Written by
Muhammad Ali |
This is the legend of Cassius Clay,
The most beautiful fighter in the world today.
He talks a great deal, and brags indeed-y,
Of a muscular punch that's incredibly speed-y.
The fistic world was dull and weary,
but with a champ like Liston, things had to be dreary.
Then someone with color and someone with dash,
brought fight fans are runnin' with Cash.
This brash young boxer is something to see
and the heavyweight championship is his destiny.
This kid's got a left, this kid's got a right,
if he hit you once, you're asleep for the night.
This is the legend of Muhammad Ali,
The greatest fighter that ever will be.
He talks a great deal and brags, indeed.
Of a powerful punch and blinding speed.
Ali fights great, he's got speed and endurance.
If you sign to fight him, increase your insurance.
Ali's got a left, Ali's got a right;
If he hits you once, you're asleep for the night
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Written by
Philip Levine |
A good man is seized by the police
and spirited away.
Months later
someone brags that he shot him once
through the back of the head
with a Walther 7.
65, and his life
ended just there.
Those who loved
him go on searching the cafés
in the Barrio Chino or the bars
near the harbor.
A comrade swears
he saw him at a distance buying
two kilos of oranges in the market
of San José and called out, "Andrés,
Andrés," but instead of turning
to a man he'd known since child-
hood and opening his great arms
wide, he scurried off, the oranges
tumbling out of the damp sack, one
after another, a short bright trail
left on the sidewalk to say,
Farewell! Farewell to what? I ask.
I asked then and I ask now.
I first
heard the story fifty years ago;
it became part of the mythology I
hauled with me from one graveyard
to another, this belief in the power
of my yearning.
The dead are every-
where, crowding the narrow streets
that jut out from the wide boulevard
on which we take our morning walk.
They stand in the cold shadows
of men and women come to sell
themselves to anyone, they stride
along beside me and stop when I
stop to admire the bright garlands
or the little pyramids of fruit,
they reach a hand out to give
money or to take change, they say
"Good morning" or "Thank you," they
turn with me and retrace my steps
back to the bare little room I've
come to call home.
Patiently,
they stand beside me staring out
over the soiled roofs of the world
until the light fades and we are
all one or no one.
They ask for
so little, a prayer now and then,
a toast to their health which is
our health, a few lies no one reads
incised on a dull plaque between
a pharmacy and a sports store,
the least little daily miracle.
|
Written by
D. H. Lawrence |
The five old bells
Are hurrying and eagerly calling,
Imploring, protesting
They know, but clamorously falling
Into gabbling incoherence, never resting,
Like spattering showers from a bursten sky-rocket dropping
In splashes of sound, endlessly, never stopping.
The silver moon
That somebody has spun so high
To settle the question, yes or no, has caught
In the net of the night’s balloon,
And sits with a smooth bland smile up there in the sky
Smiling at naught,
Unless the winking star that keeps her company
Makes little jests at the bells’ insanity,
As if he knew aught!
The patient Night
Sits indifferent, hugged in her rags,
She neither knows nor cares
Why the old church sobs and brags;
The light distresses her eyes, and tears
Her old blue cloak, as she crouches and covers her face,
Smiling, perhaps, if we knew it, at the bells’ loud clattering disgrace.
The wise old trees
Drop their leaves with a faint, sharp hiss of contempt,
While a car at the end of the street goes by with a laugh;
As by degrees
The poor bells cease, and the Night is exempt,
And the stars can chaff
The ironic moon at their ease, while the dim old church
Is peopled with shadows and sounds and ghosts that lurch
In its cenotaph.
|
Written by
Robert Burns |
MY heart is a-breaking, dear Tittie,
Some counsel unto me come len’,
To anger them a’ is a pity,
But what will I do wi’ Tam Glen?
I’m thinking, wi’ sic a braw fellow,
In poortith I might mak a fen;
What care I in riches to wallow,
If I maunna marry Tam Glen!
There’s Lowrie the Laird o’ Dumeller—
“Gude day to you, brute!” he comes ben:
He brags and he blaws o’ his siller,
But when will he dance like Tam Glen!
My minnie does constantly deave me,
And bids me beware o’ young men;
They flatter, she says, to deceive me,
But wha can think sae o’ Tam Glen!
My daddie says, gin I’ll forsake him,
He’d gie me gude hunder marks ten;
But, if it’s ordain’d I maun take him,
O wha will I get but Tam Glen!
Yestreen at the Valentine’s dealing,
My heart to my mou’ gied a sten’;
For thrice I drew ane without failing,
And thrice it was written “Tam Glen”!
The last Halloween I was waukin
My droukit sark-sleeve, as ye ken,
His likeness came up the house staukin,
And the very grey breeks o’ Tam Glen!
Come, counsel, dear Tittie, don’t tarry;
I’ll gie ye my bonie black hen,
Gif ye will advise me to marry
The lad I lo’e dearly, Tam Glen.
|
Written by
Mark Strand |
1 If a man understands a poem,
he shall have troubles.
2 If a man lives with a poem,
he shall die lonely.
3 If a man lives with two poems,
he shall be unfaithful to one.
4 If a man conceives of a poem,
he shall have one less child.
5 If a man conceives of two poems,
he shall have two children less.
6 If a man wears a crown on his head as he writes,
he shall be found out.
7 If a man wears no crown on his head as he writes,
he shall deceive no one but himself.
8 If a man gets angry at a poem,
he shall be scorned by men.
9 If a man continues to be angry at a poem,
he shall be scorned by women.
10 If a man publicly denounces poetry,
his shoes will fill with urine.
11 If a man gives up poetry for power,
he shall have lots of power.
12 If a man brags about his poems,
he shall be loved by fools.
13 If a man brags about his poems and loves fools,
he shall write no more.
14 If a man craves attention because of his poems,
he shall be like a jackass in moonlight.
15 If a man writes a poem and praises the poem of a fellow,
he shall have a beautiful mistress.
16 If a man writes a poem and praises the poem of a fellow overly,
he shall drive his mistress away.
17 If a man claims the poem of another,
his heart shall double in size.
18 If a man lets his poems go naked,
he shall fear death.
19 If a man fears death,
he shall be saved by his poems.
20 If a man does not fear death,
he may or may not be saved by his poems.
21 If a man finishes a poem,
he shall bathe in the blank wake of his passion
and be kissed by white paper.
|
Written by
Michael Drayton |
Our flood's-queen Thames for ships and swans is crown'd,
And stately Severn for her shore is prais'd,
The crystal Trent for fords and fish renown'd,
And Avon's fame to Albion's cliffs is rais'd;
Carlegion Chester vaunts her holy Dee,
York many wonders of her Ouse can tell,
The Peak her Dove, whose banks so fertile be,
And Kent will say her Medway doth excell;
Cotswold commends her Isis to the Thame,
Our Northern borders boast of Tweed's fair flood,
Our Western parts extol their Wylye's fame,
And the old Lea brags of the Danish blood.
Arden's sweet Anker, let thy glory be,
That fair Idea only lives by thee.
|
Written by
Andrew Barton Paterson |
It was a man from Ironbark who struck the Sydney town,
He wandered over street and park, he wandered up and down,
He loitered here, he loitered there, till he was like to drop,
Until at last in sheer despair he sought a barber's shop.
" 'Ere! shave me beard and whiskers off, I'll be a man of mark,
I'll go and do the Sydney toff up home in Ironbark!"
The barber man was small and flash, as barbers mostly are,
He wore a strike-your-fancy sash, he smoked a huge cigar:
He was a humorist of note and keen on repartee,
He laid the odds and kept a 'tote', whatever that might be.
And when he saw our friend arrive, he whispered, "Here's a lark!
Just watch me catch him all alive, this man from Ironbark!"
There were some gilded youths that sat along the barber's wall,
Their eyes were dull, their heads were flat, they had no brains at all;
To them the barber passed the wink, his dexter eyelid shut,
"I'll make this bloomin' yokel think his bloomin' throat is cut.
"
And as he soaped and rubbed it in, he made a rude remark:
"I s'pose the flats are pretty green up there in Ironbark.
"
A grunt was all reply he got; he shaved the bushman's chin,
Then made the water boiling hot and dipped the razor in.
He raised his hand, his brow grew black, He paused awhile to gloat,
Then slashed the red-hot razor-back across his victim's throat;
Upon the newly-shaven skin it made a livid mark—
No doubt it fairly took him in— that man from Ironbark.
He fetched a wild up-country yell might wake the dead to hear,
And though his throat, he knew full well, was cut from ear to ear,
He struggled gamely to his feet, and faced the murderous foe.
"You've done for me! you dog, I'm beat! one hit before I go!
I only wish I had a knife, you blessed murdering shark!
But you'll remember all your life the man from Ironbark.
"
He lifted up his hairy paw, with one tremendous clout
He landed on the barber's jaw, and knocked the barber out.
He set to work with tooth and nail, he made the place a wreck;
He grabbed the nearest gilded youth, and tried to break his neck.
And all the while his throat he held to save his vital spark,
And "Murder! Bloody Murder!" yelled the man from Ironbark.
A peeler man who heard the din came in to see the show;
He tried to run the bushman in, but he refused to go.
And when at last the barber spoke, and said " 'Twas all in fun—
'Twas just a little harmless joke, a trifle overdone.
"
"A joke!" he cried, "By George, that's fine; a lively sort of lark;
I'd like to catch that murdering swine some night in Ironbark.
"
And now while round the shearing-floor the listening shearers gape,
He tells the story o'er and o'er, and brags of his escape.
"Them barber chaps what keeps a tote, by George, I've had enough,
One tried to cut my bloomin' throat, but thank the Lord it's tough.
"
And whether he's believed or no, there's one thing to remark,
That flowing beards are all the go way up in Ironbark.
|
Written by
Andrew Barton Paterson |
It was the man from Ironbark who struck the Sydney town,
He wandered over street and park, he wandered up and down.
He loitered here he loitered there, till he was like to drop,
Until at last in sheer despair he sought a barber's shop.
"Ere! shave my beard and whiskers off, I'll be a man of mark,
I'll go and do the Sydney toff up home in Ironbark.
"
The barber man was small and flash, as barbers mostly are,
He wore a strike-your-fancy sash he smoked a huge cigar;
He was a humorist of note and keen at repartee,
He laid the odds and kept a "tote", whatever that may be,
And when he saw our friend arrive, he whispered, "Here's a lark!
Just watch me catch him all alive, this man from Ironbark.
"
There were some gilded youths that sat along the barber's wall.
Their eyes were dull, their heads were flat, they had no brains at all;
To them the barber passed the wink his dexter eyelid shut,
"I'll make this bloomin' yokel think his bloomin' throat is cut.
"
And as he soaped and rubbed it in he made a rude remark:
"I s'pose the flats is pretty green up there in Ironbark.
"
A grunt was all reply he got; he shaved the bushman's chin,
Then made the water boiling hot and dipped the razor in.
He raised his hand, his brow grew black, he paused awhile to gloat,
Then slashed the red-hot razor-back across his victim's throat;
Upon the newly-shaven skin it made a livid mark -
No doubt it fairly took him in - the man from Ironbark.
He fetched a wild up-country yell might wake the dead to hear,
And though his throat, he knew full well, was cut from ear to ear,
He struggled gamely to his feet, and faced the murd'rous foe:
"You've done for me! you dog, I'm beat! one hit before I go!
I only wish I had a knife, you blessed murdering shark!
But you'll remember all your life the man from Ironbark.
"
He lifted up his hairy paw, with one tremendous clout
He landed on the barber's jaw, and knocked the barber out.
He set to work with nail and tooth, he made the place a wreck;
He grabbed the nearest gilded youth, and tried to break his neck.
And all the while his throat he held to save his vital spark,
And "Murder! Bloody murder!" yelled the man from Ironbark.
A peeler man who heard the din came in to see the show;
He tried to run the bushman in, but he refused to go.
And when at last the barber spoke, and said "'Twas all in fun'
Twas just a little harmless joke, a trifle overdone.
"
"A joke!" he cried, "By George, that's fine; a lively sort of lark;
I'd like to catch that murdering swine some night in Ironbark.
"
And now while round the shearing floor the list'ning shearers gape,
He tells the story o'er and o'er, and brags of his escape.
"Them barber chaps what keeps a tote, By George, I've had enough,
One tried to cut my bloomin' throat, but thank the Lord it's tough.
"
And whether he's believed or no, there's one thing to remark,
That flowing beards are all the go way up in Ironbark.
|
Written by
Dorothy Parker |
And now I have another lad!
No longer need you tell
How all my nights are slow and sad
For loving you too well.
His ways are not your wicked ways,
He's not the like of you.
He treads his path of reckoned days,
A sober man, and true.
They'll never see him in the town,
Another on his knee.
He'd cut his laden orchards down,
If that would pleasure me.
He'd give his blood to paint my lips
If I should wish them red.
He prays to touch my finger-tips
Or stroke my prideful head.
He never weaves a glinting lie,
Or brags the hearts he'll keep.
I have forgotten how to sigh-
Remembered how to sleep.
He's none to kiss away my mind-
A slower way is his.
Oh, Lord! On reading this, I find
A silly lot he is.
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