Written by
Anne Sexton |
No matter what life you lead
the virgin is a lovely number:
cheeks as fragile as cigarette paper,
arms and legs made of Limoges,
lips like Vin Du Rhône,
rolling her china-blue doll eyes
open and shut.
Open to say,
Good Day Mama,
and shut for the thrust
of the unicorn.
She is unsoiled.
She is as white as a bonefish.
Once there was a lovely virgin
called Snow White.
Say she was thirteen.
Her stepmother,
a beauty in her own right,
though eaten, of course, by age,
would hear of no beauty surpassing her own.
Beauty is a simple passion,
but, oh my friends, in the end
you will dance the fire dance in iron shoes.
The stepmother had a mirror to which she referred--
something like the weather forecast--
a mirror that proclaimed
the one beauty of the land.
She would ask,
Looking glass upon the wall,
who is fairest of us all?
And the mirror would reply,
You are the fairest of us all.
Pride pumped in her like poison.
Suddenly one day the mirror replied,
Queen, you are full fair, 'tis true,
but Snow White is fairer than you.
Until that moment Snow White
had been no more important
than a dust mouse under the bed.
But now the queen saw brown spots on her hand
and four whiskers over her lip
so she condemned Snow White
to be hacked to death.
Bring me her heart, she said to the hunter,
and I will salt it and eat it.
The hunter, however, let his prisoner go
and brought a boar's heart back to the castle.
The queen chewed it up like a cube steak.
Now I am fairest, she said,
lapping her slim white fingers.
Snow White walked in the wildwood
for weeks and weeks.
At each turn there were twenty doorways
and at each stood a hungry wolf,
his tongue lolling out like a worm.
The birds called out lewdly,
talking like pink parrots,
and the snakes hung down in loops,
each a noose for her sweet white neck.
On the seventh week
she came to the seventh mountain
and there she found the dwarf house.
It was as droll as a honeymoon cottage
and completely equipped with
seven beds, seven chairs, seven forks
and seven chamber pots.
Snow White ate seven chicken livers
and lay down, at last, to sleep.
The dwarfs, those little hot dogs,
walked three times around Snow White,
the sleeping virgin.
They were wise
and wattled like small czars.
Yes.
It's a good omen,
they said, and will bring us luck.
They stood on tiptoes to watch
Snow White wake up.
She told them
about the mirror and the killer-queen
and they asked her to stay and keep house.
Beware of your stepmother,
they said.
Soon she will know you are here.
While we are away in the mines
during the day, you must not
open the door.
Looking glass upon the wall .
.
.
The mirror told
and so the queen dressed herself in rags
and went out like a peddler to trap Snow White.
She went across seven mountains.
She came to the dwarf house
and Snow White opened the door
and bought a bit of lacing.
The queen fastened it tightly
around her bodice,
as tight as an Ace bandage,
so tight that Snow White swooned.
She lay on the floor, a plucked daisy.
When the dwarfs came home they undid the lace
and she revived miraculously.
She was as full of life as soda pop.
Beware of your stepmother,
they said.
She will try once more.
Snow White, the dumb bunny,
opened the door
and she bit into a poison apple
and fell down for the final time.
When the dwarfs returned
they undid her bodice,
they looked for a comb,
but it did no good.
Though they washed her with wine
and rubbed her with butter
it was to no avail.
She lay as still as a gold piece.
The seven dwarfs could not bring themselves
to bury her in the black ground
so they made a glass coffin
and set it upon the seventh mountain
so that all who passed by
could peek in upon her beauty.
A prince came one June day
and would not budge.
He stayed so long his hair turned green
and still he would not leave.
The dwarfs took pity upon him
and gave him the glass Snow White--
its doll's eyes shut forever--
to keep in his far-off castle.
As the prince's men carried the coffin
they stumbled and dropped it
and the chunk of apple flew out
of her throat and she woke up miraculously.
And thus Snow White became the prince's bride.
The wicked queen was invited to the wedding feast
and when she arrived there were
red-hot iron shoes,
in the manner of red-hot roller skates,
clamped upon her feet.
First your toes will smoke
and then your heels will turn black
and you will fry upward like a frog,
she was told.
And so she danced until she was dead,
a subterranean figure,
her tongue flicking in and out
like a gas jet.
Meanwhile Snow White held court,
rolling her china-blue doll eyes open and shut
and sometimes referring to her mirror
as women do.
|
Written by
Les Murray |
Once played to attentive faces
music has broken its frame
its bodice of always-weak laces
the entirely promiscuous art
pours out in public spaces
accompanying everything, the selections
of sex and war, the rejections.
To jeans-wearers in zipped sporrans
it transmits an ideal body
continuously as theirs age.
Warrens
of plastic tiles and mesh throats
dispense this aural money
this sleek accountancy of notes
deep feeling adrift from its feelers
thought that means everything at once
like a shrugging of cream shoulders
like paintings hung on park mesh
sonore doom soneer illy chesh
they lost the off switch in my lifetime
the world reverberates with Muzak
and Prozac.
As it doesn't with poe-zac
(I did meet a Miss Universe named Verstak).
Music to me is like days
I rarely catch who composed them
if one's sublime I think God
my life-signs suspend.
I nod
it's like both Stilton and cure
from one harpsichord-hum:
penicillium -
then I miss the Köchel number.
I scarcely know whose performance
of a limpid autumn noon is superior
I gather timbre outranks rhumba.
I often can't tell days apart
they are the consumers, not me
in my head collectables decay
I've half-heard every piece of music
the glorious big one with voice
the gleaming instrumental one, so choice
the hypnotic one like weed-smoke at a party
and the muscular one out of farty
cars that goes Whudda Whudda
Whudda like the compound oil heart
of a warrior not of this planet.
|
Written by
Matthew Prior |
Releas'd from the noise of the butcher and baker
Who, my old friends be thanked, did seldom forsake her,
And from the soft duns of my landlord the Quaker,
From chiding the footmen and watching the lasses,
From Nell that burn'd milk, and Tom that broke glasses
(Sad mischiefs thro' which a good housekeeper passes!)
From some real care but more fancied vexation,
From a life parti-colour'd half reason half passion,
Here lies after all the best wench in the nation.
From the Rhine to the Po, from the Thames to the Rhone,
Joanna or Janneton, Jinny or Joan,
'Twas all one to her by what name she was known.
For the idiom of words very little she heeded,
Provided the matter she drove at succeeded,
She took and gave languages just as she needed.
So for kitchen and market, for bargain and sale,
She paid English or Dutch or French down on the nail,
But in telling a story she sometimes did fail;
Then begging excuse as she happen'd to stammer,
With respect to her betters but none to her grammar,
Her blush helped her out and her jargon became her.
Her habit and mien she endeavor'd to frame
To the different gout of the place where she came;
Her outside still chang'd, but her inside the same:
At the Hague in her slippers and hair as the mode is,
At Paris all falbalow'd fine as a goddess,
And at censuring London in smock sleeves and bodice.
She order'd affairs that few people could tell
In what part about her that mixture did dwell
Of Frow, or Mistress, or Mademoiselle.
For her surname and race let the herald's e'en answer;
Her own proper worth was enough to advance her,
And he who liked her, little value her grandsire.
But from what house so ever her lineage may come
I wish my own Jinny but out of her tomb,
Tho' all her relations were there in her room.
Of such terrible beauty she never could boast
As with absolute sway o'er all hearts rules the roast
When J___ bawls out to the chair for a toast;
But of good household features her person was made,
Nor by faction cried up nor of censure afraid,
And her beauty was rather for use than parade.
Her blood so well mix't and flesh so well pasted
That, tho' her youth faded, her comeliness lasted;
The blue was wore off, but the plum was well tasted.
Less smooth than her skin and less white than her breast
Was this polished stone beneath which she lies pressed:
Stop, reader, and sigh while thou thinkst on the rest.
With a just trim of virtue her soul was endued,
Not affectedly pious nor secretly lewd
She cut even between the coquette and the prude.
Her will with her duty so equally stood
That, seldom oppos'd, she was commonly good,
And did pretty well, doing just what she would.
Declining all power she found means to persuade,
Was then most regarded when most she obey'd,
The mistress in truth when she seem'd but the maid.
Such care of her own proper actions she took
That on other folk's lives she had not time to look,
So censure and praise were struck out of her book.
Her thought still confin'd to its own little sphere,
She minded not who did excel or did err
But just as the matter related to her.
Then too when her private tribunal was rear'd
Her mercy so mix'd with her judgment appear'd
That her foes were condemn'd and her friends always clear'd.
Her religion so well with her learning did suit
That in practice sincere, and in controverse mute,
She showed she knew better to live than dispute.
Some parts of the Bible by heart she recited,
And much in historical chapters delighted,
But in points about Faith she was something short sighted;
So notions and modes she refer'd to the schools,
And in matters of conscience adher'd to two rules,
To advise with no bigots, and jest with no fools.
And scrupling but little, enough she believ'd,
By charity ample small sins she retriev'd,
And when she had new clothes she always receiv'd.
Thus still whilst her morning unseen fled away
In ord'ring the linen and making the tea
That scarce could have time for the psalms of the day;
And while after dinner the night came so soon
That half she propos'd very seldom was done;
With twenty God bless me's, how this day is gone! --
While she read and accounted and paid and abated,
Eat and drank, play'd and work'd, laugh'd and cried, lov'd and hated,
As answer'd the end of her being created:
In the midst of her age came a cruel disease
Which neither her juleps nor receipts could appease;
So down dropp'd her clay -- may her Soul be at peace!
Retire from this sepulchre all the profane,
You that love for debauch, or that marry for gain,
Retire lest ye trouble the Manes of J___.
But thou that know'st love above int'rest or lust,
Strew the myrle and rose on this once belov'd dust,
And shed one pious tear upon Jinny the Just.
Tread soft on her grave, and do right to her honor,
Let neither rude hand nor ill tongue light upon her,
Do all the small favors that now can be done her.
And when what thou lik'd shall return to her clay,
For so I'm persuaded she must do one day
-- Whatever fantastic John Asgill may say --
When as I have done now, thou shalt set up a stone
For something however distinguished or known,
May some pious friend the misfortune bemoan,
And make thy concern by reflexion his own.
|
Written by
Jonathan Swift |
Corinna, Pride of Drury-Lane,
For whom no Shepherd sighs in vain;
Never did Covent Garden boast
So bright a batter'd, strolling Toast;
No drunken Rake to pick her up,
No Cellar where on Tick to sup;
Returning at the Midnight Hour;
Four Stories climbing to her Bow'r;
Then, seated on a three-legg'd Chair,
Takes off her artificial Hair:
Now, picking out a Crystal Eye,
She wipes it clean, and lays it by.
Her Eye-Brows from a Mouse's Hide,
Stuck on with Art on either Side,
Pulls off with Care, and first displays 'em,
Then in a Play-Book smoothly lays 'em.
Now dextrously her Plumpers draws,
That serve to fill her hollow Jaws.
Untwists a Wire; and from her Gums
A Set of Teeth completely comes.
Pulls out the Rags contriv'd to prop
Her flabby Dugs and down they drop.
Proceeding on, the lovely Goddess
Unlaces next her Steel-Rib'd Bodice;
Which by the Operator's Skill,
Press down the Lumps, the Hollows fill,
Up hoes her Hand, and off she slips
The Bolsters that supply her Hips.
With gentlest Touch, she next explores
Her Shankers, Issues, running Sores,
Effects of many a sad Disaster;
And then to each applies a Plaster.
But must, before she goes to Bed,
Rub off the Daubs of White and Red;
And smooth the Furrows in her Front,
With greasy Paper stuck upon't.
She takes a Bolus e'er she sleeps;
And then between two Blankets creeps.
With pains of love tormented lies;
Or if she chance to close her Eyes,
Of Bridewell and the Compter dreams,
And feels the Lash, and faintly screams;
Or, by a faithless Bully drawn,
At some Hedge-Tavern lies in Pawn;
Or to Jamaica seems transported,
Alone, and by no Planter courted;
Or, near Fleet-Ditch's oozy Brinks,
Surrounded with a Hundred Stinks,
Belated, seems on watch to lie,
And snap some Cull passing by;
Or, struck with Fear, her Fancy runs
On Watchmen, Constables and Duns,
From whom she meets with frequent Rubs;
But, never from Religious Clubs;
Whose Favour she is sure to find,
Because she pays them all in Kind.
CORINNA wakes.
A dreadful Sight!
Behold the Ruins of the Night!
A wicked Rat her Plaster stole,
Half eat, and dragged it to his Hole.
The Crystal Eye, alas, was miss'd;
And Puss had on her Plumpers piss'd.
A Pigeon pick'd her Issue-Peas;
And Shock her Tresses fill'd with Fleas.
The Nymph, tho' in this mangled Plight,
Must ev'ry Morn her Limbs unite.
But how shall I describe her Arts
To recollect the scatter'd Parts?
Or show the Anguish, Toil, and Pain,
Of gath'ring up herself again?
The bashful Muse will never bear
In such a Scene to interfere.
Corinna in the Morning dizen'd,
Who sees, will spew; who smells, be poison'd.
|
Written by
Emily Dickinson |
"Going to him! Happy letter! Tell him--
Tell him the page I didn't write;
Tell him I only said the syntax,
And left the verb and the pronoun out.
Tell him just how the fingers hurried
Then how they waded, slow, slow, slow-
And then you wished you had eyes in your pages,
So you could see what moved them so.
"Tell him it wasn't a practised writer,
You guessed, from the way the sentence toiled;
You could hear the bodice tug, behind you,
As if it held but the might of a child;
You almost pitied it, you, it worked so.
Tell him--No, you may quibble there,
For it would split his heart to know it,
And then you and I were silenter.
"Tell him night finished before we finished
And the old clock kept neighing 'day!'
And you got sleepy and begged to be ended--
What could it hinder so, to say?
Tell him just how she sealed you, cautious
But if he ask where you are hid
Until to-morrow,--happy letter!
Gesture, coquette, and shake your head!"
|
Written by
William Vaughn Moody |
This, then, is she,
My mother as she looked at seventeen,
When she first met my father.
Young incredibly,
Younger than spring, without the faintest trace
Of disappointment, weariness, or tean
Upon the childlike earnestness and grace
Of the waiting face.
Those close-wound ropes of pearl
(Or common beads made precious by their use)
Seem heavy for so slight a throat to wear;
But the low bodice leaves the shoulders bare
And half the glad swell of the breast, for news
That now the woman stirs within the girl.
And yet,
Even so, the loops and globes
Of beaten gold
And jet
Hung, in the stately way of old,
From the ears' drooping lobes
On festivals and Lord's-day of the week,
Show all too matron-sober for the cheek, --
Which, now I look again, is perfect child,
Or no -- or no -- 't is girlhood's very self,
Moulded by some deep, mischief-ridden elf
So meek, so maiden mild,
But startling the close gazer with the sense
Of passions forest-shy and forest-wild,
And delicate delirious merriments.
As a moth beats sidewise
And up and over, and tries
To skirt the irresistible lure
Of the flame that has him sure,
My spirit, that is none too strong to-day,
Flutters and makes delay, --
Pausing to wonder on the perfect lips,
Lifting to muse upon the low-drawn hair
And each hid radiance there,
But powerless to stem the tide-race bright,
The vehement peace which drifts it toward the light
Where soon -- ah, now, with cries
Of grief and giving-up unto its gain
It shrinks no longer nor denies,
But dips
Hurriedly home to the exquisite heart of pain, --
And all is well, for I have seen them plain,
The unforgettable, the unforgotten eyes!
Across the blinding gush of these good tears
They shine as in the sweet and heavy years
When by her bed and chair
We children gathered jealously to share
The sunlit aura breathing myrrh and thyme,
Where the sore-stricken body made a clime
Gentler than May and pleasanter than rhyme,
Holier and more mystical than prayer.
God, how thy ways are strange!
That this should be, even this,
The patient head
Which suffered years ago the dreary change!
That these so dewy lips should be the same
As those I stooped to kiss
And heard my harrowing half-spoken name,
A little ere the one who bowed above her,
Our father and her very constant lover,
Rose stoical, and we knew that she was dead.
Then I, who could not understand or share
His antique nobleness,
Being unapt to bear
The insults which time flings us for our proof,
Fled from the horrible roof
Into the alien sunshine merciless,
The shrill satiric fields ghastly with day,
Raging to front God in his pride of sway
And hurl across the lifted swords of fate
That ringed Him where He sat
My puny gage of scorn and desolate hate
Which somehow should undo Him, after all!
That this girl face, expectant, virginal,
Which gazes out at me
Boon as a sweetheart, as if nothing loth
(Save for the eyes, with other presage stored)
To pledge me troth,
And in the kingdom where the heart is lord
Take sail on the terrible gladness of the deep
Whose winds the gray Norns keep, --
That this should be indeed
The flesh which caught my soul, a flying seed,
Out of the to and fro
Of scattering hands where the seedsman Mage,
Stooping from star to star and age to age
Sings as he sows!
That underneath this breast
Nine moons I fed
Deep of divine unrest,
While over and over in the dark she said,
"Blessed! but not as happier children blessed" --
That this should be
Even she .
.
.
God, how with time and change
Thou makest thy footsteps strange!
Ah, now I know
They play upon me, and it is not so.
Why, 't is a girl I never saw before,
A little thing to flatter and make weep,
To tease until her heart is sore,
Then kiss and clear the score;
A gypsy run-the-fields,
A little liberal daughter of the earth,
Good for what hour of truancy and mirth
The careless season yields
Hither-side the flood of the year and yonder of the neap;
Then thank you, thanks again, and twenty light good-byes.
--
O shrined above the skies,
Frown not, clear brow,
Darken not, holy eyes!
Thou knowest well I know that it is thou
Only to save me from such memories
As would unman me quite,
Here in this web of strangeness caught
And prey to troubled thought
Do I devise
These foolish shifts and slight;
Only to shield me from the afflicting sense
Of some waste influence
Which from this morning face and lustrous hair
Breathes on me sudden ruin and despair.
In any other guise,
With any but this girlish depth of gaze,
Your coming had not so unsealed and poured
The dusty amphoras where I had stored
The drippings of the winepress of my days.
I think these eyes foresee,
Now in their unawakened virgin time,
Their mother's pride in me,
And dream even now, unconsciously,
Upon each soaring peak and sky-hung lea
You pictured I should climb.
Broken premonitions come,
Shapes, gestures visionary,
Not as once to maiden Mary
The manifest angel with fresh lilies came
Intelligibly calling her by name;
But vanishingly, dumb,
Thwarted and bright and wild,
As heralding a sin-defiled,
Earth-encumbered, blood-begotten, passionate man-child,
Who yet should be a trump of mighty call
Blown in the gates of evil kings
To make them fall;
Who yet should be a sword of flame before
The soul's inviolate door
To beat away the clang of hellish wings;
Who yet should be a lyre
Of high unquenchable desire
In the day of little things.
--
Look, where the amphoras,
The yield of many days,
Trod by my hot soul from the pulp of self,
And set upon the shelf
In sullen pride
The Vineyard-master's tasting to abide --
O mother mine!
Are these the bringings-in, the doings fine,
Of him you used to praise?
Emptied and overthrown
The jars lie strown.
These, for their flavor duly nursed,
Drip from the stopples vinegar accursed;
These, I thought honied to the very seal,
Dry, dry, -- a little acid meal,
A pinch of mouldy dust,
Sole leavings of the amber-mantling must;
These, rude to look upon,
But flasking up the liquor dearest won,
Through sacred hours and hard,
With watching and with wrestlings and with grief,
Even of these, of these in chief,
The stale breath sickens reeking from the shard.
Nothing is left.
Aye, how much less than naught!
What shall be said or thought
Of the slack hours and waste imaginings,
The cynic rending of the wings,
Known to that froward, that unreckoning heart
Whereof this brewage was the precious part,
Treasured and set away with furtive boast?
O dear and cruel ghost,
Be merciful, be just!
See, I was yours and I am in the dust.
Then look not so, as if all things were well!
Take your eyes from me, leave me to my shame,
Or else, if gaze they must,
Steel them with judgment, darken them with blame;
But by the ways of light ineffable
You bade me go and I have faltered from,
By the low waters moaning out of hell
Whereto my feet have come,
Lay not on me these intolerable
Looks of rejoicing love, of pride, of happy trust!
Nothing dismayed?
By all I say and all I hint not made
Afraid?
O then, stay by me! Let
These eyes afflict me, cleanse me, keep me yet,
Brave eyes and true!
See how the shrivelled heart, that long has lain
Dead to delight and pain,
Stirs, and begins again
To utter pleasant life, as if it knew
The wintry days were through;
As if in its awakening boughs it heard
The quick, sweet-spoken bird.
Strong eyes and brave,
Inexorable to save!
|
Written by
Victor Hugo |
("Gastibelza, l'homme à la carabine.")
{XXII., March, 1837.}
Gastibelza, with gun the measure beating,
Would often sing:
"Has one o' ye with sweet Sabine been meeting,
As, gay, ye bring
Your songs and steps which, by the music,
Are reconciled—
Oh! this chill wind across the mountain rushing
Will drive me wild!
"You stare as though you hardly knew my lady—
Sabine's her name!
Her dam inhabits yonder cavern shady,
A witch of shame,
Who shrieks o' nights upon the Haunted Tower,
With horrors piled—
Oh! this chill wind, etc.
"Sing on and leap—enjoying all the favors
Good heaven sends;
She, too, was young—her lips had peachy savors
With honey blends;
Give to that hag—not always old—a penny,
Though crime-defiled—
Oh! this chill wind, etc.
"The queen beside her looked a wench uncomely,
When, near to-night,
She proudly stalked a-past the maids so homely,
In bodice tight
And collar old as reign of wicked Julian,
By fiend beguiled—
Oh! this chill wind, etc.
"The king himself proclaimed her peerless beauty
Before the court,
And held it were to win a kiss his duty
To give a fort,
Or, more, to sign away all bright Dorado,
Tho' gold-plate tiled—
Oh! this chill wind, etc.
"Love her? at least, I know I am most lonely
Without her nigh;
I'm but a hound to follow her, and only
At her feet die.
I'd gayly spend of toilsome years a dozen—
A felon styled—
Oh! this chill wind, etc.
"One summer day when long—so long? I'd missed her,
She came anew,
To play i' the fount alone but for her sister,
And bared to view
The finest, rosiest, most tempting ankle,
Like that of child—
Oh! this chill wind, etc.
"When I beheld her, I—a lowly shepherd—
Grew in my mind
Till I was Caesar—she that crownèd leopard
He crouched behind,
No Roman stern, but in her silken leashes
A captive mild—
Oh! this chill wind, etc.
"Yet dance and sing, tho' night be thickly falling;—
In selfsame time
Poor Sabine heard in ecstasy the calling,
In winning rhyme,
Of Saldane's earl so noble, ay, and wealthy,
Name e'er reviled—
Oh! this chill wind, etc.
"(Let me upon this bench be shortly resting,
So weary, I!)
That noble bore her smiling, unresisting,
By yonder high
And ragged road that snakes towards the summit
Where crags are piled—
Oh! this chill wind, etc.
"I saw her pass beside my lofty station—
A glance—'twas all!
And yet I loathe my daily honest ration,
The air's turned gall!
My soul's in chase, my body chafes to wander—
My dagger's filed—
Oh! this chill wind may change, and o'er the mountain
May drive me wild!"
HENRY L. WILLIAMS.
|
Written by
Oliver Wendell Holmes |
GRANDMOTHER's mother: her age, I guess,
Thirteen summers, or something less;
Girlish bust, but womanly air;
Smooth, square forehead with uprolled hair;
Lips that lover has never kissed;
Taper fingers and slender wrist;
Hanging sleeves of stiff brocade;
So they painted the little maid.
On her hand a parrot green
Sits unmoving and broods serene.
Hold up the canvas full in view,--
Look! there's a rent the light shines through,
Dark with a century's fringe of dust,--
That was a Red-Coat's rapier-thrust!
Such is the tale the lady old,
Dorothy's daughter's daughter, told.
Who the painter was none may tell,--
One whose best was not over well;
Hard and dry, it must be confessed,
Fist as a rose that has long been pressed;
Yet in her cheek the hues are bright,
Dainty colors of red and white,
And in her slender shape are seen
Hint and promise of stately mien.
Look not on her with eyes of scorn,--
Dorothy Q.
was a lady born!
Ay! since the galloping Normans came,
England's annals have known her name;
And still to the three-hilled rebel town
Dear is that ancient name's renown,
For many a civic wreath they won,
The youthful sire and the gray-haired son.
O Damsel Dorothy! Dorothy Q.
!
Strange is the gift that I owe to you;
Such a gift as never a king
Save to daughter or son might bring,--
All my tenure of heart and hand,
All my title to house and land;
Mother and sister and child and wife
And joy and sorrow and death and life!
What if a hundred years ago
Those close-shut lips had answered NO,
When forth the tremulous question came
That cost the maiden her Norman name,
And under the folds that look so still
The bodice swelled with the bosom's thrill?
Should I be I, or would it be
One tenth another, to nine tenths me?
Soft is the breath of a maiden's YES:
Not the light gossamer stirs with less;
But never a cable that holds so fast
Through all the battles of wave and blast,
And never an echo of speech or song
That lives in the babbling air so long!
There were tones in the voice that whispered then
You may hear to-day in a hundred men.
O lady and lover, how faint and far
Your images hover,-- and here we are,
Solid and stirring in flesh and bone,--
Edward's and Dorothy's-- all their own,--
A goodly record for Time to show
Of a syllable spoken so long ago!--
Shall I bless you, Dorothy, or forgive
For the tender whisper that bade me live?
It shall be a blessing, my little maid!
I will heal the stab of the Red-Coat's blade,
And freshen the gold of the tarnished frame,
And gild with a rhyme your household name;
So you shall smile on us brave and bright
As first you greeted the morning's light,
And live untroubled by woes and fears
Through a second youth of a hundred years.
|
Written by
Elizabeth Bishop |
Across the floor flits the mechanical toy,
fit for a king of several centuries back.
A little circus horse with real white hair.
His eyes are glossy black.
He bears a little dancer on his back.
She stands upon her toes and turns and turns.
A slanting spray of artificial roses
is stitched across her skirt and tinsel bodice.
Above her head she poses
another spray of artificial roses.
His mane and tail are straight from Chirico.
He has a formal, melancholy soul.
He feels her pink toes dangle toward his back
along the little pole
that pierces both her body and her soul
and goes through his, and reappears below,
under his belly, as a big tin key.
He canters three steps, then he makes a bow,
canters again, bows on one knee,
canters, then clicks and stops, and looks at me.
The dancer, by this time, has turned her back.
He is the more intelligent by far.
Facing each other rather desperately—
his eye is like a star—
we stare and say, "Well, we have come this far.
"
|
Written by
Johann Wolfgang von Goethe |
OH, would I resembled
The country girls fair,
Who rosy-red ribbons
And yellow hats wear!
To believe I was pretty
I thought was allow'd;
In the town I believed it
When by the youth vow'd.
Now that Spring hath return'd,
All my joys disappear;
The girls of the country
Have lured him from here.
To change dress and figure,
Was needful I found,
My bodice is longer,
My petticoat round.
My hat now is yellow.
My bodice like snow;
The clover to sickle
With others I go.
Something pretty, e'er long
Midst the troop he explores;
The eager boy signs me
To go within doors.
I bashfully go,--
Who I am, he can't trace;
He pinches my cheeks,
And he looks in my face.
The town girl now threatens
You maidens with war;
Her twofold charms pledges .
Of victory are.
1803.
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