richard, but had not been able to settle which, so that he could not
possibly say either name before the other, can it be doubted that,
rather than die, he would have gasped out ``Rilchiam!''.
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