Written by
Anne Bradstreet |
Thou ill-formed offspring of my feeble brain,
Who after birth didst by my side remain,
Till snatched from thence by friends, less wise than true,
Who thee abroad, exposed to public view,
Made thee in rags, halting to th' press to trudge,
Where errors were not lessened (all may judge).
At thy return my blushing was not small,
My rambling brat (in print) should mother call,
I cast thee by as one unfit for light,
Thy visage was so irksome in my sight;
Yet being mine own, at length affection would
Thy blemishes amend, if so I could:
I washed thy face, but more defects I saw,
And rubbing off a spot still made a flaw.
I stretched thy joints to make thee even feet,
Yet still thou run'st more hobbling than is meet;
In better dress to trim thee was my mind,
But nought save homespun cloth i' th' house I find.
In this array 'mongst vulgars may'st thou roam.
In critic's hands beware thou dost not come,
And take thy way where yet thou art not known;
If for thy father asked, say thou hadst none;
And for thy mother, she alas is poor,
Which caused her thus to send thee out of door.
|
Written by
Robert Burns |
THOU’S 1 welcome, wean; mishanter fa’ me,
If thoughts o’ thee, or yet thy mamie,
Shall ever daunton me or awe me,
My bonie lady,
Or if I blush when thou shalt ca’ me
Tyta or daddie.
Tho’ now they ca’ me fornicator,
An’ tease my name in kintry clatter,
The mair they talk, I’m kent the better,
E’en let them clash;
An auld wife’s tongue’s a feckless matter
To gie ane fash.
Welcome! my bonie, sweet, wee dochter,
Tho’ ye come here a wee unsought for,
And tho’ your comin’ I hae fought for,
Baith kirk and queir;
Yet, by my faith, ye’re no unwrought for,
That I shall swear!
Wee image o’ my bonie Betty,
As fatherly I kiss and daut thee,
As dear, and near my heart I set thee
Wi’ as gude will
As a’ the priests had seen me get thee
That’s out o’ h—ll.
Sweet fruit o’ mony a merry dint,
My funny toil is now a’ tint,
Sin’ thou came to the warl’ asklent,
Which fools may scoff at;
In my last plack thy part’s be in’t
The better ha’f o’t.
Tho’ I should be the waur bestead,
Thou’s be as braw and bienly clad,
And thy young years as nicely bred
Wi’ education,
As ony brat o’ wedlock’s bed,
In a’ thy station.
Lord grant that thou may aye inherit
Thy mither’s person, grace, an’ merit,
An’ thy poor, worthless daddy’s spirit,
Without his failins,
’Twill please me mair to see thee heir it,
Than stockit mailens.
For if thou be what I wad hae thee,
And tak the counsel I shall gie thee,
I’ll never rue my trouble wi’ thee,
The cost nor shame o’t,
But be a loving father to thee,
And brag the name o’t.
Note 1.
Burns never published this poem.
[back]
|
Written by
Hilaire Belloc |
Who was too Freely Moved to Tears, and thereby ruined his Political Career
Lord Lundy from his earliest years
Was far too freely moved to Tears.
For instance if his Mother said,
"Lundy! It's time to go to Bed!"
He bellowed like a Little Turk.
Or if his father Lord Dunquerque
Said "Hi!" in a Commanding Tone,
"Hi, Lundy! Leave the Cat alone!"
Lord Lundy, letting go its tail,
Would raise so terrible a wail
As moved His Grandpapa the Duke
To utter the severe rebuke:
"When I, Sir! was a little Boy,
An Animal was not a Toy!"
His father's Elder Sister, who
Was married to a Parvenoo,
Confided to Her Husband, Drat!
The Miserable, Peevish Brat!
Why don't they drown the Little Beast?"
Suggestions which, to say the least,
Are not what we expect to hear
From Daughters of an English Peer.
His Grandmamma, His Mother's Mother,
Who had some dignity or other,
The Garter, or no matter what,
I can't remember all the Lot!
Said "Oh! That I were Brisk and Spry
To give him that for which to cry!"
(An empty wish, alas! For she
Was Blind and nearly ninety-three).
The Dear Old Butler thought-but there!
I really neither know nor care
For what the Dear Old Butler thought!
In my opinion, Butlers ought
To know their place, and not to play
The Old Retainer night and day.
I'm getting tired and so are you,
Let's cut the poem into two!
Second Part
It happened to Lord Lundy then,
As happens to so many men:
Towards the age of twenty-six,
They shoved him into politics;
In which profession he commanded
The Income that his rank demanded
In turn as Secretary for
India, the Colonies, and War.
But very soon his friends began
To doubt is he were quite the man:
Thus if a member rose to say
(As members do from day to day),
"Arising out of that reply .
.
.
!"
Lord Lundy would begin to cry.
A Hint at harmless little jobs
Would shake him with convulsive sobs.
While as for Revelations, these
Would simply bring him to his knees,
And leave him whimpering like a child.
It drove his colleagues raving wild!
They let him sink from Post to Post,
From fifteen hundred at the most
To eight, and barely six--and then
To be Curator of Big Ben!.
.
.
And finally there came a Threat
To oust him from the Cabinet!
The Duke -- his aged grand-sire -- bore
The shame till he could bear no more.
He rallied his declining powers,
Summoned the youth to Brackley Towers,
And bitterly addressed him thus--
"Sir! you have disappointed us!
We had intended you to be
The next Prime Minister but three:
The stocks were sold; the Press was squared:
The Middle Class was quite prepared.
But as it is! .
.
.
My language fails!
Go out and govern New South Wales!"
The Aged Patriot groaned and died:
And gracious! how Lord Lundy cried!
|
Written by
John Ashbery |
The first of the undecoded messages read: "Popeye sits
in thunder,
Unthought of.
From that shoebox of an apartment,
From livid curtain's hue, a tangram emerges: a country.
"
Meanwhile the Sea Hag was relaxing on a green couch: "How
pleasant
To spend one's vacation en la casa de Popeye," she
scratched
Her cleft chin's solitary hair.
She remembered spinach
And was going to ask Wimpy if he had bought any spinach.
"M'love," he intercepted, "the plains are decked out
in thunder
Today, and it shall be as you wish.
" He scratched
The part of his head under his hat.
The apartment
Seemed to grow smaller.
"But what if no pleasant
Inspiration plunge us now to the stars? For this is my
country.
"
Suddenly they remembered how it was cheaper in the country.
Wimpy was thoughtfully cutting open a number 2 can of spinach
When the door opened and Swee'pea crept in.
"How pleasant!"
But Swee'pea looked morose.
A note was pinned to his bib.
"Thunder
And tears are unavailing," it read.
"Henceforth shall
Popeye's apartment
Be but remembered space, toxic or salubrious, whole or
scratched.
"
Olive came hurtling through the window; its geraniums scratched
Her long thigh.
"I have news!" she gasped.
"Popeye, forced as
you know to flee the country
One musty gusty evening, by the schemes of his wizened,
duplicate father, jealous of the apartment
And all that it contains, myself and spinach
In particular, heaves bolts of loving thunder
At his own astonished becoming, rupturing the pleasant
Arpeggio of our years.
No more shall pleasant
Rays of the sun refresh your sense of growing old, nor the
scratched
Tree-trunks and mossy foliage, only immaculate darkness and
thunder.
"
She grabbed Swee'pea.
"I'm taking the brat to the country.
"
"But you can't do that--he hasn't even finished his spinach,"
Urged the Sea Hag, looking fearfully around at the apartment.
But Olive was already out of earshot.
Now the apartment
Succumbed to a strange new hush.
"Actually it's quite pleasant
Here," thought the Sea Hag.
"If this is all we need fear from
spinach
Then I don't mind so much.
Perhaps we could invite Alice the Goon
over"--she scratched
One dug pensively--"but Wimpy is such a country
Bumpkin, always burping like that.
" Minute at first, the thunder
Soon filled the apartment.
It was domestic thunder,
The color of spinach.
Popeye chuckled and scratched
His balls: it sure was pleasant to spend a day in the country.
|
Written by
Henry Lawson |
It was pleasant up the country, City Bushman, where you went,
For you sought the greener patches and you travelled like a gent;
And you curse the trams and buses and the turmoil and the push,
Though you know the squalid city needn't keep you from the bush;
But we lately heard you singing of the `plains where shade is not',
And you mentioned it was dusty -- `all was dry and all was hot'.
True, the bush `hath moods and changes' -- and the bushman hath 'em, too,
For he's not a poet's dummy -- he's a man, the same as you;
But his back is growing rounder -- slaving for the absentee --
And his toiling wife is thinner than a country wife should be.
For we noticed that the faces of the folks we chanced to meet
Should have made a greater contrast to the faces in the street;
And, in short, we think the bushman's being driven to the wall,
And it's doubtful if his spirit will be `loyal thro' it all'.
Though the bush has been romantic and it's nice to sing about,
There's a lot of patriotism that the land could do without --
Sort of BRITISH WORKMAN nonsense that shall perish in the scorn
Of the drover who is driven and the shearer who is shorn,
Of the struggling western farmers who have little time for rest,
And are ruined on selections in the sheep-infested West;
Droving songs are very pretty, but they merit little thanks
From the people of a country in possession of the Banks.
And the `rise and fall of seasons' suits the rise and fall of rhyme,
But we know that western seasons do not run on schedule time;
For the drought will go on drying while there's anything to dry,
Then it rains until you'd fancy it would bleach the sunny sky --
Then it pelters out of reason, for the downpour day and night
Nearly sweeps the population to the Great Australian Bight.
It is up in Northern Queensland that the seasons do their best,
But it's doubtful if you ever saw a season in the West;
There are years without an autumn or a winter or a spring,
There are broiling Junes, and summers when it rains like anything.
In the bush my ears were opened to the singing of the bird,
But the `carol of the magpie' was a thing I never heard.
Once the beggar roused my slumbers in a shanty, it is true,
But I only heard him asking, `Who the blanky blank are you?'
And the bell-bird in the ranges -- but his `silver chime' is harsh
When it's heard beside the solo of the curlew in the marsh.
Yes, I heard the shearers singing `William Riley', out of tune,
Saw 'em fighting round a shanty on a Sunday afternoon,
But the bushman isn't always `trapping brumbies in the night',
Nor is he for ever riding when `the morn is fresh and bright',
And he isn't always singing in the humpies on the run --
And the camp-fire's `cheery blazes' are a trifle overdone;
We have grumbled with the bushmen round the fire on rainy days,
When the smoke would blind a bullock and there wasn't any blaze,
Save the blazes of our language, for we cursed the fire in turn
Till the atmosphere was heated and the wood began to burn.
Then we had to wring our blueys which were rotting in the swags,
And we saw the sugar leaking through the bottoms of the bags,
And we couldn't raise a chorus, for the toothache and the cramp,
While we spent the hours of darkness draining puddles round the camp.
Would you like to change with Clancy -- go a-droving? tell us true,
For we rather think that Clancy would be glad to change with you,
And be something in the city; but 'twould give your muse a shock
To be losing time and money through the foot-rot in the flock,
And you wouldn't mind the beauties underneath the starry dome
If you had a wife and children and a lot of bills at home.
Did you ever guard the cattle when the night was inky-black,
And it rained, and icy water trickled gently down your back
Till your saddle-weary backbone fell a-aching to the roots
And you almost felt the croaking of the bull-frog in your boots --
Sit and shiver in the saddle, curse the restless stock and cough
Till a squatter's irate dummy cantered up to warn you off?
Did you fight the drought and pleuro when the `seasons' were asleep,
Felling sheoaks all the morning for a flock of starving sheep,
Drinking mud instead of water -- climbing trees and lopping boughs
For the broken-hearted bullocks and the dry and dusty cows?
Do you think the bush was better in the `good old droving days',
When the squatter ruled supremely as the king of western ways,
When you got a slip of paper for the little you could earn,
But were forced to take provisions from the station in return --
When you couldn't keep a chicken at your humpy on the run,
For the squatter wouldn't let you -- and your work was never done;
When you had to leave the missus in a lonely hut forlorn
While you `rose up Willy Riley' -- in the days ere you were born?
Ah! we read about the drovers and the shearers and the like
Till we wonder why such happy and romantic fellows strike.
Don't you fancy that the poets ought to give the bush a rest
Ere they raise a just rebellion in the over-written West?
Where the simple-minded bushman gets a meal and bed and rum
Just by riding round reporting phantom flocks that never come;
Where the scalper -- never troubled by the `war-whoop of the push' --
Has a quiet little billet -- breeding rabbits in the bush;
Where the idle shanty-keeper never fails to make a draw,
And the dummy gets his tucker through provisions in the law;
Where the labour-agitator -- when the shearers rise in might --
Makes his money sacrificing all his substance for The Right;
Where the squatter makes his fortune, and `the seasons rise and fall',
And the poor and honest bushman has to suffer for it all;
Where the drovers and the shearers and the bushmen and the rest
Never reach the Eldorado of the poets of the West.
And you think the bush is purer and that life is better there,
But it doesn't seem to pay you like the `squalid street and square'.
Pray inform us, City Bushman, where you read, in prose or verse,
Of the awful `city urchin who would greet you with a curse'.
There are golden hearts in gutters, though their owners lack the fat,
And we'll back a teamster's offspring to outswear a city brat.
Do you think we're never jolly where the trams and buses rage?
Did you hear the gods in chorus when `Ri-tooral' held the stage?
Did you catch a ring of sorrow in the city urchin's voice
When he yelled for Billy Elton, when he thumped the floor for Royce?
Do the bushmen, down on pleasure, miss the everlasting stars
When they drink and flirt and so on in the glow of private bars?
You've a down on `trams and buses', or the `roar' of 'em, you said,
And the `filthy, dirty attic', where you never toiled for bread.
(And about that self-same attic -- Lord! wherever have you been?
For the struggling needlewoman mostly keeps her attic clean.
)
But you'll find it very jolly with the cuff-and-collar push,
And the city seems to suit you, while you rave about the bush.
.
.
.
.
.
You'll admit that Up-the Country, more especially in drought,
Isn't quite the Eldorado that the poets rave about,
Yet at times we long to gallop where the reckless bushman rides
In the wake of startled brumbies that are flying for their hides;
Long to feel the saddle tremble once again between our knees
And to hear the stockwhips rattle just like rifles in the trees!
Long to feel the bridle-leather tugging strongly in the hand
And to feel once more a little like a native of the land.
And the ring of bitter feeling in the jingling of our rhymes
Isn't suited to the country nor the spirit of the times.
Let us go together droving, and returning, if we live,
Try to understand each other while we reckon up the div.
|
Written by
Lewis Carroll |
ONE winter night, at half-past nine,
Cold, tired, and cross, and muddy,
I had come home, too late to dine,
And supper, with cigars and wine,
Was waiting in the study.
There was a strangeness in the room,
And Something white and wavy
Was standing near me in the gloom -
I took it for the carpet-broom
Left by that careless slavey.
But presently the Thing began
To shiver and to sneeze:
On which I said "Come, come, my man!
That's a most inconsiderate plan.
Less noise there, if you please!"
"I've caught a cold," the Thing replies,
"Out there upon the landing.
"
I turned to look in some surprise,
And there, before my very eyes,
A little Ghost was standing!
He trembled when he caught my eye,
And got behind a chair.
"How came you here," I said, "and why?
I never saw a thing so shy.
Come out! Don't shiver there!"
He said "I'd gladly tell you how,
And also tell you why;
But" (here he gave a little bow)
"You're in so bad a temper now,
You'd think it all a lie.
"And as to being in a fright,
Allow me to remark
That Ghosts have just as good a right
In every way, to fear the light,
As Men to fear the dark.
"
"No plea," said I, "can well excuse
Such cowardice in you:
For Ghosts can visit when they choose,
Whereas we Humans ca'n't refuse
To grant the interview.
"
He said "A flutter of alarm
Is not unnatural, is it?
I really feared you meant some harm:
But, now I see that you are calm,
Let me explain my visit.
"Houses are classed, I beg to state,
According to the number
Of Ghosts that they accommodate:
(The Tenant merely counts as WEIGHT,
With Coals and other lumber).
"This is a 'one-ghost' house, and you
When you arrived last summer,
May have remarked a Spectre who
Was doing all that Ghosts can do
To welcome the new-comer.
"In Villas this is always done -
However cheaply rented:
For, though of course there's less of fun
When there is only room for one,
Ghosts have to be contented.
"That Spectre left you on the Third -
Since then you've not been haunted:
For, as he never sent us word,
'Twas quite by accident we heard
That any one was wanted.
"A Spectre has first choice, by right,
In filling up a vacancy;
Then Phantom, Goblin, Elf, and Sprite -
If all these fail them, they invite
The nicest Ghoul that they can see.
"The Spectres said the place was low,
And that you kept bad wine:
So, as a Phantom had to go,
And I was first, of course, you know,
I couldn't well decline.
"
"No doubt," said I, "they settled who
Was fittest to be sent
Yet still to choose a brat like you,
To haunt a man of forty-two,
Was no great compliment!"
"I'm not so young, Sir," he replied,
"As you might think.
The fact is,
In caverns by the water-side,
And other places that I've tried,
I've had a lot of practice:
"But I have never taken yet
A strict domestic part,
And in my flurry I forget
The Five Good Rules of Etiquette
We have to know by heart.
"
My sympathies were warming fast
Towards the little fellow:
He was so utterly aghast
At having found a Man at last,
And looked so scared and yellow.
"At least," I said, "I'm glad to find
A Ghost is not a DUMB thing!
But pray sit down: you'll feel inclined
(If, like myself, you have not dined)
To take a snack of something:
"Though, certainly, you don't appear
A thing to offer FOOD to!
And then I shall be glad to hear -
If you will say them loud and clear -
The Rules that you allude to.
"
"Thanks! You shall hear them by and by.
This IS a piece of luck!"
"What may I offer you?" said I.
"Well, since you ARE so kind, I'll try
A little bit of duck.
"ONE slice! And may I ask you for
Another drop of gravy?"
I sat and looked at him in awe,
For certainly I never saw
A thing so white and wavy.
And still he seemed to grow more white,
More vapoury, and wavier -
Seen in the dim and flickering light,
As he proceeded to recite
His "Maxims of Behaviour.
"
|
Written by
John Greenleaf Whittier |
FOR the fairest maid in Hampton
They needed not to search,
Who saw young Anna favor
Come walking into church,--
Or bringing from the meadows,
At set of harvest-day,
The frolic of the blackbirds,
The sweetness of the hay.
Now the weariest of all mothers,
The saddest two years' bride,
She scowls in the face of her husband,
And spurns her child aside.
"Rake out the red coals, goodman,--
For there the child shall lie,
Till the black witch comes to fetch her
And both up chimney fly.
"It's never my own little daughter,
It's never my own," she said;
"The witches have stolen my Anna,
And left me an imp instead.
"Oh, fair and sweet was my baby,
Blue eyes, and hair of gold;
But this is ugly and wrinkled,
Cross, and cunning, and old.
"I hate the touch of her fingers,
I hate the feel of her skin;
It's not the milk from my bosom,
But my blood, that she sucks in.
"My face grows sharp with the torment;
Look! my arms are skin and bone!
Rake open the red coals, goodman,
And the witch shall have her own.
"She'll come when she hears it crying,
In the shape of an owl or bat,
And she'll bring us our darling Anna
In place of her screeching brat.
"
Then the goodman, Ezra Dalton,
Laid his hand upon her head:
Thy sorrow is great, O woman!
I sorrow with thee," he said.
"The paths to trouble are many
And never but one sure way
Leads out to the light beyond it:
My poor wife, let us pray.
"
Then he said to the great All-Father,
"Thy daughter is weak and blind;
Let her sight come back, and clothe her
Once more in her right mind.
"Lead her out of this evil shadow,
Out of these fancies wild;
Let the holy love of the mother
Turn again to her child.
"Make her lips like the lips of Mary
Kissing her blessed Son;
Let her hands, like the hands of Jesus,
Rest on her little one.
"Comfort the soul of thy handmaid,
Open her prison-door,
And thine shall be all the glory
And praise forevermore.
"
Then into the face of its mother
The baby looked up and smiled;
And the cloud of her soul was lifted,
And she knew her little child.
A beam of the slant west sunshine
Made the wan face almost fair,
Lit the blue eyes' patient wonder
And the rings of pale gold hair.
She kissed it on lip and forehead,
She kissed it on cheek and chink
And she bared her snow-white bosom
To the lips so pale and thin.
Oh, fair on her bridal morning
Was the maid who blushed and smiled,
But fairer to Ezra Dalton
Looked the mother of his child.
With more than a lover's fondness
He stooped to her worn young face,
And the nursing child and the mother
He folded in one embrace.
"Blessed be God!" he murmured.
"Blessed be God!" she said;
"For I see, who once was blinded,--
I live, who once was dead.
"Now mount and ride, my goodman,
As thou lovest thy own soul!
Woe's me, if my wicked fancies
Be the death of Goody Cole!"
His horse he saddled and bridled,
And into the night rode he,
Now through the great black woodland,
Now by the white-beached sea.
He rode through the silent clearings,
He came to the ferry wide,
And thrice he called to the boatman
Asleep on the other side.
He set his horse to the river,
He swam to Newbury town,
And he called up Justice Sewall
In his nightcap and his gown.
And the grave and worshipful justice
(Upon whose soul be peace!)
Set his name to the jailer's warrant
For Goodwife Cole's release.
Then through the night the hoof-beats
Went sounding like a flail;
And Goody Cole at cockcrow
Came forth from Ipswich jail.
|
Written by
Robert William Service |
Oh ye whose hearts are resonant, and ring to War's romance,
Hear ye the story of a boy, a peasant boy of France;
A lad uncouth and warped with toil, yet who, when trial came,
Could feel within his soul upleap and soar the sacred flame;
Could stand upright, and scorn and smite, as only heroes may:
Oh, harken! Let me try to tell the tale of Jean Desprez.
With fire and sword the Teuton horde was ravaging the land,
And there was darkness and despair, grim death on every hand;
Red fields of slaughter sloping down to ruin's black abyss;
The wolves of war ran evil-fanged, and little did they miss.
And on they came with fear and flame, to burn and loot and slay,
Until they reached the red-roofed croft, the home of Jean Desprez.
"Rout out the village, one and all!" the Uhlan Captain said.
"Behold! Some hand has fired a shot.
My trumpeter is dead.
Now shall they Prussian vengeance know; now shall they rue the day,
For by this sacred German slain, ten of these dogs shall pay.
"
They drove the cowering peasants forth, women and babes and men,
And from the last, with many a jeer, the Captain chose he ten;
Ten simple peasants, bowed with toil; they stood, they knew not why,
Against the grey wall of the church, hearing their children cry;
Hearing their wives and mothers wail, with faces dazed they stood.
A moment only.
.
.
.
Ready! Fire! They weltered in their blood.
But there was one who gazed unseen, who heard the frenzied cries,
Who saw these men in sabots fall before their children's eyes;
A Zouave wounded in a ditch, and knowing death was nigh,
He laughed with joy: "Ah! here is where I settle ere I die.
"
He clutched his rifle once again, and long he aimed and well.
.
.
.
A shot! Beside his victims ten the Uhlan Captain fell.
They dragged the wounded Zouave out; their rage was like a flame.
With bayonets they pinned him down, until their Major came.
A blonde, full-blooded man he was, and arrogant of eye;
He stared to see with shattered skull his favourite Captain lie.
"Nay, do not finish him so quick, this foreign swine," he cried;
"Go nail him to the big church door: he shall be crucified.
"
With bayonets through hands and feet they nailed the Zouave there,
And there was anguish in his eyes, and horror in his stare;
"Water! A single drop!" he moaned; but how they jeered at him,
And mocked him with an empty cup, and saw his sight grow dim;
And as in agony of death with blood his lips were wet,
The Prussian Major gaily laughed, and lit a cigarette.
But mid the white-faced villagers who cowered in horror by,
Was one who saw the woeful sight, who heard the woeful cry:
"Water! One little drop, I beg! For love of Christ who died.
.
.
.
"
It was the little Jean Desprez who turned and stole aside;
It was the little bare-foot boy who came with cup abrim
And walked up to the dying man, and gave the drink to him.
A roar of rage! They seize the boy; they tear him fast away.
The Prussian Major swings around; no longer is he gay.
His teeth are wolfishly agleam; his face all dark with spite:
"Go, shoot the brat," he snarls, "that dare defy our Prussian might.
Yet stay! I have another thought.
I'll kindly be, and spare;
Quick! give the lad a rifle charged, and set him squarely there,
And bid him shoot, and shoot to kill.
Haste! Make him understand
The dying dog he fain would save shall perish by his hand.
And all his kindred they shall see, and all shall curse his name,
Who bought his life at such a cost, the price of death and shame.
"
They brought the boy, wild-eyed with fear; they made him understand;
They stood him by the dying man, a rifle in his hand.
"Make haste!" said they; "the time is short, and you must kill or die.
"
The Major puffed his cigarette, amusement in his eye.
And then the dying Zouave heard, and raised his weary head:
"Shoot, son, 'twill be the best for both; shoot swift and straight," he said.
"Fire first and last, and do not flinch; for lost to hope am I;
And I will murmur: Vive La France! and bless you ere I die.
"
Half-blind with blows the boy stood there; he seemed to swoon and sway;
Then in that moment woke the soul of little Jean Desprez.
He saw the woods go sheening down; the larks were singing clear;
And oh! the scents and sounds of spring, how sweet they were! how dear!
He felt the scent of new-mown hay, a soft breeze fanned his brow;
O God! the paths of peace and toil! How precious were they now!
The summer days and summer ways, how bright with hope and bliss!
The autumn such a dream of gold .
.
.
and all must end in this:
This shining rifle in his hand, that shambles all around;
The Zouave there with dying glare; the blood upon the ground;
The brutal faces round him ringed, the evil eyes aflame;
That Prussian bully standing by, as if he watched a game.
"Make haste and shoot," the Major sneered; "a minute more I give;
A minute more to kill your friend, if you yourself would live.
"
They only saw a bare-foot boy, with blanched and twitching face;
They did not see within his eyes the glory of his race;
The glory of a million men who for fair France have died,
The splendour of self-sacrifice that will not be denied.
Yet .
.
.
he was but a peasant lad, and oh! but life was sweet.
.
.
.
"Your minute's nearly gone, my lad," he heard a voice repeat.
"Shoot! Shoot!" the dying Zouave moaned; "Shoot! Shoot!" the soldiers said.
Then Jean Desprez reached out and shot .
.
.
the Prussian Major dead!
|
Written by
Robert William Service |
My Daddy used to wallop me for every small offense:
"Its takes a hair-brush back," said he, "to teach kids common-sense.
"
And still to-day I scarce can look a hair-brush in the face.
Without I want in sympathy to pat a tender place.
For Dad declared with unction: "Spare the brush and spoil the brat.
"
The dear old man! What e'er his faults he never did do that;
And though a score of years have gone since he departed hence,
I still revere his deity, The God of Common-sense.
How often I have played the ass (Man's universal fate),
Yet always I have saved myself before it was too late;
How often tangled with a dame - you know how these things are,
Yet always had the gumption not to carry on too far;
Remembering that fancy skirts, however high they go,
Are not to be stacked up against a bunch of hard-earned dough;
And sentiment has little weight compared with pounds and pence,
According to the gospel of the God of Common-sense.
Oh blessing on that old hair-brush my Daddy used to whack
With such benign precision on the basement of my back.
Oh blessings on his wisdom, saying: "Son, don't play the fool,
Let prudence be your counselor and reason be your rule.
Don't get romantic notions, always act with judgment calm,
Poetical emotions ain't in practice worth a damn/
let solid comfort be your goal, self-interest your guide.
.
.
.
"
Then just as if to emphasize, whack! whack! the brush he plied.
And so I often wonder if my luck is Providence,
or just my humble tribute to the God of Common-sense.
|
Written by
Anne Sexton |
My doctor, the comedian
I called you every time
and made you laugh yourself
when I wrote this silly rhyme.
.
.
Each time I give lectures
or gather in the grants
you send me off to boarding school
in training pants.
God damn it, father-doctor,
I'm really thirty-six.
I see dead rats in the toilet.
I'm one of the lunatics.
Disgusted, mother put me
on the potty.
She was good at this.
My father was fat on scotch.
It leaked from every orifice.
Oh the enemas of childhood,
reeking of outhouses and shame!
Yet you rock me in your arms
and whisper my nickname.
Or else you hold my hand
and teach me love too late.
And that's the hand of the arm
they tried to amputate.
Though I was almost seven
I was an awful brat.
I put it in the Easy Wringer.
It came out nice and flat.
I was an instant cripple
from my finger to my shoulder.
The laundress wept and swooned.
My mother had to hold her.
I know I was a cripple.
Of course, I'd known it from the start.
My father took the crowbar
and broke the wringer's heart.
The surgeons shook their heads.
They really didn't know--
Would the cripple inside of me
be a cripple that would show?
My father was a perfect man,
clean and rich and fat.
My mother was a brilliant thing.
She was good at that.
You hold me in your arms.
How strange that you're so tender!
Child-woman that I am,
you think that you can mend her.
As for the arm,
unfortunately it grew.
Though mother said a withered arm
would put me in Who's Who.
For years she has described it.
She sang it like a hymn.
By then she loved the shrunken thing,
my little withered limb.
My father's cells clicked each night,
intent on making money.
And as for my cells, they brooded,
little queens, on honey.
Oh boys too, as a matter of fact,
and cigarettes and cars.
Mother frowned at my wasted life.
My father smoked cigars.
My cheeks blossomed with maggots.
I picked at them like pearls.
I covered them with pancake.
I wound my hair in curls.
My father didn't know me
but you kiss me in my fever.
My mother knew me twice
and then I had to leave her.
But those are just two stories
and I have more to tell
from the outhouse, the greenhouse
where you draw me out of hell.
Father, I am thirty-six,
yet I lie here in your crib.
I'm getting born again, Adam,
as you prod me with your rib.
|