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Best Famous Boxed In Poems

Here is a collection of the all-time best famous Boxed In poems. This is a select list of the best famous Boxed In poetry. Reading, writing, and enjoying famous Boxed In poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of boxed in poems.

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Written by Carl Sandburg | Create an image from this poem

Balloon Faces

 THE BALLOONS hang on wires in the Marigold Gardens.
They spot their yellow and gold, they juggle their blue and red, they float their faces on the face of the sky.
Balloon face eaters sit by hundreds reading the eat cards, asking, “What shall we eat?”—and the waiters, “Have you ordered?” they are sixty ballon faces sifting white over the tuxedoes.
Poets, lawyers, ad men, mason contractors, smartalecks discussing “educated jackasses,” here they put crabs into their balloon faces.
Here sit the heavy balloon face women lifting crimson lobsters into their crimson faces, lobsters out of Sargossa sea bottoms.
Here sits a man cross-examining a woman, “Where were you last night? What do you do with all your money? Who’s buying your shoes now, anyhow?” So they sit eating whitefish, two balloon faces swept on God’s night wind.
And all the time the balloon spots on the wires, a little mile of festoons, they play their own silence play of film yellow and film gold, bubble blue and bubble red.
The wind crosses the town, the wind from the west side comes to the banks of marigolds boxed in the Marigold Gardens.
Night moths fly and fix their feet in the leaves and eat and are seen by the eaters.
The jazz outfit sweats and the drums and the saxophones reach for the ears of the eaters.
The chorus brought from Broadway works at the fun and the slouch of their shoulders, the kick of their ankles, reach for the eyes of the eaters.
These girls from Kokomo and Peoria, these hungry girls, since they are paid-for, let us look on and listen, let us get their number.
Why do I go again to the balloons on the wires, something for nothing, kin women of the half-moon, dream women? And the half-moon swinging on the wind crossing the town—these two, the half-moon and the wind—this will be about all, this will be about all.
Eaters, go to it; your mazuma pays for it all; it’s a knockout, a classy knockout—and payday always comes.
The moths in the marigolds will do for me, the half-moon, the wishing wind and the little mile of balloon spots on wires—this will be about all, this will be about all.


Written by Rg Gregory | Create an image from this poem

in search of milk and paradise

 heeley (sheffield) autumn 1988

dodging the broken bottles
dog-**** the pavement spew
i wheel my young son matthew
through the heeley streets
shop to shop this early
morning (short of milk)
unsettled day - the sun
comes through the clouds in
ragged strips where windy
rain has had the night
to puff and piddle

puddles idle in
the dips of surfaces
neglected for decades

another place where caring's
lost a public vision
only detritus of hope
dares poke its battered 
visage out of doors

no pride here on pavements
what's local's long been
squashed - wealth's dogs
prefer more stately
avenues to piss up

the air is fresh
i'm moving briskly
getting a lift from
my negotiating skills

take a buggy on 
two wheels to skirt
a sudden pool a twirl
past faeces - a kind of
hop-scotch over jags
of milky glass - and come
to stop on a hillside
where slopes of grass drop
sleekly on what were
backs of houses

i'm out of breath
a darkness ripples
past my eyes and knocks
on my unfitness
i am locked for one
brief aeon as a rock
that's held its place upon
this hill inscrutably

a wildness explodes
from every blade of grass
i touch upon deep springs
(a healing flow upsurging
through the **** and glass
the torn-down homes)

my body's lapped - my
old eyes washed of dirt
a comb's gone through the
landscape at my feet
the muck's redeemed

a larger time lets
nothing be what is
but everything is used
for what is coming

today-defunct breeds
trees that bloom tomorrow
nothing's next step on 
is one - what's poor is
where new worlds are just
beginning - the ****
spew glass the death
of hope have done their time

(cartons which the future's
thrown away as minds
and spirits snout amongst
the refuse seeking forms
to dress their fresh selves in)

the meek are gathered
in millions on this hill
disparaged destitute
of any say in this
dead time as others
roll their tongues
round easy riches

but here's the future
too - a start of ages
a cry whose agony's
a pinprick or a seedling
a drib of red and green
the statute's blind to

across the valley
sheffield snarls itself
to this day's life
its smoke-tuned buildings
boxed-in by the past
(upheavals mortised in
its joints make it confused)

for all its roar it
slumbers through its present
wanting its glory back
the talk of its old
workers flawed with steely
pride (that stainless stain)
there's no dawn there - its power
and wealth have long borne
all its sons away

it's in the detritus
i stand in (in this mix
of race and stymied
passion heeley has become
- and all such cast-off
cesspits of our dreams)
the not-yet written 
songs of human dignity
are not yet being sung

the shudder leaves me
i'm just this oldish
man with his youngest son
pushing a buggy through
scarred heeley streets
more concerned to get
no **** upon the wheels
than to hold a sand-grain
to the world and turn
its atoms inside out

i'll not live to see
the newlaid honest
pavements going down
and houses have that look
within their glass that sings
of confidence-returned

i push on up the hill
(to where my oldest son
has done his house up)
once more safely in
the compound of my 
aging flesh talking
with matthew playing
buggy games

  triumphant
only that after
so many sorry shops
i'd found one that did
sell milk - the morning
cup of tea reclaimed

the real world put to rights

Book: Reflection on the Important Things